Gencer - Le Regina definitely the best in my opinion. Muscality, expression , and beauty of the voice.
Sills is totally in her element here; no complaints. She's a close second.
Futral is HORRIBLE, i can't believe she even dares perform this scene. Rost should stay away from it too, even if she does not squeal as much. Rowland, just about OK. Moffo, mmmhhh way past her prime, her high notes sound like squeals too, and all of it is very much out of tune.
Dolores Wilson's career at the MET was cut short because of unacceptable behavior by Rudolph Bing which ended her blossoming career. Dolores was the original Baby Doe
In the B....... Of. B.... Doe, and went on to a long career in musical theatre.
The story behind the Moffo cadenza heard here is that it is from a February 1, 1969 broadcast in which she was having such a difficult time performing the first half of the opera that Rudolph Bing threatened to bring down the curtain.
Anna Moffo is for me the best Lucia. Her technique is solid, her voice is beautiful, haunting and expressive. She got into character perfectly as the fragile, romantic and eventually mad Lucia. She was the whole package, a lot like Callas but with a more appropriately delicate voice for the role.
The diffirence between Elizebeth Futral (here)and Anna Moffo on a scale of 1 to 10 is I think that far: Elizabeth is a 1 and Anna is 10 !! Elizabeth go back to practice and please get another Flutist that you can keep in pitch and time with (oh my aching ears)
for me gencer takes the cake here with beatiful tone as usual and clean coloratura, and a big sonorous high note, but sills gets to eat one slice cause she's always great. poor elizabeth futral sounds like she's having an actual, real, mad scene, as in going coo coo bananas on stage and about to start stabbing cast and audience members for real
Oh Elizabeth! What was that AWFUL CADENZA?!? I mean...I liked her the couple of times I saw her live, but what gives here? NOTHING wrong with doing a non-traditional cadenza, but it still needs to sound like Donizetti!
I don't know what IDIOT convinced her to do that, but they should be SHOT!
What kind of comment is that? To whom are you commenting on? The whole collection? In any case, to answer your very rude question: yes it is singing, and yes it is Donizetti's Lucia di Lammermoor, if not his own flute cadenza.
Mea culpa! I heard the first rather horrific rendition and started typing. You've added many wonderful videos to youtube. So sorry for the rash comment. BTW, the only singer from this collection that I enjoyed was Sills.
Lots of sopranos have sang this role of the years, and in most cases it hasn't been sung very well. Here we get to listen to some of the best and worst.
My picks would have to be Gencer, Sills, Wilson. I usually love Moffo, especially in Lucia, but she sounded like she was not having her best night
arturo8402 11 months ago
I liked Leyla Gencer and Dolores Wilson. Beverly Sills always hit the notes right
on the mark but her voice never excited me. As for Elizabeth Futral that is enough
to give anyone a headache and Anna Moffo is horrible to say the least.
Fegen 11 months ago
Gencer - Le Regina definitely the best in my opinion. Muscality, expression , and beauty of the voice.
Sills is totally in her element here; no complaints. She's a close second.
Futral is HORRIBLE, i can't believe she even dares perform this scene. Rost should stay away from it too, even if she does not squeal as much. Rowland, just about OK. Moffo, mmmhhh way past her prime, her high notes sound like squeals too, and all of it is very much out of tune.
TheRealAngelHeart 1 year ago 3
Comment removed
TheRealAngelHeart 1 year ago
Dolores Wilson's career at the MET was cut short because of unacceptable behavior by Rudolph Bing which ended her blossoming career. Dolores was the original Baby Doe
In the B....... Of. B.... Doe, and went on to a long career in musical theatre.
reachforthenote 1 year ago
Elizabeth Futral ;The most horrible Lucia's cadenza ever..
marioegorga 1 year ago
R.P.I. Dolores Wilson
skippyd89 1 year ago
Futral is just a nasty bitch. I don't blame her for singing, after all she gets paid to do so by the idiots that go and see her "sing".
NEBESHIKU 1 year ago
Mrs.Futral is singing a part in moll, but it is in dur...
ILoveJoanSutherland 1 year ago
oohh my god. elizabeth get back to your books and practice.
gayo72 1 year ago
The story behind the Moffo cadenza heard here is that it is from a February 1, 1969 broadcast in which she was having such a difficult time performing the first half of the opera that Rudolph Bing threatened to bring down the curtain.
TheDakiniKathryn 2 years ago
Anna Moffo is for me the best Lucia. Her technique is solid, her voice is beautiful, haunting and expressive. She got into character perfectly as the fragile, romantic and eventually mad Lucia. She was the whole package, a lot like Callas but with a more appropriately delicate voice for the role.
MastersoftheOpera 2 years ago
Elizabeth Futral - what in the world was that ?
sutherland9 2 years ago
The diffirence between Elizebeth Futral (here)and Anna Moffo on a scale of 1 to 10 is I think that far: Elizabeth is a 1 and Anna is 10 !! Elizabeth go back to practice and please get another Flutist that you can keep in pitch and time with (oh my aching ears)
jg300gman 2 years ago
for me gencer takes the cake here with beatiful tone as usual and clean coloratura, and a big sonorous high note, but sills gets to eat one slice cause she's always great. poor elizabeth futral sounds like she's having an actual, real, mad scene, as in going coo coo bananas on stage and about to start stabbing cast and audience members for real
SiEtIn1 2 years ago 2
Elizabeth Futral è inascoltabile! Tutte le altre sono fantastiche!
meseorszag 2 years ago
No Wonder Gencer...All notes are very pure and not irritating.... So everyone called her La Regina...
idemeneo 2 years ago 2
Oh Elizabeth! What was that AWFUL CADENZA?!? I mean...I liked her the couple of times I saw her live, but what gives here? NOTHING wrong with doing a non-traditional cadenza, but it still needs to sound like Donizetti!
I don't know what IDIOT convinced her to do that, but they should be SHOT!
goldenthroat86 2 years ago
No one can can even come close to Sills. She was so head and shoulders above the rest. What a phenomenal singer she was.
metopco 2 years ago
this is Andrea Rost!
ivankakrasnaja 3 years ago
Isn't Beverly sublime???And this is live? she's the only one who sings the wild stuff live - like her recordings!!!!!
beefnotfish 3 years ago
I saw Elizabeth Futral at the met in 2006. she was incredible
flicfan416 3 years ago
Can you tell me, exactly which performance was the first one with Andrea Rost?
mauscherika 3 years ago
What happened to Moffo here??
Jabe88 3 years ago
Is the Moffo excerpt from the infamous February 1, 1969 MET broadcast?
KathrynBoussemart 3 years ago
Yes it is.
coloraturafan 3 years ago
Elizabeth Futral.. Whaaaaaaaaaaaaaaaats ?
FeDuS27 3 years ago
What was Futral doing there? It sounded so strange, I assume it as intentional - was it an attempt at a particularly abstract, off the wall version?
Thanks for all of the posts though coloraturafan.
opera1dan2 3 years ago
1., Sills
2., Rowland
Sesto73 3 years ago
My lord, that's horrible. Is this Donizetti? Is it even singing?
AiTaiwandeRen 3 years ago
What kind of comment is that? To whom are you commenting on? The whole collection? In any case, to answer your very rude question: yes it is singing, and yes it is Donizetti's Lucia di Lammermoor, if not his own flute cadenza.
coloraturafan 3 years ago
Mea culpa! I heard the first rather horrific rendition and started typing. You've added many wonderful videos to youtube. So sorry for the rash comment. BTW, the only singer from this collection that I enjoyed was Sills.
AiTaiwandeRen 3 years ago
Lots of sopranos have sang this role of the years, and in most cases it hasn't been sung very well. Here we get to listen to some of the best and worst.
zacharybr 3 years ago