Incredible that Janowiz is able to support the voice at this incredibly slow tempo.Not only is it ludicrously slow but it actually seems to get even slower.I have never been a great fan of Solti and i really think that he was over-rated
I've never heard anything as lovely as Janowitz's voice! Check out her Carmina Burana: it is conducted by Eugen Joachum, and you'll drop dead with joy. The "Dulcissime" is magical.
The introspection of this performance is quite illuminating and makes it riveting and devine .. I do prefer the more ebullient Dorothea Roschmann though.
As bautifully as she sings this I have to agree with the criticism: this piece marks the beginning of the second act, not the end of the opera nor the end of the Countess's life although she does contemplate dying in the piece. It's not a meditational piece either. So really, a slow tempo for this is great but to put people to sleep with it is going overboard.
@Lindow I was not put to sleep, I was put to cherish with misty eyes. I think Gundula's rendition's one of the best. This aria has to be slow and VERY light. Renee and Gundula (and perhaps Leontyne and Gheorghiu... perhaps... maybe not) perform it that way. But I guess this aria has always generated deverging opinions; each one likes a different way.
Glorious voice for a glorious aria, and here the tempo allows such an expressive moment of pure music. Brava.
Two other great Countess Almaviva were to succeed on this same prodigious production by Giogio Strelher: Dame Kiri Te Kanawa and Dame Margaret Price. Unforgatable.
Interesting. I find that the same old names come up when mentioning the famous Mozart arias. Gundula is always there. Leontyne and Kiri are usually mentioned also. I also love anything by Maria Stader. I find her even more precise than Gundula - if that is possible.
too slow, too dramatic, she closes her eyes a lot of time seperating herself from her audience and her Italian is not clear. She does have a nice tone though she makes it a little too special.
While objectively the tempo may be a bit slow and a syllable was ignored for the sake of purity of sound (a singer knows when s/he has to compromise for the greater good), the overall effect, for me, is ethereal. The aria floats and I love what she's done with it.
Absurdly slow, Solti is his usual terrible self (in Mozart) and Janowitz could just as well have been singing in arabic, just beautiful sounds, but not the words.
i learn italian singing with italian guy from covent garden..he said that in italian vowels are the most important...so..who cares for crisp consonants here:) she is great..little too slow thoug
Janowitz is the absolute master of Mozart along with Schwarzkopf. Te Kanawa has a slighty different and also captivating sound. These three ladies are amongst the best.
I find this terribly slow! it is Larghetto but a 2/4 Larghetto, not 4/4. I'm surprised Solti let her slow it down so much, the opening tempo was already slow but she just drags and drags...and where are the words? she sounds like an instrument but there are words here too... very beautiful words by Lorenzo da Ponte!
There is beauty here undeniably, but I agree that her voice has a very covered sound which leaves me longing for more of an open throat. Let that voice OUT!!!! Not at all similar to Schwarzkopf to me. Is she older here?
I had the chance to experience her in this role 6 years later... She was incredible... Her pianos and pianisimi fulled the Oper of Wien of sound... This was her parade role!
Fantastic Gundula! I had the chance to hear her voice many times, she has a pure and perfect voice, very different from Schwarzopf, less emotion, more colour....
Beautiful, but far too slow and indulgent. I'm not thumbing my nose on Janowitz, but this is Mozart and must be sung more classically. Otherwise, it just loses its form and innate impulse.
I agree with Tirstiano about her boyish tone -- it iscapable of great ambiguity. She has a very similar quality in singing Pamina's lament, "aCH, ICH FUHL'S" -- A SADNESS THAT'S COLLECTED, MEDITATIVE, ALMOST DISTILLED....
Obviously a beautiful voice. And I know that back in the 80s it was the style to kind of forsake words toward the top, whatev. But I don't believe they were into the clavicular breathing back then. Lol...
great control... love the song altogether.. and this is just the right tempo, larghetto, consider the libretto, you are not going to sing this song upbeat if this song is about dying
the tempo is too slow - as soon as she gets to the "o mi lascia almen morir" with the sequence of notes up to the top a she picks up the tempo too suit her needs (ca 2:47), it gets faster because she needs it to be if she wants to reach the end of the phrase without breathing - this breaks up the whole piece. This piece is almost always done to slowly for my liking.
To hear the absolute best Porgi Amor, listen to Gundula's 1967 recording of this part with Karl Bohm. Just divine!! However, I would love to see any version by Margaret Price if anyone can post one here?
For better, clear, rich sound, listen to the recently released, 5-CD set "Gundula Janowitz, The Golden Voice." For the most passionate singing I've heard, try the Berlin recording of Richard Strauss' "Four Last Songs" and especially the finale of his "Cappricio," both on DG.
I do hate portamentos usually, but I love Janowitz' ones, that are thought and done differently, more measured and more appropriately IMO (not to mention with a powerful yet delicat iron-velvet voice none else has)
What I love about Janowitz is how subtlely and effectively she can convey emotion....here, pain and emptiness without having to resort to oversentimentality...brava
I have to disagree with most compliments here... To my very sensitive ear, this is a very pitchy, thin-voiced reading. I cannot comment on her voice in general, but to even compare this to Fleming's is absurd!
I advise, listen to her Four Last songs with Karajan, on DG. This evaluation is just plain wrong, friend edgabo. I think we all share your sensitive ears, but the 1980s recording here, heard compressed via online bandwidth, shouldn't be seen as representative, enjoyable as these clips are. She sang with great soul, accuracy and depth. A classic voice.
As I suggested earlier, to hear her full capabilities, listen to the newly released 5-CD set "Gundula Janowitz, The Golden Voice" (DG), and especially along with my other suggested recordings of Richard Strauss.
Actually, if you had ever heard her live you would know this is a nonsensical remark - she had in her prime, as here, an incredibly full, rich (and when required LOUD) tone!
I do love Gundula Janowitz... and her four last Songs are a masterpiece... of course you mean the version with Karajan... Have you heard the one under Haitink? You should, if you love her... and there are so many things one should listen to, if you love her...
Dear Miss Fleming this is a Contessa not you!,the breath control and the musical line in here are just a wonder, Mozart would have been happy,perhaps he never heard his music done in such a heavenly way!!.
Thanks for sharing this wonderful version... I had it in videocassette, but hadnt seen it for a very long time... Isn´t she the personification of this role... The nicest voice in a wonderful performance!
This aria IS Ms Janowitz.
Trade Mark.
kablue79 1 month ago
This is one of the most perfect things I've ever heard.
Nungirl238 2 months ago in playlist Favorite videos
wow how she's draggin the tempo down. very instrumental. gorgeous, but I'll take more human like callas, etc..
111sparkle111 5 months ago
My all time favourite rendition of this song!
patrickm62nov 7 months ago
Phantastic.*****
ThPaw 7 months ago
lol she has my last name
EatAnApplexD 11 months ago
Superrrrrrrrrr!
operalovely 11 months ago
Incredible that Janowiz is able to support the voice at this incredibly slow tempo.Not only is it ludicrously slow but it actually seems to get even slower.I have never been a great fan of Solti and i really think that he was over-rated
TheSmoshmy 11 months ago
I've never heard anything as lovely as Janowitz's voice! Check out her Carmina Burana: it is conducted by Eugen Joachum, and you'll drop dead with joy. The "Dulcissime" is magical.
thomasmoredamian 1 year ago
Breathtaking pure voice..
bernardkulche 1 year ago
Ne ho sentito una ventina di soprani nelle arie di Mozart ma Gundula Janowitz le supera tutte. Bravissima. Grazie infinite
Pierinopasquotti 1 year ago
The introspection of this performance is quite illuminating and makes it riveting and devine .. I do prefer the more ebullient Dorothea Roschmann though.
macenroc 1 year ago
Too slow...
It's not Isolde's Liebestod.
Uruguruh 1 year ago
As bautifully as she sings this I have to agree with the criticism: this piece marks the beginning of the second act, not the end of the opera nor the end of the Countess's life although she does contemplate dying in the piece. It's not a meditational piece either. So really, a slow tempo for this is great but to put people to sleep with it is going overboard.
Lindow 2 years ago
Semplicemente celestiale!
Wonderful!
clatnt 2 years ago
@Lindow I was not put to sleep, I was put to cherish with misty eyes. I think Gundula's rendition's one of the best. This aria has to be slow and VERY light. Renee and Gundula (and perhaps Leontyne and Gheorghiu... perhaps... maybe not) perform it that way. But I guess this aria has always generated deverging opinions; each one likes a different way.
mrdrodrigues 1 year ago
I'm not a fan of Mozart, but I do adore the divinity of Janowitz's voice so I suppose I'll put up with ol' Wolfgang for the moment.
5574974 2 years ago
Glorious voice for a glorious aria, and here the tempo allows such an expressive moment of pure music. Brava.
Two other great Countess Almaviva were to succeed on this same prodigious production by Giogio Strelher: Dame Kiri Te Kanawa and Dame Margaret Price. Unforgatable.
callistrate 2 years ago
Interesting. I find that the same old names come up when mentioning the famous Mozart arias. Gundula is always there. Leontyne and Kiri are usually mentioned also. I also love anything by Maria Stader. I find her even more precise than Gundula - if that is possible.
swanningaround 2 years ago
I actually like the tempo and I think her interpretation is quite touching.
ShawDAMAN 2 years ago 2
too slow, too dramatic, she closes her eyes a lot of time seperating herself from her audience and her Italian is not clear. She does have a nice tone though she makes it a little too special.
laraandlars 2 years ago
Agree
christineannemarsden 2 years ago
similar voice (I think better) plus better tempo ..see......Porgi Amor sung by Mirusia Louwerse in Vienna
and she is very young.......
eddieman2004 2 years ago
Hmmmm.... that version with André Rieu? No, no, no... Listen Kiri Te Kanawa, please.
thiagosoler 2 years ago
The best version I have ever heard.
BeniaminoGigli1985 2 years ago
C'est très personnalisé, peut-être un peu lent, cependant...
Cette interprétation est remarquable !
henson80 2 years ago
While objectively the tempo may be a bit slow and a syllable was ignored for the sake of purity of sound (a singer knows when s/he has to compromise for the greater good), the overall effect, for me, is ethereal. The aria floats and I love what she's done with it.
NorthShoreCanary 2 years ago
I fully agree with you but neverthless I still prefer that phantastic version of the 60's with Karl Böhm, Fischer-Dieskau, Prey, Edith Mathis, etc.
agcalem 2 years ago
Yep! At some things Solti was just terrible. Janowitz however still managed to sing beautifully.
ilwfrjp 2 years ago
Love the tempo!
violinist1990 2 years ago
bellisima condesa de gundula, brava
kikoencasa 3 years ago
Absurdly slow, Solti is his usual terrible self (in Mozart) and Janowitz could just as well have been singing in arabic, just beautiful sounds, but not the words.
TPHV 3 years ago
true. the countess' aria is my all-time favorite. i have heard much better.
lecriveuse 2 years ago
I wish I could hear the consonants. Beautiful sound...but the crisp consonants are missing.
itiacat 3 years ago
i learn italian singing with italian guy from covent garden..he said that in italian vowels are the most important...so..who cares for crisp consonants here:) she is great..little too slow thoug
igalic1977 2 years ago
heard better from thee and thine young(ish) gundula - still a beauty though - body, mind and voce.
chutzpah37 3 years ago
Janowitz is the absolute master of Mozart along with Schwarzkopf. Te Kanawa has a slighty different and also captivating sound. These three ladies are amongst the best.
swanningaround 3 years ago
gundula is a true godess of sheer awesomeness, what a contessa
Piracious 3 years ago 2
Total mastery on all counts.
Jitpring 3 years ago
can anyboy give me the lyrics of this song..
its really beautiful i love this very much
mocheee 3 years ago
LA CONTESSA
Porgi, amor, qualche ristoro
al mio duolo, a' miei sospir.
O mi rendi il mio tesoro,
o mi lascia almen morir.
kleinbittersdorf 3 years ago
To me Gundula is number 1 for Mozart. Period.
swanningaround 3 years ago 10
What a totally captivating performance. GORGEOUS! That was my intro to Janowitz, by the way. Thanks for posting...
OlgaSoprano 3 years ago 2
I find this terribly slow! it is Larghetto but a 2/4 Larghetto, not 4/4. I'm surprised Solti let her slow it down so much, the opening tempo was already slow but she just drags and drags...and where are the words? she sounds like an instrument but there are words here too... very beautiful words by Lorenzo da Ponte!
CzarDodon 3 years ago
wow, she has such control over her voice and you can see she's really concentrating.
sublime ..
ElisaN92 3 years ago 9
There is beauty here undeniably, but I agree that her voice has a very covered sound which leaves me longing for more of an open throat. Let that voice OUT!!!! Not at all similar to Schwarzkopf to me. Is she older here?
beckylink 3 years ago
I had the chance to experience her in this role 6 years later... She was incredible... Her pianos and pianisimi fulled the Oper of Wien of sound... This was her parade role!
Gabriel13187 3 years ago
Fantastic Gundula! I had the chance to hear her voice many times, she has a pure and perfect voice, very different from Schwarzopf, less emotion, more colour....
neronnenn 3 years ago
Même lignée que la Schwartzkopf, en plus consistant et moins lumineux.
mariasarda 3 years ago
wow... His voice is very similar to that of Schwarzkopf
lord6busy 3 years ago
Beautiful, but far too slow and indulgent. I'm not thumbing my nose on Janowitz, but this is Mozart and must be sung more classically. Otherwise, it just loses its form and innate impulse.
arcticcats2008 3 years ago 3
I love this. I think this version is better than Elisabeth's and Kiri's. They are also great Mozart sopranos.
swanningaround 3 years ago
Most Countesses are much better actresses, but Janowitz is the best one to listen to. Such a pure, beautiful tone!
KatherineXIX 3 years ago
DIVINE
NATULINAN 3 years ago
Beauty is Truth,
And Truth Beauty.
Keats
ballycotton32 4 years ago 2
wow i love it! actualy prefer this slower version absolutly fantastic
operaaddict 4 years ago 2
Am I wrong that this is terribly slow?
bobbyVisitor 4 years ago
She keeps trying to do it slower. She has a boring instinct for this aria. 3/5
Sochilinda 4 years ago
6/5
clashguy 4 years ago
I agree with Tirstiano about her boyish tone -- it iscapable of great ambiguity. She has a very similar quality in singing Pamina's lament, "aCH, ICH FUHL'S" -- A SADNESS THAT'S COLLECTED, MEDITATIVE, ALMOST DISTILLED....
1psoas9 4 years ago
I disagree, there is nothing boyish about her she is very feminine,her voice projects all that is best in women.
ballycotton32 4 years ago
Still another wonderful upload from MUEZZAB. Thanks so much!
Tue 13 Nov 2007 22:16 GMT
Merlin1940 4 years ago
Thank you MUEZZAB,the singing is transcendent,I have never experienced a performance as good as this.
ballycotton94 4 years ago
Obviously a beautiful voice. And I know that back in the 80s it was the style to kind of forsake words toward the top, whatev. But I don't believe they were into the clavicular breathing back then. Lol...
Still beautiful..
pianoandpipes 4 years ago
I rated five stars, bur this upload deserves much more !!
Cor Schorel
Netherlands
Esceha57 4 years ago
diese arie kann man nicht mehr besser singen-technische perfektion gepaart mit unglaublicher stimmschönheit
ursus1302 4 years ago 2
Not in her best voice here, IMO. Still, I'd give my eye teeth to hear this quality in a live performance.
rmbarge 4 years ago
this is a waaaaay slow tempo. i would listen to renee anyday. it sounds like like she is deliberately not pronouncing the words to effect the tone.
fuzmiq 4 years ago
Can anyone suggest a singer who sings with a technique
similar to Janowitz. In my opinion this is as good as it gets. The voice truly rides on air.
unfildevoce 4 years ago 2
Actually I can!! I suggest the contessa who sung the same (Strehler) staging in La Scala under Muti!! I have rare extracts from that...
It was a young Cheryl Studer and sounded as close to this particular sound as no-one else!!
CONTESTAR 4 years ago
It is her song. I love the way she sings this song.
justwatchingyours 4 years ago
great control... love the song altogether.. and this is just the right tempo, larghetto, consider the libretto, you are not going to sing this song upbeat if this song is about dying
Bhekie 4 years ago 2
the tempo is too slow - as soon as she gets to the "o mi lascia almen morir" with the sequence of notes up to the top a she picks up the tempo too suit her needs (ca 2:47), it gets faster because she needs it to be if she wants to reach the end of the phrase without breathing - this breaks up the whole piece. This piece is almost always done to slowly for my liking.
Plus the fact that cotrubas sings flat a lot!
fiordiligicymraeg 4 years ago
I meant janowitz, of course!
sudengab 4 years ago
I meant janowitz, obviously, not cotrubas!
fiordiligicymraeg 3 years ago
janowitz of course, not cotrubas - sorry! And why the thumbs down??? For stating an obvious fact? Give me a break...
fiordiligicymraeg 3 years ago
Potrobsas : "Too covered" Se ve que no conoces nada en el canto!
marcocito 4 years ago
To hear the absolute best Porgi Amor, listen to Gundula's 1967 recording of this part with Karl Bohm. Just divine!! However, I would love to see any version by Margaret Price if anyone can post one here?
lindyms 4 years ago
Yeah great recording. Can Bohm conduct Mozart, or what?
rmbarge 4 years ago
Janowitz's countess under Karl Böhm, recorded for Deutsche Grammophon with forces of the Berlin Deutsche Oper, was in fact recorded in 1968.
Nugnugs 4 years ago
For better, clear, rich sound, listen to the recently released, 5-CD set "Gundula Janowitz, The Golden Voice." For the most passionate singing I've heard, try the Berlin recording of Richard Strauss' "Four Last Songs" and especially the finale of his "Cappricio," both on DG.
sfkcbf 5 years ago
All those portamenti are totally out of style, however G. Janowitz is a great singer and she can convey emotion, that's for sure!!!
Amphipolis 5 years ago
I do hate portamentos usually, but I love Janowitz' ones, that are thought and done differently, more measured and more appropriately IMO (not to mention with a powerful yet delicat iron-velvet voice none else has)
Tue 13 Nov 2007 22:03 GMT
Merlin1940 4 years ago
wonderfully done. simply wonderful. stunning in every way. thank you for this clip! this is trully a superb artist in her prime. brrrravissima!
iAMturandot 5 years ago
What I love about Janowitz is how subtlely and effectively she can convey emotion....here, pain and emptiness without having to resort to oversentimentality...brava
rowley555 5 years ago
I have to disagree with most compliments here... To my very sensitive ear, this is a very pitchy, thin-voiced reading. I cannot comment on her voice in general, but to even compare this to Fleming's is absurd!
edgabo2 5 years ago
I advise, listen to her Four Last songs with Karajan, on DG. This evaluation is just plain wrong, friend edgabo. I think we all share your sensitive ears, but the 1980s recording here, heard compressed via online bandwidth, shouldn't be seen as representative, enjoyable as these clips are. She sang with great soul, accuracy and depth. A classic voice.
walshamite 5 years ago
Much as I like Fleming,she is not in the same class as Janowitz.
valeriemw 4 years ago 3
truly sublime
D9l3tt 5 years ago
perfect technique
ncrunch 5 years ago
magnífico
davidzac 5 years ago
This is not that great people! She sounds underdeveloped
srfygirl 5 years ago
ja ja ja ... you are not a serious person...
Gabriel13187 5 years ago
I don't like how her voice is placed.Too covered !
potrobsas 4 years ago
As I suggested earlier, to hear her full capabilities, listen to the newly released 5-CD set "Gundula Janowitz, The Golden Voice" (DG), and especially along with my other suggested recordings of Richard Strauss.
sfkcbf 4 years ago
Actually, if you had ever heard her live you would know this is a nonsensical remark - she had in her prime, as here, an incredibly full, rich (and when required LOUD) tone!
marvoid 5 years ago
If you love Gundula Janowitz here then you should also listen to her recordings of The Four Last Songs nobody else does it better
viverito 5 years ago
I do love Gundula Janowitz... and her four last Songs are a masterpiece... of course you mean the version with Karajan... Have you heard the one under Haitink? You should, if you love her... and there are so many things one should listen to, if you love her...
Gabriel13187 5 years ago
Dear Miss Fleming this is a Contessa not you!,the breath control and the musical line in here are just a wonder, Mozart would have been happy,perhaps he never heard his music done in such a heavenly way!!.
mariogorga 5 years ago
One of the most amazing voices ever!!!!
jonbaum 5 years ago
que tempo!!! Solti que inmenso dircetor, ella es sencillamente increible...
fgraue 5 years ago
A notch above sublime
ruckels 5 years ago
I have no words to express what it feels like listening to this rendition of porgi amor.Bravissima.Pianissima!
emme43 5 years ago
Simply heartbreaking. Wow. Thank you for uploading!
operaticxingenue 5 years ago
Thanks for sharing this wonderful version... I had it in videocassette, but hadnt seen it for a very long time... Isn´t she the personification of this role... The nicest voice in a wonderful performance!
Gabriel13187 5 years ago
Gracias muezzab por mandar todo esto. La versión es fantástica.
tongoide 5 years ago
It is so ethereal with her boyish tone, so lovely and sad. Almost Empty. Just how one could imagine the Contessa
Tristiano 5 years ago
Splendid!
tantcx 5 years ago
This is one of the truly Greatest performances of Porgi Amor, ever. I am in shock.
D9l3tt 5 years ago