Added: 4 years ago
From: Pianoplayer002
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  • mmmm prefer Rachmaninoff

  • @Rasterius Eh, that's your opinion, I guess, but Scriabin was ahead of his time

  • @Sword1479 Not ahead, just with his time. Schoenberg and Stravinsky were also exploring this new music. Berlioz, now that man was certainly ahead of his time!

  • Amazing performance. Even now, after I have studied and played the sonata and I can hear all the wrong notes, Richter's energy, sense of musical structure, and dramatic awareness are superb.

  • BEST SCRIABIN SONATAS ARE 5TH, 7TH, AND 10 (SCRIABIN PERSONAL FAUVORITE WAS THE 7TH)

  • I had never heard this before now. The start raped my ears.

  • @purplekitteh no means yes in this case.

  • this composition is much complex than feux follets i think

  • 6:52, incredible overtones. The whole performance is breathtaking.

  • that's how you play that first note....

  • Richter is a force of nature.

  • this is unbelieveable.

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  • Horowitz said Scriabin was crazy, but what a genious. His phantasy was so widespread which opens new horozons. People were not prepared to this and all which is new is first rejected.... Scriabin wasn t crazy when he wrote this but his spirit went far away from reality of every day life. He was in a new world. Il was his refuge this phantasyworld of his music.

  • Amazing!

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  • Lol, offbeat polyrhythms. How crazy can you get with Scriabin?

  • @werq34ac it gave me hell when I first started learning it. It comes naturally after a while though, just as in any piece. All it really is is just 2 on 3. Its not too hard.

  • @aguyfromtexas I know, I tried it. It's a really fun rhythm.

  • @werq34ac How crazy can you get with Scriabin? Look up his 8th sonata :)

  • WTF AT THE BEGGINING

  • I fell from the cahir when it started

  • Great !

  • i think in the beginning they drop richter onto the stage from big height - part of the entertaining show, you know - and he lands right on the piano, and pretends it's the start of the piece and just continues on.

  • @ibclappin Hahaha! The thought of that makes me laugh...Wow!

  • @ibclappin HAHAHA perfect.

  • It's true- Richter does seem to ignore some of the composer's markings and maybe takes some sections excessively fast, overlooking details. But on the whole, is this not a brilliant performance? Few pianists bring so much passion and energy to this piece.

  • @cpdavidzas

    scriabin

  • God ! This music never fails to excite me.Skryabin was exceptional and he wrote orchestral music that showed he was a GREAT ORRCHESTRATOR .Chopin dies giving us a trio and cello sonata another 10 years who knows.Maybe S old crazy reborn.His words onpage reveal a personality unlike many others. This is D.H.Lawrence as Russian with repressed homo urges.Lawrence did wht he wanted no repression with him.Sky was def interesting.This music is almost sensual bad taste.Needs chopinclassicist restraint!

  • 8:20 getting a little excitable there.

  • Gay or not, Richter together with Gilels were the two greatest painists that ever lived! Some say Lizst, but has anybody heard him play ...only testimony of others i am afraid.

  • @301250

    Funny quote i spotted at Wikipedia:

    Horowitz, who denied being homosexual, once joked "There are three kinds of pianists: Jewish pianists, homosexual pianists, and bad pianists."

  • @301250 hm i would say that posterity is enough too say that he is one of the greatest pianists ever.

  • 10:05 OMG!!!!!!!!!!

  • Its a great interpretation of this sonata, and i enjoy Richter very much.. but he skips over so much detail! The allegro sections that always come after the Meno Vivo themes are marked p and pp, he plays them forte, and skips over plenty of accel and rits. I feel like richter doesn't take scriabin's tempo and dynamic markings seriously enough

  • Words cannot describe how much I love Richter's interpretation of this piece. I also have Horowitz's as well, but this version is far more powerful, brooding, and epic in its presentation and delivery. Its almost creepy and eerie to me, and it reminds me of edgar allen poe poems...

  • i dont really care if richter was homo or anything... this is a very good interpretation, very different than the horowitz version... both are great!!!!!! you know... russian music is in the blood...

  • who wrote that quote that was found on pg 11

  • Help me, I'm learning this piece now. Scriabin forgot to write Presto again at 5:00 I think. But many pianists play it in the same slow tempo, which is correct?

  • Be yourself. That's the right thing.

  • if ur learning this piece...u shouldnt be asking that question.

  • He skips over quite a lot of detail, and not all of the harmony is always audible. I actually think it needs much more ego and more unpredictability, quirkiness, over-the-top-ness: Scriabin himself was a megalomaniac, and this Sonata is based on a quotation from his own ego-manifesto, Poem of Ecstasy. Food for thought...

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  • Awesome. At times I think this the best piano playing ever. Fierce, commanding yet without ego and mannerism.

  • Was Sviatoslav Richter really gay? If he was, how come Wikipedia does not say so? It is not documented so I don't believe it.

  • I don't wish to discuss this (to me uninteresting) subject, but at least you could actually read Wikipedia article on Richter, it is twice cited. I found this on WP only few seconds after reading your message with simple search functions...

  • "Richter was homosexual, and while his sexual orientation was an open secret in the Soviet musical world, this sexual behavior was illegal and punishable by Soviet law."

    Direct quote from Wikipedia.

  • @coasterman16 Is fun that you comment about sexuality in a video about music, you could say that Richter was one of the greatest pianist in the last generation too.

  • Who cares?Not everyone wans their sex life to be public.

  • Richter's use of pedal is very nice indeed. Did I say the man has technique too?

  • Er actually he has a lot more technical hiccups than you would expect...

  • I hope one day I will be able to play this piece as well as Richter. This is simply amazing. Not only Richter's performance, but the piece itself! That anybody can call this "Organized noise" simply blows my mind. This is aura pleasure in the raw. Nothing comes close.

  • I meant aural.  As in ears =P

  • I cannot think of a more thought provoking, compelling piece to listen to.

    Scriabin: the pinnacle of 21st century composition.

  • @Rachmanomaniac he wasn't even alive in 21st century...

  • Dude are you nuts? It's Scriabin...like one of the most tonal composers of the 20th century...

  • Ummm....I don't think you know what you're talking about. If you want to look at this piece in comparison to his other output look at it as his evolution of style through his piano sonatas. This is No. 5. His later ones through No 10 stretch tonality far more than this one. And they are still perfectly tonal. And in sonata form, and following MANY 16th and 17th century models. Maybe you should...listen?

  • "organized noise"??? sorry you cant understand scriabin's music...

  • And have you even listened to the whole thing? At around 1:40 it sounds pretty tchaikovskysian.

  • Not an interesting comment; all you tell us is that you don't understand...

    I do not understand, for instance...chinese, but i wouldn't presume that it's a useless language just by my incapacity. Your life could possibly be enriched by more openness.

  • Probably not my favorite sonata by Scriabin (I definitely prefer Nos. 2, 3, may be No. 4, and of course Nos. 9&10), but anyway everything becomes gold when played by Richter.

  • Indeed, it's all the difference in the world comparing a good recording i e this one with a bad one. It's the same notes but still the bad recording might just as well be a totally different piece.

  • It should also be noted the importance that this piece serves in documenting the growth of Scriabin as a composer. This 5th Sonata marks the beginning of a new period, where he begins to use atonal techniques in his writing. Everything before this, while incredible, is very Romantic in style, but everything after this is written atonally, as he eventually discarded the use of a key signature in his later sonatas altogether. Scriabin himself saw the piece as very important, as he refers to it

  • in an epitaph written in conjunction with his Poem of Ecstasy, stating "I summon you to life, hidden longings! You, drowned in the dark depths of the creative spirit, you fearful embryos of life, I bring you daring!" (This is mentioned in the description of the video, but the epitaph itself was not written until long afterwards.)

    This piece may not be the pinnacle (in terms of quality) of Scriabin's brilliant work, but it marks a very important paradigm shift in Scriabin's approach to music.

  • This version is without doubt the best at conveying the fire, the uncertainty, and the fear Scriabin intended. I guess that is what makes Richter rise above everybody else - his ability to connect with every single piece he played. Bravo!

  • Honestly, i think the beginning was written to wake up the people who doze off or engage in conversations during concert. I've been to a few with this piece and it works pretty well. Debussy's Jardins sous la Pluie seems to have the same effect too.

  • I believe that if anyone is looking for a forte performance of Scriabin's 5th, this is definitely the one to listent to despite the technical slips here and there which really do no harm to the work. However, I cannot consider it the definitive recording. It would have to be Sofronitzky ot Horowitz for me. Richter's performance however, is still amazing and I love his force and how he attacks the piece instead of becoming too sentimental with the work (a modern tendency I despise!)

  • beautifull music so different and so dark .

    The music is like thoughts of the composer..............

    JUST PERFECT SOUND ,TOUCH and divine...........O-o

  • I really like your video presentation with scrolling score. A great idea, and useful for students too. Thanks.

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  • too much for me ^^ this is so extreme :p

  • that music is so unrestrictedly !!!!

  • Ahah! i thought it was soft and slow like a Mozart sonata! ah!

  • Do u think this is harder, in any way, than Rach's 2nd?

  • Richter said this was the hardest in the repertoire .....

  • Well he certainly has no trouble executing it!

  • if he had the slightest trouble executing it,he wouldn't have even considered adding it to his repertoire...In order to make it work,it always has to flow as if its water!

  • Actually, there's a pretty fair number of technical mistakes here, it sounds like Cortot at times (except, of course, not as good a sound). Also, the balance is not too great (could just be the video, I guess, but still). Sofronitsky's recording of this piece is in almost every way better- cut to the bone. This is far from the best recording of Richter I have heard.

  • Ach you are just nit-picking now. This is Richter, whether it tickles your taste buds or not, and there's not point saying who's "better". I'm sure sofronitzky is very good it in this piece, but you know I quite like the balance of sound here. And besides, it;'s the message that counts only, and Richter certainly managed to get his accross!

  • OK, the technical mistakes thing definitely was nitpicking (I am an enormous fan of Cortot, after all), but in addition, here he doesn't always bring out the inner voices too much, and the phrasing is in some places rushed. I'm just saying, Sofronitsky was more laid back but at the same time more wild- there are times when he's almost smashing the piano into pieces. And I've heard Richter give way more subtle and satisfying performances- like, for instance, the last three Beethoven sonatas.

  • In any way. Sure

  • @tydhq Very much so.

  • @tydhq ""'This is Scriabin's most recorded sonata. The legendary pianist Sviatoslav Richter has described it as the most difficult piece in the entire piano repertory (along with Liszt's first Mephisto Waltz)[1]. A typical performance lasts about 11-12 minutes.""""

  • @Martel211996 ive always thought that the hardest piece was the Liszt Sonata... But this one (Scriabin Sonata) truly is very very hard =)

  • @tydhq lmao!!!!!!!!!!

  • Yes. Richter himself considered this the hardest piece ever written for piano. Although many would contest that designation (myself included) it is definitely "up there." Also, it is harder to interpret effectively than Rach 2, in my opinion.

  • @briawnaanderson

    What do you feel is more difficult? Not arguing, just curious.

  • @annefrankisaho I can't speak for him... but I can give you some ideas I have. Ravel - La Gaspard de la Nuit, Miroirs. Prokofiev - Sonata No. 6. Stravinsky - Petrouchka (piano solo version obviously). Scriabin - Sonatas 6, 7, 8 for various reasons. And a lot of other stuff to get you started.

    The hardest part about this sonata are the damn INSANE jumps that you have to do. You could easily break something on this piece.

  • 3:50... I love how scriabin writes "Allegro Fantastico" for 3 bars, and then changes it to "Presto Tumultuoso...".

  • Enjoyed this a great deal. Thanks for uploading.

  • Great performance -- wish the musical score wasn't translated into English! Somehow Scriabin doesn't work in English :)

  • Not bad. Not bad at all.

    Thank you, Pianoplay,(and you give us a "plus'",whith the  poem transcription) .

  • At 10:19 I love how the quiet "languido" theme returns in such a blissful, powerful way, as if the entire piece has been leading up to that ecstatic moment. Then the "presto" theme returns along with the wild opening arpeggios that go screaming off into oblivion ... no matter how many times I hear this piece, it's an exhilarating experience!

  • this is the most incredible piece of romantic piano playing I have ever heard in my life. thank you for this! and no. 2 which is better than Sofronitsky. this must be Scriabin's solo piano masterpiece. I agree, it is one of, or the most difficult technically to play.

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  • the slow build up it totally worth it when it gets to 7:22. ...amazing

  • Richter said that this is the most difficult piece of piano repertoire...

  • Is Richter opinion, not my opinion or your irrelevant opinion, ignorant. Look at wikipedia "sonata no. 5 (scriabin)" -_-

  • hahaha ok, you are absolutely right. Bravo for your knowledge

  • your channel is very similar to your friend channel...

  • lmao. I have to agree that their channels are eerily similar.

  • Sam is my son; we use the same desktop at home.

  • I side with perdipe.

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  • There are pianists with far greater technical faculties than Martha Argerich...Richter is a perfect example, I'd say.

  • Prok7 is not "called precipitato". Only the last movement. It demands a basic, narrow strength and stamina, possesed by thousands of very ordinary pianists.

    Skr5 demands the widest spectrum of pianistic super-skills plus a heightened musical imagination far beyond all but the rarest of artists.

  • Are you a pianist? A good one? You sound elitist and narrow-minded to me. Sorry to burst your bubble.......

  • So glad to see you're living up to your username..

  • Thousands play Prok7 very well. Only two or three have ever got close to Skr5, and it's still waiting............

  • I agree. I only found Scriabin a few weeks ago and he's already my favorite piano composer. In matters of strings, Shostakovich prevails. But when it comes to piano, Scriabin always wins out.

  • I've listened to this piece hundreds of times, and yet it never has bore me.

  • Gotta love that little rhythm introduced at 1:40..ingenious,

  • No one else combined religious mystycism with emotion like Scriabin quite as well, and in my opinion adding the emotion to religious is one of the utmost key elements.

  • Great stuff! Which of Richter's several performances of Scriabin's 5th Sonata is this?

  • Not sure. In my CD booklet it says it was recorded 24 september 1972. It is possible that it was recorded in Prague...

  • Thanks for your reply. Yes, Richter gave a recital in Prague that day.

  • I agree that Scriabin is enthralling. Absolutely unique, and he wasn't one of a kind just to say he was one of a kind. He redefined everything...

  • Richter brings a striking luminescence to this piece that, I think, many other performers lack.

  • wow!

    why don't people just agree that sciabin is the best composer ever. forget mozart. Amadeus wasn't the only guy composing in nappies, most of Scriabin's preludes are pre-teen and does a mozart sonata really compare to Scriabin's depth? *cough* I think not.

  • What Makes Mozart good, it´s not the fact that he started composing when he was a kid, but his pieces when he was a complete man. Besides, your being unfair, cuz I bet Scriabin would have done other things if he lived the age Mozart did, they are both great, Mozart did excelent things, so Scriabin did...if you compare to different ages, is like saying Schoenberg is better than Palestrina... !! come on!!

  • scriabin lived longer than mozart. or did you mean the time period?

  • sorry i was talking about the time period

  • What a FUCK interpretation, in a positive way! The best ever!!!

  • scriabin wrote some beautiful melodies, this one reminds me a lot of the sonata fantasie

  • Very difficult peace... I would recomend it only in serious competition, otherwise it probably would be missunderstood

  • This is such a fantastic piece, and I love Richter's energetic, magical interpretation of it. I would love to perform this someday!

  • Beautiful piece, beautiful performance.

  • Hi, can anyone tell me if this is a good competition piece? If so, would it be ok to also mention whats good about it? Thank you.

  • Definitely, can't you tell by the difficulty of it that is would?

  • You know, when I was going to upload it, I had two Richter recordings to choose from, this one, and a newer one with less mistakes. However, the "less-mistake" version didn't have the same energy, in this recording you can really feel the power of the piece... The choice between the recordings was obvious to me =)

  • I really don't understand this kind of criticism... If you performed this piece yourself, as I have as well, you surely recognize the clarity that Richter brought to it. Certain places make so much more sense, at least for me, listening to his interpretation, so the technical errors don't bother me.

  • One of the biggest things about piano is that it's the pianist's INTERPRETATION of the piece. Some pianists may not want to play it with perfect technique, they may want to stress different beats or hold notes a little longer. When it comes down to it, it's not who plays better (unless you're talking a professional versus someone who learned piano yesterday), it's whose interpretation you prefer. I agree with your comment, by the way.

  • I agree with CoolWJL. Many errors but technically he seems to go beyond human possibilities. Scriabin is full of teosophic concepts, you must hit the chords as whith electric rays. Pure visions.

  • This is art.

  • I'm a 39 year old guy who is re-discovering the piano. I played this piece at 21, it's probably the highlight of my study. I absolutely hated the rigors of the piano and stopped for 10 years, only to start anew now. Scriabin has been my gateway back in. I can now only play the preludes, but hearing this sublime performance makes me want to get my "chops" back again. This is pianism of the highest order. Sometimes all you can do is wonder...

  • He's attacking the piece absolutely full on, deliberately, to the limit of what is humanly possible.

    This is Scriabin, notes are meant to fly off the key.

  • The extreme contrasts are perfect for this piece.

  • unique

  • Pure ecstasy at the piano...

  • This is total genius, I have a different recoring of richter doing this where he gets a little more mystery from the slower passages, but this is equally brilliant. This is the piece that made me relalise that richter wad the greatest. Other supposedly fine performances - horowitz - pale in comparison. And fantastic to see how he is responding to the score. thankyou.

  • this piece changed the history of music.

  • Scriabin has his own unique style of music.

  • I didnt mean that as a bad thing, thats the only reason why Scriabin is one of my favorite composers.

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  • hehe, i'm playing this piece now, and it's nowhere as good as this. ugh, so much more work to do.

  • What a powerful opening

  • Yes indeed... first time I listened to the CD, I had no idea who Scriabin was. I had heard one of his earlier sonatas (n.2) previously on the CD, and I had the volume on quite high. Then, suddenly, BOOM, sonata n.5 starts, and I get scared to pieces xD

  • that is a pretty scary opening! To think, such a huge sound with only two notes.

  • Much of the credit should go to Richter, I've heard many surprisingly pathetic openings to this piece

  • I like having the score to follow along with.

  • What sadist didn't rate this video 5 stars??

  • Perhaps people who have heard Gleen Goulds version.

  • Are you kidding? Glenn Gould's recording is one of the worst ever made!

  • wow. The piece does not even look playable to me. Wish I could play that. The performance is unbelievable.

  • probably my favorite scriabin piece

  • what about opus 42 no.5

  • Thank you for this -- incomparable performance by the supreme musician, with the score: tremendously satisfying!

  • Awesome rendition, Richter was great in Scriabin, I appreciate the score.

  • Thank you for upload!

    Great!

  • wot da ferk

  • great stufff

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