No there is something wrong with that. King of push. Wonderful at times but this is not his best at all, it's taken down a half step. Canio, Othello, yes Rodolpho - no!
Pure lui si ingola nel "talor dal mio froziere"......bravo però dal momento che la voce è fuori ruolo in boheme. Ottimo il si naturale, peccato che dal vivo se poteva lo evitava, tendeva a limitarsi al si bemolle. Comunque notevole.
As Mcquicker I miss the times of del Monaco, di Stefano, Gobbi, Callas, and I think that the decades of 50's and 60's were the golden decades of opera. I also agree with respect to del Monaco. But I think there is a need for new artists all the time in order to maintain opera alive. In fact opera is show business.
Hi Mcquicker , I partially agree with you but anyway I think it is unecessary to say :" Poor Pavarotti and the rest fo the tenors today " . We should be respectfull with anyone even though they are not so good as others . There is no winners and / or loosers , superior and inferior ones . Finally you will know that there´s no accounting for taste , wont you ?
Very fine indeed. better than any Corelli version I've come across and I'm a great fan of Franco's. any links to a good Corelli "Che Gelida" much welcomed.
Carreras is/was not only extremely good looking but also a great lyrical tenor (acting not the strong point for sure).....listen to the same piece by more than half a dozen of the great tenors on You Tube and you can hear the difference - not just technique but a sensitivity which is truly touching.
Che gelida manina! Se la lasci riscaldar. Cercar che giova? Al buio non si trova. Ma per fortuna e una notte di luna, E qui la luna l'abbiiamo vicina. Aspetti, signorina, le diro con due parole chi son, ...Chi son, e che faccio, come vivo, Vuole? Chi son? Chi son? Son un poeta. Che cosa faccio? Scrivo. E come vivo? Vivo. In poverta mia lieta scialo da gran signore Rimi ed inni d'amore. Per sogni e per chimere e per castelli in aria L'anima ho milionaria. Talor del mio forziere ruban tutti
@hopelesslyderanged My dear.I alvays felt a same way and i find a solution over a lifetime.If you like to talk to me abaut it you can write to me an e mail judithbrandl@hotmail.com.This place is to short and to public.I'm a 63 years old drandma' and no weird or mentaly disturbed or anything.I like help yung people
@hopelesslyderanged I was and I saw him in Budapest In the 70-is a'm not sure 79 or 80 something like in the Aida.He was a great tenor.Some times we had not enough food on the table,but buy a ticket to the opera,it was a great times.Or because we where yung and the world was beautyfull.
Love it! The voice...ok, it was pre-recorded...but the dubbing was well done...but the acting plus the singing....the best I've seen/heard on you tube! Bravo maestro!
@mcquicker.....Comparing Pavarotti to Del Monaco is ridiculous. One is a dramatic tenor,the other a lyric tenor. It`s not something you can compare. Poor Pavarotti? Lol
La versatilità della voce di MDM gli permette sempre di interpretare qualsiasi ruolo sia drammatico, sia melodico, appassionato, violento oppure tranquillo. La potenza vocale è ineguagliabile, lintonazione perfetta, mai una sbavatura! Per chi avesse dubbi consiglio di ascoltare Del Monaco oltre che in Boheme, anche in Trovatore, Andrea Chenier, Aida, Pagliacci.
Non ci sono possibilita di paragoni con nessun altro tenore. Del Monaco: n.1 a pieni voti !!!
La potenza c'è sempre. L'intonazione invece in altre esibizioni è spesso traballante (lui stesso ammetteva di prerferire il pathos drammatico alla precisione dell'intonazione). Un tempo non lo amavo affatto, proprio per gli eccessi stentorei ed enfatici, ma ultimamente sto cominciando ad apprezzarlo.
Può sembrare un'eresia, ma io credo che nei ruoli lirici Del Monaco fosse quasi migliore che in quelli drammatici, nei quali eccedeva in enfasi scadendo spesso nel cattivo gusto. Qui invece è davvero splendido, e riesce a dare un po' di grinta ad un personaggio che altri tenori rendono spesso lezioso
@mfrances0503 Whoops; Even though he didn't make his career on the Opera Stage the other Mario (Lanza) should be included with the 3mentioned here. Lanza was Pavarotti's inspiration to sing Opera as well as Domingo and Carreras... they are all on record stating that fact.
bjorling? ------yes I think I have heard of him------caruso was gone in 1929 and the most important Dramatic in the Italian rep since the 40's to Corelli was MDM.
breaks my heart to see del monaco a brilliant tenor who tried to cling on to the fading voice by lip synching to old recordings of him in his younger days on video!
Great voice, but he was a poor musician. Sang out tune and was very inconsistent, as was Di Steffano. Di Steffano's poor technique did him in. Pavarotti was twice the singer Del Monaco and Di Steffano were.
Not only a great voice, the man was as handsome as any movie star. Poor Pavarotti, and the rest of the tenors today. There will probably never be another decade like the 60's with del Monaco, Corelli, Di Stefano. THAT WAS the dream team of tenors, with del Monaco (in my opinion) with the most perfect combination of voice, looks and acting talent.
@mcquicker lol this is the same post as on the previous video, but anyway, you cannot watch this and say MDM was a good actor at all. you can say he was a great over actor however since that is what he does.
@mcquicker Unfortunately, Pavarotti was fat and not very appealing, but vocally, as a tenor, both in tone, both for management of sound and heat as well as for interpretation was better...
listen: Luciano Pavarotti - Ah! mes amis - Live 1969
@mcquicker great voices, not best singing. Del Monaco was barking many times when he sung. Corelli had an antique style, where the vocal line was imperfect, Di Stefano had a beautiful voice but his singing was so open, his high notes so shouted. Pavarotti was by far a better singer, even if also open some vocals and his musicality depended on his mood...
@gonzalordm This is the selection at hand&the dramatic Del Monaco is not barking here.Again,a dramatic tenor singing a lyric aria.Corelli had a style that achieved world wide fame,with at least10signatures roles,along with Del Monaco.Di Stefano did a lot of mezza voce,Diminuendo&filatura which outweighedPav only in a musical sense.Pav. was an excellent tenor with his strengths as well,but could not compete vocally with MDM orCorelli in the more spinto&dramatic roles.All4 tenors were great.Enjoy
@mcquicker This is a major blasphemy. this performance is totally flat, no musical emotion, it's a halfstep lower, the acting is NOT THAT good, AND it's a lypsynched over his much younger self recording. Pava completely owns him in this role. When Pava replaced Di Stefano as Rodolfo for the first time, the audience went completely nuts, almost in shock by Pava's amazing interpretation...You are nothing more than a total fail of a hipster.
@oiuyuioiuyuio MDM,was a dramatic tenor with a low pitched voice.Therefore the performance is not totally flat.Yes,the piece is transposed as is totally acceptable in this piece by many tenors other than lyric ones like Pav,Bjorling,& Di Stefano.Of course Pav is superior as Pav's voice is more suited in this role as Del Monaco is more suited than Pav in more Spinto&Dramatic roles like Aida Forza,Chenier,Carmen,ETC.This performance is interesting because of the dramaticMDM singing a lyric piece
Prefiero a Corelli...
MadameBorgi 2 weeks ago
Wow! Sad. Looks like an old episode of Dallas with Howard Keel giving it laldy.
VvbrendanVV 3 months ago
haha this is hilarious! Is he trying to make extra money off his old recordings??
capes02 5 months ago
Couldn't they have died his hair so that he doesn't look like Giorgio Germont?
MrZeitun 5 months ago
No there is something wrong with that. King of push. Wonderful at times but this is not his best at all, it's taken down a half step. Canio, Othello, yes Rodolpho - no!
teapartypublishing 5 months ago
Pure lui si ingola nel "talor dal mio froziere"......bravo però dal momento che la voce è fuori ruolo in boheme. Ottimo il si naturale, peccato che dal vivo se poteva lo evitava, tendeva a limitarsi al si bemolle. Comunque notevole.
operfanpadova 6 months ago
As Mcquicker I miss the times of del Monaco, di Stefano, Gobbi, Callas, and I think that the decades of 50's and 60's were the golden decades of opera. I also agree with respect to del Monaco. But I think there is a need for new artists all the time in order to maintain opera alive. In fact opera is show business.
mauro7385 6 months ago
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How cold your little hand is! Will you let me warm it for you?
Why bother looking? It's dark, and we won't find it.
It's our good luck, though, this night's filled with moonlight,
Up here the moonlight could rest on our shoulders.
Please wait, ...my dear young lady, and I will quickly tell you
Who stands before you, and what I do,
How I make my living. May I?
Who am I? What am I? I am a poet.
What keeps me busy? Writing! And what do I live on? Nothing!
JIMY45GR 6 months ago
Hi Mcquicker , I partially agree with you but anyway I think it is unecessary to say :" Poor Pavarotti and the rest fo the tenors today " . We should be respectfull with anyone even though they are not so good as others . There is no winners and / or loosers , superior and inferior ones . Finally you will know that there´s no accounting for taste , wont you ?
antonioFFRAMOS 7 months ago
Very fine indeed. better than any Corelli version I've come across and I'm a great fan of Franco's. any links to a good Corelli "Che Gelida" much welcomed.
barryhawk23 7 months ago
This has been flagged as spam show
How cold your little hand is! Will you let me warm it for you?
Why bother looking? It's dark, and we won't find it.
It's our good luck, though, this night's filled with moonlight,
Up here the moonlight could rest on our shoulders.
Please wait, ...my dear young lady, and I will quickly tell you
Who stands before you, and what I do,
How I make my living. May I?
Who am I? What am I? I am a poet.
What keeps me busy? Writing! And what do I live on? Nothing!
JIMY45GR 8 months ago
IF his top B sounded that easy and good surely he could of sung in original key
sentibravo 10 months ago
the great Mario del Monaco in all his splendor-
hswatnik 10 months ago
Del Monaco for me was singer who 'went for it,' no mucking around. He sang with
complete confidence what you heard was what you got. They say he was one of the greatest Otello's since the war,I believe that.
opera888able 11 months ago 2
Carreras is/was not only extremely good looking but also a great lyrical tenor (acting not the strong point for sure).....listen to the same piece by more than half a dozen of the great tenors on You Tube and you can hear the difference - not just technique but a sensitivity which is truly touching.
pippytoul 11 months ago
The singer with the iron voice gives us a performance of youth, poetry, passion,
nuance and timeless romanticism! He silences the critics who insist he was
simply loud! Thank you Onegin 65 for posting and to FrancoMFT8 for sharing!
Kievest 11 months ago
un tenore che ho sempre seguito con attenzione e ammirazione e risentirlo oggi a distanza di tanti anni è molto bello - grazie
fmiglio437 1 year ago
Great performance.
Thank you for sharing.
FrancoMFT8 1 year ago
JIMY45GR 1 year ago
lanimma milionaria
JIMY45GR 1 year ago
bravissimo non ci sono parole
porubs49 1 year ago
Altri tenori possono avere cantato quest'aria con migliori qualità vocaliche, non sono un esperto e non mi cimento quindi in paragoni.
Ma davanti a questa interpretazione di Mario Del Monaco per me c'è solo l'inchino.
andrea1956able 1 year ago
He could just kick em all off the stage today.
seektheforce 1 year ago
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@hopelesslyderanged My dear.I alvays felt a same way and i find a solution over a lifetime.If you like to talk to me abaut it you can write to me an e mail judithbrandl@hotmail.com.This place is to short and to public.I'm a 63 years old drandma' and no weird or mentaly disturbed or anything.I like help yung people
judithbrandl 1 year ago
@hopelesslyderanged I was and I saw him in Budapest In the 70-is a'm not sure 79 or 80 something like in the Aida.He was a great tenor.Some times we had not enough food on the table,but buy a ticket to the opera,it was a great times.Or because we where yung and the world was beautyfull.
judithbrandl 1 year ago
Very true, Nasalobstruction........you cannot compare.....excellent observation....
MrSammyscroll 1 year ago
es un DO perfecto, grande, prolongado y sin esfuerzo. tecnica perfecta. el mejor tenor de todos los tiempos.
dayanvolpe 1 year ago
this seems a high B
But still great as usuall
lightenor 1 year ago
E' vero, i tenori di una volta oltre che dotati di magnifiche voci erano anche ottimi attori e avevano una grande presenza scenica... oggi, mah!
magisquam 1 year ago
Love it! The voice...ok, it was pre-recorded...but the dubbing was well done...but the acting plus the singing....the best I've seen/heard on you tube! Bravo maestro!
boland7214 1 year ago
Monaco is the BEST!!
lelefrancky 1 year ago
@mcquicker.....Comparing Pavarotti to Del Monaco is ridiculous. One is a dramatic tenor,the other a lyric tenor. It`s not something you can compare. Poor Pavarotti? Lol
NasalObstruction 1 year ago
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One of the best ever
mgdoom 1 year ago
La versatilità della voce di MDM gli permette sempre di interpretare qualsiasi ruolo sia drammatico, sia melodico, appassionato, violento oppure tranquillo. La potenza vocale è ineguagliabile, lintonazione perfetta, mai una sbavatura! Per chi avesse dubbi consiglio di ascoltare Del Monaco oltre che in Boheme, anche in Trovatore, Andrea Chenier, Aida, Pagliacci.
Non ci sono possibilita di paragoni con nessun altro tenore. Del Monaco: n.1 a pieni voti !!!
jeanmolin55 2 years ago 2
La potenza c'è sempre. L'intonazione invece in altre esibizioni è spesso traballante (lui stesso ammetteva di prerferire il pathos drammatico alla precisione dell'intonazione). Un tempo non lo amavo affatto, proprio per gli eccessi stentorei ed enfatici, ma ultimamente sto cominciando ad apprezzarlo.
LordoftheTrapdoors 2 years ago
TOTALMENTE D'ACCORDO
andyroma72 2 years ago
Può sembrare un'eresia, ma io credo che nei ruoli lirici Del Monaco fosse quasi migliore che in quelli drammatici, nei quali eccedeva in enfasi scadendo spesso nel cattivo gusto. Qui invece è davvero splendido, e riesce a dare un po' di grinta ad un personaggio che altri tenori rendono spesso lezioso
LordoftheTrapdoors 2 years ago
Above all: Del Monaco!!
Then Pavarotti, Corelli, Carusso... but the best ever, no doubt, was Mario del Monaco!!!
mfrances0503 2 years ago
i respect your choices and totally agree with one exception, i like pavarotti best =D
bigus 2 years ago
@mfrances0503 Whoops; Even though he didn't make his career on the Opera Stage the other Mario (Lanza) should be included with the 3mentioned here. Lanza was Pavarotti's inspiration to sing Opera as well as Domingo and Carreras... they are all on record stating that fact.
Etnalleb 1 year ago
credo che pavarotti in quest'aria sia imbattibile...
giampaolo17 2 years ago
@giampaolo17 yo considero a franco corelli como la mejor version de esta aria
2591740 1 year ago
Amazing! Who is Mimi pls?
Tks for posting!
Aetion 2 years ago
@Aetion There is no Mimi - it's a telecast, hence the lady is a hired actress...
Englishtenor2 2 years ago
Oh, I see. Thank you.
Aetion 2 years ago
anche se creod che cambi poco,il sibemolle di del monaco era meglio del do di altri
che poi al do ci arrivavano pochissimi
tenori di forza nessuno
pavarotti si ma era un do meno potente piu stridulo meno rotondo
la qualita dell'organo di del monaco....
andyroma72 2 years ago
guarda che è in tono
nnsochedirti 2 years ago
infatti
andyroma72 2 years ago
mi sembra un do..
andyroma72 2 years ago
Perfecto, bravo Mario!!!!!!!!!!!!!!
guillecanaleja 2 years ago
è un do? o un sibemolle?
andyroma72 2 years ago
e un do!:)
denccian 2 years ago
infatti
dicono tutti(ignoranti) che il do lo facevo solo pavarotti haahahah
andyroma72 2 years ago
im sorry!!
it is a si bemol...
jejeje it seems like a si sostenuto! :P
sorry
hehehe
denccian 2 years ago
è un si naturale....mezzo tono sotto l'originale...ma sono quisquilie.... :-)
robertocresca 2 years ago
questa è in tono
nnsochedirti 2 years ago
bjorling? ------yes I think I have heard of him------caruso was gone in 1929 and the most important Dramatic in the Italian rep since the 40's to Corelli was MDM.
So amended.
btsg 2 years ago
breaks my heart to see del monaco a brilliant tenor who tried to cling on to the fading voice by lip synching to old recordings of him in his younger days on video!
Artisticz 2 years ago
todwfish--disagree with you. #1 dramatic tenor in history, MDM.
btsg 2 years ago
btsg- I disagree with your statement. Listen to Caruso or Bjorling. Though, Bjorling wasn't a dramatic tenor, listen to him anyway.
DTGeek155 2 years ago
did not know he could sing these roles. great!
Operaandchant90 3 years ago
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Great voice, but he was a poor musician. Sang out tune and was very inconsistent, as was Di Steffano. Di Steffano's poor technique did him in. Pavarotti was twice the singer Del Monaco and Di Steffano were.
todwfish 2 years ago
Pavarotti was not the best musician either, actually.
This guy's technique was incredible.
and why are you mentioning pavarotti and di stefano even though they clearly do not appear in this video?
Operaandchant90 2 years ago
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Not only a great voice, the man was as handsome as any movie star. Poor Pavarotti, and the rest of the tenors today. There will probably never be another decade like the 60's with del Monaco, Corelli, Di Stefano. THAT WAS the dream team of tenors, with del Monaco (in my opinion) with the most perfect combination of voice, looks and acting talent.
mcquicker 3 years ago 23
@mcquicker lol this is the same post as on the previous video, but anyway, you cannot watch this and say MDM was a good actor at all. you can say he was a great over actor however since that is what he does.
bigus 1 year ago
@mcquicker Unfortunately, Pavarotti was fat and not very appealing, but vocally, as a tenor, both in tone, both for management of sound and heat as well as for interpretation was better...
listen: Luciano Pavarotti - Ah! mes amis - Live 1969
(for example)
ferrariemil 1 year ago
@mcquicker Ps.
Pavarotti's Legendary High C 's
was record in 1995.... hehe
ferrariemil 1 year ago
@mcquicker great voices, not best singing. Del Monaco was barking many times when he sung. Corelli had an antique style, where the vocal line was imperfect, Di Stefano had a beautiful voice but his singing was so open, his high notes so shouted. Pavarotti was by far a better singer, even if also open some vocals and his musicality depended on his mood...
gonzalordm 1 year ago
@gonzalordm This is the selection at hand&the dramatic Del Monaco is not barking here.Again,a dramatic tenor singing a lyric aria.Corelli had a style that achieved world wide fame,with at least10signatures roles,along with Del Monaco.Di Stefano did a lot of mezza voce,Diminuendo&filatura which outweighedPav only in a musical sense.Pav. was an excellent tenor with his strengths as well,but could not compete vocally with MDM orCorelli in the more spinto&dramatic roles.All4 tenors were great.Enjoy
sugarbist 1 week ago
@mcquicker This is a major blasphemy. this performance is totally flat, no musical emotion, it's a halfstep lower, the acting is NOT THAT good, AND it's a lypsynched over his much younger self recording. Pava completely owns him in this role. When Pava replaced Di Stefano as Rodolfo for the first time, the audience went completely nuts, almost in shock by Pava's amazing interpretation...You are nothing more than a total fail of a hipster.
oiuyuioiuyuio 3 months ago 2
@oiuyuioiuyuio MDM,was a dramatic tenor with a low pitched voice.Therefore the performance is not totally flat.Yes,the piece is transposed as is totally acceptable in this piece by many tenors other than lyric ones like Pav,Bjorling,& Di Stefano.Of course Pav is superior as Pav's voice is more suited in this role as Del Monaco is more suited than Pav in more Spinto&Dramatic roles like Aida Forza,Chenier,Carmen,ETC.This performance is interesting because of the dramaticMDM singing a lyric piece
sugarbist 1 week ago
Voice over. By this age he definitely couldn't sing like this.
jrynz 3 years ago 2
jrynz is right: MDM is lip-synching. Nothing wrong with that -- the vocal track of his younger self is fantastic.
kgus123 3 years ago 11
Perfect! Perfetto!
andreaplanet 4 years ago 2
Fantastic!!He could not only sing beautifuly heroic and dramatic rolls, but also lyric ones like Boheme, and with an enormous histrionic capacity.
Thank you Onegin 65 for posting this video.
bellatrix58 4 years ago 4
WOW
justtenors 4 years ago