Gary en Todd also did a track (Four in one) on another project: The music of Thelonious Monk . search for it on you tube . but to be honest this Kurt Weil track rocks a lot more. and yes I too like the theater stuff Todd did on several records!!!
and you can hear some synthi sounds which refer to the Love bomb album of the Tubes
Gary en Todd also did a track (Four in one) on another project: The music of Thelonious Monk . search for it on you tube . but to be honest this Kurt Weil track rocks a lot more. and yes I too like the theater stuff Todd did on several records!!!
This is the most vitriolic and powerful set of words, the 3d Opera first Finale, Mackies 'Call From The Grave'. This translation is very mild. The original 1933 version is far more powerful. 'May heavy hatchets hit their faces, And smash them in for all to see, Now I forget their filthy faces, And beg them all, to pardon me....' is the translation I prefer. Far stronger! The 1933 English cast translation (with Lotte Lenya) used in the MGM recording of that year, is better than any since, IMHO.
Gary en Todd also did a track (Four in one) on another project: The music of Thelonious Monk . search for it on you tube . but to be honest this Kurt Weil track rocks a lot more. and yes I too like the theater stuff Todd did on several records!!!
and you can hear some synthi sounds which refer to the Love bomb album of the Tubes
Hermanroovers 6 months ago
Gary en Todd also did a track (Four in one) on another project: The music of Thelonious Monk . search for it on you tube . but to be honest this Kurt Weil track rocks a lot more. and yes I too like the theater stuff Todd did on several records!!!
Hermanroovers 6 months ago
As a Faithful TR fan I bought this album. Thanks for posting this.
imharpo 1 year ago
This is the most vitriolic and powerful set of words, the 3d Opera first Finale, Mackies 'Call From The Grave'. This translation is very mild. The original 1933 version is far more powerful. 'May heavy hatchets hit their faces, And smash them in for all to see, Now I forget their filthy faces, And beg them all, to pardon me....' is the translation I prefer. Far stronger! The 1933 English cast translation (with Lotte Lenya) used in the MGM recording of that year, is better than any since, IMHO.
slessorpr 1 year ago
wow I never heard of this before..TY for sharing it! It's fantastic!
newsy8 1 year ago
thanks, interesting version. rocking. the record is out of print, alas.
misospecial 2 years ago
supi!
eggessi 2 years ago
Very cool! From the ThreePenny Opera. Love it when Todd does the theatre stuff!
sexywolf99 3 years ago 2
Todd does some really good singing in this one! Get's the message across very well!
mojorisen74 3 years ago 3