Added: 2 years ago
From: KeithWhalen11
Views: 4,201
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  • Tres joli nocturne que je decouvre .

  • @jade03092007 Alkan es connu pour ses études féroce, mais il écrivait des œuvres très joli aussi! Le changement à 2:13 (sempre dolce e con affetto) es particulièrement émouvant.

  • Kind of reminds me of Chopin's Nocturne Op. 32 in A flat,

  • Wonderful! A must-learn!

  • i just uploaded my recording, although it's of course not as good as this one =) it's hard to control the phrasing with the accompaniment in trioles and some double note runs, but it's a great piece and rewarding to play. And there's a lot of room for interpretation, mine is very different from Smith's as his is from Da Boort's.

  • Wonderful upload - Alkan is amazing.

  • I really like how loosely Ronald Smith phrases this. Also, i took note of how hushed, even restrained his dynamics are. It sounded very human, which is one the very best complements you can give in music.

  • Wow, I love this nocturne!

    I printed it out from the scores that Chosson has put online on his site, and started working on it. The places where it seems to resolve to the key of B-flat major, it is actually written instead as A#-major (10 sharps: all F, C, and G notes are played as double-sharps).

    The way that the two themes are combined is just amazing. It's not quite the beauty of Chopin, but is extremely close. It's a real shame that the piece is so obscure.

  • This is every bit as beautiful and full of emotion as any of Chopin's nocturnes.

  • It may be every bit as good as Chopin but this seems closer in style to Fields nocturnes,  much more emotionally restrained than any of Chopin's.

  • beautiful!

  • The theme at 2:13 is so lovely. Alkan was capable of just about anything.

  • and then he combines it with the first theme near the conclusion. breath-taking!

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