Loved it! Beautiful work. It was great to hear from a couple of people who knew him. I love the fact that for Milton it wasn't about the process of painting technically but, about the process of creating.
James, Awesome video. I do doubt in his later years he had anyone grinding pigment for him. I've got a 1996 video on Resnick where he is working almost solely with Alkyds and other types of house paint to build those thickly encrusted canvases.
@jeffreycollins Resnick was likely the first to break with artstores. He purchased a 3 roll mill and pony mixer in 1979. About 8 of us made paint using them on a cooperative basis for about 5 years, at the end of which, Williamsburg Paint and RGH Oil paint took over. Milton often used fine oils and junk in tandem. - geoff dorfman
Swan is amazing. Resnicks book Out of The Picture is really good for anyone who wants to know more. these are important paintings...thanks mr. calm monk
Geoff Dorfman, the second guy I interview, is the authou of "Out of the Picture" and a cover article on Resnick that appeared in ARTFORUM in the 70s. He's also an interesting painter in his own right
Very informative and much appreciated, your pedagogical side is seeping through, there was a lot you said that I was unaware of and as far as chatting and career building, it isn't over yet and your place is reserved, keep on peddling - r.
Thanks for riding around showing me all the art that otherwise I wouldn't be able to appreciate. I really learn a lot watching all the videos. Ride carefully!
Nice. What I like about you James is you actually look at the work, whereas most people who go to openings just wanna chat with their arty chums and drink plonk. I need to go to NYC to see some of these shows.
Looking and thinking are my strongest moments. I've suffered solid years of sleep. I paused and rewound this throughout. Thank you very much. You pass to the next round where you are to do battle with Davids Archuleta and Cook.
I wish you would put this one on vimeo
andrewweis 3 months ago
@andrewweis It's already on vimeo dear.
jameskalmroughcut 3 months ago
@jameskalmroughcut no that's the other resnick one 'elephant in the room'. this one isn't up there.
andrewweis 3 months ago
@jameskalmroughcut Ooops, with over 750 vids posted, I sometimes get confused.
jameskalmroughcut 3 months ago
does anyone know where i can buy prints of this works?
mikevern69 1 year ago
Loved it! Beautiful work. It was great to hear from a couple of people who knew him. I love the fact that for Milton it wasn't about the process of painting technically but, about the process of creating.
mccordart 2 years ago
This painting in universe is not represented, therefore it is not an art.
Oh...
Most of these people are not there for the "art", rather for the show (like that materialistic bimbo).
legija83 3 years ago
What the fuck do you mean with that first sentence? It's incoherent.
And of course most of theses people are going there to commune with others. There's nothing wrong with that.
wuz352 2 years ago
James, Awesome video. I do doubt in his later years he had anyone grinding pigment for him. I've got a 1996 video on Resnick where he is working almost solely with Alkyds and other types of house paint to build those thickly encrusted canvases.
jeffreycollins 3 years ago
I've been uploading the documentary on Milton to my page for all of his fans to watch.
jeffreycollins 3 years ago
@jeffreycollins Resnick was likely the first to break with artstores. He purchased a 3 roll mill and pony mixer in 1979. About 8 of us made paint using them on a cooperative basis for about 5 years, at the end of which, Williamsburg Paint and RGH Oil paint took over. Milton often used fine oils and junk in tandem. - geoff dorfman
dorfmanjones 1 year ago
Wow, this meant alot to me to see. I really needed to see and hear the information you covered. Aloha, from Boise.
plocqa17 3 years ago
amazing classic work. thanks james.
eenkjet 3 years ago
Good description, WORK not ART
legija83 3 years ago
Nice gestures. Crudely, looks like abstract expessionist post-impressionism, as suggested by Bonnard reference (also the waterlillies).
ExMachine 3 years ago
Swan is amazing. Resnicks book Out of The Picture is really good for anyone who wants to know more. these are important paintings...thanks mr. calm monk
MrWowforever 3 years ago
Geoff Dorfman, the second guy I interview, is the authou of "Out of the Picture" and a cover article on Resnick that appeared in ARTFORUM in the 70s. He's also an interesting painter in his own right
jameskalm 3 years ago
that was my favorite jameskalm report, maybe
seintzeit 3 years ago
Very informative and much appreciated, your pedagogical side is seeping through, there was a lot you said that I was unaware of and as far as chatting and career building, it isn't over yet and your place is reserved, keep on peddling - r.
RonSchira 3 years ago
Thanks for riding around showing me all the art that otherwise I wouldn't be able to appreciate. I really learn a lot watching all the videos. Ride carefully!
arieloflight 3 years ago
Nice. What I like about you James is you actually look at the work, whereas most people who go to openings just wanna chat with their arty chums and drink plonk. I need to go to NYC to see some of these shows.
wikidub 3 years ago
Undoubtedly, my career would have gone a lot farther if I did more chatting and less looking and thinking, thanks JK
jameskalm 3 years ago
Mine too, hehe!
wikidub 3 years ago
Looking and thinking are my strongest moments. I've suffered solid years of sleep. I paused and rewound this throughout. Thank you very much. You pass to the next round where you are to do battle with Davids Archuleta and Cook.
spawndonacle 3 years ago