Emotional content,to the Opera lovers who ask about Mr Tibbet's High F Natural why don't you just take it for exactly what it is a beautiful and may I add touching performance.
How could anyone not love this. I concur that the high F was a bit raw; however, it seemed to fit the emotion of the piece perfectly. I can't imagine a more touching performance of this piece.
There seems to be some debate about this. I understand Dvorak himself denied that he "borrowed" the melody.. Although I wasn't there (obviously) I have read that the Negro spiritual didn't appear till well after the Largo was written.
@jbuckaroo82 . I stand corrected. You're right. Also, a musical scholar friend of mine confirms that "Goin Home" is not really a spiritual, but a paraphrase of a melody by Dvorak. It's interesting how beautiful music can spring from so many influences and sources. I think it's an example of our "Melting Pot" culture at its best. Thank you for posting this wonderful rendition by Mr. Tibbett.
Just curious. How does your friend differentiate between a "spiritual" and a "paraphrase of a melody"? Sounds a little bit like semantical gobblygook to me. Unless he/she understands the point of view and intent of the original writer.
@elainebmack - While Dvorak was in America he wrote his American String Quartet and American Quintet. , These works, along with his New World Symphony, represent a distinctly "American sound" in his music which he did not continue after he returned to Europe. Your friend is correct: Dvorak's melody from the New World Symphony paraphrased in "Goin' Home" is an original work, and not a traditional African-American spirtitual.
@legatofancier It's amazing how Dvorak was able to synthesize so much "original" American music into the "New World" symphony and the chamber works you mentioned (one of them originally had a rather distasteful name); as a European he truly grasped much of the American idiom and he did it so beautifully and well.
My god, what a beautiful voice. He has to be a top candidate for the greatest baritone America ever produced--and that's a mighty distinguished a group.
I think this was a great rendition of the song but Paul Robeson's version will probably always be the standard bearer. Even more so internationally where Robeson's race and political ideas didn't hinder his career or fame as it did in the U.S.
I had never heard of Lawrence Tibbett before I saw this video. What an incredible voice he had! Now I'm going to try to find more audio or video of him!
There's a video of Morris Robinson singing Going home on YouTube. It's not as regal as Tibbett, but the voice is huge. Search for "Morris Robinson - Going home - Hour of Power"
not a truer word said!! i first heard this driving on boxing day on a radio whilst getting my kids it sent a shiver down my spine an i was hummin it all over xmas very touching and warmin to hear.
He also transcended to Motion Pictures as a leading man quite well. Benjamin Segel bought his house when he was in LA. He convinced Tibbett to sell it to him. Segel wouldn't take no for an answer, and paid him more than it was worth. How could Larry say no?
Scus' me...Don't wish to be insulting...but I love these singers so much....It's just that 'political correctness' has wiped their memories away....If only you youngsters could hear these fantastic voices...You would realise what your 'grandads' loved so much......
See here! this is what it's all about. Here's the voice that took so many curtain calls at the Met before most of you morons were even born......Tibbet, Crooks, John Charles Thomas, Tauber, Gigli, Caruso....is it sinking into your midget brains?
That's his predecessor at the Met, baritone Antonio Scotti, whom he completely stole the show from in Falstaff. Tibbett was Ford and Scotti Falstaff. The performance was to commemorate Scotti's long career at the Met. Here Tibbett congratulates Scotti in his dressing-room after a performance of L'Oracolo.
this song is an old Scottish tune brought to the US by the Scots-irish immigrants, taken by the slaves and adapted into a spiritual, picked up by Dvorak while living here, put into his New World Symphony. Full circle!
errrmmm...are you sure this is true? I thought this was original Dvorak and not picked up from anywhere. Whilst there are elements which appear in Scottish folk music these elements are not unknown in Czech music.
A beautiful rendition of this song. The comments are also interesting. Can you explain to a non-singer just what "covering" a sound means? Thanks for posting this lovely recording.
It's a technique that baritones and basses employ to perpetuate a dark and rich tone as they ascend into higher notes. Tenors do not "cover" notes in order to allow the sound to bloom and ring clear, whereas baritones and basses somehow "muffle" their highest notes so as not to allow the voice to lighten. That's my take at explaining it. Haha! It's a bit dodgy, but hopefully you have some idea of what I'm talking about.
Also, "primobaratone" answered my question. Have you gone to his page and listened to his father's beautiful voice? It is wonderful! You Tube is great, so many people willing to share their knowledge and beautiful music.
Very nice-beautiful voice. 'Goin Home is one of my favorite songs.The most beautiful rendtion of this song which I have heard was sung by Nelson Eddy on a CD I have of one of his radio programs-wish that Nelson had recorded this. Nelson was an admirer of Tibbet`s voice and they were good friends. I also love Paul Robeson`s beautiful rendition of this song. Lorraine
Yes,I did a fair bit of musical comedy in my day, and I remember, back in the 60's, we used to refer to covered sounds in a woman's voice as "singing soprano." The belters discovered they could sing very high without covering (Ethel Merman comes to mind), so it all worked out, but some of the sounds weren't so pretty, lol!
The reason he started opening the top more in the mid-thirties was that by that time he was starting to sing a fair bit in English, and for the movies. Covered sounds for a popular audience don't work well in English speaking countries. They sound "foreign," or "operatic." This is why the Broadway belters belt: The women (especially) don't want to sound like opera singers.
@stefakamelpash - Excellent point! Covered singing can sound very affected to English speaking audiences! There are singers from the early to mid 20th Century who sang very covered and who sound artificial to modern audiences.
Yes I agree. I don't know why, but in the mid 30's he began opening the top more. He did know how to cover (modify) very well and he didn't need to do that.
Yes, he obviously new how to cover and did it most of the time very well. You just have to be careful opening F naturals or even E naturals for that matter, but he knew what he was doing.:)
Beautiful, thank you for posting.
traylorvh 3 weeks ago
Comment removed
traylorvh 3 weeks ago
Lovely singing. TY for posting.
paulostroff99 4 weeks ago
very subtle longing
stevaturesve 1 month ago
longing
stevaturesve 2 months ago
winsome
stevaturesve 2 months ago
If they ever make a movie about his life, they ought to cast Leo DiCaprio to play him.
Ironcabbit 2 months ago
Beautiful!
LanzaLover2 3 months ago
Thanks for posting the beautiful song and the collected photos of this talented gentleman.
gallifreyfarm 3 months ago
Elsewhere on "Youtube" Paul Robeson has a version that I think superior and I say this as a big Tibbett fan.
Also, Robeson is accompanied only by a piano and his accompanist is just about as brilliant as he is.
Still, this is a great presentation, particularly the pic of him with Scotti who was also a very great baritone.
SatchmoSings 5 months ago
Just beautiful - and an amazing compilation of photographs!
everybodylovesmybaby 7 months ago
Emotional content,to the Opera lovers who ask about Mr Tibbet's High F Natural why don't you just take it for exactly what it is a beautiful and may I add touching performance.
hremdldw 11 months ago
Singing his heart out,gives you chills.
hremdldw 11 months ago
some gentlemen stand apart - Lawrence Tibbett was one of them!!
dougieboy46 1 year ago
Comment removed
dougieboy46 1 year ago
Powerful ! :)
breffnipark 1 year ago
How could anyone not love this. I concur that the high F was a bit raw; however, it seemed to fit the emotion of the piece perfectly. I can't imagine a more touching performance of this piece.
76Basso 1 year ago
Better than sliced bread.
dannyamosflynn 1 year ago
@primobaritono You have it backwards. "Goin' Home" is a Negro spiritual that Dvorak used in his "New World Symphony", not the other way around.
elainebmack 1 year ago
There seems to be some debate about this. I understand Dvorak himself denied that he "borrowed" the melody.. Although I wasn't there (obviously) I have read that the Negro spiritual didn't appear till well after the Largo was written.
jbuckaroo82 1 year ago
@jbuckaroo82 . I stand corrected. You're right. Also, a musical scholar friend of mine confirms that "Goin Home" is not really a spiritual, but a paraphrase of a melody by Dvorak. It's interesting how beautiful music can spring from so many influences and sources. I think it's an example of our "Melting Pot" culture at its best. Thank you for posting this wonderful rendition by Mr. Tibbett.
elainebmack 1 year ago
@elainebmack
Just curious. How does your friend differentiate between a "spiritual" and a "paraphrase of a melody"? Sounds a little bit like semantical gobblygook to me. Unless he/she understands the point of view and intent of the original writer.
jbuckaroo82 1 year ago
@elainebmack - While Dvorak was in America he wrote his American String Quartet and American Quintet. , These works, along with his New World Symphony, represent a distinctly "American sound" in his music which he did not continue after he returned to Europe. Your friend is correct: Dvorak's melody from the New World Symphony paraphrased in "Goin' Home" is an original work, and not a traditional African-American spirtitual.
legatofancier 1 year ago
@legatofancier It's amazing how Dvorak was able to synthesize so much "original" American music into the "New World" symphony and the chamber works you mentioned (one of them originally had a rather distasteful name); as a European he truly grasped much of the American idiom and he did it so beautifully and well.
He was a great composer.
SatchmoSings 5 months ago
This has to be the most gorgeous sound produced by a baritone -- ever!
DonPaolissimo 1 year ago
Comment removed
rawrock24 1 year ago
This is one song that would truly be a privilege to die to.
rawrock24 1 year ago
It certainly is. Thanks for this sensitive and beautiful video.
aristopus 1 year ago
My god, what a beautiful voice. He has to be a top candidate for the greatest baritone America ever produced--and that's a mighty distinguished a group.
EdmundStAustell 1 year ago
Tibbett was the best.
10clementine 1 year ago
Awesome
paulostroff99 1 year ago
@paulostroff99
Stunning performance - what a rich and beautiful sound. Thank you for sharing and to primobaritono for posting.
Regards-John
65attila 1 year ago
Do you think you could tell me what album this song is on please?
seektheforce 1 year ago
He's a perfect model of 19th-century bel canto technique. One of the last.
MUSICALLAN 1 year ago
A great song filled with great meaning.
RidenourRC 1 year ago
wow I remember him I am 65 now
vipergurn 1 year ago
He deservs heaven.....
What a rich voice!!!
Rigelcentauri58 1 year ago
I think this was a great rendition of the song but Paul Robeson's version will probably always be the standard bearer. Even more so internationally where Robeson's race and political ideas didn't hinder his career or fame as it did in the U.S.
billywater 2 years ago
The Supreme Artist. There is no one on the operatic Metropolitan Stage today who can ever match the beauty of Lawrence Tibbett's singing
796824 2 years ago 2
I had never heard of Lawrence Tibbett before I saw this video. What an incredible voice he had! Now I'm going to try to find more audio or video of him!
uilleannaddict 2 years ago 3
There's a video of Morris Robinson singing Going home on YouTube. It's not as regal as Tibbett, but the voice is huge. Search for "Morris Robinson - Going home - Hour of Power"
ElPiconeroalCognac 2 years ago
thanks very much for postin :)
Thompsonf1001 2 years ago
Thank you for this Heart felt rendition, Beautiful.
ScotsLass10 2 years ago 3
Beautiful! perfect! the version that touches my heart so deeply.
Thank you very much for posting and sharing this, you are most kind.
traylorvh 2 years ago 2
Lawrence in his greatest years. Beautiful performance.
Hans NL
qklq42 2 years ago 3
What can you say? An extraordinary beautiful performance!
everybodylovesmybaby 2 years ago
Tears your heart out with a velvet glove!!
He was a TITAN!!!! Thank you for the
posting.
Kievest 2 years ago 10
not a truer word said!! i first heard this driving on boxing day on a radio whilst getting my kids it sent a shiver down my spine an i was hummin it all over xmas very touching and warmin to hear.
jaydabaron 2 years ago 3
Simply beuatiful and perfect!
cleanears 2 years ago 2
I think that it´s more Dvorak who is making impress in this song, I was astonished even from strings
varanisko 2 years ago
He is home now, rest nobel Rogue
reeferisme 2 years ago 4
Awesome! Prince of baritones! Emperor of baritones! Those and much more. The rich timbre of his voice will not soon be forgotten!
paulostroff99 2 years ago 8
Noble Tibbett at his very best.
klokheten 2 years ago 2
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ahtenor 2 years ago
Very beautiful, brought a tear to my eye. I love Lawrence Tibbett!! His voice soothes me. How did you obtain this song?
manlyman80345 2 years ago
Absolutely magnificent!!!
olderngod 2 years ago 2
He also transcended to Motion Pictures as a leading man quite well. Benjamin Segel bought his house when he was in LA. He convinced Tibbett to sell it to him. Segel wouldn't take no for an answer, and paid him more than it was worth. How could Larry say no?
78timothy 3 years ago
i love this song
gothboy2k6 3 years ago
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that is very awesome i love this
Unoznixon 3 years ago
Scus' me...Don't wish to be insulting...but I love these singers so much....It's just that 'political correctness' has wiped their memories away....If only you youngsters could hear these fantastic voices...You would realise what your 'grandads' loved so much......
dickdomino 3 years ago 2
i'm one of the new generation nd i love this kinda music so we're not all ignorant to music
gothboy2k6 3 years ago 2
i hear you i wish for the same!... as i adore all kinds of heart-felt music and im 21.
mrm4xim4m 3 years ago
See here! this is what it's all about. Here's the voice that took so many curtain calls at the Met before most of you morons were even born......Tibbet, Crooks, John Charles Thomas, Tauber, Gigli, Caruso....is it sinking into your midget brains?
dickdomino 3 years ago
Thank you for this post. It so very beautiful!!
2009NewBeginning 3 years ago 2
haunting it is so beautiful
sompra 3 years ago 2
The more I listen to this version, the more I like it ! Who was the old guy Tibbett shook hands with at 2:49 ?
Sagittariustoo 3 years ago
That's his predecessor at the Met, baritone Antonio Scotti, whom he completely stole the show from in Falstaff. Tibbett was Ford and Scotti Falstaff. The performance was to commemorate Scotti's long career at the Met. Here Tibbett congratulates Scotti in his dressing-room after a performance of L'Oracolo.
primobaritono 3 years ago 2
Thanks for the information, primobaritono !
Sagittariustoo 3 years ago
at 0:40 he bared a lot of resemblance to DiCaprio, no? o.o
ArlithCake 3 years ago
This is so beautiful. Lawrence Tibbett's voice just speaks to my heart.
jch35vt39h206 3 years ago 2
It made me cry.
Opreaismylife10692 3 years ago
This song was featured in the 1948 Olivia de Havilland film "The Snake Pit". It was sung by patients in a mental hospital. Quite moving.
carrotville 3 years ago
it was also featured in the 1941 movie "It Started With Eve" and was sung by Deanna Durbin.
darklord2626 3 years ago
this song is an old Scottish tune brought to the US by the Scots-irish immigrants, taken by the slaves and adapted into a spiritual, picked up by Dvorak while living here, put into his New World Symphony. Full circle!
divaesq 3 years ago
errrmmm...are you sure this is true? I thought this was original Dvorak and not picked up from anywhere. Whilst there are elements which appear in Scottish folk music these elements are not unknown in Czech music.
rcrent 3 years ago
A beautiful rendition of this song. The comments are also interesting. Can you explain to a non-singer just what "covering" a sound means? Thanks for posting this lovely recording.
smurfswacker 3 years ago
It's a technique that baritones and basses employ to perpetuate a dark and rich tone as they ascend into higher notes. Tenors do not "cover" notes in order to allow the sound to bloom and ring clear, whereas baritones and basses somehow "muffle" their highest notes so as not to allow the voice to lighten. That's my take at explaining it. Haha! It's a bit dodgy, but hopefully you have some idea of what I'm talking about.
forallyouknow 3 years ago
This is not an accurate description of covering...
Tenors cover. Listen to Pavarotti when he gets higher than an F.
Belcore14 3 years ago
My apologies. Any clips on YouTube that I could use as reference?
forallyouknow 3 years ago
I've heard this theme in the symphony, but never heard it with lyrics. What a gorgeous song! When was it written?
johnhoie 3 years ago
William Arms Keys a student of Dvorak in New York wrote the lyrics to "Going Home". Thanks to "tiredarms" for providing me with this information.
vth39 3 years ago
Also, "primobaratone" answered my question. Have you gone to his page and listened to his father's beautiful voice? It is wonderful! You Tube is great, so many people willing to share their knowledge and beautiful music.
vth39 3 years ago
THANK YOU!! My mind is at peace now. Thank you so much.
vth39 3 years ago
There is a sister group that does a great version of this too.
rrbowes 4 years ago
Can anyone please tell me how to get the music only onto a cd? I think this is a beautiful rendition of a lovely song
audleybowls 4 years ago
Never heard of this man but come across this by chance.Glad I did ,great singing ! Lovely voice!
romanyman 4 years ago
Very nice-beautiful voice. 'Goin Home is one of my favorite songs.The most beautiful rendtion of this song which I have heard was sung by Nelson Eddy on a CD I have of one of his radio programs-wish that Nelson had recorded this. Nelson was an admirer of Tibbet`s voice and they were good friends. I also love Paul Robeson`s beautiful rendition of this song. Lorraine
Gemini730 4 years ago
If there were only ONE baritone on the operatic stage who could match this - The perfect centered tone and chiaroscuro singing.
796824 4 years ago
Yes,I did a fair bit of musical comedy in my day, and I remember, back in the 60's, we used to refer to covered sounds in a woman's voice as "singing soprano." The belters discovered they could sing very high without covering (Ethel Merman comes to mind), so it all worked out, but some of the sounds weren't so pretty, lol!
stefakamelpash 4 years ago
The reason he started opening the top more in the mid-thirties was that by that time he was starting to sing a fair bit in English, and for the movies. Covered sounds for a popular audience don't work well in English speaking countries. They sound "foreign," or "operatic." This is why the Broadway belters belt: The women (especially) don't want to sound like opera singers.
stefakamelpash 4 years ago
What you are saying is very interesting. I never thought of that, but you might very well be correct.
primobaritono 4 years ago
@stefakamelpash - Excellent point! Covered singing can sound very affected to English speaking audiences! There are singers from the early to mid 20th Century who sang very covered and who sound artificial to modern audiences.
legatofancier 1 year ago
NIce. Have you ever heard singing Paul Robeson singing Goin'Home? That version I want to hear on my funeral.
Cheers,
Friedrich from Holland
Tenderness6 4 years ago
Check out this version
watch?v=2XGRrZfOhtk
shinri1 3 years ago
Yes, very nice too. Thanks.
Aetion 3 years ago
Tibbett sings this piece beautifully. Paul Robeson also recorded a nice version, in a lower key of course --
stevevandien 4 years ago
both of theme were...no,way!...ARE FANTASTIC!!!
ankhsnammon
Ankhsnammon 4 years ago
Wow, he really opens that F natural a bit too much. Beautiful voice!
MrCafiero 4 years ago
Yes I agree. I don't know why, but in the mid 30's he began opening the top more. He did know how to cover (modify) very well and he didn't need to do that.
primobaritono 4 years ago
Yes, he obviously new how to cover and did it most of the time very well. You just have to be careful opening F naturals or even E naturals for that matter, but he knew what he was doing.:)
MrCafiero 4 years ago
@MrCafiero Are there any videos of this song, where the singer doesn't open up the F too much?
seektheforce 1 year ago
grazie.
canegrace 4 years ago