Ma's interpretation is better than Maisky's in my opinion. More depth and deliberation. Mischa rushes through the Prelude.
In any case, Rostropovich's (and even Tortelier's) versions are far superior, especially Rostropovich's 1956 Vanguard recording. His 1995 EMI full set recording though, is sub-par.
@aram01201 The resonance sets the mood of the piece. Yo-yo Ma is very mindful to not let any of the notes melt too much with each other... As for the "commercial setting", I believe that it makes perfect sense. Such a solemn piece with many pulls and tears, the setting only intensifies this; matching the sight with sound. Its as if he wants us to feel the pain of being alone and closed off from the world. Its, in my opinion, perfect!
I really don't like the resonance of the building he plays in. It's a very commercial setting: he on his own playing like for no one but himself, it doesn't make any sense to me.
I like how he dropped the tuning to match the time period. It really threw me for a loop at first though. The first note, I was like "That's not a D..." lol
Je suis resté scotché devant le clip! c'est tellement beau il le joue à merveille... wawh je suis scotché!!!! l'ambiance est magique!!!! bravo yo-yo ma
I have been listening to a few versions of this suite today. I must say, Maisky plays it exactly the way I would want to. I normally don't like Yo Yo Ma's Bach; however, the last version I heard just now was Rostropovich, and compared to his "I'M GONNA PLAY THIS STRICTLY IN TEMPO OR ELSE, D*** IT!!!!," Ma's is actually pretty beautiful. I'm starting it over and taking a closer lesson, I can learn something here.
I too prefer Maisky's version over this one, though I don't think Yo-Yo Ma lacks passion by any means. Maisky's interpetation just gets to me on a different level. But hey, it's great to have so many colossal musicians playing these beautiful pieces, 'cause every one is going to approach a unique and genius view on them.
Too bad people are always gonna bitch about who's "better" or not.
I appreciate his interpretation, and as a baroque (A415) specialist can also appreciate the lower pitch. However, to be totally "historically informed" he should be using a baroque bow and no endpin (not sure what strings he has on).
@violinzylla He explained in an interview that he wasn't willing to go to that extreme (like Anner Bylsma does). To be totally informed it would require more that just the bow and endpin; it would need gut strings as well as a different design of the cello altogether: less tension on the strings and body, different bridge shape, even different neck shape (I think). So all Ma did was tune slightly low and hold the bow differently (you should notice that it's held further from the frog).
@carvindc400 I'm sorry, I can hear the difference, Mischa does not have more passion than Yo Yo Ma. Also, just the tone quality of Yo Yo Ma's cello is soo much better.
@crazybunni3g1rl Is that a method for measuring passion in one's playing? I don't think so. It's just our ears, or hearts, that feel this or that way about music. Makes no sense to argue about it. And to my ears, Mischa exaggerates more, uses the bow more violently, and that to me sounds more pleasing than a more "flat" performance. Is that they way Bach wanted his pieces to be played? We will never know.
@carvindc400 You're making it sound as if "passion" is the most important quality in music making. What Maisky does is the "Romantic" kind of passion, which is much more sentimental and extreme. But many people, including Yo-Yo Ma, think that Bach is better suited for a more traditional way of playing, with smoother bowstrokes and less vibrato. It's not fair to say that anything other than Maisky's way of playing is "flat": You can feel just as much passion and emotion in this kind of playing.
@physphilmusic If passion is not that important as you are saying, you could listen to a MIDI, robotic-sounding computer file and enjoy it just the same... to my ears, Mischa's playing sounds more passionate ans beautiful. What are you going to do about it, sue me? : )
@carvindc400 best represented by that kind of passion. Often I feel that when someone like Maisky plays, the exaggeration makes the whole picture too opaque and thick. It's too much effort. Sometimes the beauty of Bach is when you let the notes just to sound as they are, like a beautiful transparent cathedral of glass. It's the kind of thing that makes you reflect and pray instead of thrash around and weep violently - aren't those emotions just as profound?
@carvindc400 And in fact looking at Yo Yo Ma's video here, I think that indeed was closer to what he intended - he's playing the Second Suite in a haunting Piranesi imaginative prison (which was all generated by CGI, by the way). In such a setting you don't want the human passion and warmth which comes from exaggeration - you want a pure, transparent kind of playing which shows the parallel between musical and building architecture. I believe such a goal is just as good as Maisky's passion.
@carvindc400 No, you don't understand what I mean. I'm just saying that Ma channels his passion in a much different manner than Maisky. Although he has less vibrato and legato, the tone of his cello is leagues away from being a MIDI sample. On the other hand, Maisky prefers to channel his passion in a very direct, bursting manner. Now if we're talking about Dvorak or Shostakovich, Maisky's passion can be said to be more appropriate. But we're talking Bach, and I believe that Bach isn't always
@physphilmusic I never compared the great playing of Yoyo's to a soulless MIDI file. Re-read my post and hopefully you will understand what I meant. Humm, how do we know for sure how Bach intended this piece to be played? There were no audio recorders at the time, so it is all speculation at best. Was this piece meant to be played in a prison? Again, I am glad that we can use our imagination to interpret these pieces and we see fit. I just prefer Maisky playing.
@carvindc400 I'm not saying anything about Bach's intentions, although we CAN try to know what they were from historical records (not audio recorders). Of course the prison is something Ma totally linked himself. I'm OK with anyone liking Maisky's playing better; after all, many cellists use a similar approach (the romantic school). I just think that for a person to think that Ma's interpretation is "soulless" due to his lack of romantic gestures is too much, and grossly inaccurate.
@physphilmusic We can try, but never be sure of. Maybe Maisky is playing like Bach intended, maybe not. I never said Ma's interpretation is "soulless". Anybody that badmouths a great musician like Ma probably doesn't get music well. - "You're making it sound as if "passion" is the most important quality in music making." - YOUR WORDS. I was trying to make a point about what YOU said, NOT about Ma's playing. I hope you finally understood what I meant.
@carvindc400 Yes - those are my words. I meant them literally - I did NOT say that passion is UNIMPORTANT, what I did say was that there were other aspects of music which could be just as important, depending on the context, besides pure unadulterated Romantic passion. Hence indeed, "passion" isn't THE most important quality in music making - there might be others as well. That's what I mean when I said that you misunderstood me.
@carvindc400 And I brought up the comparison of Yo Yo Ma's playing to a MIDI file since you yourself brought up the MIDI file example as something that I should listen to if I "think passion is not that important". I was referring to this specific case (Ma), and yet you brought up MIDI files, so it's just common sense to assume that you were comparing Ma to MIDI. Sorry for the misunderstanding. :)
@physphilmusic This is just music and sounds... no point in arguing about these things, as we perceive them differently and nobody is right/wrong about them. I don't mean to change your views and as you can see you obviously cannot change mine. Let's enjoy the music, shall we?
@carvindc400 Again..this is all based on opinion. I believe Yo Yo Ma has more passion in what he plays based on what I HEAR, you obviously hear differently.
This is an absolutely beautiful interpretation of this piece! Everything about it so so romantic and sorrowful. I love it, and praise the interpretation of Yo-Yo Ma!
Alguien podría decirme donde puedo escuchar el Minuet de esta misma Suite porfas de preferencia que sea de Yo-yo Ma ya que no eh escuchado la interpretación de el y no al encuentro :/ a i les encargo por favor que me pongan un Linck gracias n.n
beautiful performance but I think Miroslav kicks Yo Yo's butt on this one. Miroslav's version is more intense--grabs you right out of the box. Maybe the video for Yo Yo's version is more distracting. I hear Lady Gaga will be performing this soon.
why should you be true to oldies? be true to your time, be true to your feeling, be true to your love of music, of the piece, be true to your madness, be true to your state at the time you play it, and do not think too much.
I think yo yo ma plays it with much more feeling that rostropovich. He has as "romantic" interpretation of the piece while rostropovich is a bit cold and clinical...
but rostropvich is famously un-traditional, he plays the suites like they were tchaikowsky, big long phrases and a huge sound with lots of vibrato... yo yo ma is more restrained, closer to the baroque style of bowing. he uses baroque tuning. for full on period style listen to anner bylsma. and you might want to get your facts straight about feelings and emotion in the baroque, because there certainly were alot of them. just less emphasis on the individual, as in romantic music
@Azadeh22 Are you crazy? Rostropovich is the much more emotional one. The way he holds his bow and his long endpin already assures a thicker, meatier tone more suited for works such as Shostakovich and Dvorak. Not to mention that his bowings for the Bach Suites feature a lot of legato. Maybe he doesn't emote the music on his face like Ma, but his is definitely the more Romantic style.
This Yo-Yo Ma Bach videos suck. He plays great and all, but they could at least just show how he plays instead of just putting his audio over a completely irrelevant setting (sometimes with distracting sound effects, ugh).
they tune down because its more pleasing to the ear. A federation of musicians voted on A 432 because it has more pleasing qualities mathematically but for some reason we play in A 440. That and the fact that gut strings can't take as much tension as modern steel strings can. People tune them up higher because you get a brighter and sound.
well that's a strange key he's playing in, or at least the lowest D I have heard. it's closer to d flat...does he tune his cello differently? does anyone know why?
play's beautifully as always but this caught my ear.
My god you are a bunch os snobs biggering about who or what version is better, just look listen and enjoy the darkness in yourself........
woutee1 1 week ago
I love Bach's music...It is so dark...I just love it
VexingNightmares 2 weeks ago
OMG this is actually good- compared to his CD!
TheDancer11304 2 months ago
Ma's interpretation is better than Maisky's in my opinion. More depth and deliberation. Mischa rushes through the Prelude.
In any case, Rostropovich's (and even Tortelier's) versions are far superior, especially Rostropovich's 1956 Vanguard recording. His 1995 EMI full set recording though, is sub-par.
GCLwins 2 months ago
@aram01201 The resonance sets the mood of the piece. Yo-yo Ma is very mindful to not let any of the notes melt too much with each other... As for the "commercial setting", I believe that it makes perfect sense. Such a solemn piece with many pulls and tears, the setting only intensifies this; matching the sight with sound. Its as if he wants us to feel the pain of being alone and closed off from the world. Its, in my opinion, perfect!
pedrocks1312 2 months ago
This has been flagged as spam show
Not as good as him, but I'm just a firefighter Italian ...
cellodifuoco 3 months ago
I really don't like the resonance of the building he plays in. It's a very commercial setting: he on his own playing like for no one but himself, it doesn't make any sense to me.
aram01201 3 months ago
I don't think this is YO-YO MA, its not in tune....
violaXplayer 4 months ago
I like how he dropped the tuning to match the time period. It really threw me for a loop at first though. The first note, I was like "That's not a D..." lol
thatonemusickid 5 months ago
Aw, yeah...
Pretendkid 5 months ago
Enjoyed this.-Jazzman Jeff
JazzmanJeff 6 months ago
Thanks Gayle Forman for bringing me here !
HoneySempai13 7 months ago
this is really creepy....... but so epically awesome.
Harryro64 8 months ago
Je suis resté scotché devant le clip! c'est tellement beau il le joue à merveille... wawh je suis scotché!!!! l'ambiance est magique!!!! bravo yo-yo ma
rastadanlame18 8 months ago
Wowee, this shur is purty...
drogheda1966 8 months ago
yo-yo-ma sounds like a name for a rapper:)
muzieksamurai 8 months ago
@muzieksamurai I KNOW! Buut I love this song (:
xXBleedingXBriannaXx 6 months ago
nice!
77723390 8 months ago
Very good!
77723390 8 months ago
I have been listening to a few versions of this suite today. I must say, Maisky plays it exactly the way I would want to. I normally don't like Yo Yo Ma's Bach; however, the last version I heard just now was Rostropovich, and compared to his "I'M GONNA PLAY THIS STRICTLY IN TEMPO OR ELSE, D*** IT!!!!," Ma's is actually pretty beautiful. I'm starting it over and taking a closer lesson, I can learn something here.
LOTViolists 10 months ago
This comment has received too many negative votes show
sucks big time
MrAkifusion 11 months ago
I too prefer Maisky's version over this one, though I don't think Yo-Yo Ma lacks passion by any means. Maisky's interpetation just gets to me on a different level. But hey, it's great to have so many colossal musicians playing these beautiful pieces, 'cause every one is going to approach a unique and genius view on them.
Too bad people are always gonna bitch about who's "better" or not.
fedey18 11 months ago 17
@fedey18 Hey, at least Bieber isn't going to end up in these comparisons. Hopefully.
I think I just ensured that he would end up in the comparisons.
I hate mainstream pop music.
asianboywonder2312 11 months ago
@asianboywonder2312
"I hate mainstream pop music."
I hear you bro...
pchantreau 7 months ago
@fedey18 I completelly agree.
joaoluizbarros 6 months ago
I appreciate his interpretation, and as a baroque (A415) specialist can also appreciate the lower pitch. However, to be totally "historically informed" he should be using a baroque bow and no endpin (not sure what strings he has on).
violinzylla 1 year ago
@violinzylla He explained in an interview that he wasn't willing to go to that extreme (like Anner Bylsma does). To be totally informed it would require more that just the bow and endpin; it would need gut strings as well as a different design of the cello altogether: less tension on the strings and body, different bridge shape, even different neck shape (I think). So all Ma did was tune slightly low and hold the bow differently (you should notice that it's held further from the frog).
physphilmusic 1 year ago
;-;
StMichaelGrdianAngel 1 year ago
超愛他的版本~快結束那幾句話~真辣的低音~好爽的感覺喔~拉的真的好通透明亮的沉重低音~真辣~!愛死泥~
jasycheng2010 1 year ago
ioewweflkdsfklndsflkdsf i love bach.
KJBrancaccio 1 year ago 2
This guy is nothing compared to the epic beard Mischa Maisky.
Fireflyls 1 year ago 2
@Fireflyls I like yo-yo bu tI have to agree with you, Mischa is just so much more passionate in the way he interprets Bach´s pieces.
carvindc400 1 year ago
@carvindc400 I'm sorry, I can hear the difference, Mischa does not have more passion than Yo Yo Ma. Also, just the tone quality of Yo Yo Ma's cello is soo much better.
crazybunni3g1rl 1 year ago
@crazybunni3g1rl Is that a method for measuring passion in one's playing? I don't think so. It's just our ears, or hearts, that feel this or that way about music. Makes no sense to argue about it. And to my ears, Mischa exaggerates more, uses the bow more violently, and that to me sounds more pleasing than a more "flat" performance. Is that they way Bach wanted his pieces to be played? We will never know.
carvindc400 1 year ago
@carvindc400 You're making it sound as if "passion" is the most important quality in music making. What Maisky does is the "Romantic" kind of passion, which is much more sentimental and extreme. But many people, including Yo-Yo Ma, think that Bach is better suited for a more traditional way of playing, with smoother bowstrokes and less vibrato. It's not fair to say that anything other than Maisky's way of playing is "flat": You can feel just as much passion and emotion in this kind of playing.
physphilmusic 1 year ago
@physphilmusic If passion is not that important as you are saying, you could listen to a MIDI, robotic-sounding computer file and enjoy it just the same... to my ears, Mischa's playing sounds more passionate ans beautiful. What are you going to do about it, sue me? : )
carvindc400 1 year ago
@carvindc400 Dude. I respect your opinion please respect others.
crazybunni3g1rl 1 year ago
@crazybunni3g1rl I do.
carvindc400 1 year ago
@carvindc400 best represented by that kind of passion. Often I feel that when someone like Maisky plays, the exaggeration makes the whole picture too opaque and thick. It's too much effort. Sometimes the beauty of Bach is when you let the notes just to sound as they are, like a beautiful transparent cathedral of glass. It's the kind of thing that makes you reflect and pray instead of thrash around and weep violently - aren't those emotions just as profound?
physphilmusic 1 year ago
@carvindc400 And in fact looking at Yo Yo Ma's video here, I think that indeed was closer to what he intended - he's playing the Second Suite in a haunting Piranesi imaginative prison (which was all generated by CGI, by the way). In such a setting you don't want the human passion and warmth which comes from exaggeration - you want a pure, transparent kind of playing which shows the parallel between musical and building architecture. I believe such a goal is just as good as Maisky's passion.
physphilmusic 1 year ago
@carvindc400 No, you don't understand what I mean. I'm just saying that Ma channels his passion in a much different manner than Maisky. Although he has less vibrato and legato, the tone of his cello is leagues away from being a MIDI sample. On the other hand, Maisky prefers to channel his passion in a very direct, bursting manner. Now if we're talking about Dvorak or Shostakovich, Maisky's passion can be said to be more appropriate. But we're talking Bach, and I believe that Bach isn't always
physphilmusic 1 year ago
@physphilmusic I never compared the great playing of Yoyo's to a soulless MIDI file. Re-read my post and hopefully you will understand what I meant. Humm, how do we know for sure how Bach intended this piece to be played? There were no audio recorders at the time, so it is all speculation at best. Was this piece meant to be played in a prison? Again, I am glad that we can use our imagination to interpret these pieces and we see fit. I just prefer Maisky playing.
carvindc400 1 year ago
@carvindc400 I'm not saying anything about Bach's intentions, although we CAN try to know what they were from historical records (not audio recorders). Of course the prison is something Ma totally linked himself. I'm OK with anyone liking Maisky's playing better; after all, many cellists use a similar approach (the romantic school). I just think that for a person to think that Ma's interpretation is "soulless" due to his lack of romantic gestures is too much, and grossly inaccurate.
physphilmusic 1 year ago
@physphilmusic We can try, but never be sure of. Maybe Maisky is playing like Bach intended, maybe not. I never said Ma's interpretation is "soulless". Anybody that badmouths a great musician like Ma probably doesn't get music well. - "You're making it sound as if "passion" is the most important quality in music making." - YOUR WORDS. I was trying to make a point about what YOU said, NOT about Ma's playing. I hope you finally understood what I meant.
carvindc400 1 year ago
@carvindc400 Yes - those are my words. I meant them literally - I did NOT say that passion is UNIMPORTANT, what I did say was that there were other aspects of music which could be just as important, depending on the context, besides pure unadulterated Romantic passion. Hence indeed, "passion" isn't THE most important quality in music making - there might be others as well. That's what I mean when I said that you misunderstood me.
physphilmusic 11 months ago
@carvindc400 And I brought up the comparison of Yo Yo Ma's playing to a MIDI file since you yourself brought up the MIDI file example as something that I should listen to if I "think passion is not that important". I was referring to this specific case (Ma), and yet you brought up MIDI files, so it's just common sense to assume that you were comparing Ma to MIDI. Sorry for the misunderstanding. :)
physphilmusic 1 year ago
@physphilmusic This is a good discussion,maybe finish it over a large glass of draft beer.
RasMajnouni 11 months ago
@physphilmusic This is just music and sounds... no point in arguing about these things, as we perceive them differently and nobody is right/wrong about them. I don't mean to change your views and as you can see you obviously cannot change mine. Let's enjoy the music, shall we?
carvindc400 1 year ago
@carvindc400 Again..this is all based on opinion. I believe Yo Yo Ma has more passion in what he plays based on what I HEAR, you obviously hear differently.
crazybunni3g1rl 1 year ago
Why is yoyoma playing in a videogame??? o.o
vergilbass 1 year ago
is that place real?!?! o_O??
CxHxAfan11 1 year ago
It is dark.
He is likely to be eaten by a grue.
AEFic 1 year ago
Comment removed
AEFic 1 year ago
I think mischa maisky's interpretation is better, but still this is amazing. :P
murssheed 1 year ago
One of the most deep pieces ever. Bach rules!
MrBoricua73 1 year ago
This is an absolutely beautiful interpretation of this piece! Everything about it so so romantic and sorrowful. I love it, and praise the interpretation of Yo-Yo Ma!
bachtocello 1 year ago
piranesi
wesbo4 1 year ago
Alguien podría decirme donde puedo escuchar el Minuet de esta misma Suite porfas de preferencia que sea de Yo-yo Ma ya que no eh escuchado la interpretación de el y no al encuentro :/ a i les encargo por favor que me pongan un Linck gracias n.n
BWV1013 1 year ago
yes, the interpretation is wonderful! But the sound in this video is sooo crappy!
HimmelfriedStein 1 year ago
@HimmelfriedStein
what do you expect? it doesn't look like the best acoustics in that place!
billnoll 1 year ago
Yes, me too. I also love how he plays the Prèlude of the 5th Suite
JNBergs 1 year ago
Very nice
MrNENE141 1 year ago
that was an enchanting performance.... it illustrates a story
nextoneup123 1 year ago
lol i like how they put him playing his cello in random places lol
nextoneup123 1 year ago
I like this suite very much, it is a pity this one isn`t played as much as suite nr 1.
Rhavaniell 1 year ago
beautiful performance
heukmaneul 1 year ago
i believe this is a CGIed location. Its vary beautiful in an Adams family kind of way but looks too well lit and too "clean" to be real
downeyb 1 year ago
of course I meant Mstislav--sorry
youtubeuserwilly 2 years ago
beautiful performance but I think Miroslav kicks Yo Yo's butt on this one. Miroslav's version is more intense--grabs you right out of the box. Maybe the video for Yo Yo's version is more distracting. I hear Lady Gaga will be performing this soon.
youtubeuserwilly 2 years ago
Shadowfang Keep
SlRDancealot 2 years ago
can anyone tell me where hes performing and why?
BBRENTTAGHAPP 2 years ago
The "carceri d´invenzione" from Giovanni Battista Piranessi is a drawing that shows a giant jail with infinitely long stairs and large watchtowers.
violinzar 2 years ago
it's tuned to 415 instead of 440!
adult09 2 years ago
can anyone find me a accurate sheet music of this song? i would greatly appreciate it.
regaldrifter 2 years ago
go to your local music store, my teacher has me playing this on Bari sax, the music is out there if your not afraid to pay the money that its worth
phleigm 2 years ago
why should you be true to oldies? be true to your time, be true to your feeling, be true to your love of music, of the piece, be true to your madness, be true to your state at the time you play it, and do not think too much.
melkorzeblack 2 years ago
such a beautiful song
caronyE 2 years ago
no one is singing, so you mean piece.
rockfootball42 2 years ago
He is mi favorite. I want to be like him when i grow up.
freemanmaurice 2 years ago
Some movements of Bach I really like Rostopovich, but this is absolutely YoYo Ma at his finest.
Truly gorgeous.
olneymike 2 years ago
Pues ya ví las 2 interpretaciones y las 2 me gustan. Está cañón!!!! Gracias por compartir estos videos con la comunidad.
Row606 2 years ago
my god!
chipnugget 2 years ago
I think yo yo ma plays it with much more feeling that rostropovich. He has as "romantic" interpretation of the piece while rostropovich is a bit cold and clinical...
cinemaviva 2 years ago 4
Comment removed
Azadeh22 2 years ago 4
i'm sorry
but rostropvich is famously un-traditional, he plays the suites like they were tchaikowsky, big long phrases and a huge sound with lots of vibrato... yo yo ma is more restrained, closer to the baroque style of bowing. he uses baroque tuning. for full on period style listen to anner bylsma. and you might want to get your facts straight about feelings and emotion in the baroque, because there certainly were alot of them. just less emphasis on the individual, as in romantic music
omnimoofy 2 years ago
@Azadeh22 Are you crazy? Rostropovich is the much more emotional one. The way he holds his bow and his long endpin already assures a thicker, meatier tone more suited for works such as Shostakovich and Dvorak. Not to mention that his bowings for the Bach Suites feature a lot of legato. Maybe he doesn't emote the music on his face like Ma, but his is definitely the more Romantic style.
physphilmusic 1 year ago
i like yo yo mas interpretation of this song the best
platypusfredrik 2 years ago 22
Comment removed
rockfootball42 2 years ago
@platypusfredrik
AhnuldSchwarzenegger 7 months ago
Fantastic video. Piranesi's Carceri are so evocative and thought provoking and this Bach piece compliments it perfectly.
19pack 2 years ago
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RIP MISTA JACKSON!
crackersnsoup 2 years ago
the Carceri from Piranesi are great stuff!!!
pijnlijke 2 years ago
This has been flagged as spam show
RIP MISTA JACKSON!
crackersnsoup 2 years ago
Even if you suck at it, this piece is such a pleasure to play.
Alexjr1543 2 years ago 3
This has been flagged as spam show
RIP MISTA JACKSON!
crackersnsoup 2 years ago
los hay mejores que Yo-Yo Ma
pero está bien
:)
Navea123 2 years ago
woooooooooooooooooooooooooooooo!!! incredible.... yo yo ma is the best player of bach
krassum 2 years ago
false....Rostropovich is...by FAR.
Snobbstech777 2 years ago
QUERIDA GUARDIANA ...
alamarezcontigo 2 years ago
i want to go practice it tuned down now lol
JillZMViolinist 2 years ago
yeah the background is weird, so I won't watch it lol.
JillZMViolinist 2 years ago
Me encantan tdos los conciertos para cello pero este tiene un sentimiento muy especial.
sandrashou 2 years ago
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RIP MISTA JACKSON!
crackersnsoup 2 years ago
Comment removed
becauseican01 2 years ago
This Yo-Yo Ma Bach videos suck. He plays great and all, but they could at least just show how he plays instead of just putting his audio over a completely irrelevant setting (sometimes with distracting sound effects, ugh).
dogtransport 2 years ago
i agreee man Great playing crap videos.The least they could do is show him playing with a picture of bach in the bachround or something
riceboii101 2 years ago
Now THAT is how you're supposed to play it. Gives me goosebumps. *swoon*
ElenoroftheShire 2 years ago
the cello sometimes sounds as the organ
sideris9 2 years ago
Очень душевно!
PetrushenkoVictor 2 years ago
im playing this song right now and i luv it.....the backround he plays in is kinda scary....its like all dusty and dark
TwilightTheAwesome 3 years ago
EEEEEEPIC!!!!
THEMGOROTH75 3 years ago
they tune down because its more pleasing to the ear. A federation of musicians voted on A 432 because it has more pleasing qualities mathematically but for some reason we play in A 440. That and the fact that gut strings can't take as much tension as modern steel strings can. People tune them up higher because you get a brighter and sound.
theman21 3 years ago 20
excelent
cyclonesupercell 3 years ago
well that's a strange key he's playing in, or at least the lowest D I have heard. it's closer to d flat...does he tune his cello differently? does anyone know why?
play's beautifully as always but this caught my ear.
lillipig 3 years ago
He tuned to a 416 A. It's the standard frequency for baroque performance.
trentjenkins06 3 years ago 5
I always said that to my friends...
but nobody feels strange..
so he tuned to a 416A, no wonder it's weird to me.
thanks:)
e1234563929 3 years ago
he makes the cello sing
whiteknight505 3 years ago 4