Agree with all comments. Long ago, a critic wrote that the closing strains of opus 27, "MOONLIGHT" , " the notes rush to their doom". I contend that the final bars of Opus 57, Appasionata, " TAKE THEM WITH YOU " !!! Beethoven Forever. William
This is a great performance and it's played with so much confidence my god you have the most natural movements in your wrists and arms I'm studying this performance
Reading music and playing it are two entirely different subjects. I very much enjoy your aggresive, passion in this 3rd movement. Your interpretation of Beethovens passion is exemplary! I commend you! Bravo.
Reading music and playing it are two entirely different subjects. I very much enjoy your aggresive, passion in this 3rd movement. Your interpretation of Beethovens passion is exemplary! I commend you! Bravo.
I didn't think you left enough room to go faster for the coda but you did. Wow!
There are rays of sunshine, moments of reflections and masculine bravura in your playing. Some people say extremes - but if you don't have them they will say boring - you can't win.
To be pedantic - as is clear some people here are nothing but - you didn't play a chromatic scale but a melodic F minor scale as written.
I like your fingering for the main figure (12345), which I am going to try myself, thanks!
*That's not in any way to put myself on par with Bennett* Somebody in the thread mentioned how some people choose a "fast interpretation and make a mess of the song." ... I'm one of those guys.
That's supposed to be "pianists split" not split... Let me also add for all fairness that I will be performing this in the near future withOUT the repeat because 1) of time constraints and 2) because it's just so damn hard to play the whole thing with the repeat.
Here's the thing, there is no scholarly debate over whether or not Beethoven intended for there to be a repeat: He put in the repeat sign and went so far as to write, "La seconda parte due volte" - "The Second Part Two Times." We all know that Sir Donald Francis Tovey disagreed with Beethoven's use of the repeat but nobody doubts that Beethoven intended for it to exist. Pianists splits nowadays on taking or skipping the repeat, but regardless, Bennett is the only one who plays a scale there.
C'è del vero talento, e tanta tecnica per la sua età. Deve maturare molto a livello interpretativo, nonostante abbia già una rimarchevole attenzione per i fraseggi e le parti più "cantate".
Sentiremo parlare di lui, ne son convinto.
Disturba molto nel video lo scarto fra audio e video.
This is by far my most favorite interpretation of this movement. I have the Horowitz version and it frustrates me when I listen to that version because he slows down at some parts but you do it justice!!
agree with benjamin, i like sean bennett's version because it is powerful and confident. if you watch many others it seems to me that they are just pounding away on the keys. he has a certain tenderness to those parts that need a little bit of senseitvity to it. its not that he is playing "fast" that makes it great, its the balance between aggression mixed with spunkiness that makes this interpritation my favorite.
To me there is definite difference between passion and aggression (or anger)... and I hear genuine passion tempered with tenderness in this performance. Very beautifully textured... Loved it.
i think there is a difference between aggression and passion, however i believe they are closely related. i think aggression is based on any extreme emotion. obviously our entire lives all we see is aggression caused by anger. so naturaly thats what we relate it to. in this case his passion for the peice gives that aggression that makes it powerful. when you say "beautifully textured" i think that is spot on.
I noticed that this song ends very similarly to the third movement of Beethoven's Moonlight. How does he play chords so fast? I mean, I understand playing notes fast, I do that, but chords?
eh, good technique, BUT, this song is RUINED if he plays it like that, just because he can play fast doesn't mean his interpretation is THE best, this song is meant to be fast, but still understandable, he does it like a hurricane storm and just COMPLETELY RUINS THE PIECE...
GUSH GUSH GUSH GUSH!!!! I just watched Mvmnt 1 and thought he was awesome!!! but this!!!! THIS is my favorite performance by a friggen mile....He's so powerful and I LOVE the way his hands fly across the keys...dude...I love you! hehehe...Imagine what his hands would be like in bed? (ew that was inappropriate)
DUDE this is the coolest interpretation of this Beethoven Apassionata, better than the dingbat pianists who play it like some nocturne. Fiery and Extreme = AWESOMENESS
este muchacho es el segundo pianista que me gusta como toca esta cancion, despues de Hugo Wolf, cuando los escucho se me figura el mismo Beethoven tocando, con esa interpretacion!!! Felicidades!!.
It is so gorgeous that I think this piece is rather played a bit rush... Because you kept your timing too "squared", you should let it like swing a little, just a little, or you can not feel the musical of Beethoven, only technical... that is what I think of beethoven... This is a concert, not a competition... But Again GORGEOUS
Absolutely phenomenal. The speed on this makes me jealous. I can't play it that fast and keep it clean yet... :( To all you who are criticizing him. Fuck u. You all probably suck balz and can't play at all. Unless you are better than this which I doubt any of you commenters are then STFU.
erm...this piece is not really meant to be played tht fast lol! It sounds better played a little slower (not much) since it allows the piece to sound more passionate!
Btw, all the comments tht critisize him are only constructive citisizms...they are not being nasty about it! and Valentina Lisitsa plays this slightly better than him i think!
It sounds like a dance the way HE plays it, is what i meant. He makes it 'skip' along at times, losing the real passion. It is was you say, too fast. Lisitsa is far better.
i love your pianissimos and the overall idea of your interpretation very much. just one complaint: your speed in the coda takes quite a bit away from the drama and sense of finality that beethoven, in my opinion, intended there.
Dear Sweet Lord are you speeding. You have to remember the time period when playing a piece like this no piano Beethoven ever played on would have stood up to this tempo. But your technique is phenomenal and you obviously put in some major practice time. Bravo.
Very impressive! but... work on your sudden chords.. its sound like your hitting the keys. you need to be more gentle yet tough and strict about your message.
Hehe my names Sean Brennan :p almost the same, I play this piece but not as well as you. I would have to agree that the tempo is quicker than my liking, but everyone plays it around this speed, so thats Beethovens doing, I prefer to play it slower but thats partialy because my technical skills arn't up to the level that would allow me to effecitvly play at the tempo stated on the piece, 'Allegro non troppo', this seems alot faster than 128MM for a quarter though...
Well, my comment has a little harsh tone, but actually I compared your performance with those of Golden age of piano(Kempf, Schnabel, Backhaus, etc)
The technique and sound is incredibly great. If I could get half of your technique to implement my music fantasy as I wish, I would not make any more wishes in this life.
Perfect technique indeed. However this performance is not "Allegro non troppo", but an absoloute "presto" or even "prestissimo". It is intersting from an acrobatic point of view, but defenitely not what Beethoven wants.
There are plenty of more difficult pieces, which one can plays presto or prestissimo, showing his/her technical abilities. Why today pianists like to destroy any spritual piece like this just for show?
I'm learning this sonata right now and plan to be able to play it real well by a year from now. But I'll never be able to do it as professionally as this young man.
I´ve heard this interpretations so many times, but I don´t get tired of listening. Brillant playing! And by the way, do you play the heroique polonaise?
this is amazing! i am currently learning this sonata. and i have never heard this movement played this well, it flows great, the dynamics are amazing, this song is so much more interesting to me after this video. well done
Even though there is a bit of expression in his body while playing he keeps it polite and decent. About the interpretation... just flawless, the best ever heard in my entire life, above Arrau and even Ashkenazy. Keep playing Beethoven! Maybe The Tempest, Hammerklavier or grant us the 3rd movement of moonlight plz.
Awesome performance. Just out of curiousity, is this a good piece to play for chics? What kind of reactions have you gotten from chics after playing this piece for them? I would think the reactions have been good but I'm scoping out a new piece to learn and I wanna make sure I get the most bang for the buck, so to speak.
There's a repeat in this movement that some pianists play and some don't. Arrau plays it, SB doesn't. That's the main reason for the huge difference, although SB does play it faster than Arrau.
very very good. i've never heard of him. should i have?! i'm guessing he's national-on the way to international standard if he builds on that. i think the climax cold benefit from going quite that fast. we lost detail
"you tube" is one of the most popular sites on the internet, so my guess is there is a bigger chance that our friend Sean here is going to read these comments (even if he's not the provider of the videos) than that you, dagamezmasta will win the lottery! Exellent playing...
wow this is sad. are so many of you oblivious that sean bennett will never read your comments? the person who posted this video isn't the pianist. so please, stop addressing the pianist. it really looks quite pathetic.
LOL you dumbass, you don't think he reads your comments? He is also the one that posted this video, go to his profile and check it out and go to his website
good range of dynamics and overall a very good interpretation. flawless technique as well. i love the contrast near the end; u do beethoven justice. why did you not repeat the middle secton though?
I believe there are two ways to play this song. You can play it at a slow pace to show off control and allow the listener to feel every note. Or you can play it rather fast, filled with passion. Many people choose the fast interpretation and make a mess of the song. I could actually follow along as you played it rather rapidly, well done.
No, actually, if you can play the repeats differently, i.e., softer like a reply to the original, or perhaps emphasize the base more, or bring out something different from the original, then repeats are useless to me and sounds redundant.
proof that you can give an excellent recital with your own character without distorting the music and exaggerating dynamics, which is all too common nowadays
Love your dynamics and energy!!!!!
oceanprincess318 1 month ago
SPEECHLESS!!!!!!!! That was Amazing!
oceanprincess318 1 month ago
Perfect
TheWolfmannC 1 month ago
wonderful capture of the essence and message of this turbulent movement.BRAVO!
all happiness and health!
chrisczajasager 1 month ago
Agree with all comments. Long ago, a critic wrote that the closing strains of opus 27, "MOONLIGHT" , " the notes rush to their doom". I contend that the final bars of Opus 57, Appasionata, " TAKE THEM WITH YOU " !!! Beethoven Forever. William
TheWilliam916 4 months ago
I thought he was going explote at the end
adriasansa 7 months ago
when he ended i was like, FUCK YES
IonBeamXXIV 9 months ago
Played with lots sensitivity and nuances..and passion!!
helenlinpiano 10 months ago
This is a great performance and it's played with so much confidence my god you have the most natural movements in your wrists and arms I'm studying this performance
anonymousQ45 11 months ago
Reading music and playing it are two entirely different subjects. I very much enjoy your aggresive, passion in this 3rd movement. Your interpretation of Beethovens passion is exemplary! I commend you! Bravo.
benjamindimeglio 11 months ago
@slambennett
Reading music and playing it are two entirely different subjects. I very much enjoy your aggresive, passion in this 3rd movement. Your interpretation of Beethovens passion is exemplary! I commend you! Bravo.
benjamindimeglio 11 months ago
Magnificent. The coda - wow!!!!
gerardbedecarter 1 year ago
Damn I love the way he plays this!
benjamindimeglio 1 year ago
強弱がおそろしく上手い・・・
独特の曲弱の入れ方もおもしろい。
piopare 1 year ago
sean this is tops van Beethoven --- well, we don´t know his personal taste --- may well have approved ... David
3NUNS 1 year ago
inspiring
3NUNS 1 year ago
Impressive. A real feeling of spontaneity and with intelligent interpretative decisions everywhere.
RayAtBristolUni 2 years ago
YOU LITTLE DORK.
scout6686 2 years ago
Comment removed
elzz1995 2 years ago
lmfao
CYYZspotter 2 years ago
I didn't think you left enough room to go faster for the coda but you did. Wow!
There are rays of sunshine, moments of reflections and masculine bravura in your playing. Some people say extremes - but if you don't have them they will say boring - you can't win.
To be pedantic - as is clear some people here are nothing but - you didn't play a chromatic scale but a melodic F minor scale as written.
I like your fingering for the main figure (12345), which I am going to try myself, thanks!
parsifal3142 2 years ago 2
This has been flagged as spam show
my penis is very large
chanceopinion 2 years ago
cool man!!!!!
but here, the interesting thing is to have a large HAND!!!
chaos4u2 2 years ago 3
And what was the point of that comment? to be an idiot and try to sound, "cool?"
TastyColoda134 2 years ago
This has been flagged as spam show
my best friends name is sean bennett!
scowboysray 2 years ago
*That's not in any way to put myself on par with Bennett* Somebody in the thread mentioned how some people choose a "fast interpretation and make a mess of the song." ... I'm one of those guys.
Ncunningham 2 years ago
That's supposed to be "pianists split" not split... Let me also add for all fairness that I will be performing this in the near future withOUT the repeat because 1) of time constraints and 2) because it's just so damn hard to play the whole thing with the repeat.
Ncunningham 2 years ago
Here's the thing, there is no scholarly debate over whether or not Beethoven intended for there to be a repeat: He put in the repeat sign and went so far as to write, "La seconda parte due volte" - "The Second Part Two Times." We all know that Sir Donald Francis Tovey disagreed with Beethoven's use of the repeat but nobody doubts that Beethoven intended for it to exist. Pianists splits nowadays on taking or skipping the repeat, but regardless, Bennett is the only one who plays a scale there.
Ncunningham 2 years ago
Comment removed
Ncunningham 2 years ago
man, that rocked my socks off
taticastro 2 years ago
3:06 he wrong..he is verz good..but i don't like that unclear tones in beethoven compositions!
bannnjac33 2 years ago
Nella parte finale, privilegia troppo, troppo, troppo la velocità rispetto alla pulizia e all'espressione.
Troppo atletico per essere bello.
Certi livelli di ritmo se li possono permettere i Richter a 50 anni.
L'inizio è assai più convincente.
Valerio241059 2 years ago
C'è del vero talento, e tanta tecnica per la sua età. Deve maturare molto a livello interpretativo, nonostante abbia già una rimarchevole attenzione per i fraseggi e le parti più "cantate".
Sentiremo parlare di lui, ne son convinto.
Disturba molto nel video lo scarto fra audio e video.
Valerio241059 2 years ago
damn that piano will need a tuning after hes done with it.
Aaronfails 2 years ago
This's powerful... so fast ...
it's deep and vigorous.
you're the angel in the black suit!
Yollaboe1993 2 years ago 9
This is by far my most favorite interpretation of this movement. I have the Horowitz version and it frustrates me when I listen to that version because he slows down at some parts but you do it justice!!
jswham 2 years ago
you are a great pianist. how come we don't hear more about/from you?
andy957 2 years ago
agree with benjamin, i like sean bennett's version because it is powerful and confident. if you watch many others it seems to me that they are just pounding away on the keys. he has a certain tenderness to those parts that need a little bit of senseitvity to it. its not that he is playing "fast" that makes it great, its the balance between aggression mixed with spunkiness that makes this interpritation my favorite.
shortt4j 2 years ago
To me there is definite difference between passion and aggression (or anger)... and I hear genuine passion tempered with tenderness in this performance. Very beautifully textured... Loved it.
HurricaneHeidi 2 years ago
i think there is a difference between aggression and passion, however i believe they are closely related. i think aggression is based on any extreme emotion. obviously our entire lives all we see is aggression caused by anger. so naturaly thats what we relate it to. in this case his passion for the peice gives that aggression that makes it powerful. when you say "beautifully textured" i think that is spot on.
shortt4j 2 years ago
Schylyosis2, please keep the ignorant comments to yourself. His interpretation is unique and amazing. How do you place the piece different?
benjamindimeglio 2 years ago
I noticed that this song ends very similarly to the third movement of Beethoven's Moonlight. How does he play chords so fast? I mean, I understand playing notes fast, I do that, but chords?
amilisom 2 years ago
eh, good technique, BUT, this song is RUINED if he plays it like that, just because he can play fast doesn't mean his interpretation is THE best, this song is meant to be fast, but still understandable, he does it like a hurricane storm and just COMPLETELY RUINS THE PIECE...
schylyosis2 2 years ago
You are so ignorant. Please go somewhere from whence you will not return in the forseeable future.
Steinway12345 2 years ago
toooooooooo fast
Medsas 2 years ago
GUSH GUSH GUSH GUSH!!!! I just watched Mvmnt 1 and thought he was awesome!!! but this!!!! THIS is my favorite performance by a friggen mile....He's so powerful and I LOVE the way his hands fly across the keys...dude...I love you! hehehe...Imagine what his hands would be like in bed? (ew that was inappropriate)
kherynn 2 years ago
hell yeah!!! you worked that piano like it was an old girlfriend! leep it up dude!
shortt4j 2 years ago
ha ha ha ha ha ha...ha
pianolistenerk 2 years ago
Valentina still plays this best overall, but I liked your ending the best. :)
schuylkillpahaven 2 years ago
this guy is my god
gretchen198442 2 years ago
DUDE this is the coolest interpretation of this Beethoven Apassionata, better than the dingbat pianists who play it like some nocturne. Fiery and Extreme = AWESOMENESS
Chopianist3 2 years ago 9
i just find the end too fast . i like hen the fast notes at the end are very clear .
impressive staccato but one more time ,a bit slower fits more to my taste.
provided my taste has any importance ?? :)
tchebinai71 2 years ago
i wish it was in sync
anonymousQ45 2 years ago
me too
amilisom 2 years ago
God damn dude, this guy really doesn't fuck around!
mtldemon6 3 years ago
he has great technique and showmanship!
anonymousQ45 3 years ago
este muchacho es el segundo pianista que me gusta como toca esta cancion, despues de Hugo Wolf, cuando los escucho se me figura el mismo Beethoven tocando, con esa interpretacion!!! Felicidades!!.
AndyPapirru 3 years ago
The way he played coda at the end sounds like he was inspired by Richter's appassionata -very fast and intense. Good job
TGarzarel 3 years ago
It is so gorgeous that I think this piece is rather played a bit rush... Because you kept your timing too "squared", you should let it like swing a little, just a little, or you can not feel the musical of Beethoven, only technical... that is what I think of beethoven... This is a concert, not a competition... But Again GORGEOUS
Desmonddd2002 3 years ago
Its quite good, although this piece -and Beethoven generally- is not one of the cases where the faster is the better
transponster99 3 years ago 2
Just because you can play this piece only at half-speed doesn't mean that Sean has to do the same!
Skygrapped 3 years ago
I agree 100%. Those mother fuc.kers just cannot Stop bitching coz they think they are non famous PIANISTS too. Those wannabes man, chil
dolce711 2 years ago
Another jolly little dance?
jegspillerpiano 3 years ago
dance?!!?!? i don't think so! lool! ;)
CaptainPinguGuy 3 years ago
Absolutely phenomenal. The speed on this makes me jealous. I can't play it that fast and keep it clean yet... :( To all you who are criticizing him. Fuck u. You all probably suck balz and can't play at all. Unless you are better than this which I doubt any of you commenters are then STFU.
Atarien6 3 years ago
erm...this piece is not really meant to be played tht fast lol! It sounds better played a little slower (not much) since it allows the piece to sound more passionate!
Btw, all the comments tht critisize him are only constructive citisizms...they are not being nasty about it! and Valentina Lisitsa plays this slightly better than him i think!
CaptainPinguGuy 3 years ago
It sounds like a dance the way HE plays it, is what i meant. He makes it 'skip' along at times, losing the real passion. It is was you say, too fast. Lisitsa is far better.
jegspillerpiano 3 years ago 2
yeh. ur right lol!
CaptainPinguGuy 3 years ago
i love your pianissimos and the overall idea of your interpretation very much. just one complaint: your speed in the coda takes quite a bit away from the drama and sense of finality that beethoven, in my opinion, intended there.
Belamus 3 years ago
a little too fast.
Elicgt 3 years ago
Dear Sweet Lord are you speeding. You have to remember the time period when playing a piece like this no piano Beethoven ever played on would have stood up to this tempo. But your technique is phenomenal and you obviously put in some major practice time. Bravo.
jazzjayk 3 years ago
Very impressive! but... work on your sudden chords.. its sound like your hitting the keys. you need to be more gentle yet tough and strict about your message.
dvirkup 3 years ago
Hehe my names Sean Brennan :p almost the same, I play this piece but not as well as you. I would have to agree that the tempo is quicker than my liking, but everyone plays it around this speed, so thats Beethovens doing, I prefer to play it slower but thats partialy because my technical skills arn't up to the level that would allow me to effecitvly play at the tempo stated on the piece, 'Allegro non troppo', this seems alot faster than 128MM for a quarter though...
googolplex101 3 years ago 2
Well, my comment has a little harsh tone, but actually I compared your performance with those of Golden age of piano(Kempf, Schnabel, Backhaus, etc)
The technique and sound is incredibly great. If I could get half of your technique to implement my music fantasy as I wish, I would not make any more wishes in this life.
Ankaboot25 3 years ago 2
Perfect technique indeed. However this performance is not "Allegro non troppo", but an absoloute "presto" or even "prestissimo". It is intersting from an acrobatic point of view, but defenitely not what Beethoven wants.
There are plenty of more difficult pieces, which one can plays presto or prestissimo, showing his/her technical abilities. Why today pianists like to destroy any spritual piece like this just for show?
Ankaboot25 3 years ago 3
I agree with you. Beethoven should be more music and less show off.
JSbeat 3 years ago
This comment has received too many negative votes show
holy shit! Perfect!
ManWithManyShurikens 3 years ago
very skillful fingers. His fingers look like magic!!
kocamt 3 years ago
how old is he here?
PianoGirl555 3 years ago 2
well, you see that they're in a concert house...ECHO!
ChipmunkForEver 3 years ago
I'm completely stunned. I think that was an AMAZING performance for a sonata of that level.
0xxxLIFExxx0 3 years ago
I'm learning this sonata right now and plan to be able to play it real well by a year from now. But I'll never be able to do it as professionally as this young man.
wilmoer 3 years ago
Very dramatic, excellent performance, captures the spirit of the music.
terraflux16 3 years ago
wow! blimey this damn good! excellent
performance and interpretation!
pianoholickyp 3 years ago
can i marry him?
My0wnMelody 3 years ago
i caught myself actually clapping in front of my laptop. this is truly amazing!
sparkleglosz 3 years ago
omg me toooo isnt this gr8? im sooo playing dis!
fashionista157 3 years ago
This comment has received too many negative votes show
grade 3
fuckshitass911 3 years ago
wow
DerosVerlobte 3 years ago
OMG that is some skills.... (trying to pick up my jaw from the ground)
Swirlychan 3 years ago
Steinway???
Essexpianos 3 years ago
Obviously the playing is excellent.
But the strange faces just put me off.
Cloakdeath 3 years ago
the dynamics of the fingers... Wonderful technique and interpretation!
I tried only 3 pages and that was enough for me !
paminaase 3 years ago
bleeeeeeeeeeeeeee IT IS NOT A SONGGGGGG
AK47Chenkov 3 years ago
hm?
fashionista157 3 years ago
Amazing interpretation. The final part of the song is really fast
kocamt 3 years ago
just do not put this faces...loses a lot...avery well all in all
PacoPiernas 4 years ago
The way you play is very real. You have very natural talent.
OorvakanSar 4 years ago
nice comments! ^^
TomSoleon 4 years ago
he moved the piano at the end isn't it??
heroicpolonaise 4 years ago
I´ve heard this interpretations so many times, but I don´t get tired of listening. Brillant playing! And by the way, do you play the heroique polonaise?
nico22059 4 years ago
yeah!!
heroic polonaise
heroicpolonaise 4 years ago
Absolutely love these sonata!Shine!Congratulations too!
arobrasil 4 years ago
this is amazing! i am currently learning this sonata. and i have never heard this movement played this well, it flows great, the dynamics are amazing, this song is so much more interesting to me after this video. well done
davidbaker03 4 years ago 3
He is a great player no question..but, I like this piece played by Fazil Say better.
eloquent680 4 years ago
What an amazing playing!
nico22059 4 years ago 2
so what do you guys tink about girls playing this peice?
wang3639 4 years ago
like valentina?
ChrisWatch 4 years ago
There are some that are great. Listen to Valentina´s Appassionata
nico22059 4 years ago
i hear some sorta cord ringing towards the end.?
ChrisWatch 4 years ago
bennett has full control
seahyimin 4 years ago 2
BRAVO! BRAVO! To me you are a cross between the master himself, Herr Beethoven and Vladimir Ashkenazy. Just awesome!
lachness11 4 years ago
That was... I was going to say "professional", but I believe this deserves to be called perfection, or higher.
Mamsecks 4 years ago 3
absolument somptueux!!!!!!
romain2608 4 years ago
This is just awesome
JSbeat 4 years ago
Wow!Sean this was GREAT! You played a real Beethoven
pianoholickyp 4 years ago
WONDERFUL performance!! You are a great pianist.
BobKy12 4 years ago
bravo si.. però fa troppa scena.. mamma mia! non lo sopporto
jhondusky 4 years ago
That was great but I think you can be a little bit slower
Desmonddd2002 4 years ago
5 stars Sean.
Are there discs to buy. I want to support this.
piannos 4 years ago
Quite ze superhuman! Read a brief biography about him. He has accomplished so much.
TysonMS 4 years ago
When Beethoven wrote that, it was perfect. Changing even one note would diminish it. Your interpretation is flawless.
birminghood56 4 years ago
perfect!!! that was outstanding! the presto part was nice and fast, I never seen faster.
sppe769 4 years ago
Good bouncing quality. That's one of the secrets to play fast: being able to "reset", ready for action, immediately after playing anything
guboub 4 years ago
Oh, by the way, there is a little lag in the video, don't know if anyone noticed it, but it freaks me out.
Olidamara 4 years ago 2
This has been flagged as spam show
close your eyes -.^
VlastaRulez 4 years ago
lol yeaaaa
TangledLace 4 years ago
Just GODLIKE and now Beethoven can rest in peace!
Even though there is a bit of expression in his body while playing he keeps it polite and decent. About the interpretation... just flawless, the best ever heard in my entire life, above Arrau and even Ashkenazy. Keep playing Beethoven! Maybe The Tempest, Hammerklavier or grant us the 3rd movement of moonlight plz.
Olidamara 4 years ago
Awesome performance. Just out of curiousity, is this a good piece to play for chics? What kind of reactions have you gotten from chics after playing this piece for them? I would think the reactions have been good but I'm scoping out a new piece to learn and I wanna make sure I get the most bang for the buck, so to speak.
PianoVader 4 years ago
scodremalin listen the sonata "Pathétic" it's a jewel !
chouana7 4 years ago
That was actually my favorite by Beethoven until I heard Appassionata! Still a close second. :)
Scodremalin 4 years ago
ummm.....this is a part of the appasionata. :)
sangeetamondal93 4 years ago
yes, movement 3.
Pianoplayer555 4 years ago
mov.3
Pianoplayer555 4 years ago
My favorite piano sonata. Great interpretation.
Scodremalin 4 years ago
lol... especially because the speed of the movement is 'allegro MA NON TROPPO' lol...
but you played it perfectly
very great!
vocux 4 years ago
Arrau plays this mov in about 8 minutes, you can figure out how fast he plays this one by that. Still I like it.
nsod 4 years ago
There's a repeat in this movement that some pianists play and some don't. Arrau plays it, SB doesn't. That's the main reason for the huge difference, although SB does play it faster than Arrau.
TGarzarel 3 years ago 3
It seems it's perfectly played, but I think it is a bit fast...
DonCucho 4 years ago
Sean Bennett is a wonder! I hope he comes and play in UK soon, he is marvellous...he has such a great spirit Lets have more of him!!
pianoenthusiast11 4 years ago
perfection, flawless!!
ethere4l 4 years ago
Just great your interpretation
nico22059 4 years ago
Comment removed
daniel0212 4 years ago
he was really cute when he was young :)
fortissimo25 4 years ago
This 1 of my fav renditions thanks heaps for posting :)
googolplex101 4 years ago
It is awsome. Those of you idiots who dont like it, dont mention it, go suck your selfs some were elese.
joelbs1 4 years ago
Too fast and not rough enough for me, but flawless technique.
maxi937 4 years ago
This was my dream song. Thank you for playing it.
And thank God for youtube haha!
Furinax25 4 years ago
very very good. i've never heard of him. should i have?! i'm guessing he's national-on the way to international standard if he builds on that. i think the climax cold benefit from going quite that fast. we lost detail
englishphil38 4 years ago
"you tube" is one of the most popular sites on the internet, so my guess is there is a bigger chance that our friend Sean here is going to read these comments (even if he's not the provider of the videos) than that you, dagamezmasta will win the lottery! Exellent playing...
Jerrez 4 years ago
wow this is sad. are so many of you oblivious that sean bennett will never read your comments? the person who posted this video isn't the pianist. so please, stop addressing the pianist. it really looks quite pathetic.
dagamezmasta 4 years ago
LOL you dumbass, you don't think he reads your comments? He is also the one that posted this video, go to his profile and check it out and go to his website
PianoPlaya123 4 years ago
yeah he actually replied to one of my comments on the liszt-horowitz HR 2 once. a great guy. great that he takes the time to offer feedback.
luganskymichelangeli 4 years ago
Yes, I agree that some do post their own vids, but some don't either. Some fans post their fav playas.
;)
BankFace 4 years ago
good range of dynamics and overall a very good interpretation. flawless technique as well. i love the contrast near the end; u do beethoven justice. why did you not repeat the middle secton though?
dsamogray 4 years ago
Absolutely genius Sean, one of the greatest interpretations of this movement i've heard, excellent use of dynamics
PianoPlaya123 4 years ago
magnifique !
nocturne1992 5 years ago
woah! amazing recital! was jus a shame the vid/audio wasnt in sync
Deicidal 5 years ago
I believe there are two ways to play this song. You can play it at a slow pace to show off control and allow the listener to feel every note. Or you can play it rather fast, filled with passion. Many people choose the fast interpretation and make a mess of the song. I could actually follow along as you played it rather rapidly, well done.
GrMPianist 5 years ago
Very good. How come you didn't repeat?
Appasianata 5 years ago
Assasianata: Repeats are boring! I don't do them either. Yawn...
BankFace 4 years ago
Apparently Beethoven didn't think so...
MJGriftz 4 years ago
He's entitled.
;)
No, actually, if you can play the repeats differently, i.e., softer like a reply to the original, or perhaps emphasize the base more, or bring out something different from the original, then repeats are useless to me and sounds redundant.
BankFace 4 years ago
proof that you can give an excellent recital with your own character without distorting the music and exaggerating dynamics, which is all too common nowadays
love your playing
guitarike 5 years ago
Oh WOW u r better than Artur Rubinstein onthis one form his last isreal recital . GREAT job SIr! YAHOO
westwardho101 5 years ago