Luciana Serra had the very best technique ever. She had a thin, qute uninteresting voice, but with that voice she was able to do literally anything.
Her sound projection was perfect at every height, allowing her voice to be heard always very well even in low register; her legato was beautiful, and the coloratura just unbelievable. Plus, she was theatrically and musically very imaginative, particularly in brilliant roles by Rossini and Donizetti, where she was just irresistible.
What a nice idea to put all of these in a row! This aria makes me wish I were a soprano everytime I hear it.
Of course every-one has a personal favorite soprano for this aria; mine is the Dutch Christina Deutekom. Unequalled power like a machinegun loosely fired from the hip!
Lipp is terrible!!! Her coloraturas are bad. Sumi Jo has a very good coloraturas but her voice is so sweet for the Queen of the Night, I like Geszty, Streich...
"Mozart--the monster!," the poor sopranos must have thought when first attacking this piece. Just amazing to hear it performed. Absolutely the most demanding thing in opera, surely.
Luciana Serra blew my mind away. Diamond-cut-clear coloratura, almost Deutkom-like. I listened her in the other vid but there the recording wasn`t the best and I wasn`t impressed. However, whoever liked this compilation, shoud definitely check the other one too asmost of the singers are different. And vice versa.
About.Roberta Peters: this can`t be an F! F# or even G perhaps?!
They are all truly brilliant in their own way!!! Thoroughly enjoyed. I know I will probably not be given an ounce of respect after saying this, but I am a popera fan who came to love opera through popera. I now love both!!! Although, I am not a fan of most popera singers' technique, only a a fan of a few of their voices. I am still discovering all the incredible opera singers. If you know of any, please reply and tell me, so I can check them out!!! Greatly appreciate it!!!
Actually one of the very few singers that recorded this part, and actually got the overtones to ring through on the top notes was Lucia Popp on the Angel recording with Otto Klemperer conducting. Definately worth the listen! MArk
Thanks so much for posting all these sopranos! Very interesting to note that very few of them actually get the overtones to sound on the high notes! Still very difficult singing though. Mark
Sumi Jo for the win, always. Everyone else is SO flawed: bad intonation, technique, rhythm, phrasing, breathing, everything. Hah, it's like night and day folks, =]
I think Streich and Miklosa did it most to my liking, because they were very solid and confident performances. Hoch was also very, very lovely (loved the good breathing), and I loved her transition from "dann" to "auf ewig". Geszty was great because she actually sounded like she was laughing (it is fioriture, after all). I'm unfamiliar with Frei, but I find her voice's timbre good, although a bit heavy and uncertain.
i TOTALLY agree w/ u about about beverly hoch. it is performed perfectly. she has the best trills of ANY of these coloratura sopranos. and she holds the high F much longer than any of the other sopranos. they just barely squeek it out.
actually she is singing an F! i listened to this recording many times and ive played it out on my piano and she is hitting the F so idk what ur talking about.
Then I will respectfully respond, I don't know what you are talking about. It's quite obvious that when it changes to her performance that the key is different. With my keyboard her note = E not F. Sumi Jo's is quite clearly an F.
how is it that ur playing the note on ur piano and ur getting an E?? ur piano must be out of tune becuz CLEARLY she is singing an F. I kept playing the note over and over again on y piano and its an F no doubt about it. When i play an E its below pitch. Beverly Hoch can sing much higher than an F so y would she sing lower than what she is capable of singing? in one of her songs on youtube she hits an A flat6 above high soprano C.
I'm using a computer based synthesizer made by Arturia. The thing is, if you listen to Sumi Jo's version and play an F whilst she hits that top note, its quite clearly an F, unless you're going to tell me she's singing an F#. Hoch's version isn't as high as Jo's. Now its not quite perfect pitch to an E, I will concede that, but it's FAR closer to an E then to the F that Jo sings. Can't you hear the obvious drop in pitch from Lipp's version directly before Hoch's?
The most likely cause for the drop in pitch, because it isn't just Hoch's version that's lower Sieden's isnt bang on an F either, is a recording/playback error from the original. Like when a cassette plays back a touch too slowly. I don't know where these performances came from, but if the audio came from an old VCR recording, there's your answer. I'm not trying to say Hoch can't hit the notes, just that in this particular play back the top note isn't an F.
idk i cant figure it out. for some reason the song is played in a weird key. like her note is between an E natural and an F. like.....its really bizarre. idk its hard for me to tell. im playing the notes out on a real piano so idk....maybe im hearing wrong. im gonna ask my friend who has perfect pitch to see if he can tell me what note it is.
Its nice to use the computer synth because I can overlay the synth to the performance, making it easy for a comparison. You can download demo's easily. It's exactly as you say tho, the key isn't bang on either hitting and E or F for that top note, its somewhere in the middle and to my ears, closer to the E. The original performance was probably on pitch for an F, it's just getting it from there to here has somehow slowed it, ever so slightly.
In the Sumi Jo version they used a tuning with the original pitch that is lower (than the one of today's where A = 440 Hz). Back then when this opera was written it was probably around 409 Hz, which would mean she sings almost a semitone lower than the others...
Kogen sung this aria really bad......I would not even mention her between all the others!!!!!
nikicover 6 days ago
I love Elena Mosuc, her high notes is sustained so beautifully! ^^
And my favorites are Luciana Serra, Cristina Deutekom, Edda Moser and Diana Damrau as well ^^
DaliaChild 1 month ago
Luciana Serra had the very best technique ever. She had a thin, qute uninteresting voice, but with that voice she was able to do literally anything.
Her sound projection was perfect at every height, allowing her voice to be heard always very well even in low register; her legato was beautiful, and the coloratura just unbelievable. Plus, she was theatrically and musically very imaginative, particularly in brilliant roles by Rossini and Donizetti, where she was just irresistible.
anoperamusician 3 months ago
What a nice idea to put all of these in a row! This aria makes me wish I were a soprano everytime I hear it.
Of course every-one has a personal favorite soprano for this aria; mine is the Dutch Christina Deutekom. Unequalled power like a machinegun loosely fired from the hip!
yurroon 9 months ago
where is diana damrau?
TheHanipo 10 months ago 9
thank you very much for posting this!
spyridon77 11 months ago
#1. The Divine Serra! Her coloratura is mesmerizing! We love you always dear Lucianna!
lancetop 1 year ago 4
Lipp is terrible!!! Her coloraturas are bad. Sumi Jo has a very good coloraturas but her voice is so sweet for the Queen of the Night, I like Geszty, Streich...
barborakozakova 1 year ago
"Mozart--the monster!," the poor sopranos must have thought when first attacking this piece. Just amazing to hear it performed. Absolutely the most demanding thing in opera, surely.
ranhat2 1 year ago
RITA STREICH! <3
sesshyssoulmate 1 year ago
I like Hoch, although the aria in itself has a big danger; to sound like a vocalise..
irenehoogveld 1 year ago
they all are awesome...
sexyfuckerboy 1 year ago
Lucia Popp é imbativel...
albelem2 1 year ago
Omg i love the one with Rita, that place has the BEST sound!!
fossilkid4life 1 year ago
roberta peters, luciana serra , wilma lipp, gruberovà
Vincenzo2010an 1 year ago
roberta peters, luciana serra , wilma lipp.
Vincenzo2010an 1 year ago
Really like Sumi Jo and Luciana Serra.
spizzell1 1 year ago
I like Luciana Serra's crystal clear coloratura the best
fairlytaleofnewyork 1 year ago
@fairlytaleofnewyork I like her very much. also, I thought Hoch and Jo are very clear as well.
spizzell1 1 year ago
Andrea Frei :o)
idaspe 1 year ago
Luciana Serra blew my mind away. Diamond-cut-clear coloratura, almost Deutkom-like. I listened her in the other vid but there the recording wasn`t the best and I wasn`t impressed. However, whoever liked this compilation, shoud definitely check the other one too asmost of the singers are different. And vice versa.
About.Roberta Peters: this can`t be an F! F# or even G perhaps?!
Transoxiana94 1 year ago
Beverly Hoch! wow
08intune 1 year ago
Karin Ott was really good
keriah17 1 year ago
I think these Queens are all great in there own way but why exclude the two best QOTNs ever, Edda Mosser and Christina Deutkom?
Rattywotin 1 year ago
They are all excellent. But for me, Wilma stood out... I couldn't say exactly why. However, as I say, all are superb.
flaze3 1 year ago
@flaze3 huh? she was the worst her voice is too weak and doesn't stand out
keriah17 1 year ago
@keriah17 in your opinion... I liked her.
flaze3 1 year ago
They are all truly brilliant in their own way!!! Thoroughly enjoyed. I know I will probably not be given an ounce of respect after saying this, but I am a popera fan who came to love opera through popera. I now love both!!! Although, I am not a fan of most popera singers' technique, only a a fan of a few of their voices. I am still discovering all the incredible opera singers. If you know of any, please reply and tell me, so I can check them out!!! Greatly appreciate it!!!
flowersings 1 year ago
And Diana Damrau!?!
blackcat53 1 year ago
thank you for this
uppopolo 1 year ago
Luciana самая лучшая!!!
Tomeres is absolutely right
KVdeV2000 1 year ago
great work!!!
massibgd 1 year ago
WHERE IS DIANA DAMRAU?!?!?!?
MusicalDemon89 1 year ago 2
Sin niguna duda Rita Streich es la mejor! Estilo y elegancia!The best!
longboardmiguel 1 year ago
Don't forget Christina Deutekom in Solti's first Zauberflote recording.
mdcancerian 1 year ago 3
I like Sieden's crystal clear tone and vibrant energy!
marywardify 1 year ago 2
sylvia geszty and otmar suitner are the best partnership, every tone is on the right place at the right measure
varadouromusic 1 year ago 2
well in any case, imho, i think the best one out of these is Sylvia Geszty. Too bad there isn't more of her on youtube.
rennelj 1 year ago
Julia Kogan, a friend of mine, is fantastic.
bdruggan 2 years ago
Lucia Popp, Damrau are the best, and they are not even on this list.
nicevidbro 2 years ago
haaa, where is diana damrau, she is like the best queen.... EVER!!!
ShadowTemple09 2 years ago
Streich, Sieden, Miklosa.
juliosastre 2 years ago
Thank you for all this, it is so interesting ...
sujilo 2 years ago
Come on, Damrau and Dessay left out? Sumi is technically perfect but the acting, the emotions, really shine through with these two queens.
jenny47922 2 years ago 3
Actually one of the very few singers that recorded this part, and actually got the overtones to ring through on the top notes was Lucia Popp on the Angel recording with Otto Klemperer conducting. Definately worth the listen! MArk
mortitio 2 years ago
Thanks so much for posting all these sopranos! Very interesting to note that very few of them actually get the overtones to sound on the high notes! Still very difficult singing though. Mark
mortitio 2 years ago
diana damrau is ok but loof Katarzyna Oles Blacha in queen of the naight
MrKristofito 2 years ago
Diana Damrau forever!!!!!
Fandoc83 2 years ago 3
Undoubtedly the best: Luciana Serra: 6:28
waweva 2 years ago 3
luciana serra
VINCENZO3002 2 years ago
I LOVE Luciana Serra, her coloratura is so CLEAR
Tomeres 2 years ago 34
@Tomeres This woman's voice does things I previously thought only violins could do!
GraceMccThe1st 1 year ago 2
@GraceMccThe1st It's amazing isn't it?
Have you heard her rendition of the doll aria
in les contes d'hoffman? its amazing, so perfect.
Tomeres 10 months ago
@Tomeres coincido con usted. ¡perfecta!
finisterrae69 10 months ago
Donde está la mejor,Damrau???La dejaste para un especial????
javieritooo1 2 years ago
Julia kogen aint so great....
Tomeres 2 years ago
1.-Lucia Popp
2.-Eda Moser
3.-Wilma Lipp
4.- Rita Streich
5.-Diana Damrau
frodobol7777 2 years ago
Lucia Popp also did some outstanding versions of this aria. Dessay and Damrau should not have been left out either!
uglymoon78 2 years ago 3
@uglymoon78 I agree! I think Damrau's version is the best ; )
jerems0410 1 year ago 2
Ow! Too many to compare! I'll stick with the always agreeable Sumi Jo. The live performances were among the more distressing of the lot.
phainopepla95 2 years ago
luciana serra è la migliore!
bedlambegius 2 years ago 4
Sumi Jo for the win, always. Everyone else is SO flawed: bad intonation, technique, rhythm, phrasing, breathing, everything. Hah, it's like night and day folks, =]
zephyr2050 2 years ago
1. Rita Streich
2. Karin Ott
3. Andrea Frei
artdanks 2 years ago
Beethoven is my favourite, although when it comes to operas Mozart is the master.
Tyrfingr 2 years ago
Está muy difícil!... son maravillosas casi todas!!! :-)
monoborisp 2 years ago
1- Gruberova
2- Miklosa
3- Sieden
BassoAntico 2 years ago
Fantastisch!!!! Gleich meine favs, sie waren alle sehr gut aber eine Obermutter macht noch keine Oper aus. Zweimal zum tränen bringen soll das Werk.
VictomofChange 2 years ago
Edita Gruberova!!!! numbaa one! :)
flouraki 2 years ago
Roberta Peters is my favorite queen.
Her runs and high F are effortless!
AMAZING talent!
klassicalkid90 2 years ago
And don't forget Natalie Dessay - she's on YouTube singing this aria sublimely.
bergk1mp 2 years ago
I'm completely obsessed with this aria, I can't stop listening to it. I need help.
amlokadion 3 years ago 2
it happens to me too
just hear another aria like
the bell song of Lakme
that amazing too
anybodyealse 2 years ago
I loved it, but I missed Damrau among these talented sopranos.
And in the I would've loved a blinkibg eye in mozart's portrait.
Regards!
amlokadion 3 years ago
where is erika köth, the greatest queen of the night ever?
rezila 3 years ago
Wow nice compilation! All of these ladies are amazing...
SparhawkGT 3 years ago
Kogun was horrible.
I think Streich and Miklosa did it most to my liking, because they were very solid and confident performances. Hoch was also very, very lovely (loved the good breathing), and I loved her transition from "dann" to "auf ewig". Geszty was great because she actually sounded like she was laughing (it is fioriture, after all). I'm unfamiliar with Frei, but I find her voice's timbre good, although a bit heavy and uncertain.
forallyouknow 3 years ago
On technicality, I vote for Sumi Jo, the 1st one.
KrosisHTS 3 years ago
where is natalie dassay???? She is a great Queen of the night.
memolandia689 3 years ago 2
Where is Diana Damrau?
ivanleop 3 years ago 3
Wilma Lipp! She is regal and has authority
mrlammermoor 3 years ago 2
Wilma Lipp gets my vote!
baritonebynight 3 years ago
WILMA LIPP
Sesto73 3 years ago 4
"Julia Kogan" like record in a bathroom or something....
1.Beverly Hoch
2.Cyndia Sieden
3.Luciana Serra
4.Sumi JO
Nice video!!!
ll40808 3 years ago 2
I listened to all of them and my 3 favorites are:
1. Luciana Serra (She has always been my favorite queen and this just confirms it)
2. Beverly Hoch (My first version of this qotn aria I ever heard so it has sentimental value- plus its performed perfectly)
3. Cynthia Sieden (This was the first i've heard of her and her rich voice is perfect for the queen)
Thanks for posting this -
BTW- The Beverly Hoch version is not live- I have the recording and it is a studio recording.
hillevifan 3 years ago
i TOTALLY agree w/ u about about beverly hoch. it is performed perfectly. she has the best trills of ANY of these coloratura sopranos. and she holds the high F much longer than any of the other sopranos. they just barely squeek it out.
bimmerboy87 3 years ago
Except hers isn't an F! Either she sang it a semi lower, or the recording here has been slowed down a touch.
assimilation 3 years ago
actually she is singing an F! i listened to this recording many times and ive played it out on my piano and she is hitting the F so idk what ur talking about.
bimmerboy87 3 years ago
Then I will respectfully respond, I don't know what you are talking about. It's quite obvious that when it changes to her performance that the key is different. With my keyboard her note = E not F. Sumi Jo's is quite clearly an F.
assimilation 3 years ago
how is it that ur playing the note on ur piano and ur getting an E?? ur piano must be out of tune becuz CLEARLY she is singing an F. I kept playing the note over and over again on y piano and its an F no doubt about it. When i play an E its below pitch. Beverly Hoch can sing much higher than an F so y would she sing lower than what she is capable of singing? in one of her songs on youtube she hits an A flat6 above high soprano C.
bimmerboy87 3 years ago
I'm using a computer based synthesizer made by Arturia. The thing is, if you listen to Sumi Jo's version and play an F whilst she hits that top note, its quite clearly an F, unless you're going to tell me she's singing an F#. Hoch's version isn't as high as Jo's. Now its not quite perfect pitch to an E, I will concede that, but it's FAR closer to an E then to the F that Jo sings. Can't you hear the obvious drop in pitch from Lipp's version directly before Hoch's?
assimilation 3 years ago
The most likely cause for the drop in pitch, because it isn't just Hoch's version that's lower Sieden's isnt bang on an F either, is a recording/playback error from the original. Like when a cassette plays back a touch too slowly. I don't know where these performances came from, but if the audio came from an old VCR recording, there's your answer. I'm not trying to say Hoch can't hit the notes, just that in this particular play back the top note isn't an F.
assimilation 3 years ago
idk i cant figure it out. for some reason the song is played in a weird key. like her note is between an E natural and an F. like.....its really bizarre. idk its hard for me to tell. im playing the notes out on a real piano so idk....maybe im hearing wrong. im gonna ask my friend who has perfect pitch to see if he can tell me what note it is.
bimmerboy87 3 years ago
Its nice to use the computer synth because I can overlay the synth to the performance, making it easy for a comparison. You can download demo's easily. It's exactly as you say tho, the key isn't bang on either hitting and E or F for that top note, its somewhere in the middle and to my ears, closer to the E. The original performance was probably on pitch for an F, it's just getting it from there to here has somehow slowed it, ever so slightly.
assimilation 3 years ago
With regards to Hoch's voice though, I completely agree with you, its sublime.
assimilation 3 years ago
In the Sumi Jo version they used a tuning with the original pitch that is lower (than the one of today's where A = 440 Hz). Back then when this opera was written it was probably around 409 Hz, which would mean she sings almost a semitone lower than the others...
0101010001001000 2 years ago