Added: 3 years ago
From: cellohonkey
Views: 11,866
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  • Great job -- very clean. Try accenting the fourth note just a bit so your rhythm is more defined for the listener. Think about keeping the intensity during the half notes; for my taste, you let go of them too quickly. Also, manipulate the bow better so you have a good ponticello at the end. Wish I could play the high part (g minor) as well as you can!

  • u better work on the rhythm - must be tighter -

  • Gut!!

  • Awesome! My local symphony is playing this in May, needless to say I'm really glad I'm working on it now!

  • Thank you.

  • First 8 bars are most important bars of an audition. Your triplets in the 2nd bar sound labored, might make a committee knock you down quickly. Hans is badass keep working.

  • This is really great! I am so screwed for my audition which is in like a week.

    I still can't get my tempo up to 88ish ):

  • the people who complain are simply jealous. great job

  • @leozhang1974 You're an idiot. You've obviously never heard this piece before.

  • Shouldn't it begin with upbow?

  • trust me, I'm currently studying with Valentin Erben at the MDW and this is close to professional, just let the other's bitch and moan!!

  • lol

  • Your rhythm perfect! wow, bravo.

    Better score some auditions with your excerpts. Good luck!!

  • Very nice!

  • I hear no rhythmic stability whatsoever. Were all of these for the Aspen Fellowship audition? Did you get it?

  • Very nice technique.

    This one is all about keeping the tempo solid. I studied with Hans Jensen at Northwestern and played this for several auditions. Don't be afraid to sound lyrical and beautiful on the long notes. You don't want it all to sound mechanical. This is a monster excerpt and you are very close to professional level. Keep it up.

  • Thanks for making this recording

  • Your right, you really cant hear this part! He probably just didnt want you guys to get bored. good job

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