wow... i don't even know who is more of a genius, Prokofiev ... or Richter... but it doesn' t even matter... two of the greatest musicians ( both composer / performer) happened to live at the same time... Prokofiev was not entirely aware of WHAT exactly he was playing with, when he was putting those notes on paper... Richter simply Plays them... and we get a glimpse of That Thing That Cannot be Expressed, like a step behind the Horizon...hah hah hah
For a man who had to look up his mother in Germany, after the war, and about his father it is even more complicated, maybe the slow movement had special meaning. His hands look like Prokofiev's, but he has a different sound.
@meredith21846 I agree with you.You mean the 3rd movement right? The 3rd movement Richter plays it so good,so emotionally,you can't find a better interpretation of this than Richter's...I don't like how Pletnev plays the 3rd movement of this sonata.
HELP !! All Richter Fans in the World: 5 Years ago i bought a CD with Richter but i lost it. On the C CD was: Fly of the Bummble, a schubert sonata, a rachmaninoff piano konzert. and some other short piano works from different composers.
On the Cover was Richter coming out a big lake. The Cover was full of water and Richter stands in the middle. The Cd must be from Erato or Sony. I would buy it again. Does anybody know the title of this CD. Thanks a lot to all Piano friends in the world
I saw R in Amsterdam in´85, on a hunch , Beethoven Sonata, he had carefully prepared himself as always , not a wrong note, however as a performance pretty forgettable. But naturally , I never regretted I went
The last movement of this sonata is a bit similar to the last movement of the sixth sonata - in character, with a lot of humour, and at 6:00 you have the same dying out of the fast theme followed by a reminiscence of a lyrical theme from the first movement.
Gilels WAS Neuhaus's student but he later denied the latter's mentorship in a fit of petulance when Neuhaus made some constructive criticisms in his classic book on pedagogy. Richter was pissed by this betrayal and limited his dealings with Gilels to the occasional polite greeting henceforth. In contrast, Richter had always acknowledged Neuhaus as his teacher though in truth Neuhaus had had precious little to impart to his genius protegé.
That's one way of looking at it, and a rather biased one at that. Those familiar with the body of Neuhaus' piano criticism acknowledge that the great piano mentor allowed himself more than a few cavalier and patronizing remarks with regard to Gilels and his late teacher Bertha Reingbald. Neuhaus' preference for Richter, shared by many a piano connoisseur, is entirely his prerogative, yet some of the forms it has taken are less than defensible
the beginning part, which would tie to the end of Part 1, is absolutely phenomenal and defiant. it makes a movement through the history of music. it all by itself defines the ingenuity of Prokofiev.
Absolutely right, but N. preferred R., while Gilels, a fine pianist, "got offended" and refused to consider N. as his teacher. Though N. WAS his teacher
if you have a chance read a book by Bruno Monsagon, about Richter, there are all answers, Gilel's he said was jelaouse to everyone, and not easy personality. he couldn;t bear the success of the others, and criticism.
During the Development-recap of the fourth Mvt-i love how Prkf keeps hitting(writing in) that insistent c#(leading tone)finally resolving(the decending double arpeggios)to the coda of the D minor theme.Brilliant-what a Composer-only 20-22 when he wrote this.
Yeah! Always obeying the innate rules of music whilst retaining his subversive mischievousness. Nice to hear someone who knows what they're talking about. Kudos. And amazing how Richter manages to make it sound like it's being played on a different piano, always with the same intensity so you can't miss it.
Definitly not my favorite version of this sonata, especially for the fourth movement. Almost no dynamics in the fourth movement! Thanks for posting it though...
I can't understand your point of view. The best things in Richters piano playing are his simplicity, punctuality and that he is never giving too much but enough. Not every piece of classical music is about ups and downs and insensate passion. Dynamics are perfect there.
wow... i don't even know who is more of a genius, Prokofiev ... or Richter... but it doesn' t even matter... two of the greatest musicians ( both composer / performer) happened to live at the same time... Prokofiev was not entirely aware of WHAT exactly he was playing with, when he was putting those notes on paper... Richter simply Plays them... and we get a glimpse of That Thing That Cannot be Expressed, like a step behind the Horizon...hah hah hah
sessionmessiah 2 months ago 3
If I hit a c# that hard I'd probably break a finger!
olosw 2 months ago
Love how he just gets up and walks off at the end... like a boss.
ElSachinoo 3 months ago
Comment removed
benkissinger 9 months ago
If it would bring us closer to what Prokofiev put inside the piano, maybe we should consider Soviet Communism
benkissinger 11 months ago 2
@benkissinger Do you actually think that communism, or any form of government for that matter, actually affects how a person plays music?
scientistpatrick 9 months ago
@scientistpatrick
'Sa joke, son - a funny
benkissinger 9 months ago
@scientistpatrick If you want, as my Russian girlfriend puts it, a 'sarcastic attitude toward irony' then, I think yes.
hymnofashes 2 weeks ago
Hammering that C# hard from 6:57 to 7:36, before it finally resolves to the tonal... simple yet effective.
HDGamingReplays 1 year ago 4
All I can say is wow
jakiner 1 year ago
The piano was crying at 8:50...
cafity 1 year ago
great... oh, great!
gold7c 1 year ago
More than perfect !
hovo160 1 year ago
He looks just a tiny bit knocked up after playing that whole thing, but no surprise, it's a tough work.
Flutist11 1 year ago
For a man who had to look up his mother in Germany, after the war, and about his father it is even more complicated, maybe the slow movement had special meaning. His hands look like Prokofiev's, but he has a different sound.
fredericfranc 1 year ago
oh, an evening in with Richter, and gould
what can I say
eeClaytonification 2 years ago
Lol, he walks away with authority after playing that.
Zebeldarebel 2 years ago 2
Richter captures perfectly the dark bleakness of this music.
meredith21846 2 years ago 2
@meredith21846 I agree with you.You mean the 3rd movement right? The 3rd movement Richter plays it so good,so emotionally,you can't find a better interpretation of this than Richter's...I don't like how Pletnev plays the 3rd movement of this sonata.
VaghoPianist 1 day ago
This has been flagged as spam show
HELP !! All Richter Fans in the World: 5 Years ago i bought a CD with Richter but i lost it. On the C CD was: Fly of the Bummble, a schubert sonata, a rachmaninoff piano konzert. and some other short piano works from different composers.
On the Cover was Richter coming out a big lake. The Cover was full of water and Richter stands in the middle. The Cd must be from Erato or Sony. I would buy it again. Does anybody know the title of this CD. Thanks a lot to all Piano friends in the world
jalleki12 2 years ago
Ya buscaste en amazon o la web? seguro lo podrás encontrar...
alexggable 2 years ago
@jalleki12
Use google?
MathijsGiltjes1993 2 years ago
I need a notes to this piece, anybody help me?
AnnMarry19 2 years ago
WooOoow!! thanks!
AnnMarry19 2 years ago
god.. the second movement is so crushing..
youvebeensmoked 2 years ago
to vocalpianist
I saw R in Amsterdam in´85, on a hunch , Beethoven Sonata, he had carefully prepared himself as always , not a wrong note, however as a performance pretty forgettable. But naturally , I never regretted I went
Hey ! I ´m not on the Beethoven page here !
mradipatti 2 years ago
Words fail me...I'll try just one: magnificent!!
soami2u 2 years ago 2
hypnotizing
madman322 2 years ago
So amazing !! 4:31 !!!!
atralfalgar 3 years ago
Thanks for send.Prokofiev sonatas are difficult and virtuosistic.
ArturoAlejandroS 3 years ago
This comment has received too many negative votes show
Yes, I think Prokofiev had real genius musical mind, but he has too many stupid unnecessary accents.
OorvakanSar 3 years ago
This comment has received too many negative votes show
This would be reall good if he didn't press the notes so hard.
OorvakanSar 3 years ago
I wonder why this part is much less listened to ("watched") than the first part. Both equally great!
suzettegm 4 years ago 13
@suzettegm because some people in the first part get bored :-D
vaseintibet 10 months ago
@suzettegm ephemeral attention spans
jazzguitar09 6 months ago
@suzettegm For instance i watched the first 1 two times before watching the second :)
kspijker123 1 month ago
he is so amazing! and so inspiring! his music is unique and insightful and I love it. If only I could have seen him perform :(
vocalpianist 4 years ago 3
I got a video of him playing a I think waltz on my profile with audio.
ChrisWatch 2 years ago 2
just perfect!
optimusito 4 years ago 6
He starts the 4th movement with such a fast tempo. @_@
This is amazing. Thank you for posting this.
classicalpiano92 4 years ago 2
The last movement of this sonata is a bit similar to the last movement of the sixth sonata - in character, with a lot of humour, and at 6:00 you have the same dying out of the fast theme followed by a reminiscence of a lyrical theme from the first movement.
FlorestanEusebius 4 years ago
Gilels WAS Neuhaus's student but he later denied the latter's mentorship in a fit of petulance when Neuhaus made some constructive criticisms in his classic book on pedagogy. Richter was pissed by this betrayal and limited his dealings with Gilels to the occasional polite greeting henceforth. In contrast, Richter had always acknowledged Neuhaus as his teacher though in truth Neuhaus had had precious little to impart to his genius protegé.
lyhpcl 4 years ago 2
That's one way of looking at it, and a rather biased one at that. Those familiar with the body of Neuhaus' piano criticism acknowledge that the great piano mentor allowed himself more than a few cavalier and patronizing remarks with regard to Gilels and his late teacher Bertha Reingbald. Neuhaus' preference for Richter, shared by many a piano connoisseur, is entirely his prerogative, yet some of the forms it has taken are less than defensible
punkpoetry 2 years ago
the beginning part, which would tie to the end of Part 1, is absolutely phenomenal and defiant. it makes a movement through the history of music. it all by itself defines the ingenuity of Prokofiev.
ibclappin 4 years ago
Inimitable, untouched, irreplaceable.
gavriel777 5 years ago
Fantastic performance, interesting to compare with Gilels.
erpooh 5 years ago
It is interesting...especially considering they studied with the same teacher!
abushakra 4 years ago
Not really. Gilels did not consider Neuhaus to be his teacher, and Neuhaus did not think of Richter as his student.
mltube 4 years ago
Absolutely right, but N. preferred R., while Gilels, a fine pianist, "got offended" and refused to consider N. as his teacher. Though N. WAS his teacher
francorussie 3 years ago 2
I prefer Richter, too. ;-)
ji94552 2 years ago
if you have a chance read a book by Bruno Monsagon, about Richter, there are all answers, Gilel's he said was jelaouse to everyone, and not easy personality. he couldn;t bear the success of the others, and criticism.
dyulyubitejika 2 years ago
Also love how Richter walks off the pulpet after his sermon-the gospel according to the young Prokofiev.
harriter88 5 years ago
During the Development-recap of the fourth Mvt-i love how Prkf keeps hitting(writing in) that insistent c#(leading tone)finally resolving(the decending double arpeggios)to the coda of the D minor theme.Brilliant-what a Composer-only 20-22 when he wrote this.
harriter88 5 years ago
Yeah! Always obeying the innate rules of music whilst retaining his subversive mischievousness. Nice to hear someone who knows what they're talking about. Kudos. And amazing how Richter manages to make it sound like it's being played on a different piano, always with the same intensity so you can't miss it.
charlescourt 4 years ago
Very poetic.
sab3156 5 years ago
Definitly not my favorite version of this sonata, especially for the fourth movement. Almost no dynamics in the fourth movement! Thanks for posting it though...
pianofan86 5 years ago
I can't understand your point of view. The best things in Richters piano playing are his simplicity, punctuality and that he is never giving too much but enough. Not every piece of classical music is about ups and downs and insensate passion. Dynamics are perfect there.
fonix101 5 years ago
well said
uhrkraft 4 years ago
thank you. :)
fonix101 4 years ago
I die over that finale! Prokofiev is a genius and Richter is a true virtuoso.
hr2 5 years ago