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  • Gaston088able, if you'd just stop responding to me, there wouldn't be a fight.

    However, I wish you would at least entertain the notion that maybe you're wrong about Cameron. I think of Scorsese and the 2nd best filmmaker we have, after Cameron. That's not too shabby of placement for Marty. But, you seem to think of James Cameron as one of cheap filmmakers like Michael Bay, and for no good reason.

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  • Gaston088able, the last time I wrote about you or wrote to you, was 6 fucking months ago, you psychopath.

    Anyway, moving on to your ranting and raving, until you can actually see through Cameron's genius visual style, SHUT UP! And I'm not talking the sweeping grandeur shots or the effects. I'm talking about the way an actor is shot. How the shot is composed. What goes into the background or foreground, while Leo or Kate are talking.

  • one thing is to make something about story and characters with some technical use to enhance the story, like masters of the level of SCORSESE,KUBRICK,POLANSKY (to name a few) ...and other thing is just make a film that the CORE is about effects and technicals show-off, with 0 meaning in story and characters. There is a diference! ...finally if you "lukelovesrose" think that KUNDUN, THE AGE OF INNOCENCE,THE AVIATOR, are just good looking and nothing interesting(to you) you dont get those stories!

  • i want to put on record that im not saying that cameron is a bad filmaker...but it isent his "thing" telling storys about characters and relantionships that have resonance in real life or make a reflection of life, (that is the main purpose of art, TO SAY SOMETHING)....he is a great craftman, a guy very wise in his technicals kwnolodge that improves the technical making of films,YES IT IS TRUE....but camerons cinema doenst show the real purpose of what the art of film is about!

  • LukeLovesRose...its ok, not everyone gets TRULLY GRAT FILMAKING! Scorsese is also a very good in the technical aspects, look THE AGE OF INNOCENCE,THE AVIATOR, GANGS OF NEW YORK, KUNDUN, CASINO, SHUTTER ISLAND, HUGO...You think i never saw a kubrick film? yet you are the guy who said "cameron is the modern kubrick", do i have to say more?, but scorsese not only makes good loking films, his film are abut things that matters, that says something, that is the real power of art and filmaking...

  • LukeLovesRose...look the cameron movies... are about sequels or clishe ideas( for not saying copys) THE ABYSS! come on! is just CLOSE ENCOUNTERS underwater!!!...AVATAR is pocahontas in space, dances with wolve,etc, even the hunting sequence in the extended version of avatar make my point( you dont see the hunt sequence of the buffalos in dances with wolves???) is the same thing!!!, and the plot is, may god...if you see the trailer of AVATAR you get the all plot!..THAT IS GREAT FILMAKING???

  • LukeLovesRose... but in "story" for me is the real power of filmaking, because is all about the characters study, the things that are in "real life" that shows a message or at least a reflection of life. Like the case of Raging bull, taxi driver, the last themptation of crhist, the age of innocence, the king of omedy, the aviator(FILMS OF MR SCORSESE) and you compare J.CAMERON to him? i said to you many times that cameron is great for his technical knwolodge but you can compare him to kubrick...

  • LukeLovesRose the idiot returns!!!!, why you keep coming back and writing about me? i think you learned the lesson in the other page (of hugo) where me and other people make the point you are just ridiculous, how someone like you can said "j. cameron is the modern S.kubrick", "his characters from the 80s(ripley, sarah connor) are aging better than the ones in the godfather and taxi driver", or "casablanca and citizen kane are overrated", "Raging bull goes to ponti a to point b"....

  • Scorsese. I love you.

  • 1:15 wth!!! brendan fraser?

  • which is the 1st song at the start of the tribute???

  • 1:15 such an idiot

  • @ferreirainfante He went Full Retard...

  • @ferreirainfante Hey...Brandon Fraser is the man!

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  • ricky was smart not to joke about these three legends. love you bobby and marty!

  • 1:15 George of the Jungle had a lapse in brain activity from the wave of eroticism coming from Robert De Niro's voice.

  • I'd love to see Edward Norton in a Scorsese movie!

  • Martin Scorsese sex tape?

    You know if he wrote directed and stared in it,

    it would be the greatest piece of pornography ever!

  • My point is that The Wizard of Oz is not just a kid's story. It's a family film with a lot of adult themes in it.

    You don't seem to wanna look for those themes. And, that's where you're going wrong when you look at Cameron's films. You need the themes to be spoken in great detail or something. Like everything Liotta says in his voice over during Goodfellas is all the message of the film, basically.

  • @LukeLovesRose jesus....i keep reading the things you wrote to other people and it seems you are the only who doesnt understand the point that everyone here try to make!....TELLME what is the deep, the meaming, the narrative intelligence, the subject of films like ALIENS, TERMInATOR, THE ABYYS, TRUE LIES, AVATAR???????....they are all great entertaining but compare anyone of those films to GOODFELLAS is just, unbelievable! the only great film in his carrer is TITANIC i give you that!

  • @LukeLovesRose .....AGAIN a will askyou SIMPLE QUESTIONS...WHAT IS A STORYTELLER FOR YOU, YOU COMPARE THE WORK OF SCORSESE WITH CAMERONS???... HAVE YOU EVER IN YOUR LIFE WATCHTED "THE AGE OF INNOCENCE"....thats is a narrator at his best...a story so sutil, fine, a director who knows how to bring the best of his actors(daniel day lewis, michelle pfiefer and wynona rider are amazing)a REAL HUMAN STORY ABOUT RELATIONSHIPS!!!if you say "LIOTTA NARRATIVE IS ALL THE MESSAGE IN GOODFELLAS" say no more!

  • So, it's not the effects or the art direction or the cinematography that solely drives The Wizard of Oz. There are themes about trying to find happiness in the worst of times. This is a universal theme for anyone at any time. Judy Garland is magnificent as Dorothy Gale. She really does cloud the line between reality and fake. I mean, I believed she was a little girl at one point... even though, she's actually 16.

    Hamilton is wonderful. She still gives me chills at times.

  • Unless you can see The Wizard of Oz as more than a wonderful showcase for art direction, cinematography and effects, then, you will never understand Cameron's films. He even mentioned recently that his favorite film is The Wizard of Oz.

    Those effects in The Wizard of Oz are showing their age, especially on the big screen. I can tell that's a matte painting a mile away. I can tell those dark monsters with beady red eyes in the dark forest are Halloween props for Christ's sake. So...

  • I don't know how to describe what Cameron is doing. I know that he's using a lot of new and risky techniques. He's walking a fine line, between creating an Ed Wood Jr film or Citizen Kane visually. He uses continuity errors as art. As far as I can tell, not one filmmaker has had the balls to do that and do it so well.

    Um, I don't know why you have a problem with the emotional resonance of "There's no place like home." It's in the script. Just listen to everything Dorothy says.

  • bring the life of crime we see in Goodfellas to life. Not only is it beautiful to look at. Not only is it telling this crime saga well. But, Scorsese is also capturing a genuine sense of dread at times and he's barely moving the camera. That's art to me. That's when its hard work. When the filmmaker can erase the line between fake and real without showing a lot of effort.

    Whether you believe it or not, Cameron is making fake feel more like reality for audiences than any documentary.

  • No, no, no. You generalized wrong. You sound ignorant when you generalize wrong.

    I said that I think that artsy films like City of God are crap. Movies like City of God. Dramas that are trying to make themselves out to be documentaries are fucking painful for me to watch. As far as I'm concerned, that fad was introduced and died with Blair Witch. It's cheap and lazy film-making to me.

    Take Scorsese's best films for example. It takes a lot of genius as a cinematographer and art director to

  • Btw, PT, I didn't call all "artsy" films, "CRAP." I said that City of God was crap. Do some reading the next time you wanna attack me. I hated City of God. It is pretentious and not impressive at all... from a filmmaker's POV. I can hate an art film if I choose. lol. You can hate a Cameron film. But, don't insult me, because I'm praising Cameron's work higher than you.

  • @LukeLovesRose I would be much more receptive to your view of Cameron’s films if you were to give legitimate, specific evidence in favor of the artistry in his work. For instance, I will say that the Art Direction in Avatar was quite good. They did a good job of making Pandora and the animals at once foreign and accessible and also contrasting the gray-blue monotone sets of the corporate humans with the greens reds and blues of the jungle.

  • @LukeLovesRose Your arguments never seem to go farther than “you can’t see what I see”. You argue only with assertions, but give no evidence to support your claims. The Wizard of Oz’ value of a film does not lie in people crying when she says “there’s no place like home”, which I personally have never seen. The value of Wizard of Oz as a film lies in it’s Art Direction, creating Oz as a place that is both fantastical and scary using all those colorful cartoonish sets and then

  • @LukeLovesRose Taking you to the woods with sharp lines and shades of black and the witch’s castle with similar sets. The cinematography is also very good, but mostly because it was one of the first movies to use color deliberately and not simply to have color. In addition the script was great. It had fantastic “dream logic”, where stuff that shouldn’t make sense at all seems to make perfect sense, such as the witch wanting the magical shoes for no apparent reason

  • @LukeLovesRose or a talking lion, tin man, and scare crow. The special effects were also fantastic for 1939. With Scorsese at his prime, the films’ value lies in their direction, acting, scripts, editing and cinematography. His art direction is fairly straightforward and he doesn’t use amazing sound or special effects however.

  • @LukeLovesRose What you said was “throw ‘artsy’ crap like City of God”. That sentence implies a generality that “artsy” stuff is crap and gives an example of such crap in City of God. What you said did not specifically say was “throw City of God, which is ‘artsy’ crap” or something of the like, which would support your last claim. And please explain why you thought it was pretentious and unimpressive from a filmmaker’s view as I am a filmmaker and have actually used some techniques from

  • @LukeLovesRose City of God to inform some of my work. Again I would be much more respectful of your opinion were you to back up your claims.

  • @LukeLovesRose And what you said about watching Malick, Scorsese, etc and how they were not all that impressive to you suggests that you do think all "artsy" films are crap.

  • Btw, PT and Gaston, do you have any idea why certain movies of the Golden Age haven't aged one bit? Do you know why people still cry when Dorothy says, "There's no place like home"? People, adults at least, know full well what that line means and represents to them. But, they still cry when they hear that line... from a movie that is over 70 years old.

    If you think people will be having the same responses to Scorsese's films in another 30 years, you're sorely mistaken. Cameron's films though

  • Pt, Gaston, you're the two stubborn asses that refuse to see the art in Cameron's films and you're telling me that I can't comment on art. You're fucking nuts.

    I did see those "artsy" films as I called them. I figured out everything about them while watching the film, from the acting, the writing to the sets and lighting and what it all could mean. Quite frankly, those art films by Malick and Scorsese, etc were not all that impressive to me. Not after seeing Cameron's skill.

  • @LukeLovesRose hey ...you still around here???.....Yes cameron is very skillfull....he has improve the technical aspect of films, that is not enough compliment? But i ask you, what is a real filmaker?....Scorsese is a actors director, a better narrator...Cameron films are base only in formulas and ridiculous love storys for teenagers....that is impresive?.the look is not everything...the real deal is the STORY, what a filmaker has to tell....Thats the diference btween Scorsese and Cameron!

  • @LukeLovesRose BESIDEs...you have ever watch THE AGE OF INNOCENCE georgius lookng movie . KUNDUN maybe is not his best but the visual aspect is breathtaking!....What about THE AVIATOR???...the use of colors, the lightening, the special effects...THE CRAsh OF THE XF-11 scene is spectacular!...none cameron movie can match that level of stetic achieve in terms of light and colors. The look of SHUTTER ISLAND is also outstanding!...What about the beautiful use of black and white in RAGING BULL???

  • @Gaston088able

    Also, about Kundun, The Age of Innocence, Aviator, etc....

    If you think those were great visual feats of genius, you've got a lot to learn. You need to see more movies. As boring as the film is at times, you really need to see Stanley Kubrick's Barry Lyndon if you want to see the inspiration for the visual beauty in Age of Innocence. It's not easy to sit through, but Kubrick basically put true paintings from a similar era on film.

    Kundun has a wonderful color template, true.

  • @Gaston088able

    But, you still don't understand what I'm talking about. A beautiful color template doesn't mean shit if it doesn't help improve or embellish the story AND the characters and their relationships. If those elements are ignored in the film, the film is almost worthless to me anymore. And, give me the names of characters in The Department or even better, Shutter Island. I bet anything you can hear the name, The Terminator and an image of Arnold immediately springs to mind.

  • @LukeLovesRose ...what about the look, the feel, the masive sets(not cgi crap) of GANGS OF NEW YORK....???...i think you only want to see that YES CAMERON IS A VISUAL MASTER, in special effects, but the real care of Stetic like Scorsese on those pictures or Kubrik in barry lyndon, are thingss that cameron is far way of them!...you can really aswerme this?? :....You can put at the same level of Coppola, Scorsese, polanski or kubirck for ex to cameron???...answer that simple question...if you can!

  • @Gaston088able

    I don't really care if you ever agree with me on anything, frankly. You're stubborn. I'm stubborn. We both think we're right as rain. I just like arguing my case. It's that simple.

  • Titanic + t2 citzen kane equvilants  ARE U MAD¿??????

  • @18decman

    Um, YES, I'm a mad. lol. But, I know film. And, I stand by my "MAD" opinion.

  • Scorsese is ONE of the best. In filmaking it's a really great thing to have more than just a few great directors, so there argument settled.

  • Shakespeare, Picasso... Scorsese?? Seriously?? I mean, how did Scorsese define a genre? Haven't there been gangster movies before Scorsese? The Godfather? Cagney? To name TWO. lol

  • @LukeLovesRose He is not the only one( Kubrick, Lumet,Welles, Hitchoock,etc are others in the area of cinema) but he define the genre of gangster movies like no other director, just like Hitchcock did with thrillers/suspense films.you never watch : MEAN STREETS, GOODFELLAS, CASINO, THE DEPARTED. The first two are masterpieces. Some of his best work has nothing to do with gangster: TAXI DRIVER,RAGING BULL,AFTER HOURS,THE LAST THEMPATION OF CHIRST,THE AGE OF INNOCENCE. That is filmaking!

  • @Gaston088able

    Lumet? 12 Angry Man is the only film he's made that was close to perfection. But, come on. Shakespearean?? Really? I do agree with you about Hitch and Kubrick and Welles. You obviously have a different of what makes a master filmmaker versus a good or great filmmaker. Leo has made one film that was made by a master filmmaker and EVERYONE refuses to see it, because James Cameron's visual genius is THAT fucking subtle, dumbass.

  • @LukeLovesRose dumbass? why? because you cant stand other people have diferent ideas? And i now see what is a MAster for you...say that Cameron is master...say no more!!! about the lumet thing: dog day afternoon, the veredict, the hills, network,? that arent great movies? he is not a master? Shasperean is one way to say that artists like Scorsese an others, will be remeber like the shakespere of cinema. i can even think in compare cameron to Scorsese or coppola or kubrick! the real masters!

  • @Gaston088able

    You don't seem to have any understanding of what art is. James Cameron went from making a low-budget shoot-em-up with unknown actors and an Austrian best known as Conan by then... to a 200 million dollar mega hit, earning 1.8 billion dollars. He has created legendary characters, images and stories with several masterpieces.

  • @LukeLovesRose you cant even compare the body of work of Cameron to Scorsese, Polansky, Spielberg, Choens, kubrick, coppola, Eastwood...and you think Cameron has made "several MAsterpieces"? NAME ONE. his best films are originals? Titanic=romeo/juliet in a ship, Avatar= dances with wolves, pochaontas, last samurai in space...,watch the trailer of Avatar and tell me if you dident see coming the storyline! what a dept story, guauuu....what a characters study! What a complex story, guauuu!

  • @Gaston088able What about the Terminator films?

  • @Gaston088able

    LOL. You're not actually seeing what is there if you see Cameron's characters as "2-D."

    And Cameron also admitted that he didn't know anything about poker on the set of Titanic when we've seen him reference poker in 3 films... at least.

  • @LukeLovesRose ok man...wait until you grow up a few more years(i hope) and see the comments you are posting! there isent even a debate in wich Director is better: Cameron or Scorsese, go wach t2 and avatar, go watch that kind of movies with 100 films clishes,then wait a few more years until you understand "THE AGE OF INNOCENCE", "AFTER HOURS","THE LAST THEMPTATION OF CHRIST", "RAGING BULL" a debate is beetwen scorsese to Polanski or hitchcook or malick or welles,etc, those are real artist!

  • @LukeLovesRose James cameron makes movies for teenagers! that doenst mean they are bad but they arent great either!,FOR ME, real and complex, and more interesting and deep art, are the work of for ex. KUBRICK, LYNCH, SCORSESE, MALICK, to name a few!

  • @LukeLovesRose titanic or avatar you think are perfect? the guy spend $300 millions dolars and wait 10 years to tell a story so clishe tell before better, "dances with wolves" " the last samurai"etc, Avatar is original?mmmm, besides this guy(cameron) talks like if he where the inventor of CGI, 3D, and the motion capture, What Jackson did in LORTR with gollum,first) Still is a great visual spectacule(avatar) but the story is in 2-d and the images in 3-d. Dumbass!

  • @Gaston088able

    Btw, I would have to say that yes, T2 and Titanic and maybe even Avatar are the modern equivalent to Citizen Kane-class films. You just have to understand the language of film. Kubrick got close to Kane with Strangelove, 2001 and Clockwork Orange. I personally don't think any other film has come that close, other than T2 and Titanic. You may not like the story or script, that's your prerogative. At times, I don't like watching Kane or The Godfather, but I respect them as art.

  • @LukeLovesRose if you dont like watch kane or the godfather or raging bull, like t2 or avatar, you make my point. And you are the one who tell me i dont get the art??? well "my friend" what are you on? Saying that cameron "has created" "LEGEND" CHARACTERS"??? MY GOD!!!!! He is a master in creting worlds and stuning visuals, but his characters are...in 2-d! T2 and Titanic are modern equivalent to KAne? and no other film match that achievemnt close to kane??? Come back to reality!

  • @Gaston088able cameRon himself has admit that he really isnt a good writer. i will name a few films and i going to be espectating your answer: APOCALYPSE NOW, RAGING BULL, CHINATOWN, THE PIANIST, MISTYC RIVER, LAWRENCE OF ARABIA, THE GODFATHER, VERTIGO, LIFE IS BEAUTIFUL(SAME YEAR TITANIC), CITY OF GOD, FARGO, TAXI DRIVER,....all these films, none are close to be the equivalent to Kane wich for what you say also none are the equivalent to T2, Titanic or Avatar? what a joke "you re a funny guy"

  • @Gaston088able

    Only douchebags throw "artsy" crap like City of God at people in response. Jesus. Anyone can make a movie when the camera is balanced on someone's head or between someone's legs.

  • @LukeLovesRose The fact that you just said only "douchebags throw 'artsy" crap" out as a response completely throws out any credibility you have on saying that Gaston doesn't know about art. If you won't accept a film that is, quite frankly, a very good example of an artful film as a legitimate argument then you have no credibility in saying anything about art. And you have to be one of the only people living who claims to know art and think T2 and Titanic are at the level of Kane or Kubrick.

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  • @PtBlnkProductions well say "ptblnk.." that idiot of "lukeloverose" is a teenager who think that cameron is the best! poor ignorant!

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  • @LukeLovesRose avatar and titanic are childs play compare to RAGING BULL, TAXI DRIVER, AND GOODFELLAS. Even today filmakers like David fincher are already making better films that cameron or the cohen brothers or nolan, etc. go and see cartoons!

  • @Gaston088able

    Well, you certainly expressed your point of view, didn't you?? LOL. You don't like to be called childish names, huh? Unlike myself, you can't let name-calling roll off your back, huh?? lol. Jesus. I argued my point. I wasn't just going out of my way to insult you. Grow up.

    And, by the way, Cameron is not saying that he invented 3D or CGI. He did actually pioneer several ground-breaking techniques on how to use 3D and CGI. That is fucking fact, my friend.

  • I have to say that this tribute montage is decidedly well done. It's hard not to question how great these scenes and films are when they're edited together so well.

  • Leo is much better than people are giving him credit for. His name is just a little too big as a hero, a heartthrob and a powerful actor. Mel Gibson is Mel Gibson. Tom Hanks is Tom Hanks. Humphrey Bogart was Humphrey Bogart. John Wayne was John Wayne. Robert De Niro is Robert De Niro. Leonardo DiCaprio is Leonardo DiCaprio. There is NOTHING wrong with stardom. Just look past the bright lights.

  • @LukeLovesRose I think people give him too much credit actually. He's a good actor, better than most, but definitely not the best actor of his generation. And to be honest the only reason people compare him to DeNiro is because of Scorsese. In reality his style is closer to a James Stewart type. I never see anyone compare him to Pacino, Day-Lewis, Hoffman or Nicholson. DeNiro comes to mind cause of Scorsese and that's sad. He's a good actor though. He was great in Gilbert Grape and The Aviator.

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  • martin scorsese is 1 of the GREATEST directors OF ALL time and probaly the greatest working to day. and he will always be. and robert deniro is 1 of the GREATEST actors OF ALL time an will always be. and dicaprio isnt the best actor ever but he is the best YOUNGEST actor working 2day. Dicaprio is a better actor than that DOUCHBAG ROBERT PATINSON who cant act AT ALL! and Dicaprio is better then ZAC EFRON who is the WORST ACTOR EVER!!

  • I worship Scorsese. Every film he has made has been fantastic. Hell, even Kundun was very interesting to watch. His career is immortal.

  • I LOVED that video montage, gives me goosebumps. There so many Scorsese movies I have not even seen yet!!! Greatest director in history in my opinion. I wonder how many Oscar winners and nominees he has worked with at this current time?

  • 1:14 you're welcome

  • i hope bob fired his hair stylist after that hair cut

  • It's a little bit over-the-top to say that film and Martin Scorsese should be associated with each other.

  • "its clean real clean....like my conscience"

  • Decrappio sucks please work with Deniro again. Please.

  • @Idolsofwood Thank you very much

  • Anyone knows what is the name of the song at 4:05 ?

  • @Callatis Speedoo - The Cadillacs.

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  • 5:53 LAYLA!!! My FAVOURITE scene in Goodfellas!!!! 'We would now have one of our own as a member...'

  • Scorsese is a god among men, and Raging Bull is in my opinion is his finest work! Everytime I watch it, it makes me cry, cringe, wonder, and make me want more! Actually, all of his movies I've watched made me feel that way! I hope he lives another 100 years making classics, and god bless him!

    Shark tale on the other hand...well... it happens

  • Scorsese is a legend. I love him and i always cry, when i watching this movie.

  • He should have won Oscars for Goodfellas and Taxi Driver, not The Departed

  • I'm amazed that they made a 4 minute clip show of Scorsese's work without a single scene of profanity.

  • not every scorsese movie is a masterpiece, but his direction always is

  • i heard martin scorsese is doing  a film in 3d

  • Taxi driver and good fellas....two of martiis best and two of the greatest ever made...

  • i hear there are videos of marty having sex with film

  • What happened to NEW YORK NEW YORK ?

  • I read some of the comments published on this page and a lot of you do not think the Scorsese's pictures starring DiCaprio are great. Yes they're not as good as the ones with DeNiro: Taxi Driver, Raging Bull, Casino are true masterpieces, but R they bad ? Of Course NOT, a not so good Martin Scorsese film is still a GREAT film. Scorsese is A DIRECTOR, the images have a real meaning, his directing is still as amazing as in the old days. You just don't respond to the story the same way as you did.

  • I read some of the comments published on this page and a lot of you do not think the Scorsese's pictures starring DiCaprio are great. Yes they're not as good as the ones with DeNiro: Taxi Driver, Raging Bull, Casino are true masterpieces, but R they bad ? Of Course NOT, a not so good Martin Scorsese film is still a GREAT film. Scorsese is A DIRECTOR, the images have a real meaning, his directing is still as amazing as in the old days. You just don't respond to the story the same way as you did.

  • wow scorsy was really touched by Leo's part

  • These three need to make a movie together PRONTO.

  • Martin Scorsese is the best director ever(in my opinion)

  • what is the song that is played from 3:03 to 4:02???

  • @kodilover12 "The Feeling Begins" by Peter Gabriel

  • @oifnolykous thanks :)

  • ok, all of the films with dicaprio involved have been mediocre compared to his de niro ones. Nothing truly great by scorsese's standards since Casino!

  • @dontleademsomuch totally agree. there isn't a single equivalent of a taxi driver, or raging bull among the scorsese-dicaprio collaborations. dicaprio is half the actor de niro was.

  • @dontleademsomuch Since Casino?

    You obviously don't know what you're talking about.

  • @AhmadAlony123 name a great scorsese movie since Casino. See, you can't!

  • @dontleademsomuch Does The Departed ring a bell?

  • @AhmadAlony123 it was okay but by scorsese's standard? very mediocre.

  • @dontleademsomuch your a dink face

    THE DEPARTED kicks casinos ass

  • @suchmuch96 fuck off it was a glorified B movie. entertaining and everything but silly too, casino is actually about something. The oscar was a pity vote.

  • @dontleademsomuch okay first off: thats just rude. and second, im pretty sure critics and fans everywhere will agree with me

  • @suchmuch96 not REAL scorsese fans. you probably think the aviator is great too

  • @dontleademsomuch the aviator was good. a tad boring but.... k, u know what: we can say what we want, but we both know that raging bull and taxi driver kicks both casino and the departed's ass

  • @dontleademsomuch MAYBE TRULY "GREAT" SINCE CASINO ISENT...BUT STILL VERY VERY GOOD FILMS BEAR GREAT FILMS MARY HAS DOBE AFTER CASINO: "KUNDUN", "GANGS OF NEW YORK", "THE AVIATOR" ," THE DEPARTED", "SHUTTER ISLAND".....and what iu sgreaat for you? GREAT ARE RAGING BULL, TAXI DRIVER, GOODFELLAS, CASINO, TEHA GE OF INNOCENCE....for ex. Spielberg hasent made a great one since schindlers list....and thats is "maybe GREAT"....

  • @Gaston088able

    Schindler's List was "maybe great"? Your credibility is put into question every time you speak, jackass. And, what about Saving Private Ryan? I guess that's dogshit to you, for all you know about great filmmaking.

    Btw, a real masterpiece is not easy to define right away. It may even take years to see the full extent of Cameron's genius. But, it is EXTREMELY FOOLISH of any filmmaker to just brush him off as easily as you.

    And also, T2 is about the misuse of authority.

  • @LukeLovesRose LIKE I SAID EARLIER...GREAT FILMAKING AND TRUE ART IS THE ONE THAT SHOWS A MESSAGE OR AT LEAST A REFLECTION OF REAL LIFE....not the great spectacle and pyrotechnics with empty characters,and 0 content!...if filmaking is just about nice s.effects and explotions...you LukeLovesRose ARE AN IDIOT! PERIOD!..and stop writing about me! are you serious? i think we finished whit this sh...!

  • sex with film...dude...that was a lame joke,but still one of the greatest actors ever!!

  • @suchmuch96

    3:14 = The Aviator

    3:18 = The Last Temptation of Christ

  • does anyone know what movie 3:11 is and what movie 3:18 is?

  • whats the song called at 5:17

  • jumpin jack flash by the rolling stones

  • what a speech

  • scorsese is the best

  • the guy at 1:14 is a fucking fake. He laughs when he see he´s on camera. What an idiot. XD

    PS: I love u Marty

  • that guy is brenden frasier

  • @babykitty15 Nah. It truly was a funny moment. The funniest moment of the night. I began laughing myself. That is actor Brendan Frasier, BTW. I'm sure Mr. Scorsese wouldn't appreciate you calling a fellow artist of his an "idiot" either. So if you respect Mr. Scorsese like you do, I think you will find it in yourself to respect Mr. Frasier.

  • @ShelterDogs The Mummy is a hack of an actor, and most certainly is an idiot.

  • @hubb22buntos Okay, you are right. I am wrong. Sorry. You are always right, and you don't need any maturing to do. You are best as you are. You have no growing to do. Everyone should bow down to you. You are great.

  • @ShelterDogs I agree with everything in your last comment. But seriously you have a minnow of a mind if you think Brendan Fraiser should be respected solely on the fact he is in the movie biz.

  • @hubb22buntos Again, you are right. Everything you say is right. Everyone in the movie industry should be disrespected just becaues they are in the "movie biz." They should be singled out and treated unfairly than the rest.

  • @ShelterDogs you're nothing more than a bad troll

  • Anyone happen to know the song that starts at about 5:55?

  • Layla - Eric Clapton or Derrick in Dominoes.

  • Got it. Thanks!

  • One of the best!

  • What is the song in the beginning of the montage?

  • Comment removed

  • MARTY ... LEGEND!!!!!!

  • those actors are all so fake, look at them all checking to monitors to see if they're on camera so that they can pretend to be smiling, fucking wankers.

  • Can anyone name the song at 5:53? I'm pounding my brains trying to think where he used it. For the record, this is one of the best damn montages I have ever seen, the man is a visionary.

  • He used it in goodfellas

  • Derek And The Dominos - Layla (Piano Exit) - Got it, I had a feeling it was Goodfellas! Thanks man.

  • I want to eat ice cream

  • howard hughes so does not belong in the intro montage of scorsese's classic characters/performances. Bill the Butcher should have taken its place instead.

  • @ImNotThere100

    You kidding? The Aviator is 2 and a half hours of building Howard Hughes as a character. It's one of his best character studies.

  • just because it's two and a half hours doesn't make it any better than Ray. Bill the Butcher was a monumentally better (and better acted) character.

  • Ray wasn't made by Scorsese, so it can't be considered 'one of his best films.' And The Aviator isn't good BECAUSE it's two and a half hours - but considering the meticulous and relentlessly insightful effort put into the study of Hughes, the length of the movie speaks highly towards the effort and ultimate accomplishment of the flick.

    Gangs was amazing, and Day Lewis was fantastic in it, but The Aviator is on par with Scorsese's best. And that's saying a lot.

  • obviously ray wasn't a scorsese movie. i'm just saying that despite the meticulous and relentless effort, the character just....didn't work, ultimately. a GOOD effort, but simply not his best. Gangs, on the other hand, also a solid, not-his-best effort, but for Gangs you're welcome to rant about the rewards of revisiting meticulous historical detail and a performance by DDL that never gets old. Just thinking about Dicaprio's performance gives me a headache.

  • day lewis in gangs of new york blows dicaprio's hughes away. that flag-draped monologue alone was better than anything that leo has done. A lot hinges on the actor's performance, and dicaprio somehow managed to make hughes seem bland as porridge.

  • @Kiwinites

    Too bad this is a tribute to Scorsese, not Day Lewis.

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  • im referring to the argument b/w u and ImNotThere, about how day-lewis should replace dicaprio in that shot @ 3:12 in order to *properly* honor their creator, Scorsese.

  • @Kiwinites But two entirely different characters. DiCaprio in Gangs Of New York was meant to be more down to earth. Day Lewis's character was wild, mean and over the top. Yes, it was a great peformance... and if you contrast both characters I guess DiCaprio character would look "bland." I don't look at it that way, I see two entirely different characters.

  • Comment removed

  • More like Goodfellas, Cape Fear, Raging Bull, and Casino.

  • That was the best montage of any director or actor I've seen.

  • I just saw "The King of Comedy" most certainly Scorsese's more nerve-racking, uncomforting, disturbing, and underrated picture I've seen by him particularly. Robert De Niro delivers one of his best perormances as the eccentric, witty, sad, fragile and yet humorous Rupert Pupkin one of his most facinating yet dislikable characters. Sandra Bernhard also delivers an excellent performance as well.

  • @JesusCristo2002 I just saw The King of Comedy too and I must agree with you. It is so underappreciated that every Scorsese fan needs to see it. It is my third favorite Scorsese movie. In fact it is on youtube so go do yourself a favor and go watch The King of Comedy, an entertaining masterpiece.

  • Leonardo Dicaprio is so SEXY! Dayum!