Beautiful... nothing too much, nothing too less. Everything in its right time, even the great pause after minute 7... wonderful. The expression of the hands, the face and the overall body... this is what musicians expect from a conductor.
Thing I like about him is he follows the music. I mean I know music conductors do that but when you actually see it and you appreciate it's beauty and form then it hits you more.. Especially if you are like me who blends emotions and feelings with the music I listen to...
Amazing... I'm a big big fan of this adágio... for me is on of the most amazing pieces ever made... And brilliant the way it was conducted here... Congratulations for this wonderfull moment!
... but what does the conductor DO? He starts them off at the same time and stops them at the same time. It's the musicians that actually make the music
being a musician we get this all the time. Though u dont need in a group with 4 people or so, once u get to a sizeable orchestra a conductor is absolutely vital. at basics they keep the orchestra in time, and cue players at important entrances, without one the orchestra would often play out of time with each other and fall apart. but the conductor shapes an ensemble, leads rehearsals, directs how the music will flow, much more than it would seem they are the most important person there.
You are right when we're talking about bad ensembles. really good ensembles in a string orchestra say doesn't need a conductor. Conductors spend most of their time actually fundraising for an orchestra. I'd say about 10% of the job is actually musical. The rest is mostly managing people and egos within the orchestra.
Andrew, That was magnificent! As a colleague, I think you showed so much passion for this piece. I would purchase a full fare ticket to the LSO just to hear this single opus. Barber was a master of writing human emotion. Thank you for sharing. Bravo!
One of the most beautiful pieces of music ever written just gorgeous...although whenever I see conductors always reminds of that Seinfeld espisode...call me Maestro!
A closer look and you see there was no SCORE on the podium, rather, the paper was personal directorial notation of musical landmarks in the score which the conductor had memorized long before the recital. The small card he placed on the surface was individual performance chair locations for his hand gesturing. A baton would be inappropriate for this opus.
Actually, the small "card" was a picture of my grandparents dancing. My grandfather died a few years before the concert and, unknown to anyone else, the performance was dedicated to my grandmother (still alive) and grandfather.
I saw absolutely no reason for a baton. I prefer going sans-stick for works with such organic and manipulative tempi. the poulse should come from within, not from an ictus.
Thanks for straightening me up on that point of the small card. (Rather important in its place in the performance.) In an obtuse or abstract logic, I may not have been too far off center about the landmarks for note in the conducting of the work. After all, considering the emotions the music draws, a portrait or photograph of a loved one may well be a more valuable asset in the tool belt of notations applied to a performance.
Thanks again.
BRAVO! Panache in the work well, finely done . ;)
Beautiful... nothing too much, nothing too less. Everything in its right time, even the great pause after minute 7... wonderful. The expression of the hands, the face and the overall body... this is what musicians expect from a conductor.
lumibinatube 3 months ago
Thing I like about him is he follows the music. I mean I know music conductors do that but when you actually see it and you appreciate it's beauty and form then it hits you more.. Especially if you are like me who blends emotions and feelings with the music I listen to...
Extremefighters 5 months ago in playlist Adagio For Strings, Samuel Barber
absolutely beautiful
list55 8 months ago
This is out of sync with the directors movements.
Withnail008 1 year ago
Amazing... I'm a big big fan of this adágio... for me is on of the most amazing pieces ever made... And brilliant the way it was conducted here... Congratulations for this wonderfull moment!
kaklprod 1 year ago
amazing interpretation bravo! avoiding al the cliche-stuff.
music is in between the notes...
jadran1959 2 years ago
Watch at 8:35. A spirit flies from the left to the right, behind the conductors head.
clv1986 2 years ago
it's light pouring in
corotor12345 2 years ago
@corotor12345
It's God you dumbass.
krb3141 2 years ago
@krb3141
What? Are you kidding? I know I was kidding... because the truth is, it really only is an electromagnetic noise affecting the camera's lecture.
And I'm Agnostic, I don't yet believe in God, so your theory holds no truth to me.
corotor12345 2 years ago
... but what does the conductor DO? He starts them off at the same time and stops them at the same time. It's the musicians that actually make the music
connosir 2 years ago
being a musician we get this all the time. Though u dont need in a group with 4 people or so, once u get to a sizeable orchestra a conductor is absolutely vital. at basics they keep the orchestra in time, and cue players at important entrances, without one the orchestra would often play out of time with each other and fall apart. but the conductor shapes an ensemble, leads rehearsals, directs how the music will flow, much more than it would seem they are the most important person there.
kieranwelch 2 years ago
You are right when we're talking about bad ensembles. really good ensembles in a string orchestra say doesn't need a conductor. Conductors spend most of their time actually fundraising for an orchestra. I'd say about 10% of the job is actually musical. The rest is mostly managing people and egos within the orchestra.
Beeffyviolin 2 years ago
The conductor is the director, the musicians follow his lead and tempo, he isnt just "dancing"..
nickrose83 2 years ago 2
Beautiful!
piano6861 3 years ago
That was amazing Mr. Lyon, I hope to see more of your conducting in the near future! Congratulations!
parlopera 3 years ago
Andrew, That was magnificent! As a colleague, I think you showed so much passion for this piece. I would purchase a full fare ticket to the LSO just to hear this single opus. Barber was a master of writing human emotion. Thank you for sharing. Bravo!
Sirracco 3 years ago 7
Just revisting a fav rendition of this piece of music....such a beautiful version.
luciamouse1 3 years ago 2
I'm glad and honored you enjoy it. Come back any time.
AndrewJLyon 3 years ago
One of the most beautiful pieces of music ever written just gorgeous...although whenever I see conductors always reminds of that Seinfeld espisode...call me Maestro!
luciamouse1 3 years ago 2
Nice conducting. A shame he had his head butried in the score half the time! would be interesting to see him conduct with a baton.
bigmacintown 3 years ago
but You can never be wrong if you're looking at a score its almost impossible....unless you cant read music and thats not this conductors case.
I Think he did a great job
Indensity 3 years ago
A closer look and you see there was no SCORE on the podium, rather, the paper was personal directorial notation of musical landmarks in the score which the conductor had memorized long before the recital. The small card he placed on the surface was individual performance chair locations for his hand gesturing. A baton would be inappropriate for this opus.
thedriverguy 3 years ago
Actually, the small "card" was a picture of my grandparents dancing. My grandfather died a few years before the concert and, unknown to anyone else, the performance was dedicated to my grandmother (still alive) and grandfather.
I saw absolutely no reason for a baton. I prefer going sans-stick for works with such organic and manipulative tempi. the poulse should come from within, not from an ictus.
AndrewJLyon 2 years ago
Thanks for straightening me up on that point of the small card. (Rather important in its place in the performance.) In an obtuse or abstract logic, I may not have been too far off center about the landmarks for note in the conducting of the work. After all, considering the emotions the music draws, a portrait or photograph of a loved one may well be a more valuable asset in the tool belt of notations applied to a performance.
Thanks again.
BRAVO! Panache in the work well, finely done . ;)
thedriverguy 2 years ago
Thank you, Maestro Lyon, for your insight on this piece. Aloha from a violist on Maui, Hawaii
violaduck 2 years ago
Nice job.
HalWeller 4 years ago
brilliant - but lose the score!
axel210 4 years ago
absolutely superb. I love this piece, conducted and played to perfection, bravo
rugbylad69 4 years ago