Too slow for my taste. This is best when the pacing is bouncier and livelier/faster since it's a happy song, Sutherland has fine coloratura and technique but it would be much more dazzling when sung at a faster pace. Just saying.
@OperaMystery80 You are absolutely right. But also it is not sang in a style that suits this particular song. The best interpretation by miles and the best extra embellishments are by Ingeborg Hallstein. She takes it in the right tempo and has that belllike crystalline clarity in her voice and diction which are key to this song. You can find it on YT. Sutherland's additional embelishments just don't blend at all well into it and spoil the melody.
@Ariadne7710 Please listen to Bognoa Sokorska singing this aria. It's the best, better than Ingeborg Hallstein. Sokorska has an amazingly beautiful voice, a bloom and clarity that fits the dreamy romantic happy nature of the song. I do agree that Hallstein is better than Sutherland singing this. This was just too boring. You can't even tell that she's in love. Beverly Sills did a marvelous job also..she sang this aria at age 8! It's on Youtube.
@OperaMystery80 Yes, I know I have heard Bognoa Sokorska singing this and several other pieces. She has an absolutely amazing crystalline voice and great coloratura technique. The reasons I prefer Hallstein slightly in this piece is that:-
1. Her additional embellishments are more in tune with the original melody and better composed and
2. Her tone on very high notes still maintains a melodious timbre.
@riccardo699 There's so much more to singing than the particular qualities of a tone...eg rhythm, musicality at large, characterization, style, diction.
Being a paragon of operatic singing without having a popular tone would take all the more mastery of the art.
well I am going too say this callas was not that good of a singer too me her tone was poor she was more of an actress if anything Maria could never come dame Joan Sutherland cosmological decades, honey!....
@ronfast Callas was not considered exceptional based purely on her acting. Sutherland and every notable contemporary musician realized this and revered her for the til-then forgotten accountability she felt to be a technician of the highest order as well as a fine actress. Apparently you know better?
...una preparazione tecnica di altissimo livello.Da qui,altre spiccate prerogative: un'eleganza ..che nasce dalla straordinaria facilità e scorrevolezza dell'esecuzione; la levigatezza del suono;la perfezione delle legature;il senso del ritmo....Da ultimo ,una squisita dialettica salottiera...spigliata nella romamza italiana...R.Celletti-Asolo Musica1979
Parlare della Sutherland si rischia di finire nel roboante o nel banale.Ebbene sono rischi che correrò entrambi. E' magicamente fantastica !!! Vi pare poco? Descansa in paz maravillosa Joan.
How silly is to compare two geniuses of the Opera like Callas and Joan....better to leave those people with their m...ations and thanks God that gave us the opportunity to admire both ::))
How silly is to comapre two geniuses of the Opera like Callas and Joan....better to leave those people with their m...ations and thanks God that gave us the opportunity to admire both ::))
Sulle labbra se potessi dolce un bacio ti darei. Tutte ti direi le dolcezze dell’amor. Sempre assisa te d’appresso, mille gaudii ti direi, Ah! ti direi. Ed i palpiti udirei che rispondono al mio cor. Gemme e perle non desio, non son vaga d’altro affetto. Un tuo sguardo è il mio diletto, un tuo bacio è il mio tesor. Ah! Vieni! ah vien! più non tardare! a me! Ah vien! nell’ebbrezza d’un amplesso ch’io viva! Ah!
Sutherland's coloratura technique is incredible. Her fioratura is matchless and, considering the tremendous size of her voice, her agility is truly astounding! It's almost like doing petit-pointe with a battering-ram!
Many the night I was thrilled to hear her huge voice fill the houose at Lyric Opera of Chicago. Her diction was something less than crisp, but her vocality was amazing.
It's a beautiful rendition, although I love this aria sung with a lighter coloratura technique. Sutherland's voice is too big for a waltz-like aria like this one. Also, Sills was singng Il Bacio when she was 8 years old. That's quite an accomplishment as this aria is difficult!
That's nice of you to say considering your screename is Petelovesbevsills! But Sills herself was a Sutherland fan. I'm a bigger Sills fan than Sutherland's but Joan did have a great singing voice. I'm just not crazy about her is all.
I'm not sure about Marilyn Horne, but Callas is very definitely a favorite of Sutherland's and Bonygne's unless Sutherland is lying in her autobiography. Callas, Flagstad, and Galli-Curci are three of Sutherland's favorite sopranos.
@meltzerboy Very true about Sutherland admiring Callas. When the former was getting her teeth fixed in the late 50s, she brought her Callas LPs for the dentist to play, because she preferred listening to opera over instrumental music!
@CaptFitzbattleaxe I wasn't aware of that. I do know that In her autobiography, she mentions how her dentist almost spoiled her enjoyment of Tchaikovsky by playing his music during sessions.
This comment has received too many negative votesshow
I love Joan Sutherland's voice but in this Aria I prefer Anna Netrebko.Mrs Sutherland have a magnific coloratura but in this Aria Mrs Netrebko is much expresive
I wonder whether Adelina Patti could have sung this as well as Sutherland even at her best. There is an old recording when Patti was in her early 60's but she is well past her prime. The song itself may have been written for Patti. Lucrezia Bori sings it very well too, with beautiful tone but of course with less ornamentation than Sutherland.
This Lightness in the voice,i mean,it comes out without forcing,this fast scales you can only sing good if you have this lightness,otherwise it is gonna sound as heavy as an elephant trying to do ballet...as most of the sopranos do....Callas inclusive.this effortless singing has no compare,just very few people can do this.I dont know if one can learn or practice this...i wonder if one can...
I might agree on what you say about MOST sopranos being not this light and agile at performing scales or whatsoever. But what you claim by saying "Callas inclusive" is simply pointless. I won't get into another of those idiotic contests which aim to compare her to other brilliant singers, struggling to point out who is the best. Neither will I say Callas was the best ever. She didn't have this type ov voice but she had OTHER qualities very few singers have been able to keep up with.
callas has sure diffirent qualities,she has a volumoeus voice.she also can sing the fast scales.but she practiced that,and this lightness is not in the voice to find.even callas would agree with me.this is not a insult on her.because she has the greatest name,she doesnt have to be seen as-all-doer.she had a good voice,but not that light as mrs.sutherland,and you guys gotta live with that.
this is just fucking amazing or not?....such a clarity....This fast coloratura,i normally hear not such clear as here.Joan Sutherland should have admired Callas,such a coloratura as Sutherland Callas couldnt hold with.This is really amazing.
I couldn't agree more. She is my all time favorite soprano and she never sang a consonant in her life. The tone was so incredible she didn't need consonants!
Callas also said this, watching a Sutherland rehearsal: "This isn't good". When asked if she didn't think Sutherland's singing was good, she replied " No... it's too good". Callas admired Sutherland as well, sent her notes and visited her backstage.
Wow this is phenomenal- comes from the Gala from Karajan's recording of Der Fledermaus. What astounding display of coloratura- e la stupenda!!!! Viva Sutherland..
Too slow for my taste. This is best when the pacing is bouncier and livelier/faster since it's a happy song, Sutherland has fine coloratura and technique but it would be much more dazzling when sung at a faster pace. Just saying.
OperaMystery80 3 months ago
@OperaMystery80 You are absolutely right. But also it is not sang in a style that suits this particular song. The best interpretation by miles and the best extra embellishments are by Ingeborg Hallstein. She takes it in the right tempo and has that belllike crystalline clarity in her voice and diction which are key to this song. You can find it on YT. Sutherland's additional embelishments just don't blend at all well into it and spoil the melody.
Ariadne7710 2 months ago
@Ariadne7710 Please listen to Bognoa Sokorska singing this aria. It's the best, better than Ingeborg Hallstein. Sokorska has an amazingly beautiful voice, a bloom and clarity that fits the dreamy romantic happy nature of the song. I do agree that Hallstein is better than Sutherland singing this. This was just too boring. You can't even tell that she's in love. Beverly Sills did a marvelous job also..she sang this aria at age 8! It's on Youtube.
OperaMystery80 2 months ago
@OperaMystery80 Yes, I know I have heard Bognoa Sokorska singing this and several other pieces. She has an absolutely amazing crystalline voice and great coloratura technique. The reasons I prefer Hallstein slightly in this piece is that:-
1. Her additional embellishments are more in tune with the original melody and better composed and
2. Her tone on very high notes still maintains a melodious timbre.
Otherwise they are both fantastic.
Ariadne7710 2 months ago
Супер техника! Брависсимо!
ervikervik777 4 months ago
her high notes are sick!
yiudiumui 4 months ago
This has been flagged as spam show
@riccardo699 There's so much more to singing than the particular qualities of a tone...eg rhythm, musicality at large, characterization, style, diction.
Being a paragon of operatic singing without having a popular tone would take all the more mastery of the art.
coryisawake 6 months ago
Comment removed
coryisawake 6 months ago
Miliza Korjus was the only one to sing this stuff- without shrieking the top
as here .
dziady1 6 months ago
well I am going too say this callas was not that good of a singer too me her tone was poor she was more of an actress if anything Maria could never come dame Joan Sutherland cosmological decades, honey!....
ronfast 7 months ago
@ronfast Callas was not considered exceptional based purely on her acting. Sutherland and every notable contemporary musician realized this and revered her for the til-then forgotten accountability she felt to be a technician of the highest order as well as a fine actress. Apparently you know better?
coryisawake 6 months ago
...una preparazione tecnica di altissimo livello.Da qui,altre spiccate prerogative: un'eleganza ..che nasce dalla straordinaria facilità e scorrevolezza dell'esecuzione; la levigatezza del suono;la perfezione delle legature;il senso del ritmo....Da ultimo ,una squisita dialettica salottiera...spigliata nella romamza italiana...R.Celletti-Asolo Musica1979
MrPipposiculo 9 months ago
Beautiful! I just love Joan! So much precision and quality in her voice, but it sounds so easy for her! FLAWLESS. Thank you Joan!
P.S. How could someone not like this?
zdebowski 9 months ago
Comment removed
zdebowski 9 months ago
Dame Joan was the greatest-ever soprano....
vonFalkenstein77 9 months ago
Bravoooooooooooooo
mrluistena 10 months ago
Parlare della Sutherland si rischia di finire nel roboante o nel banale.Ebbene sono rischi che correrò entrambi. E' magicamente fantastica !!! Vi pare poco? Descansa in paz maravillosa Joan.
1947Rollo 10 months ago
Che eleganza e che perfezione vocale! Strepitosa!
leprincebeaumont 1 year ago
How silly is to compare two geniuses of the Opera like Callas and Joan....better to leave those people with their m...ations and thanks God that gave us the opportunity to admire both ::))
federricoilgrande 1 year ago 4
How silly is to comapre two geniuses of the Opera like Callas and Joan....better to leave those people with their m...ations and thanks God that gave us the opportunity to admire both ::))
federricoilgrande 1 year ago
Dearest, beloved Stupenda - Reast in Peace! I'll be always loving You!
Coloraturissimo 1 year ago
Sia eterno il tuo riposo sublime ancella d'Euterpe.
rellim970 1 year ago 2
ZBpopelka 1 year ago
Sutherland's coloratura technique is incredible. Her fioratura is matchless and, considering the tremendous size of her voice, her agility is truly astounding! It's almost like doing petit-pointe with a battering-ram!
Many the night I was thrilled to hear her huge voice fill the houose at Lyric Opera of Chicago. Her diction was something less than crisp, but her vocality was amazing.
Bravaah, Sutherland!
basenjidiva 1 year ago 2
Stunning; simply too beautiful for words.
Eiswirth1 1 year ago
It's a beautiful rendition, although I love this aria sung with a lighter coloratura technique. Sutherland's voice is too big for a waltz-like aria like this one. Also, Sills was singng Il Bacio when she was 8 years old. That's quite an accomplishment as this aria is difficult!
MastersoftheOpera 2 years ago
Comment removed
MastersoftheOpera 2 years ago
WILL there EVER be such a stupendous voice again ?! Brava !!!!!!!!!!!
petelovesbevsills 2 years ago
That's nice of you to say considering your screename is Petelovesbevsills! But Sills herself was a Sutherland fan. I'm a bigger Sills fan than Sutherland's but Joan did have a great singing voice. I'm just not crazy about her is all.
MastersoftheOpera 2 years ago
Such beauty,such ease...such breathe!Magnificent live performance!!!!!!!NO one sings like that....period.
lastupendaboy 2 years ago 3
I'm not sure about Marilyn Horne, but Callas is very definitely a favorite of Sutherland's and Bonygne's unless Sutherland is lying in her autobiography. Callas, Flagstad, and Galli-Curci are three of Sutherland's favorite sopranos.
meltzerboy 2 years ago
@meltzerboy Very true about Sutherland admiring Callas. When the former was getting her teeth fixed in the late 50s, she brought her Callas LPs for the dentist to play, because she preferred listening to opera over instrumental music!
CaptFitzbattleaxe 11 months ago
@CaptFitzbattleaxe I wasn't aware of that. I do know that In her autobiography, she mentions how her dentist almost spoiled her enjoyment of Tchaikovsky by playing his music during sessions.
meltzerboy 11 months ago
I'm a opera singer,I study at Conservatory superior of music.Rita Streich's version is very very good
evita010 2 years ago
This comment has received too many negative votes show
I love Joan Sutherland's voice but in this Aria I prefer Anna Netrebko.Mrs Sutherland have a magnific coloratura but in this Aria Mrs Netrebko is much expresive
evita010 2 years ago
nooooooooooooooooooooooooooooo
katesinger 2 years ago
1959, but close enough :)
JDOopera76 2 years ago
Sempre superlativa. Bellissime variazioni!!!
virtuosistico 2 years ago
Absolutely Gorgeous
Magniloquent1 3 years ago 2
I wonder whether Adelina Patti could have sung this as well as Sutherland even at her best. There is an old recording when Patti was in her early 60's but she is well past her prime. The song itself may have been written for Patti. Lucrezia Bori sings it very well too, with beautiful tone but of course with less ornamentation than Sutherland.
meltzerboy 3 years ago
Never been a fan of Sutherland but I have to admit this is delightful!
charis337 3 years ago
This Lightness in the voice,i mean,it comes out without forcing,this fast scales you can only sing good if you have this lightness,otherwise it is gonna sound as heavy as an elephant trying to do ballet...as most of the sopranos do....Callas inclusive.this effortless singing has no compare,just very few people can do this.I dont know if one can learn or practice this...i wonder if one can...
paganviodio 3 years ago 3
I might agree on what you say about MOST sopranos being not this light and agile at performing scales or whatsoever. But what you claim by saying "Callas inclusive" is simply pointless. I won't get into another of those idiotic contests which aim to compare her to other brilliant singers, struggling to point out who is the best. Neither will I say Callas was the best ever. She didn't have this type ov voice but she had OTHER qualities very few singers have been able to keep up with.
albyback88 3 years ago
So, I wouldn't really include Callas among those singers you say to be "as heavy as elephants trying to do ballet".
albyback88 3 years ago
callas has sure diffirent qualities,she has a volumoeus voice.she also can sing the fast scales.but she practiced that,and this lightness is not in the voice to find.even callas would agree with me.this is not a insult on her.because she has the greatest name,she doesnt have to be seen as-all-doer.she had a good voice,but not that light as mrs.sutherland,and you guys gotta live with that.
paganviodio 3 years ago
this is just fucking amazing or not?....such a clarity....This fast coloratura,i normally hear not such clear as here.Joan Sutherland should have admired Callas,such a coloratura as Sutherland Callas couldnt hold with.This is really amazing.
paganviodio 3 years ago 2
my new fave song!
ARReith 3 years ago
I couldn't agree more. She is my all time favorite soprano and she never sang a consonant in her life. The tone was so incredible she didn't need consonants!
court0114 3 years ago
Callas also said this, watching a Sutherland rehearsal: "This isn't good". When asked if she didn't think Sutherland's singing was good, she replied " No... it's too good". Callas admired Sutherland as well, sent her notes and visited her backstage.
Hako2004 3 years ago 13
Sutherland IDOLIZED Callas, as did Horne and Sills...and the list goes on!
goldenthroat86 3 years ago
Sorry goldenthroat... If you say they are after Callas, then who's out of Callas's influence?
koreandaniel 3 years ago
Immense performance
It is a beautiful video
great video
bye
Princegto 3 years ago
Your ears must be filled with deamons cause that deamon Callas could never breath the same air as Dame Sutherland let alone sound like her.
mll20829 3 years ago 3
way better than beverly's version at a little girl
mll20829 3 years ago
Wow this is phenomenal- comes from the Gala from Karajan's recording of Der Fledermaus. What astounding display of coloratura- e la stupenda!!!! Viva Sutherland..
domi2020 3 years ago