@TheVoicelesson I've had a paralyzed vocal cord, for which I was treated by one of the best singing specialist laryngologists in the US and beyond. He assured me that there hadn't been anything wrong with my technique. Such paralyses, he told me, occur far more often from viral infections.
I have also read the accounts of London's primary laryngologist, who theorized that London's problem began with a case of hepatitis in 1959-60; and therefore had NOTHING to do with his technique.
@BobBouillabaisseEsq No, you spoke out of turn because that's the only way you ever do. Now, do you have anything to offer about George London's technique? That's what I thought. You remain a pathetic loser, stalking people who have formerly made an ass of you on other sites. Not hard to do. So long, Chowderhead.
@BobBouillabaisseEsq And you are a pathetic loser reduced to stalking on Youtube and commenting on things which you know nothing about. But then, you always did that, didn't you Fish Head. Fuck off, moron.
It does anger me and show the shallowness of today's ape mind when one sees such a post- all those who know what singing is should have respect for voices unique such as George London had - I do not mean not that one should not question but these where artist of grandeur which thanks to people like you are now obsolete - who, one asks can nowadays sing like London, Bastianini, Corelli, Del Monaco etc? Null singing teachers?
London is in my opinion only surpassed in the bass-baritone fach by the immortal Hans Hotter. His rendering of the Confutatis from the Verdi Requiem is of such high standard, that it puts many a bass to shame. But I do implore you commentators. Please avoid to judge this great singer by comparing him to basses like Siepi or Ghiaurov. It´s not fair at all, as London was a bass-baritone and therefore should only be compared with singers within that fach.
London's reliable range covered two octaves from low to high G. He was, therefore, EXACTLY a bass-baritone. Not as high as a true baritone, nor as low as a true bass. As such, he could sing certain (NOT all, of course) roles in each fach. London, moreover, was both smart and shrewd. His roles were well-tapered to his dramatic and histrionic strengths. He had, for example, almost the perfect range and timbre for Amonasro, Scarpia, the Dutchman, the Walkure Wotan, Escamillo, Boris --
Also the Faust Mefisto -- plus Iago and Falstaff, had it not been for the vocal cord paralysis that shut him down in mid-career. When I hear London, I'm struck by his voice's sheer beauty. He was a great singing actor, and his instrument was large and powerful, with a wide expressive range. But even so, London's voice had a lyrical quality. That's rare in a big, dark dramatic bass-baritone --
Not that I don't believe you, but are you aware of any recordings with him hitting the high G (or higher) in full voice? It must be absolutely mind-blowing!
It's a solo recording, not a Pag performance. I'm pretty sure it has been reissued on CD, but not positive. I'll do some research and get back to you re. that:) --
He sang the legendary role of Boris and was one of the first foreigners to sing it at the Bolshoy Theatre in Moscow - where some of the best basses on earth sing. An American (if not mistaken) version of Boris highlights exists on cd alongside Mussorsky's Pictures at an Exhibition recording on 1 cd. There is another CD of him performing highlight arias for Bass;bass-baritone by the name of 'Gods and Demons' and a Carnegie hall recital. And there exists even a version of Don Giovanni
He sang the legendary role of Boris and was one of the first foreigners to sing it at the Bolshoy Theatre in Moscow - where some of the best basses on earth sing. An American (if not mistaken) version of Boris highlights exists on cd alongside Mussorsky's Pictures at an Exhibition recording on 1 cd. There is another CD of him performing highlight arias for Bass;bass-baritone by the name of 'Gods and Demons' and a Carnegie hall recital. And there exists even a version of Don Giovanni
He sang the legendary role of Boris and was one of the first foreigners to sing it at the Bolshoy Theatre in Moscow - where some of the best basses on earth sing. An American (if not mistaken) version of Boris highlights exists on cd alongside Mussorsky's Pictures at an Exhibition recording on 1 cd. There is another CD of him performing highlight arias for Bass;bass-baritone by the name of 'Gods and Demons' and a Carnegie hall recital. And there exists even a version of Don Giovanni
With all due respect to Siepi and Ghiaurov, why don't you find London at their level? Not trying to start a fight. Just interested in your opinion re this, because I very much enjoy such discussions:) --
@stevevandien I respect London, his voice and technique are beautiful. Simply, I think that this piece is deeply emotional and his way of singing it is not. Siepi and Ghiaurov give me shivers, London does not. I'm just referring to this particular piece, of course.
@blichilde Fair enough, my friend:). And after listening to Siepi and Ghiaurov as well as London once more, I understand your point and respect it. I still believe London is good, but agree re. Ghiaurov and Siepi. I believe, however, that Pinza's version was better still, because it shivers my timbers like nobody's business:) --
Jesus H. Christ! Was there anything this man couldn't sing?! He sounds great singing baritone roles and he sounds fabulous singing bass roles... unbelievable.
Magnifico !
bodiloto 1 week ago
@TheVoicelesson I've had a paralyzed vocal cord, for which I was treated by one of the best singing specialist laryngologists in the US and beyond. He assured me that there hadn't been anything wrong with my technique. Such paralyses, he told me, occur far more often from viral infections.
I have also read the accounts of London's primary laryngologist, who theorized that London's problem began with a case of hepatitis in 1959-60; and therefore had NOTHING to do with his technique.
stevevandien 1 month ago
Des résonances pâteuses et surchargées.Le charme n'opère pas sur moi...
abracadabranque 9 months ago
@BobBouillabaisseEsq No, you spoke out of turn because that's the only way you ever do. Now, do you have anything to offer about George London's technique? That's what I thought. You remain a pathetic loser, stalking people who have formerly made an ass of you on other sites. Not hard to do. So long, Chowderhead.
countceprano 1 year ago
@BobBouillabaisseEsq And you are a pathetic loser reduced to stalking on Youtube and commenting on things which you know nothing about. But then, you always did that, didn't you Fish Head. Fuck off, moron.
countceprano 1 year ago
@TheVoicelesson You moron. The paralyzed cord, (not chord, as you spelled it, idiot), was due to illness, i.e., a stroke.
countceprano 1 year ago
@TheVoicelesson
I created an account just to reply to you;
It does anger me and show the shallowness of today's ape mind when one sees such a post- all those who know what singing is should have respect for voices unique such as George London had - I do not mean not that one should not question but these where artist of grandeur which thanks to people like you are now obsolete - who, one asks can nowadays sing like London, Bastianini, Corelli, Del Monaco etc? Null singing teachers?
corellipersempre 1 year ago
London is in my opinion only surpassed in the bass-baritone fach by the immortal Hans Hotter. His rendering of the Confutatis from the Verdi Requiem is of such high standard, that it puts many a bass to shame. But I do implore you commentators. Please avoid to judge this great singer by comparing him to basses like Siepi or Ghiaurov. It´s not fair at all, as London was a bass-baritone and therefore should only be compared with singers within that fach.
stefanbassi 2 years ago
Here is this great and unique artist at his best:) --
stevevandien 2 years ago
London's reliable range covered two octaves from low to high G. He was, therefore, EXACTLY a bass-baritone. Not as high as a true baritone, nor as low as a true bass. As such, he could sing certain (NOT all, of course) roles in each fach. London, moreover, was both smart and shrewd. His roles were well-tapered to his dramatic and histrionic strengths. He had, for example, almost the perfect range and timbre for Amonasro, Scarpia, the Dutchman, the Walkure Wotan, Escamillo, Boris --
stevevandien 2 years ago
Also the Faust Mefisto -- plus Iago and Falstaff, had it not been for the vocal cord paralysis that shut him down in mid-career. When I hear London, I'm struck by his voice's sheer beauty. He was a great singing actor, and his instrument was large and powerful, with a wide expressive range. But even so, London's voice had a lyrical quality. That's rare in a big, dark dramatic bass-baritone --
stevevandien 2 years ago
Not that I don't believe you, but are you aware of any recordings with him hitting the high G (or higher) in full voice? It must be absolutely mind-blowing!
mxl2003 2 years ago
I do indeed:). On London's first solo recording, he sang the Pagliacci prologue, complete with high A flat:) ---
stevevandien 2 years ago
Is that commercially available? I would love to have it...who else is in the cast?
mxl2003 2 years ago
It's a solo recording, not a Pag performance. I'm pretty sure it has been reissued on CD, but not positive. I'll do some research and get back to you re. that:) --
stevevandien 2 years ago
he sings an amazing g at the end of e sogno o realta from falstaff, worth a listen!
lorantn 1 year ago
@lorantn Any commercially available recordings that you're aware of?
mxl2003 1 year ago
@mxl2003
He sang the legendary role of Boris and was one of the first foreigners to sing it at the Bolshoy Theatre in Moscow - where some of the best basses on earth sing. An American (if not mistaken) version of Boris highlights exists on cd alongside Mussorsky's Pictures at an Exhibition recording on 1 cd. There is another CD of him performing highlight arias for Bass;bass-baritone by the name of 'Gods and Demons' and a Carnegie hall recital. And there exists even a version of Don Giovanni
corellipersempre 1 year ago
This has been flagged as spam show
@mxl2003
He sang the legendary role of Boris and was one of the first foreigners to sing it at the Bolshoy Theatre in Moscow - where some of the best basses on earth sing. An American (if not mistaken) version of Boris highlights exists on cd alongside Mussorsky's Pictures at an Exhibition recording on 1 cd. There is another CD of him performing highlight arias for Bass;bass-baritone by the name of 'Gods and Demons' and a Carnegie hall recital. And there exists even a version of Don Giovanni
corellipersempre 1 year ago
@mxl2003
He sang the legendary role of Boris and was one of the first foreigners to sing it at the Bolshoy Theatre in Moscow - where some of the best basses on earth sing. An American (if not mistaken) version of Boris highlights exists on cd alongside Mussorsky's Pictures at an Exhibition recording on 1 cd. There is another CD of him performing highlight arias for Bass;bass-baritone by the name of 'Gods and Demons' and a Carnegie hall recital. And there exists even a version of Don Giovanni
corellipersempre 1 year ago
He's very good indeed,but not at the level of Siepi or also (a step below) Ghiaurov.
blichilde 2 years ago
With all due respect to Siepi and Ghiaurov, why don't you find London at their level? Not trying to start a fight. Just interested in your opinion re this, because I very much enjoy such discussions:) --
stevevandien 2 years ago
@stevevandien I respect London, his voice and technique are beautiful. Simply, I think that this piece is deeply emotional and his way of singing it is not. Siepi and Ghiaurov give me shivers, London does not. I'm just referring to this particular piece, of course.
blichilde 2 years ago
@blichilde Fair enough, my friend:). And after listening to Siepi and Ghiaurov as well as London once more, I understand your point and respect it. I still believe London is good, but agree re. Ghiaurov and Siepi. I believe, however, that Pinza's version was better still, because it shivers my timbers like nobody's business:) --
stevevandien 2 years ago
incredible
chupszg 3 years ago
Jesus H. Christ! Was there anything this man couldn't sing?! He sounds great singing baritone roles and he sounds fabulous singing bass roles... unbelievable.
ilFactotum 3 years ago
One of the voices of 20th century!!! God bless him forever!!!
Cantermann 3 years ago
A great, great artist!
bellacantatrice 3 years ago