The chroma looks pretty strong but I don't see this as that much of a Problem in Film.
On the other side the Portrait Shoots have a really nice Bokeh, however the depth of Field seems pretty big on the Wide End when Focusing a Subject in medium to far distance, is this because you used a small Aperature or because of a huge in focus Area in the DoF ? (I prefer shoots with a lot of Bokeh)
The chroma looks pretty strong but I don't see this as that much of a Problem in Film.
On the other side the Portrait Shoots have a really nice Bokeh, however the depth of Field seems pretty big on the Wide End when Focusing a Subject in medium to far distance, is this because you used a small Aperature or because of a huge in focus Area in the DoF ? (I prefer shoots with a lot of Bokeh)
FXerGerFra 1 year ago
Hi Tom,
I have the very same lens on an Arri 2c along with other prime lenses (Arri), and I also haveppen to have a canon 24-70 USM L and a 15mm fisheye.
I now intend using all the lenses with a sony Pd150 that I have. How can I use both of makes to work on the same gear?
Plus, if you dont mind... How much did the entire rig cost. Would appreciate a breakup.
And lastly, how did you find the EX1 to be?
I am planning on getting one.
Thank you,
God bless
ssinnermann 2 years ago
Pretty sick. Great documentation of yourself at work, voice over, audio transitions, and music. I don't know why, but I'm really craving a Coke.
~Adam
Gotsens 3 years ago