Nilsson was and is the Number 1 Wagnerian soprano, equal to Kirsten Flagstad. Although for certain roles (even for Wagner) the voice was too sharp and heroic when it could have been more subdued (roles like Elisabeth in Tannhauser which she sings here, or Senta in Flying Dutchman, Elsa in Lohengrin) . Her intense voice was perfect for Brunnhilde, Kundry and Isolde
Nilsson is brilliant, as always (if occasionally a little sharp, as she tended to be)...however, Voigt in 1996 gave a technically perfect performance...and full of joy.
¡Te saludo de nuevo, querido Salón de Canto! ¡Te saludo con alegría, amado lugar! Aquí nacerán, brotarán sus canciones; que disiparán esos lúgubres sueños... ¡Tan triste me parecías cuando él se decidió a marchar! Me quedé, yo sin paz, y tú sin alegría. (permanece inmóvil, pensativa) ¡Y ahora, mi corazón salta de alegría y me pareces de nuevo, tan señorial... porque aquél que nos da vida ya no está lejos de aquí! ¡Te saludo, querido salón! ¡Querido salón...! ¡Yo te saludo...!
The best thing about this performance is how easy this aria was for Nilsson. She looks so relaxed by the end, and it shows in her production of the last two phrases.
She was my favorite soprano. Thanks for this. They don't make 'em like this today. To have seen and heard the Nilsson Voice in its prime was a gift from God!! She also recorded well. Thanks for this video
In the case of timbre, phrasing etc, the question is subjective, but the technical performance. is not.
Jessye Norman does not have the same technical skill. It is evident in the end of the aria. There is J.Norman a bit tensed and forced. Mrs. Nilsson's voice is open and has full flow. It gives her perfomence an elegance that Mrs. Norman not reach.
As an opera singer myself and a fan of both Nilsson and Norman, I respectfully disagree. Both had/have tremendous technique, and I doubt anyone would ever question Jessye's elegance. They are both wonderful.
Birgit Nilsson was widely known as the leading Wagnerian soprano of her time. The successor to the great Norwegian soprano Kirsten Flagstad. A height that Jessye Norman never will achieve.
Furthermore, I wrote that Nilsson has a better technique, which result in a lighter and more elegant performing.
Anyway, it is not so important, everyone thinks what he thinks. However, it is fun and instructive to exchange views.
Jessy Norman, however great she is, has a completely different voice. Nilsson is a dramatic soprano, Norman never performed the dramatic roles such as Brunhilde, Elektra or Turandot, so there is little point in comparing the two voices as they are different voice types
Nilsson was and is the Number 1 Wagnerian soprano, equal to Kirsten Flagstad. Although for certain roles (even for Wagner) the voice was too sharp and heroic when it could have been more subdued (roles like Elisabeth in Tannhauser which she sings here, or Senta in Flying Dutchman, Elsa in Lohengrin) . Her intense voice was perfect for Brunnhilde, Kundry and Isolde
OperaMystery80 4 months ago 2
Brilliant ! But i prefer Crespin !
dapheneo 6 months ago
Nilsson is brilliant, as always (if occasionally a little sharp, as she tended to be)...however, Voigt in 1996 gave a technically perfect performance...and full of joy.
brolobear 1 year ago
franciscobarn 1 year ago
The orquestra has many problems in time and oder problem too, but Birgitt Nilsson are fantastic.
Alexmeister25 1 year ago
It's enough to make a grown man (me) cry!
Neoboethius 1 year ago
Middle Ages meet the sixties :)
cu1000 1 year ago
Listen to the "Halle" at 2:54 and tell me if this is really a human voice...
TommyHaegin 1 year ago 2
Comment removed
TommyHaegin 1 year ago
norman all the wat i like her timbre itsdarker....i like that normans sound
Babs22h 1 year ago
A beautiful performance of Wagnerian music by a great singer! Such feeling!
CanadaPisces 1 year ago 4
The best thing about this performance is how easy this aria was for Nilsson. She looks so relaxed by the end, and it shows in her production of the last two phrases.
latraviata1853 2 years ago
She was my favorite soprano. Thanks for this. They don't make 'em like this today. To have seen and heard the Nilsson Voice in its prime was a gift from God!! She also recorded well. Thanks for this video
ebony1911 2 years ago 6
Wonderful!!
mpj67 2 years ago
Very pretty.
Leicesterdog 2 years ago
Good or not good is of course a question about taste with respect to timbre, phrasing, interpretation etc.
However has someone ever sung this aria technically better than Mrs Nilsson (is it possible) ?
ForAll23 2 years ago 6
Possibly Traubel, whose voice was richer, fuller, bigger in the early forties. Just an opinion.
ebony1911 2 years ago
Comment removed
ForAll23 2 years ago
Jessye Norman's performance of this is equally masterful.
brentmphoto 2 years ago
In the case of timbre, phrasing etc, the question is subjective, but the technical performance. is not.
Jessye Norman does not have the same technical skill. It is evident in the end of the aria. There is J.Norman a bit tensed and forced. Mrs. Nilsson's voice is open and has full flow. It gives her perfomence an elegance that Mrs. Norman not reach.
ForAll23 2 years ago 18
As an opera singer myself and a fan of both Nilsson and Norman, I respectfully disagree. Both had/have tremendous technique, and I doubt anyone would ever question Jessye's elegance. They are both wonderful.
brentmphoto 2 years ago
Birgit Nilsson was widely known as the leading Wagnerian soprano of her time. The successor to the great Norwegian soprano Kirsten Flagstad. A height that Jessye Norman never will achieve.
Furthermore, I wrote that Nilsson has a better technique, which result in a lighter and more elegant performing.
Anyway, it is not so important, everyone thinks what he thinks. However, it is fun and instructive to exchange views.
ForAll23 2 years ago 10
Jessy Norman, however great she is, has a completely different voice. Nilsson is a dramatic soprano, Norman never performed the dramatic roles such as Brunhilde, Elektra or Turandot, so there is little point in comparing the two voices as they are different voice types
robertdonkers 1 year ago 2
@robertdonkers
The main issue, was not a question about Mrs.Nilsson vs. Miss/Mrs.Norman.
Primarily my question was “if someone ever sung this aria technically better than Mrs Nilsson (is it possible) ?”
ForAll23 1 year ago
I think Nilsson does wonderfully in these arias, particularly considering her conductor for the YT Turandot and Elizabeth is in La La Land.
Operanut9 2 years ago
@ForAll23 Its individual interpretation that counts, its not a competition.
VinnyLog 6 months ago
@VinnyLog
With that thought, there is neither a bad or a good opera singer.
I can not see it in that way.
ForAll23 6 months ago
Beautiful... impressing!! Big voice... less effort... absolute Master...!! BRAVA BIRGIT !!
miguelborrallo 2 years ago 2
I will never forget seeing her in Elektra....she was amazing
No1ZmeskalFan 2 years ago 7
and i thought i was the only YT user who enjoyed opera and gymnastics at the same time!
SiEtIn1 2 years ago
haha thats all I watch on here! Thank God for YT :)
No1ZmeskalFan 2 years ago
God!! She is my favorite soprano!! Astounding!
Matthewcoakley08 2 years ago 15
Birgit's great! Btw... is that a costume or an outfit?
Gav640 3 years ago
She sounds so young and charming here.
babydrane 3 years ago 3
she was 46 at the time! haha :)
manwithemeraldeyes 2 years ago
birgit was great, but the conductor...:(
cu1000 3 years ago 3
That was so good!!
andersthlm 3 years ago