Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
I thought I was going to like this... but I did not "oh yeah! without a microphone!...look how powerful my voice is!" (which explains why no one at the back was clapping) I've heard better things from her.
non metto in dubbio che sia in gamba... ma non puoi biasimarmi quando, dopo aver visto questo video, mi vien da pensare che stava un pò ..mm come dire..allegra quella sera XD
auahuahauhauh... effettivamente nell'aria finale del brindisi lei il flut di champagne lo ha quasi svuotato, è probabile che abbia passato l'intero concerto a sbevazzare dietro le quinte XD
Ad ogni modo... meravigliosa!!! Forse questa è la sua interpretazione migliore di quest'aria!!!
Impresionante.....muy fuerte ...piel de gallina
nemeblues 1 year ago
impresionante netrebko
andres1filo 2 years ago
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Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
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Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
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Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
This has been flagged as spam show
Traviata - Ms. Netrebko displayed an ample power, coloratura bravura with a marvelous tone Having recently heard Natalie Dessay sing Sempre Libera at the Met Gala, one was impressed by the legato nature of Netrebko's portray in contrast to Dessay's intentional staccato, fragmented phrasing interpretation. Having also seen photos of Fleming in her current Violetta at the ROH, one can only marvel at Netrebko's resilience, endurance and commitment to the bel canto opera.
IrinaMataevaSucks 2 years ago
Such a beautifully written piece of music sung by the best singer.
polarbear475 2 years ago
She sings with such feelings that brings tears to my eyes!
2bumpus 2 years ago
the most beautiful version of a beautiful piece of music!
glitters22 2 years ago
すばらしい！
tomomizumo 2 years ago
She is amazing!
spqrmor 2 years ago
I thought I was going to like this... but I did not "oh yeah! without a microphone!...look how powerful my voice is!" (which explains why no one at the back was clapping) I've heard better things from her.
leoperarm 2 years ago
It destroys the sound when she walked around.
mar5211 2 years ago
No, when she started to sing.
dks880 2 years ago
yes it destroyed when she started to chew (sing) her words.
knockout994 2 years ago
she out did herself with the final Bflat
musoph21 2 years ago
ma per caso era drogata o ubriaca!!! assolutamente!!!!!!
MuSicSoprano85 3 years ago
hahaha!!!
brightboy86 3 years ago
è solo in gamba non per niente è in cima
al mondo
pasielu 3 years ago
non metto in dubbio che sia in gamba... ma non puoi biasimarmi quando, dopo aver visto questo video, mi vien da pensare che stava un pò ..mm come dire..allegra quella sera XD
MuSicSoprano85 3 years ago
auahuahauhauh... effettivamente nell'aria finale del brindisi lei il flut di champagne lo ha quasi svuotato, è probabile che abbia passato l'intero concerto a sbevazzare dietro le quinte XD
Ad ogni modo... meravigliosa!!! Forse questa è la sua interpretazione migliore di quest'aria!!!
cassandraLP 2 years ago
@MuSicSoprano85
Vorrei prendere questa droga o bevanda per poter cantare il si naturale cosi' (-;
Saluti
opernair 1 year ago
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This is not like Anna.
Waving wildly to the audience. running onstage?
Is she drunk?
Why the mic? She totally abandons it about 1:50. sounds no different. Just a prop? Distracting.
Any comments on the haircut?
grandmagrumpy 3 years ago
She just seems to be very happy. I like the performance very much. That's great opera! Brava Anna!
lisa2706 3 years ago
yeah, you're right!
Why can't people just be happy w/o somebody like me being suspicious! sorry.
She is very versatile & I'm a big fan in any case.
grandmagrumpy 3 years ago
fantastica
55555Felix 3 years ago 2
che bella Musetta,anche Puccini la vedrebbe volentieri
pasielu 3 years ago 6
@pasielu anche io sono di accordo col lei
truvianni 9 months ago
brava Netrebko che successone
vedere una Musetta cosi bella,anche Puccini avrebbe voglia di vederla
pasielu 3 years ago 9
she's more a Musetta than a Mimi, I think.
ARReith 3 years ago 2