Personally, I never voice a full 13. I usually just voice them like dominant 7's with the 5th raised to a 13. Sometimes I put a 9 in there.
When I want a Ab13 in a combo setting, I'll voice it as just F, C, and Gb. Any combination of two of those notes will work (but C and Gb lose the 13th tonality). It depends on how long I want to hold it or where I'm going with my voices.
best way: 7th, 3rd, 13th, strings 4,3 and 2. It's quick and easy, and light, but fairly dissonant because you have a tri-tone and a major 7th in there. For less dissonance, use 3rd, 13th, 9th on 3 2 and 1, which is even easier. that's voiced in fourths. also very easy to finger
It ear man you got to find the sound on the guitar then play it out by ear ever guitar sounds different every amp sounds different. and every body who plays got there own twist on how to. instead of telling all the info on knowledge of naming chords .maybe in a few years you be able to play a tune worth hearing. And if you devote your entire life to it and you get lucky you MIGHT have a hit. I feel for folks who are starting up who get caught up into all this stuff folks are shooting out there
You can play all of them technically, but you'll get into enharmonics (same notes w/ different ways of naming the chords) w/ 7th and 9th chord inversions. Personally, I'm sick of theory. I just want to play. :)
are those all plain strings?
nightspotlight 5 months ago
witch guitar you play?
emergencyexitlife 8 months ago
Finally something useful from expert village
Rafzorz1 1 year ago
bla bla bla bla bla---- talk talk talk!!! ¬¬
5tabemol 1 year ago
Comment removed
TheFailArtist 1 year ago
Pretty cool
newtimes2 1 year ago
turn the f'ing ads off!
frwyguy 1 year ago
so how would you "lighten up" something like an Ab13 chord?
kweerb8 1 year ago
@kweerb8
Personally, I never voice a full 13. I usually just voice them like dominant 7's with the 5th raised to a 13. Sometimes I put a 9 in there.
When I want a Ab13 in a combo setting, I'll voice it as just F, C, and Gb. Any combination of two of those notes will work (but C and Gb lose the 13th tonality). It depends on how long I want to hold it or where I'm going with my voices.
WhiteKite 1 year ago
@kweerb8 just play like the root 3 7 and 13 or instead of the 7 do like a 9 and 13
KClock3r 1 year ago
@kweerb8
best way: 7th, 3rd, 13th, strings 4,3 and 2. It's quick and easy, and light, but fairly dissonant because you have a tri-tone and a major 7th in there. For less dissonance, use 3rd, 13th, 9th on 3 2 and 1, which is even easier. that's voiced in fourths. also very easy to finger
chavruta2000 1 year ago
A guy with flatwounds telling me how to avoid muddy tone... that's rich...
Just kidding, dude. Great video, very well presented.
yardbirdsweet 1 year ago
It ear man you got to find the sound on the guitar then play it out by ear ever guitar sounds different every amp sounds different. and every body who plays got there own twist on how to. instead of telling all the info on knowledge of naming chords .maybe in a few years you be able to play a tune worth hearing. And if you devote your entire life to it and you get lucky you MIGHT have a hit. I feel for folks who are starting up who get caught up into all this stuff folks are shooting out there
celticcanuck2006 1 year ago
where can i get more lessons like this?
i wish i had found this when i was a jazz group
MrJessehendrix10 2 years ago
When you use inversions, do you use the 7 and 9 etc. as the bass note, or only the 5 and 3?
good lesson by the way
crackup91 2 years ago
if you are going to omit notes in a chord you drop the 5th first unless it is altered. however this is just a guideline not a 'rule.'
the 7th or the 3rd are often in the bass for rootless voicings, but it depends on the context and what sounds good to your ear.
you will usually want to put the upper extensions in the higher voices to give them more space to stand out against the bass and inner voices.
rillloudmother 2 years ago
You can play all of them technically, but you'll get into enharmonics (same notes w/ different ways of naming the chords) w/ 7th and 9th chord inversions. Personally, I'm sick of theory. I just want to play. :)
AhYaOk 2 years ago
lol, i thought staying out of the mud was a song.
Hotdawg0007 2 years ago 26
sorry mac.thats just the basic.now what about the real thing mac.kids stuff.would you like to learn a few lessons mac.maestro jazz, jan
vonkalasson 3 years ago
what does mac. mean?
patrick81790 2 years ago
Yeah, you have to love the three-note texture. They're easy to voice-lead and the are less muddy.
Modes9 3 years ago
Good lesson
bungholio80 3 years ago
I always enjoy your lessons - succinct and straight forward. Many Thanks.
lesmorrison 3 years ago
Well Done! You explain things well. I wish my lawyer was that good.
b5b9 3 years ago 35
iyi video
blacksortie 3 years ago