This is an outdated rule. A great new rule I've been abiding too is to use a camera stabilizer when on the move. The Cam Caddie Scorpion has been working very well for me making independent short films.
I remember being taught this at college but I got taught about a more advanced technique of using the 180 degree rule if there are three people in a conversation but I cant remember how to do it. does anyone know any websites where I can find this information?
The 180' rule does not apply to shooting sports because the action does not always stay on the same side of the camera. Thus "keeping the action in frame" trumps everything else.
@Crimefighter Most sports photography does actually adhere to the 180 degree rule, though. Not always, but when you watch a football or basketball game, the players move in the same direction..... And even Quentin Tarantino has broken the rule, but mostly adheres to it.
@sonnyboo Hello sir! i was directing a shortfilm of mine. Now the problem i was facing was that i had two people sitting on a table infront of each other and i wanted to start off the scene with a wide angle shot of one subject sitting cross the imaginary line(or standing on the line). Do you think it was right for me to do that? cause i think the it was important to do and it did not even cause the confusing of disorientation as the places of both characters were well established?? plz reply
So do you stop the scene a bunch of times to get the different angles? Do you film the scene a numerous amount of times using different angles? Or do you have more than one camera filming at different angles and only film the scene once? Sorry if that's confusing.
This is a very efficient explanation of the 180 degree rule. A friend of mine was asking me how conversation scenes work so I did a quick youtube search to see if there were any examples, and sure enough, this is perfect. Good job.
@UnbornChild Yes. It's not about the number of people, it's about presenting the subject (person or thing) in the camera so the spatial relations make sense to the audience.
We could have all the knowledge we desire, but it's what we do with it that will speak to true artistry. Technicality should never be a substitute for creativity BUT if you can collide both, you are a genius. 180 degree rule? Throw it out the window. Use a tripod, no one will know the difference.
@BitzCinema using a TRIPOD and the 180 degree rule are radically different things. One is a physical object used to steady a camera, the other is a concept, one that is clearly something that is a voluntary use, not an absolute.
@BitzCinema You just said to throw out the 180 degree rule in favor of using a tripod. That makes no sense. I guess I should have asked what your point was since it was not made clear.
I'm now taking a American Cinema course in college to fulfill the requirement, and I got to say the explanation in the book is vague. Thanks to this clip now I understand the 180 degree rule. Awesome!!!
I don't get it! I can understand why there needs to be such a rule but I don't get how the part from 1:12 to 1:15 is particularly disorienting "because their eyelines don't match." I know the rule has been violated but still somehow they(eyelines) look like they match to me. Am I missing something here? Help! Thanks! :)
Well, technically, eye lines are supposed to be a bit off. We (the audience) has to see some facial expression. Do you think we'd get much from the performance via straight on profile? I don't think so.
Yeah, I think I'm with you on that one. But cutting from one angle to another that loos the same is disorienting. But with the hand held technique, you could probably just toss this rule...obviously. I think this rule is a little outdated if you ask me. This is the 21st century, we could do whatever we want with cameras.
Line breaking has no real rules. You break them when you feel you should or can or even when you have no other choice. To call this a "rule" is inaccurate. It's more of a reliable method to establish the geography in a scene.
Like most "rules" (whether you use that word for it or not), this is one of those that you should learn so that if and when you break it, you do so deliberately for a desired effect. My favorite, wicked-obscure example of this rule being deliberately broken is in "Ramparts of Clay". It beautifully gives the viewer a sense of the protagonist's inner turmoil as her face remains expressionless.
Stanley Kubrick deliberately crosses the line, violating the 180- Degree Rule in The Shining(1980)during the great "bathroom scene." I'm sure he knew what he was doing!
Kubrick delibarately crosses the line violating the 180- degree rule in The Shining(1980)/(bathroom scene), I noticed it but I couldn't understand why.Your video has made me see that when the line is crossed it produces a confusing image and the eyelines don't match, and that's the point because Jack Torrance is speaking to his own reflection in the mirror not to another person. Thanks!
very helpful, some of the other videos were very confusing but this one was clear, and also explain ways of crossing the line without confusing the viewer, so yeah thanks a bunch
Great informational videos Sonny. I would have added that the movement of one of the actors into new space can establish a new line. Also, a new actor entering the scene will establish a new line with the person he interacts with.
Wow thanks for sharing these videos sunnyboo. I don't make movies (yet), but I watch a lot of them. Seeing this was quite a break through, since it's been invisible to me until now.
Thanks again for insight and inspiration in a nice 1:49 package.
Sideways crosses the line in-camera in almost the exact same way.
The imaginary line thing seems like a useful thing to remember. I end up breaking the rule on accident ALL the time, I will have to remember the imaginary line in the future. And also work out a shot-list instead of winging it all the time, heh.
Godard and all those New Wave filmmakers broke the rule ALL the time, probably because they didn't learn it in the first place (they never attended film school). And this revolutionized the style of filmmaking! :-)
Although in the US and in commercial filmmaking you should follow the rule if you don't want to be laughed at. And it is a useful guide to filmmaking and continuity.
exactly, its not that they didnt know the rule, they intentionally broke it, people who know nothing shouldnt ignore the rule, but people who know what theyre doing can break it, IMO
This is an outdated rule. A great new rule I've been abiding too is to use a camera stabilizer when on the move. The Cam Caddie Scorpion has been working very well for me making independent short films.
avonsworld 5 months ago
I noticed the 180 degree rule broken in The Adjustment Bureau.. was pretty neatly done I believe to add to the disorientation of the subject matter
qoaa 7 months ago
@qoaa Which scene?
chicho095 5 months ago
Helped with my essay, thank you so much!
redback3 7 months ago
I remember being taught this at college but I got taught about a more advanced technique of using the 180 degree rule if there are three people in a conversation but I cant remember how to do it. does anyone know any websites where I can find this information?
0xshotgunx0 8 months ago
Perfect!
2VisionsPhotography 10 months ago
Thanks, very helpful video.
Fry3thousand 10 months ago
The 180' rule does not apply to shooting sports because the action does not always stay on the same side of the camera. Thus "keeping the action in frame" trumps everything else.
Crimefighter 10 months ago
@Crimefighter Most sports photography does actually adhere to the 180 degree rule, though. Not always, but when you watch a football or basketball game, the players move in the same direction..... And even Quentin Tarantino has broken the rule, but mostly adheres to it.
sonnyboo 10 months ago
@sonnyboo Hello sir! i was directing a shortfilm of mine. Now the problem i was facing was that i had two people sitting on a table infront of each other and i wanted to start off the scene with a wide angle shot of one subject sitting cross the imaginary line(or standing on the line). Do you think it was right for me to do that? cause i think the it was important to do and it did not even cause the confusing of disorientation as the places of both characters were well established?? plz reply
pozitiveguy123 5 months ago
OOOOHHHH thanks!!
Alxe73191 1 year ago
So do you stop the scene a bunch of times to get the different angles? Do you film the scene a numerous amount of times using different angles? Or do you have more than one camera filming at different angles and only film the scene once? Sorry if that's confusing.
likamicah 1 year ago
@likamicah It depends on the shoot. Sometimes I have more than one camera, and other times we start and stop to get the different angles.
sonnyboo 1 year ago
Great tip. Thanks for posting.
ottoelperro 1 year ago
This is a very efficient explanation of the 180 degree rule. A friend of mine was asking me how conversation scenes work so I did a quick youtube search to see if there were any examples, and sure enough, this is perfect. Good job.
darthface 1 year ago
this is my shop in my school, video technology and my teacher is a famous director and he taught us this :D
Snodgers3rdclass 1 year ago
Does this apply when the actors move? Like if they walk to a different spot?
ElijahJNWhite 1 year ago
I didn't Know this before.
17saturnino 1 year ago
I broke the 180 rule and everybody in my family died. I won't do that again.
onjoFilms 1 year ago 5
what if its a long table and I want to get closer to the other people?
8888Eastman 1 year ago
Lame rule, many directors break this and it doesn't disorient the viewer, thanks for the tips anyways.
Dorifto007 1 year ago
@Dorifto007 It is possible to break the rule without causing disorientation, but it must be done carefully.
Also, you can cross the line without showing the actual camera movement simply by adding a buffer shot.
Skull10 4 months ago
real good stuff. I love watching your vids
SantaMonicanVampire 1 year ago
Thanks. This was really helpful; very clearly articulated.
oldblackdawning 1 year ago
For a beginner like me this was a good tip. Thanks.
mackychloe 1 year ago
Dumb question: Does the 180 rule apply when there is only one person in the shot?
UnbornChild 1 year ago
@UnbornChild Yes. It's not about the number of people, it's about presenting the subject (person or thing) in the camera so the spatial relations make sense to the audience.
sonnyboo 1 year ago
@sonnyboo Ah, makes sense! Thanks!
UnbornChild 1 year ago
This is a really great video, it clearly illustrates the problem and the solution, thanks!
Secoutal 1 year ago
This is a really great video, it clearly illustrates the problem and the solution, thanks!
Secoutal 1 year ago
We could have all the knowledge we desire, but it's what we do with it that will speak to true artistry. Technicality should never be a substitute for creativity BUT if you can collide both, you are a genius. 180 degree rule? Throw it out the window. Use a tripod, no one will know the difference.
BitzCinema 1 year ago
@BitzCinema using a TRIPOD and the 180 degree rule are radically different things. One is a physical object used to steady a camera, the other is a concept, one that is clearly something that is a voluntary use, not an absolute.
sonnyboo 1 year ago 4
So your point is....?
BitzCinema 1 year ago
@BitzCinema You just said to throw out the 180 degree rule in favor of using a tripod. That makes no sense. I guess I should have asked what your point was since it was not made clear.
sonnyboo 1 year ago 4
@sonnyboo Yeah... using a tripod to substitute the 180 degree rule... makes NO sense at all.
XtinaDeth 1 year ago
@BitzCinema If you brake the rule more than twice on your camera (if its and SD card its more than 4 times) then the world implodes!
Nanovirus5995 1 year ago
I'm now taking a American Cinema course in college to fulfill the requirement, and I got to say the explanation in the book is vague. Thanks to this clip now I understand the 180 degree rule. Awesome!!!
taam99 1 year ago
I don't get it! I can understand why there needs to be such a rule but I don't get how the part from 1:12 to 1:15 is particularly disorienting "because their eyelines don't match." I know the rule has been violated but still somehow they(eyelines) look like they match to me. Am I missing something here? Help! Thanks! :)
killerlipsonrai 1 year ago
that was easy to understand
EMOsonic1 1 year ago
By the "eyelines don't match" thing, he means that the direction they seem to be looking in don't seem to match one another.
The viewer knows they're having a conversation, but at first glance it looks like each person is in their own little world.
I may be overexplaining, though... Did that help at all?
Zizrastaen 1 year ago
Well, technically, eye lines are supposed to be a bit off. We (the audience) has to see some facial expression. Do you think we'd get much from the performance via straight on profile? I don't think so.
BitzCinema 1 year ago
Yeah, I think I'm with you on that one. But cutting from one angle to another that loos the same is disorienting. But with the hand held technique, you could probably just toss this rule...obviously. I think this rule is a little outdated if you ask me. This is the 21st century, we could do whatever we want with cameras.
BitzCinema 1 year ago
That was great .I too have started making small documentaries. Check this out -" Pulkit's movie at cambridge" on youtube.
PulkitMogha 2 years ago 2
nice shots in your film at Cambridge, Pulkit.
BitzCinema 1 year ago
omg i paid $20,000 and ur giving this info out for free? NO!!!!!!!!
upload 2 years ago 3
i was not able to understand the 180 degree rule.now i can say confidently what the rule is alabout....sure.thanks for posting
.......waitinng for few more related posts
peacepearlkashmir 2 years ago 2
i didnt have a clue in my media lesson today. eventually i understand- its easy now. ta.
jacksite2007 2 years ago 2
nice, this made it clear.
FilmMiracle 2 years ago
thanks man
thewingsofthekings 2 years ago 3
the Wachowski brothers broke the rule too, most appearant in Matrix Revolutions, when Neo and Smith fights in the street.
They broke the rule for a specific purpose, ofcourse - "the purpuse that defines us". ;)
simonwidmark 2 years ago 3
Damn. Directing is COOL!
Hateblade 2 years ago
Excellent. One down 8,223 more to go.
Thanks for posting this.
News4usall 2 years ago
you explained it very good. thanks man.
RAMEentertainment 2 years ago 3
What I've been told is that you have to obey the line with CU, MS, etc., but if you re-establish the shot, then you can break the line.
Like;
WS: Dave is on left, Jim on the right
CU: Dave on left to Jim
CU: Jim on right of Dave
WS: Dave is on right , Jim on the left
CU: Dave on right of Jim
CU: Jim on left of Dave
would work without the viewer being jarred at all.
And that line-breaking should be used mostly for instances where you want to emphasis something (like, emotionally)
bluebettle 2 years ago
Line breaking has no real rules. You break them when you feel you should or can or even when you have no other choice. To call this a "rule" is inaccurate. It's more of a reliable method to establish the geography in a scene.
Use it or don't to your own effect.
sonnyboo 2 years ago
Well, although it's not a rule, but not being conscious of it would elicit a certain reaction from the audience filmmaker probably wouldn't want.
bluebettle 2 years ago
Like most "rules" (whether you use that word for it or not), this is one of those that you should learn so that if and when you break it, you do so deliberately for a desired effect. My favorite, wicked-obscure example of this rule being deliberately broken is in "Ramparts of Clay". It beautifully gives the viewer a sense of the protagonist's inner turmoil as her face remains expressionless.
KarlBunker 2 years ago
beautiful. thx for the tip yo.
cannoir 2 years ago
Such great advice! I will be sure to use these tips!
wmotionpictureslive 2 years ago
this is great for film making...but when you do a live event...you get no second chances. (i.e. a wedding or something similar.)
XAngel228 3 years ago
You are a great teacher. You've explained this very well in less than 2 minutes.
spoddie 3 years ago 2
Stanley Kubrick deliberately crosses the line, violating the 180- Degree Rule in The Shining(1980)during the great "bathroom scene." I'm sure he knew what he was doing!
Teenybooper21 3 years ago 10
Kubrick delibarately crosses the line violating the 180- degree rule in The Shining(1980)/(bathroom scene), I noticed it but I couldn't understand why.Your video has made me see that when the line is crossed it produces a confusing image and the eyelines don't match, and that's the point because Jack Torrance is speaking to his own reflection in the mirror not to another person. Thanks!
Teenybooper21 3 years ago 3
I am a big fan. You have the gift of teaching. Thanks for Your Text Comment in my Channel.
marcelofilmmaker 3 years ago 2
very helpful, some of the other videos were very confusing but this one was clear, and also explain ways of crossing the line without confusing the viewer, so yeah thanks a bunch
collegeme2006 3 years ago
wow, thanks!
and to think...i currently paid $700 this semester to learn what i just saw for FREE in this video
TSMD 3 years ago 22
Great informational videos Sonny. I would have added that the movement of one of the actors into new space can establish a new line. Also, a new actor entering the scene will establish a new line with the person he interacts with.
seanmaj 3 years ago
great tip
Themba88 3 years ago 2
Useful video. Most of it would seem common sense, but I found it helpful too. Keep the tips coming! :D
FomBBKs 3 years ago
great video was very helpful
illestkb 3 years ago
thank you so much for that
i have a test tommorrow and that was the one thing that i couldn't understand
now all the other terminology makes sense!
maorilebbraz 3 years ago
Universal rule, but thanks for sharing and making a clear statement about it. The books don't illustrate this rule as clear as your video.
wolfangdigital 3 years ago
Wow thanks for sharing these videos sunnyboo. I don't make movies (yet), but I watch a lot of them. Seeing this was quite a break through, since it's been invisible to me until now.
Thanks again for insight and inspiration in a nice 1:49 package.
spliffsly 4 years ago
Glad you liked it. It's "Sonnyboo", not like the Sun.
sonnyboo 4 years ago
I see, I see...a light, I'm walking toward the light, it's getting brighter...
username5215 4 years ago
Sideways crosses the line in-camera in almost the exact same way.
The imaginary line thing seems like a useful thing to remember. I end up breaking the rule on accident ALL the time, I will have to remember the imaginary line in the future. And also work out a shot-list instead of winging it all the time, heh.
Beckmen 4 years ago
Godard and all those New Wave filmmakers broke the rule ALL the time, probably because they didn't learn it in the first place (they never attended film school). And this revolutionized the style of filmmaking! :-)
Although in the US and in commercial filmmaking you should follow the rule if you don't want to be laughed at. And it is a useful guide to filmmaking and continuity.
neonknights 4 years ago
Actually the French New Wave guys were all published film critics. They were very aware of the line and broke it intentionally.
All they really did was throw out the rules... but made new ones. There are still rules and continuity within the French New Wave styles.
sonnyboo 4 years ago
exactly, its not that they didnt know the rule, they intentionally broke it, people who know nothing shouldnt ignore the rule, but people who know what theyre doing can break it, IMO
filmsbynick 3 years ago
Superb, just bought sonyhandcam 755e handycam. found your lesson very informative. thanks for such a useful video. Zafar
ZafKha 4 years ago