@broadwood1830 Doch! Stellen Sie sich alles viel leiser gespielt vor und bewundern dann die Konsequenz der Linienführung. Ich gebe gerne zu, dass dies durch die enorme Lautstärke und die starken Geräusche und durch den Pathos schwierig ist zu hören, aber es ist ALLES da. NAtürlich ist Klavierspsielen auf einem Broadwood von 1830 eine ganz andere feine Sache und ein feinsinnigerer Klang,klar... Aber Sie ist ehrlich und authentisch.
@vanya2309 Probably because this performance were made long before performance practice became a subject. Bach wrote the piece without ornamentation, and until resently (perhaps the last 30-40 years), we didn't quite understand that he meant us to play it more freely than what he had written.
her interpretation of the Goldberg Variations is, to me, the finest of all, including many that are far more celebrated. when i hear her, it always strikes me that she knows exactly where she is, and exactly where she's going.
so...so...so incredible, I can't find any word to express my feeling. The first I heard her it was on the radio: I stopped immediatly to read and I search now every avalable recording of her: is there somebody here to help me to find the concert in Leipzig in 1950 where Shostakovitch wass there? Many thanks!
Dear Table,They play phrases simlarly but differ over the breath between them.Heirarchy means weighting the notes in a phrase differently through articulation & timing to create a center of dynamic focus.
Russian babushkas know how to do it just right.
cuallito 8 months ago
Why doesn't she include any ornamentation? Still lovely playing, and inspirational for me as I learn this piece!
practicecrazypianist 9 months ago
<3
masterkuprij 10 months ago
This is amazing! What power and emotion!
gatomjp 1 year ago
superb
slizzler1 1 year ago
She is awesome. I can think of no other who plays Bach like she does. I can't stop listening to her music.
amadeuswebern 1 year ago
Perfect! She was (and remains) one of the best in Bach...
joaodsyt 1 year ago 3
so ein eindimensionales gehacke braucht man nicht aufheben
broadwood1830 1 year ago
@broadwood1830 Doch! Stellen Sie sich alles viel leiser gespielt vor und bewundern dann die Konsequenz der Linienführung. Ich gebe gerne zu, dass dies durch die enorme Lautstärke und die starken Geräusche und durch den Pathos schwierig ist zu hören, aber es ist ALLES da. NAtürlich ist Klavierspsielen auf einem Broadwood von 1830 eine ganz andere feine Sache und ein feinsinnigerer Klang,klar... Aber Sie ist ehrlich und authentisch.
dermusikverfallen 1 year ago
Perfect tempo in my opinion and fantastic interpetation - bravo!
nburton85 1 year ago
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I think her recording of the 2 and 3-part inventions among the most beautiful of all her recordings. Profound. I'm a huge fan of hers.
dallaspianophile 1 year ago
I think her recording of the 2 and 3-part inventions among the most beautiful of all her recordings. Profound. I'm a huge fan of hers.
dallaspianophile 1 year ago
why is it without ornamentation?
vanya2309 1 year ago
@vanya2309 Probably because this performance were made long before performance practice became a subject. Bach wrote the piece without ornamentation, and until resently (perhaps the last 30-40 years), we didn't quite understand that he meant us to play it more freely than what he had written.
Trompetabc 1 year ago
Wikipedia discounts the claim that Nikolayeva died during the San Francisco concert - could you check your source?
dlandersiv 2 years ago
Wikipedia is correct - Nikolaeva died 9 days later on 22nd. I copied an article from Russian on-line source and they were mistaken.
truecrypt 2 years ago
I appreciate Gould as well
She has a very keen ear to Bach though.
I see gould as left brain, and she is right brain.
To be missed.
paindeer 2 years ago
her interpretation of the Goldberg Variations is, to me, the finest of all, including many that are far more celebrated. when i hear her, it always strikes me that she knows exactly where she is, and exactly where she's going.
MikeInBeantown 2 years ago 7
She is the first person of the fugue performance.
But performance of Richter is the best about this piece.
hashirimedes 2 years ago
I agree. Richter's is incredible.
morvensky 2 years ago
This is a perfect, an awesome performance. Thank you.
amadeuswebern 3 years ago 3
Beautiful, thank you for this...
indigoTwinsen 3 years ago
so...so...so incredible, I can't find any word to express my feeling. The first I heard her it was on the radio: I stopped immediatly to read and I search now every avalable recording of her: is there somebody here to help me to find the concert in Leipzig in 1950 where Shostakovitch wass there? Many thanks!
sigridbastin 3 years ago 2
C'est une sorte d'ange qui joue la fugue??
antoinezygfryd 3 years ago
logical.
Beethoven1063 3 years ago
Thanks for sharing. I like Tatiana Nicolayeva's Bach so much. They sounds so sweet in her hands.
funfunfuntw01 3 years ago
Thanks for spoiling us again.
suzettegm 3 years ago 4
You are very welcome... it's just a beginning!;)
truecrypt 3 years ago
My technical knowledge of classical music is really not sufficient,I can only say that it,s very beautiful.
charlottevk 3 years ago
Dear Charlotte ,Be thankful that you have litte "technical" knowledge...as it destroys most musicians ability to hear music.
smithsherman 3 years ago
Dear Smithsherman, thank you for your kind reaction.
charlottevk 3 years ago
Smithsherman:
That's absolutely right.
huhas1 3 years ago
Dear Huha,Thank you.
smithsherman 3 years ago
i would argue the opposite for any intellectual
pguitar13 3 years ago
to smithsherman - plain and simple a great truth.A pleasure reading you,as always.
Happy New Year to you smith!
indigoblue555 3 years ago
What makes this & the Feinberg so Unbaroque,
is that they only argue over connection.
Instead of creating heirarchy in the motif itself.But in the Gould there is nothing.
smithsherman 3 years ago
smithsherman,
Could you please explain this a little more?
I also don't like Gould's version, but I'm not sure what you mean by "argue over connection" and "creating hierarchy in the motif".
It could mean many different things.
TableLamp1963 3 years ago 2
Dear Table,They play phrases simlarly but differ over the breath between them.Heirarchy means weighting the notes in a phrase differently through articulation & timing to create a center of dynamic focus.
smithsherman 3 years ago
So true!But what of Richter´s version?
vova47 3 years ago
Richter has a more interesting approach than either,but you can take all three of them together and they don't equal Samuel Feinburg.Here at Youtube.
smithsherman 3 years ago