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From: Elfinsafety
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  • Lieve A, jij bent alles. a...l...l...e...s.

  • whats the name of the music at 00:54 ?*_*

  • @Vegnagun96 they're playing Beethoven's 32 Variations in C minor - WoO. 80

  • Is she teaching pianoplaying or teaching faked emotions?

  • Part of me thinks that what Maria Joao Pires is saying cannot be taught. To play with music coming from deep inside your soul is an awakening that I feel pianists must come to on their own. Some find it, and some never do.

  • @chobeethaninov Which is why she can't teach....She's trying to teach something that can't be taught in a masterclass???? Are you joking? She is a horrible instructor.

  • @MozartFong really it's something that cannot be taught at all... To play with emotion coming from deep down inside of you is pure genius. Anyone, if they practice enough, can have oodles of technique but to play deep and profoundly, to really BE the music takes a deeply talented person. Again, as I said. Some find it earlier than others and some NEVER do.

  • i don't think she should try to force her way of playing on the other people. They will just end up sounding like they are copying her.

  • @pandpinjapan You dont understand anything my friend.

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  • What is she playing at 2:21

  • @legalsilk Beethoven's 32 Variations in C Minor

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  • Muy facilidar a mano este mujer muy bien.

  • @johnmccowell It's one of the most beautiful Schubert's sonata: D784 in A minor. You can find it played by Maria Joao Pires on Youtube.

    Look, also Radu Lupu interpretation is wonderful.

  • @bauladu I first played that piece when I was 12. It was beautiful. 

  • For me, Pires is one of the greatest pianists and teachers of our time.

  • Que cansina es esta pava madre mia xd.

  • It's funny how she says to do that motion in a "very organic way", yet doesn't realize that by commanding and forcing her pupils to do it *exactly* how she says it, it is no longer organic.

    Ugh.

  • What's the piece at 6:07 Please let me know. It's beautiful. I know it's Schubert, but which one?

  • I didn't know the Beethoven 32 variations was in her repertoire. Has she recorded it?

  • @ToNiMT84: it's the largo movt of the Chopin 3rd piano sonata. I must admit i do like MJP in Chopin.MJP :)

  • What is the name of the last piece?

    Thanks!

  • "We have to believe that the miracle can happen. And this you don't do with your mind. Believe that miracles can happen. And they happen more and more you believe"

    So beautiful, real, and organic. It's not in the realm of the mind, it's on the realm of the heart. That's why she teaches that way. She is if far beyong the concerns of the student. She tries to make the student ride out of that, let the mind on one side and really play the piano.

    Thank you for this video!

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  • Teaching these elite classical musicians how to play like jazz guys always did!

  • In my opinion, I would not be able to study under her because i would get frustrated. She such an understanding of the music that when she plays, and when she listens to people play, she knows all the ways the piece can be played and all the ways it shouldn't be played. When she is trying to put a student in the right place it can be frustrating for the student to take the direction. But, when someone is able to break through that, and allow her to mold them, they will be able to do anything.

  • Magic!

  • you guys, i can play realy well, i've read those first comments,and belive me,those masterclass teachers can't teach you how to play "right", there is NO such thing! You just have to FEEL and PlAY that's all! (thumbs up if you agree)

  • it's so ironic how you first have to learn strict time and then break free from it's logic

  • Here's the best tip..

    Stop looking to external sources for your music all the time..

    Sit down, close your eyes, and feel your way to heaven.. Just try to remember the cool shit you do that's the hard part =p

  • This is so relaxing to watch. I would love to be taught by her, - that is, if I was remotely talented.

  • Grande mulher. Existe mesmo?

  • She is good but she has so many black thoughts...

  • Enjoyed tese two clips very much. Will you be posting more of this masterclass series?

    Thanks for uploading.

  • She is trying to impart something which evades words. She is clearly a gifted musician, who's true aim could be to enlighten and not dominate her students. We can't judge her abilities by what is shown here, because we are witnessing an intimate moment when something crucial and subtle needs to be imparted. Most are too thin skinned to benefit from this type of honest commentary, which is why we plead for protection of the students "individuality". The point is - they need yet to uncover it.

  • To everyone that is comparing Argerich to Pires, that is a ridiculous comparison. That's like comparing Glenn Gould to Artur Schnabel.

    Both can coexist in the world, and each are amazing in their own special way.

  • What a WOMAN. she is a genious human being. in every aspect, I believe.

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  • Argerich is not even a comparison because she is in a class by herself.

  • When she taught him how to lift his head, surprisingly I bobbed my head too. :))) Lol

  • I think everyone did haha. Even the people in the back

  • Ya know the Night at the Museum's Einsteins? "I'm a bobblehead, dumkopf, and that's the way, uh-huh-uh-huh, we like it!" ? That REALLY clicks with this situation. L.O.L. !!!

  • Schubert Sonate in Am

  • whats the song at 56 sec?? *.*

  • It's the variation VI from Beethoven's 32 Variations in C-moll for Piano.

  • i feel like music playing like she said, involves so much abstract thinking

  • @david213redmond It involves no thinking. Just feeling. You can't create/recreate music unless you have soul....she hasn't calculated her playing...she's just saying what she feels when she hears it. A great musician is not made by studying technique and theory alone.. SOUL. That's what she is saying.

  • MJP is without doubt one of today's better pianists and her playing at 2:22 is fascinating, indeed. First, I was quite surprised about the way she taught the blond guy but later on I assumed that it had to do with his somewhat presumptuous attitude... By the way: the two other ladies received great support - and at 6:07 we are rewarded with some very touching and intense Schubert! Bravo to this young lady!

  • What was the Schubert piece she was playing ?  It was wonderful !

  • My question was kind of vague. I was responding to dexterityhunter's comment about the Schubert at 6:07. What piece is that ?

  • @dmcII It is the end of the exposition of the first movement of the Sonata in a minor D. 784.

  • Thanks Dex. I didn't think I had a recording of that piece. Turns out I do but just haven't listened to it much. I definitely will now. And here's the best part...the artist is MJP !

  • @dmcII You are welcome! I suppose we all have undiscovered treasuries in our music collections... D. 784 is maybe the most difficult of all Schubert sonatas from an interpretative point of view and I must always think of Richter (Tokyo 1979).

  • The blond boy at 0.29 still looked a little unnatural. Of course, this needs practise too.

  • Maria Joao Pires is a good teacher, she has passion and feeling. But I don't like some of her critisms to that blond boy, 'cause she sounded proud. (" What's the difference between my playing and yours?" etc.)

  • I think she understood all about music...

  • What is the name of the piece she is playing around 2:30?

  • One of the variations they're working on (Beethoven - Variations in c minor or so)

  • same! beethoven variations in C minor

  • /he is wearing a watch when he is playing piano

  • It would be better if people with no experience in playing the piano, or even little exp. shut the fuck up!!! It is important that you ignorants out there know that playing the damn piano is about what the composer writes down. Beyond that - I'll say it again and again - it's a matter of talent, experience and taste. THE END, and sorry about being rude. take it back..!

  • and you wonder why art can bring you to tears. a piano is a weapon, for the sound of it will land on the softest part of the heart, this is the beauty that one's heart could die for.

  • elle a tout compris à la musique,c'est un miracle,si on y croit pas on avance pas,cela devient une évidence

  • stupid.

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  • Does anyone know how I could get the entire documentary? Is it online, is it possible to buy it?

  • hello!

    Did you find the hole documentary of Maria Joaos´masterclass? I would love to see it to!

    Solfrid

  • No, I didn't find it :/ Norsk?

  • Im not agree at all...

    Body expression must be espontaneus, its the way you fell the music, if the pianist stay quiet, the music must sound the same that when he moves... moving the body does not change the sonund, the hands do that.. you cant teach that, If you like to move when you play, its ok, if not, its also Ok.

  • I think that to learn how to use the body when you play takes a life.

    Not also because of the physical act of moving or not but also because of the image that you create inside your mind when you do that.

  • I agree. it can' t be teached.

  • Respect someone in her position. This does not mean you take everything she has to say with a passion; much of what she is saying, I disagree. Her philosophies are her own; her teaching her own; her music is her own. If you can have the "right" to say what you did, then you--yourself--do not deserve to criticize. Many people probably hate and probably love your 'way' of music, and the same for me, and the same for everyone else.

    Just think before you judge. And,yes,I've been in Master Classes.

  • You take a master class to get the teacher's perspective on music. You are not forced to do it their (her) way after the class; but to be encouraged strongly during class gives you new and different experiences to cultivate your own style. In other words: why take her class unless you want to absorb exactly what she's saying. You dont have to adopt, but just try it and then make your own personal adjustments. ^_^

  • Instead of always critisizing this and that,you should extract what is useful and leave the rest! do you think there is one teacher that makes everything corectly?! never! the more teachers you listen to the more you can learn about the way of playing and the technique! surely not by saying this teacher is the best that one is crap! learn to use everything you

    hear!

  • you are crass

  • Beethoven will get her one day. I have never seen any masterclass that doesn't use the score. Now, Beethoven isn't Chopin or other romantic composer. Each thing Beethoven wrote should be treated with respect and deep understanding instead of merely personal feeling.

  • That's not the point, don't you see she's trying to illuminate an important point to her students! To sense freedom in music and feel it deeply in ones soul is more important than stiffly follow the notes. To breath and give life to an otherwise lifeless score. Music is an expression of one's soul. Music allows miracle to happen and that miracle is the soul within each of us.

  • I'm pretty good for 2mo playing and I don't even care about learning songs right now. I know a bit of this and a bit of that from learning the learning process.. I do my Hanon, scales, progressions, ornamentation, etc.. but I play around whenever I feel like it (which is most of the time). I think it's the way to go for now. Like I will sit down to work on scales and get stuck in a cool sound for an hour and it flies by, I'm like "wtf, oops" ^_^

    But I practice 3-4 hours a day because it's fun

  • @nkda113 "To sense freedom in music and feel it deeply in ones soul...Music allows miracle to happen and that miracle is the soul within each of us."...Maya Angelou, is that you?

  • @nkda113 Wow, that's so specific to what the student needs. The bottom line: she's so emotional and abstract, no one understands her and the student is left guessing.

  • LL is certainly an excellent pianist, but she's the greatest, she's above....

    just listen to her Nocturnes even better that Rubinstein's.

  • Lang Lang doesn't play the piano, he bashes it. The exercise with the heads was a freeing exercise for this mechanistic player and the music, not a Lang Lang type mechanistic phoney 'feeling', phoney 'suffering for his Art'. It's us who are suffering when he Clang Clangs away..

    Better than Pires? Big joke.

    She's a great teacher, a really great teacher, too.

  • Oh the ignorance - how catastrophic. Lang Lang bashes the piano during fff parts, using the 'full range of the instrument' which may not be comfortable for some, but then composers aren't always aiming for audial comfort. Listen to Lang Lang's version of Liszt's Liebestraum (third movement particularly). It is played beautifully and is an example of how very wrong you are.

  • LL's better than Pires?? U really think so?

    LL should REALLY attend her classes in order 2 know what's the nature of the music, what a pianist should do.

  • which piece is at 7:00 min ????????? the one with  sudden

    neapolitan 6th chord ????

  • Does anyone know if she still has this summer school? IS there a website?

  • she does still do it but its not like anyone can go people are picked or sent from conservatory,but befor i went to a conservatory i used to do a summer corse in the chopin academy in poland you will wern alot more there i think ,there are alos meny other master classes and summer schools like this around russia and europe,but the best ones i no off are in russia or poland,and thay are really cheap

  • Beethoven, Variations en domineur. great work

  • What music is she teaching. It is beautiful when she speaks French and really go with the music and atmosphere. Not many female pianists can play as good as and as passionate as her

  • It's Schubert's Sonate d784

  • she's the best female pianist. argerich is not even a comparison. Maria Joao Pires is far more musical than technique machines.

  • comparing this hack to Martha Argerich is insulting.

  • What is piece is that man playing?

  • lmao..why does she have to keep telling the guy to look up? I mean my teacher says to do what feels natural but keep a good posture. I don't think its right to tell someone how to move. Otherwise this was very good.

  • MJP makes me cry, everytime I hear her. Thank you MJP

  • She wont even let him play through half a measure without commenting! She puts him in awkward situations- and doensnt explain things well! She is a good pianist herself, but I dont think her message is getting accross

  • Thanks! She is so BEAUTIFUL! Only people who hate freedom could hate her! (I bet they want a sergeant shouting at them even at the piano.) She left Belgais last year because of a SEVERE illness! (heart-attack maybe.)I read somewhere that she now lives in Brazil! (I don't know for sure. Somebody out there who knows?) Joao - doesn't it mean "joy" in Portuguese?

  • No, Joao doesn't mean joy in Portuguese; it's only a name.

  • Yep, João means John (that simple) and in the combination Maria João it is a female name which is not uncommon. There is a famous portuguese jazz singer, her name is Maria João as well (she uses no surname though).

  • PLEASE can we have more, many more of these videos here? I learn a lot from these lessons. Thank You.

  • She plays exceptionally well, but most of all, I admire her humility; always a good quality for a musician to possess.

  • What's the name of the song that the first girl played please?!

  • Schubert sonata in A minor, D 784 (1st mov.)

    ;)

  • Sorry, I've verified, it's not this, are you sure, about the number of the sonata???

  • Yes I am.

    You have to hear the hole movement to find the excerpts she plays.

  • I'm learning a lot just watching this. I've tried playing with more freedom, to escape the tyranny of the barline as she says. It makes all the difference in the world. Suddenly the music has breath, life, space. It's surprising how many pianists today don't seem to understand that. Instead they just want to see how many notes they can play per second.

    Of course, needless to say you must have the technical foundation first. But that's never enough by itself.

  • @slobone How was it surprising when you were one of them ?

  • What is the name of the exactly name of song that the first boy played, please?!

  • lol, what "song"...

  • 2:45 "We have to believe that the miracle can happen" What would music be without the miracles, the mystery and the magic?!

  • It is all about the SENSE OF MUSIC, if you know WHY are you playing this piece, if you have SOMETHING TO SAY, you can play it having all the technical problems in the world and nobody will notice them. Maria is not from the earth, her "musical seeing" is absolutely cosmical, she feels and hears the music "in the space". I was very lucky to play for her once and I would give a million to be there and play for her again... Thank you very much for posting! Do you have more of her masterclass?

  • You (666) still insisting on your strange and disrespectful argumentation. I already bocked your account... sorry, but I have no patience nor time to read demented "ideas".

    Have a great life.

  • hey, there is 6000000000 people on this world, and there is also a couple of different ways of feeling and expressing music. leave her be! i don't think she wants her students to copy her behaviour - she just want them know her way of interpretation. of course, she still looks a bit crazy:D

  • Well, if someone says that the body isn't important to play piano... than he/she don't play piano or is deph.Besides, it's deeply involved with interpretation.Caio Pagano is my teacher and I have never heard a comment about the fact of feeling the music, wich is observable in my body.

  • Una interpretación notable la de la chica que toca a Shubert en el minuto 6:03

  • The Schubert at 6:03 is played beautifully.

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  • I'm FASCINATED!

  • Yes. It's so engaging. You forget where you are watching this.

  • Wow do you also have the other documentary of her??? I have been looking for it like crazy...! can you please post it, too ??? Thanks.

  • this woman is a magician

  • Does she take bookings for children's parties?

  • about the multi-lingual aspect: in portugal almost everyone is multi-lingual!! here we have english lessons in school since you're children and we also have french.and unlike spain,germany and france, we watch every film in it's original language.portuguese language is a very complete language in termos of phonethics.we have all sounds,unlike english.english people can't say a lot of portuguese words!

  • what is the piece being played in the beginning of this video?

  • Beethoven's 32 variations in C minor :)

  • thank you :) it is quite beautiful

  • Please, somebody knows the name of the music that starts at 06:06? It sounds beautiful!

  • That is the Schubert piano sonata in A minor, D784. (Specifically, the first movement).

    :)

  • Thank you really much! I'm going to study it! :)

  • Watch Jorge Bolet's 1000-part masterclass on Rachmaninov's Third Piano Concerto and then watch this one. I've personally been in them, and i think they're a big waste of time. The pianist is going to play the music the way HE/SHE wants to, not the way Joao Pires or Bolet tell's him. That's what makes for "garden variety!" Ain't it great?

  • The documentary is made by Dutch filmmaker Roel van Dalen. I think he made another documentary of her too. Anyone has footage?

  • Yes he did. I have that other documentary too :)

  • She's a great pianist but she's affected to the extreme and loony as they come.

  • I don't think so...

    A person can play very well and be loony, but not as she plays. A person that plays like MJP can't be it; in other words - she has not the playing of loony people.

  • She drove the stage hands nuts one night at Lincoln Center because she said she decided that the stage must look like a living room. The stage hands had to drag out sofas, stuffed chairs, coffee tables and so on. And she was not playing any unusual repertoire.

  • And do you think that is loony? I think that is just a small idea, a small step to make people feel and understand that art is a normal thing. She said once that a concert is not a staging but a sharing and a public expression of the daily.

  • And this is very truth and very good to world because, if all artists assume it, people would get more open-minded to tradition and ones who think classical music is a boring thing would feel themselves more at home to discover that it is a kind of music very humane and very truthful that we all need sometimes as human-beings and that have a strong and precise connection/effect in our souls,spirits,minds.

  • OK, OK. I surrender. Yet, I must say one more thing. Art IS NOT a normal thing. It is transcendent and of the very heavens themselves.

  • lol

    yes is not a normal thing, I wanted to say that artists are normal people and not what I rote... Of course art is something that transcend us :)

  • lol are you from america??

  • I'm not entering this but I certainly agree with you that Art is transcendent.Why? Essentially because it is of the spirit and anything which is a manifestation of the human spirit must transcend above the reality that is a religion,politics, a nation or even a life. That which we cannot see is eternal. Artists are perhaps the same as everyone else, but moreso...

    Phillip Wilcher

  • She's no longer in Portugal ?

    Unbelievable~But the truth is really terrible. I'm wondering why she doesn't release new record for years?

    I wait with ipatience her new appearence in DG classics

  • WAHHHH Elle parle francais!!!

    J'suis toujour fidele a son interpretation

  • what piece is this?? I love it!

  • Beethoven's 32 Variations on an original theme in C minor, WoO 80 :)

    I highly recommend Emil Gilels in this piece. He often played it in his recitals. Apart from the lvie recordings, he also did a studio recording for EMI. (but I like his live version on Melodiya best).

    But that is just my opinion, there are many fine recordings by other great pianists out there, e.g. Annie Fischer.

  • Oh...or do you mean the beautiful slow piece at the end? That is the Largo movement of Chopin's Third Piano Sonata in B-minor. (the movement itself is in B-major)

  • Lovely. The more videos of Maria Joao the better.

  • oh God she's amazing! please smb tell me she is teaching somewhere!

  • belgais, portugal ;)

  • are you sure? I checked the Belgais site and I can't really understand what they do...

  • She is no longer personally involved with Belgais anymore. She left Portugal in 2006 and moved permanent residence to Brazil. She said in an interview:

    "I had to leave Portugal. It was impossible to survive. I was crucified in the newspapers. They told lies about me, terrible lies... I had no strength to continue. I lost almost everything. I'm not attached to money and stuff like that, but now I'm obliged to sell my house. I'm starting my life from zero."

    Sounded awful for her :(

  • I am curious, really: where did you ear that interview?

    I read in the Portuguese newspapers belgais staff saying that she will participate in piano masterclass activities this year.

    It is strange to know she will not give any more lessons in belgais... are you sure?

  • I found the interview.

    She is right. I hope she could make possible her grate project somewhere. In portugal is impossible. Here people are blind and hypnotized by rich and by american life's consumer ideals.

    It is stupid how Portugal trample this project, that could have been made into a unique attraction centre for all musicians from around the world... judge for yourselves.

    Cumprimentos aos portugueses que partilham a minha opinião.

  • Well thanks for the informations anyway...Maybe she will do smth in Brazil also,it's a pitty that it is soooo far from europe...:(

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