WHO ARE YOU TO SPEAK ABOUT HER STYLE OR MISTAKES? I´D LIKE TO SEE YOU SINGING IN FRONT OF A BIG AUDIENCIE AND THEN YOU COULD SPEAK ABOUT HER! I BET YOU WON´T, OBVIOUSLY.
Caballé doesn ´t modify the words because she likes to do that.Dame Caballé is very known to use other words -with sense of course-when she do not remember the words.She is very known for doing this, and she also knows that.If you dont remember a word in similar phrases you are singing, and there is no time to look to the partitur,what do you do?Keep on singing! She has allready conquered the right to act like that,with no blame! She is Dame Montserrat Caballé !
Now that is caballe! Hurrah! La Caballe sings this like a verdi aria... while still beauty of tonality! THE model for any singer of any type of music!
She seems to have forgotten the words in the middle section. All I got was 'il duol' infranga, queste ee-oi-ee, oi-ee-oi-ee-oia etc' till she eventually finds it again with 'sol per pieta' ! And I don't care for the staccato 'so - o - o- spiri' either. I find this altogether rather sad really for the great singer that she is . . or was !
Well that is not strange when it comes from the great Caballe. She was and excellent singer but she had no idea about how to sing baroque music. She sang it like she sang bel canto. But of course, she is who she is: Bravissima
@Schollistico Sure, she was excellent technically, if not in her element with the baroque, but not remembering the words I find almost unforgivable for a pro like Caballe. I sing this myself so I know what I was listening for - and it wasn't there.
Non molto convincente, purtroppo. Tanto trova la Caballé magnifica in Rossini, tanto poco la trovo imptobabile in Haendel. Adoro la Caballé e penso che la sua voce sarebbe stata perfetta x tutto Haendel ma.....
I beg the pardon of Caballe's fans...but really she is sooo boring here ! she is singing Caballe' not Haendel...why that staccato? why all these portamento/ lamento ?
One of the ten best arias Handel wrote. I'm having difficulty recalling where she was, physically and vocally at the time of this recording--god knows she had her share of surgeries and ups and downs--she's obviously struggling a bit, but only Caballe would decide not to compromise on the ambition of trying to do it right, which in the case of this piece means: quietly, introspectively, and transparently.
This actually a very hard(harder that it seems) aria in the origial tempo(that is already slow) but with these even more slow tempo the aria must be exhausting.
She is not really singing in style sounds more like Puccini than Handel,But the voice...that voice is just amazing
Cara Montserrat!! Nel 1987 eri in perfetta forma vocale, e non solo... mi chiedo perchè dilatre tanto il tempo? perchè non inserire qualche bella variazione, magari qualcuno dei tuoi splendidi pianissimo. Perchè contentarsi di una esibizione sufficiente quando si hanno le capacità vocali per strabiliare??
Monsieur Onegin est plus qu'un magicien. Surtout, il est bien informé de l'histoire du chant moderne, de tous les grands chanteurs, et il a un goût sublime dans ses choix des ces merveilles. Que pouvons-nous dire au sujet de la Caballé? L'élégance, le style, la musicalité qui caractérisent si bien cette femme aussi rare qu'extraordinaire font de cette aria qu'elle nous délivre une expérience magique. Merci Onegin!
Bien sûr le style peut toujours être discuté dans notre époque de relecture de ces oeuvres.Ademttons que ce soit désuet ou obsolète Mais la magie, la magie. Je l'avais entendue dans ce même air au Chatelet en 85 et c'était fabuleux.
WHO ARE YOU TO SPEAK ABOUT HER STYLE OR MISTAKES? I´D LIKE TO SEE YOU SINGING IN FRONT OF A BIG AUDIENCIE AND THEN YOU COULD SPEAK ABOUT HER! I BET YOU WON´T, OBVIOUSLY.
oscargoldman40 6 days ago
Finally someone phrases this with heart....a sad tune is ment to be sang with all the sadness of the heart. Not just performed. She's the best.
cugir321 1 month ago
"La Caballé" como siempre impresionante.
SergioJdc 3 months ago
It takes experience to sing like that!! She's matured musically!!
watsonmkandawire 4 months ago
No sincerity. No fidelity. No good taste. Just a great, beautiful voice used in personal favour.
Holderlin 6 months ago
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Farinelli and Montserrat are Genius singers.
mus9999 6 months ago
Farinelli and Montserrat are Genius singers
mus9999 6 months ago
super gefühlvoll!!!!
marcofrizi 11 months ago
Its really good for the most part, but I do think she over pronounces the coloratura at some points, I prefer it when its a bit more slurry almost.
HansJacobSchmidt 11 months ago
I LOVE HER <3 <3 <3
vingardiumleviossa 1 year ago
Caballé doesn ´t modify the words because she likes to do that.Dame Caballé is very known to use other words -with sense of course-when she do not remember the words.She is very known for doing this, and she also knows that.If you dont remember a word in similar phrases you are singing, and there is no time to look to the partitur,what do you do?Keep on singing! She has allready conquered the right to act like that,with no blame! She is Dame Montserrat Caballé !
liriango 1 year ago 3
I like her because her voice is very soft,,,
so even when I listen to her music on my earphone,
I don't feel any uncomfortableness..
JinheumPark 1 year ago 2
She was fine, just did not like the parts that she modified the original letter ...
contratenorjoaopaf2 1 year ago
Lascia ch’io pianga mia cruda sorte,
E che sospiri la libertà!
E che sospiri, e che sospiri, la libertà!
Lascia ch’io pianga mia cruda sorte,
E che sospiri, la libertà!
Il duolo in franga queste ritorte
De’ miei martiri sol per pietà
De’ miei martiri sol per pietà.
reginajurupari 1 year ago
Now that is caballe! Hurrah! La Caballe sings this like a verdi aria... while still beauty of tonality! THE model for any singer of any type of music!
TheWisemonkey8 1 year ago 3
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Merveilleuse musique que nous n'avons pu nous empêcher de transcrire pour notre duo guitare/ flûte Voir YOUTUBE DEMAREZ CASSIGNOL
demarezmichel 1 year ago
She seems to have forgotten the words in the middle section. All I got was 'il duol' infranga, queste ee-oi-ee, oi-ee-oi-ee-oia etc' till she eventually finds it again with 'sol per pieta' ! And I don't care for the staccato 'so - o - o- spiri' either. I find this altogether rather sad really for the great singer that she is . . or was !
suzypuss 2 years ago
Well that is not strange when it comes from the great Caballe. She was and excellent singer but she had no idea about how to sing baroque music. She sang it like she sang bel canto. But of course, she is who she is: Bravissima
Schollistico 1 year ago
@Schollistico Sure, she was excellent technically, if not in her element with the baroque, but not remembering the words I find almost unforgivable for a pro like Caballe. I sing this myself so I know what I was listening for - and it wasn't there.
As I said, very sad.
suzypuss 1 year ago
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@suzypuss Agree. Fish out of water!
rumpwrestler 1 year ago
She's great: I play with her in Rome!*****
synballein70 2 years ago
Muito lindo, bravo!!!
SimoneDefanti 2 years ago
Non molto convincente, purtroppo. Tanto trova la Caballé magnifica in Rossini, tanto poco la trovo imptobabile in Haendel. Adoro la Caballé e penso che la sua voce sarebbe stata perfetta x tutto Haendel ma.....
helendonath 2 years ago
I beg the pardon of Caballe's fans...but really she is sooo boring here ! she is singing Caballe' not Haendel...why that staccato? why all these portamento/ lamento ?
virtualhiram 2 years ago
One of the ten best arias Handel wrote. I'm having difficulty recalling where she was, physically and vocally at the time of this recording--god knows she had her share of surgeries and ups and downs--she's obviously struggling a bit, but only Caballe would decide not to compromise on the ambition of trying to do it right, which in the case of this piece means: quietly, introspectively, and transparently.
ChristophePhilippe 2 years ago
I agree with you!
One of the best arias Haendel wrote, sang by a great singer
maipersa 2 years ago
She is wonderful and the tempo is just right, imho.
kolkrabe19 2 years ago
dont like so-o-o-spiri ....but exelent voice
webbersarahlover 2 years ago 14
@webbersarahlover I agree. The tuplet should be more legato.
HerrWarja 1 year ago
pues francamente prefiero cómo la canta cecilia bartoli xdd esta tiene una voz preciosa, xo no es muy artista....
javierleonenriquez 2 years ago
沒想到可以在youtube上面看到上個世紀的聲樂家的影片!!!
grandiogg 2 years ago
Una maravillosa obra de arte cantada por una gran señora y mejor artista.
beatlemaniac1978 2 years ago 10
Angelic... just divine ;(
zurriussII 2 years ago
Advice - don't listen to this anywhere near Hayley Westenra's feeble attempt!
Living proof that a gold frock, a full orchestra and flaming torches do not make up for raw talent and training.
I love the tempo and the Pucciniesque ending is really good fun!
Brava!
EnBonPoint 2 years ago
This actually a very hard(harder that it seems) aria in the origial tempo(that is already slow) but with these even more slow tempo the aria must be exhausting.
She is not really singing in style sounds more like Puccini than Handel,But the voice...that voice is just amazing
But th
Heartlessiceboy 2 years ago 2
Well, the time is slow, but anyone can argue about her wonderful voice. She is just amazing
yvonnelacri 2 years ago 3
uuuuuuuuuuu not goooood!!!!!
webbersarahlover 2 years ago
boy, this piece is endlessly slow anyway. you simply don't need to slow it down even more!!
TheOnlyOriginalKebim 2 years ago
Cara Montserrat!! Nel 1987 eri in perfetta forma vocale, e non solo... mi chiedo perchè dilatre tanto il tempo? perchè non inserire qualche bella variazione, magari qualcuno dei tuoi splendidi pianissimo. Perchè contentarsi di una esibizione sufficiente quando si hanno le capacità vocali per strabiliare??
helendonath 2 years ago
penso come lei. Bravo pensier.
tena2 2 years ago
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it's horrible....... -.-
BallerinoMitico 2 years ago
Beautifil voice (you know I love Caballe)....but I think the tempo is to slow!!!
colibridelapampa 3 years ago 5
Oh Dear, far too slow...
TalkToMe66 2 years ago
Pardon, j'ai oublié de vous remercier pour cette sublime vidéo.
SENAFOREVER 3 years ago
Ici nous trouvons ce qui manque cruellement à tant de nos baroqueux aujourd'hui: une sublime technique vocale, un son ample,pur,rond...
La sensualité.
SENAFOREVER 3 years ago
Monsieur Onegin est plus qu'un magicien. Surtout, il est bien informé de l'histoire du chant moderne, de tous les grands chanteurs, et il a un goût sublime dans ses choix des ces merveilles. Que pouvons-nous dire au sujet de la Caballé? L'élégance, le style, la musicalité qui caractérisent si bien cette femme aussi rare qu'extraordinaire font de cette aria qu'elle nous délivre une expérience magique. Merci Onegin!
MusicaParola 3 years ago 4
Merci oneguin, vous êtes magicien! Comment pouvez-vous faire surgir ces merveilles ?
opera75frfr 3 years ago 3
Bien sûr le style peut toujours être discuté dans notre époque de relecture de ces oeuvres.Ademttons que ce soit désuet ou obsolète Mais la magie, la magie. Je l'avais entendue dans ce même air au Chatelet en 85 et c'était fabuleux.
opera75frfr 3 years ago 3