Added: 4 years ago
From: klodomyr
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  • Bravo; brilliant and in my opinion a UNIQUE achievement for a twelve year old.

    However a minor cricism, the coda (final two pages) is really too fast. Despite this he brings it off.

    This tendency to play too fast is a characeristic of many of modern pianists, mainly the young who like to show off. I can play this quickly, therefore I will even if the result may do a disservice to the music.

  • i would say far to young to play this piece, but he FUCKING NAILED IT! the coda was a bit too fast but ok...

  • The Coda...I just knew he'd blow through it. Whoa.

  • really good performance - especially for a person of this age!

    But the extrem speed from 4:05 to end was far to fast ... costs impression of music

  • The music's in him- I'm definitely going to keep an eye out for his collected work of Beethoven's 32 piano sonatas in the future ;)

  • Nicely done!

  • ah! :) i have been moved...

  • ah! :) i have been moved...

  • Where is the beginning of the third mvt?

    I am also interested in where he is from.

    I am also 12 years old right now (I am using my little brother's account to give this comment.) and I am also practicing it right now. He must be 15-16 years old. I want to know some techniques how to play this.

  • @KingDollaDolla no he MUST not be, and no one cares if you re 12 or 92 man

    there is no technique to play this, it's a combination of many things and at 12 years old if you speak the truth you can't master all this alone and you shouldn't try, your teacher is ok with you playing this piece?... don't be over eager to play difficult pieces

    learn HOW TO play without stressing your arms, then work your way up... probably you re TOO YOUNG both physically and mentally to acomplish this without a cost

  • Where is the beginning of the third mvt?

  • the speed is fine. Let him play it with what he is comfortable with.

  • dear god, I feel sorry for this kid :( he plays great, but... he's too young...let children live...sad...

  • BLESS YOU (ya lill pianist)

  • @sannterpadieu vous auriez pu écrire dans votre langue, ceci n'est pas du francais, c'est du traduit mot pour mot.

  • 4:05 his hands are like in fast forward.

  • the ending felt a little rushed but huge performance otherwise!!

  • Dang this kids good

  • Wonderfully played!!!!! Bravo!!!!!

  • muy bueno..pero falta fuerza

  • that was awesome. i'm 20 and just started learning this piece.... if, when i'm done, my performance sounds half as good-i'll be happy. good job

  • You're making us old 20 + year olds look bad. How does a 12 year old play something as difficult as this? You too are a child prodigy. What a genius. I wish I could play like this at 12.  I would be RICH now! lol

    Excellent performance. I wouldn't waste it on YouTube. Well, I guess this is how you can be discovered so... play on.

  • There is no denying his talent. He'll only get better (if that's possible). He reminds me a lot of Dimitris Sgouros at that age. By the way, what ever happened to Sgouros (the wunderkind with photographic memory, perfect pitch, super dexterity, and all that good stuff)?

  • all these quarrel here about horowitz and god have nothing to do with this fabulous young pianist who plays like the most famous pianists in the world. There are few recordings of this sonata which come near this quality. Its absolutely perfect what this young man does. from the musical aspect as from the technical one.....

  • @uhartchristian dude you just said 'fabulous' lol i didnt even read the rest of your comment

  • @artv4nd3l4y you couldve atleast directed this to me instead of me finding out through another comment and dont talk like youre smart you so8und like everybody else. we have free will we do wat we wanna do. i guess you think cursing gets your point across, btw what has science proved? that the earth is over a billon years old and that we are derived from apes? HA!

  • Great, This boy play it better than me. He surely it's talented.

  • He'll take it? Wow. You are the one who is an idiot. Johnny didn't even "Typed" a blasphemous statement about God, Your overreacting. If "God" was in control, why is earth becoming worst then? if he were to control our lives, why is there a word "Freedom" then? why would God take my ability if it will make my life miserable? Does that mean he didn't took the responsibilities of creating us, Humans beings? To make the story shorter, YOUR THE ONE WHO IS MAKING A BLASPHEMOUS STATEMENT ABOUT GOD

  • when you get cocky and dont give God any credit whatsover for your accomplishments He will sometimes punish you for your arrogance and show you that you are nothing with Him. none of us are anything without God. the blasphemous statement was "God has absolutely nothing to do with this young mans talent". where do you think "gifts" come from?

    the reason the world is in turmoil is because man,not God, is destroying it. the greed and selfishness destroys.

  • lol is anonymous the same god-crap-guy who said that horowitz played this badly?? hahah..

  • @glider209 yeah i said that. i dont like horowitz. i am in tune with reality i see the truth, yes i use bad words as far as God is concerned, you dont have to be a saint goody2shoes to acknowledge God.

  • listen...there are good performers and bad performers. It is recognised that horowitz is one of the best ever. So it's really ignorant to say that he does not interpret well - it's better to stay in silence...and if we are talking about God now, show some respect for people that have achieved things greater than you've probably ever dreamed of achieving and stop attacking everyone with medieval religious "devotion". thanks

  • God gave us the ability to speak, but he also gave us the mind to control what we are saying. So next time think before you speak

  • @glider209 as for Horowitz as an achiever i cant argue with you. we all can learn from the older and more experienced. but its not ignorant to say that i was disappointed at his piano skills. i have really heard better at the conservatory from 20 year olds, but i guess people have this seniority thing for him and im hearing everything at once. maybe my view is distorted , maybe ill get it when im older, but ignorant is not a word that has ever described me

  • now, i didn't say that YOU are ignorant, i said it is ignorance when someone criticizes Horowitz and that silence should be preferred, and i didn't say it yo offend you. To end this, no one can doubt Horowitz abilities but if someone does not like him, it's a preference - but he should be careful in expressing this, so that no misunderstandings occur

  • anonymouseQ45 - FINALLY! Someone ELSE besides me doesn't like Horowitz. He is nothing but a technician, not a musician, and last I heard him, he's not even a good technician. Bravo!

    I like this performance better than Horowitz'.

  • Go fuck yourself, you would lick a shit to play like Horowitz. If you don't like Horowitz, then you obviously don't know anything about music and what a musician means.

  • this never gets old. i dont understand how he can be in complete control of this movt at 12 years old and its not just the control but also that hes not even trying hard except for the presto and everything is perfect. his shoulders are relaxed, there is no tension and i think the hardest part of this sonata is the leap between themes and variations 0:13 0:30 0:42 1:02 octave leap, 1:08 1:11 1:41 1:45 2:00 is ridiculous barely no pedal presto my GOD! he didnt follow fingering in LH but who cares

  • I agree to JohnnyFlannigan81.

  • youre an idiot Flannigan81 made a blasphemous statement God controls all aspects of life but he gives humans the ability to comprehend and if you dont appreciate what He gives you He'll take it and your life will be miserable. if you dont think God is in control why dont you read some books about Bach and where his influences came from

  • i would really like to see more videos like that... haven't heard such a good Beethoven in a long time... the chopin sonata is awesome too!

  • C'est pas un enfant, c'est un tout petit homme o_O

  • Ingmar is truly gifted of God. This is evidenced by his flawless technique and exhaustive mastery of his repertoire at only 12 years. Many a renowned pianist would be hard pressed to deliver like this. Ingmar must also realize that the glory belongs to God and he is to acknowledge Him in the reflection of it. Genius is not co-incidental or fortuitious, but points towards an intelliegent design. May God continue to bless him as he walks in His purpose.

  • i agree with u on some level but shouldnt credit also go to hard work, dedication and positive influences(teachers family friends fans) around him? of course God is in control of all the factors that have made this boy an excellent prodigy, but "give the glory to God is too broad a statement" he after all has to do the work with the talent he was given so he and his

  • I agree God is in control of all factors. However, you must be aware that there are starving children in the Sudan and Angola dying by the thousands. Others are musically deficient through no fault or control of their own. Therefore, let Ingmar thank God for good teachers, innate ability and opportunities to maximize his potential. In giving God the Glory, further blessings will follow him. It will in no way detract but add to his statute.

  • ok if thats the way you see it theres really no arguement i agree as well

  • Lol.. God doesn't even exist, so it's like saying: "My grandma has nothing to do with this kids capability to play the piano", when you say god has nothing to do with it

  • i agree

  • anonymousQ45: Thanks, Yes, God gives you the innate potential to develop for His purposes. Remember what happened to the person who buried his one talent. That was an unfaithful steward and was dealt with severely!! Ingmar has maximized his potential to the limit. Althought people's great accomplishments reflect God's glory, they will be rewarded and the rewards will be commensurate with the degree they developed their gift and exposed it so that others got the benefit of it.

  • O my God He's amazing

  • hmm.... i dont know why everybody loves this guy. i dont like his style at all :(

  • He just amazes me that people play this piece in the average age of 20 years old, and he did it in 12.

  • you are a hater

  • lo he's 12

  • He's 12 years old for christ sakes!

  • so?

  • hes about 15 or 16 now. has he played at carnegie hall yet?

  • A star is born -

    Ingmar is a superb gift of God in the field of Art of Music

    .

    Already a complet musician . What a feat for a such young soul !!!

    An incredble tecnique and sensibility to interpetrate unique and very complex masterpieces . No matters what .

    You singularizes them with a unique ability .

  • You are a true and so rare genius to bring others like Beethoven to live and shine forever inside us .

    Technically in all my existence I never listened no one and nothing superior to you .

    Bravo ! A new hero in musical field . You will become a legend

    .

    I would be proud if you perform a musical composition of mine , like Awakening to life or anyone else from my musical works .

    Long life and career to you and all awards possible Ingmar . YAN AYRTON

  • It hasn't been sped up, it's "amateur" recording.

    We aren't here to fool the people.

  • Oh sorry

    as i watch it closer i can tell he is really playing..nicee!

  • @klodomyr i could see what "popprincess308" is getting at, it looks a it sped up near the end

  • en ÚLTIMA PARTE SE RE NOTA QUE HAN ACELERADO EL VIDEO..mucho estudio pero carece de destreza, es un niño, igualmente... marciano (Very nice, but what about te speed Up in the last part???haha is totally clear that who put the video wanted to show it perfect, but no, he is human, a kid, we all human, even the best pianist have common mistakes, all have mistakes, and he hadn´t the power and the enought speed to arrive great in the last part... the VIDEO WAS ACCELERATED, is so OBVIOUS)

  • When we accelerate a video, tonality changes. So, it isn't possible :)

  • sadly is possible its called pitch shift correcting and it can be done using Melodyne u can now change the sound of every not played in a sample and melodyne knows what note is what its pretty amazing go check it out on youtube.

  • where is he now?

  • I just threw that out there. I know Bach never played anything by Beethoven; but you took the bait. Anyway, Gennip plays piano like a harpsichord, and does well with Scarlatti, Bach and Mozart. His Beethoven sounds like what it would if JSBach were at the keyboard.

    Beethoven played serious Mozart, no record of Mozart playing anything by Beethoven.

    Later musicians, Schumann, Liszt, Brahams mostly played their own stuff. Rachmaninoff and that ilk are recorded and we know what they sound like.

  • Someone send that boy to Juilliard *.*

  • the movement of his left hand is just unreal! he looks like 8 or nine fingers on the left hand in some of the passages.

  • Musically this coda should be played rapidly; this however is played at the limit of human synapse firing. Admittedly it was written as a bravura piece for Ludwig himself who probably destroyed the Broadwood, nevertheless much is gained by restraining the speed impulse just a trifle, controlling the pedal, the metre, the anarchy inherent in a passage run loose.

    No, Mozart never played this. Bach however, did and you can watch the performance by Serg van Gennip outdoors with damn near no pedal.

  • Since Bach died before Mozart was even alive, let alone Beethoven, I doubt that he played it....

  • Mozart studied composition with Johann Christian Bach in London, son of the great Johann Sebastian Bach. Petie32 never said which Bach played it so you can either be wrong or right. In any case, who gives a shit ! This is a great performance!

  • Comment removed

  • Wunderkind

  • Bravo...dovrebbe avere un premio speciale.

  • wow....god bless this child!

    he is really amazing....

    sospello thanks for share this video with me!

  • E' un genio!!!!!!Grazie Sospello per l'invio !

  • This is quite wonderful. Youth may lack experience, but in compensation it brings conviction and commitment and a fiery energy (though Ingmar is lyrically delicate when needed). I'll stick my neck out and suggest that Beethoven would have loved this performance, just as I do.

    The passage at 2:07 is not truly all that difficult. But Ingmar executes the final Presto page with superb aplomb. I would be happy to take his version to my desert island. He has my sincere thanks.

  • the right hand 8va leap is hard to keep rhythme with the left

  • I agree - that's absolutely true. But it's just confidence, isn't it? Just close your eyes and go for it. If Ingmar can do it at age 12, all older players really ought to have a shot at it. You have to think the music, not the physical leaps. (But OK, it's not quite that simple! I often struggle too. Well done, Ingmar!)

  • Is this kid famous?

  • i never get tired of this performance

  • Ive practiced this movement for about a year, yet I still can't get it played evenly. Example @2:07, or whenever the left and right hand play at the same time 16th notes..This is amazing.

  • omfg !

  • This reminds me of Evgeny Kissin's 1984 Moscow concert. 12 years old, hitting every note, and bringing original, deep emotion.

    And that ending was a knockout.

  • 2:07 is crazy!!!1

  • Powerful and with fortitude! Bravo!

  • I know most people would give up a leg just to play this good. :P

  • I'm one of them, lol

  • The ending seems real the sound really doesn't change... the keys seem to be reacting normal. I don't think someone would be that low to speed up a video. most people are threatened at the end of this passionata. Most people play it slow. most play it fast and faster then others. others try to bring out more dynamics. I picture it should be played as loud as possible because it is the ending climax and should be treated as such. this is pretty extremely good. I say good work.

  • that is definitely fast forwarded at 405..no doubt.

    still well done, for whats not fast forwarded

  • You are crazy. If the video is sped up, then the sound cannot match the action. He actually is playing faster than your eye (via the camera) can follow. The video is real. Get over your cynicism!

  • fantastic

  • Marvoulous speed and fluency~

    Awesome job for a 12 yr boy!

  • he plays piano very well.

    good job

    exellent

    good performance

    he is only 12 yo amazing

  • i don't think the 4:05 to 4:40 is real because it is just impossible

  • if it would have been possibl he wouldnt have been able to do it. and over, and over again

  • unbelievable towards ending(from4:05) wow i never heard like this..

  • breathtaking!

  • congratulaton!

  • so talented... Bravo!!

  • Is the part from 4:05 to 4:40 real?

  • no, watch carefully: it's sped up

  • Pianist at a Lazar concert asks his violinist friend- "Don't you find it hot in here?"

    Friend- "Not for violinists."

  • the guy who coughed nearly ruined it. but very nice!

  • Wow, j'en reste bouche bée. Bravo !

  • what the f*cK?

    so reeking good.

  • incroyable! tout simplement incroyable

  • It's unbelievable the speed in which you performed! It's remarkable, although one has to think that speed isn't everything! There were parts were you played it too quickly. It's that gentle subtleness were you find masters. You played it amazing, you even gave me goosebumps.

  • Parfait.

    Tu es un privilégié de pouvoir extraire ça du piano ( quand je pense au génie de Beethoven pour avoir composé ça je suis scotché )j'éspère que tu as conscience de la chance que tu as de pouvoir faire ça ( être virtuose quoi )

    J'avoue être partagé entre immense admiration et immense frustration mais l'admiration l'emporte bien sûr.

    Bravo.

  • Wow, not only was his technique amazing, he played this absolutely beautifully.

  • スッタカートのところ早ければいいということではありません。6­0点

  • Very good! One doesn't expect to see such good performance in a kid. If he keeps working like this may become the next Arrau. Great technique. I really enjoyed it.

  • I am a classical pianist with conservatory training from the Manhattan School of music and this is one of the most incredible performances I have seen of this movement. I am responding to you because as I was watching him, Arrau entered my mind..lol. And when I saw your comment, I just had to respond. He looked like a mini version of Arrau sitting on that stage. I would love to see him go places.

  • If you think that this is "one of the most" i suggest you reevaluate your carrier choice :D

  • let's see you do better at this age ;) Obviously he will grow and mature as a pianist with age, but you cannot deny that he is very good. So I'm not quite sure of your reply to me Pianist

  • before commenting again, reevaluate how to spell CarEER

  • I'm speaking to Mr. Pianist over there

  • Fantabulous!!!

  • And how do you know that have you seen him play no rigth?? so don't tell me that mozart hasn't a great tecnique if never saw him play

  • C'est formidable!

  • really good! :D keep up with the good work :)

  • Very nice. My only problem is that someone shamelessly fast forwarded the 4:05-4:40 part. The swaying at supersonic speed and the fingers magically skipping frames is way too obvious. I realize that the coda is the hardest section of the sonata but dont start cheating to show off on youtube. Post the original video.

  • It is a live recording. I understand that is much easier for you to say when you are not able to do that it is something wrong with the others.

  • not true - if you look at his clothes, they move the same amount throughout the entire thing meaning the gravity is constant meaning that is just him swaying supersonically. The fingers skipping frames is because it is a very difficult, fast part - 64th notes vs. 30fps camera - you do the math

  • Does anyone know moonlight third movement? For those who lnow it, don't you think that appassionata 3rd looks like moonlight 3rd movement? I mean in the construction. There are the same parts.

  • The next Mozart..

  • Great performance.

  • what you think about reincarnation seeing that video?!

  • Words spoken by the unintelligent and uninformed.

  • I thought about that, too. Whoever gave your posting a minus one is probably a religious zealot with a closed mind.

    The proof that the last portion was NOT put into faster motion is that the pitch remains true to the notes. If you speed up the film, the pitch goes up. it does not in this video!!!

    Maybe we have Vladimir Horowitz back with us again. I think VH instead of Artur Rubinstein, but after adolescence the poetry could make him another AR.

  • Well, he isn't Brendel good yet...

    But seriously, its like your average great professional pianist's interpretation.

  • And playing in the salle Cortot at the age of 12 is not bad at all...

    -----------------------------

    Rolf, Netherlands.

    I am a collector of classical 78's and lp's

    Click "otterhouse" above to see (and hear!)

    some of my collection.

  • I want to hear him play the third movement of the Moonlight Sonata, not for the technicality, but to hear how well he interprets it.

    I know that piece a lot better than this one.

  • Holy shit. This is the best child prodigy I've seen.

    Beyond technical playing, he's very good with the beauty aspect of it. I never thought I would hear a 12 year old play like Alfred Brendel.

    What a brilliant kid.

  • Breathtaking!

  • Stunning!...♪

  • normally children players have great technique but have no interpretation or emotion about their playing but this is quite an exception. well done

  • agree

  • To play a convincing performance of a difficult Beethoven Sonata at any age, is enviable and to play that, so easily is admirable..Good Luck be with this gifted pianist....

  • bravo!

  • great amzing boy ,wonderful performance. when child,kissin and sergio tiempo play piano very well,and the boy of this video

    play very well too.

    Im not good at ENglish,sorry

  • incroyable!! je viens a l'instant de voir un reportage sur ingmar, je n'ai pu rester sur ma fin, il fallait que je vois cela de mes propres yeux. J'en ai des frissons...bonne chance a toi, et bon courage pour l'artrose!! mais surtout je te jure que le son du piano n'a absolument pas gaché ta prestation! ;) merci beaucoup,

    lormia

  • He play like a MIDI. Too mechanical, too pedal, lacks of interpretation. And, of course, it's absolutely too fast. I would listen him playing 2nd mvt... I imagine it :(

    On other side, this mvt require hands bigger than 12yo's hands.

    Please don't insult me. I recognize the talent and all (or close to all) notes are right. But if I was the teacher, I suggest him to play other pieces, for now.

  • who do you think you are? He's only twelve years old why don't you play and let someione video you. Please don't insult you? You're asking to be insulted

  • i agree with you but at the same time with bugsbugs0 or...are those gs or qs...yeah because he is very mechanical but while his interpretation reflects his age his precision is far beyond his age

  • my god. fantastic in every way. and what an amazing ending the likes of very few pianist could play. incredible final tempo. watch out for this one.

  • This talent is refreshing. As he grows in wisdom and maturity, I hope he doesn't listen to anyone who tells him to "emote more". There are enough professionals out there who use gross facial distortions and piano bench calisthenics to express music while they play. UGH. I hope this kid works hard to keep his ego in check, too. If he can, I can easily see a career as long lasting as Rubenstein's. A++ great job.

  • Ah ! ! ! An amazing talent, far beyond his phsycial age. He is incredibly expressive WITHOUT the extraneous gesturing that characterizes so many of the 'professional' pianists of today. His accuracy is really impressive. Don't ever change, Ingmar, and I'll be your biggest fan forever.

  • I agree with your assessment, OrganMan. But I saw in another video his young face doing some gesturing. Hard to see at the angle that he is usually captured. Hopefully you won't have to drop your appreciation for this talent if he starts cutting more faces later on.

  • he is very very good!!!

  • I would really fix the part from 2:20...

    they should be connected...

    however, a lot of players forgot about it...

    For a 12 year old, he is a excerpt... and will be a excerpt...

  • i'd say this piece sounds great played by most great pianists. besides technique, nothing much can go wrong with this piece. lazar plays it very well indeed, but i'm more curious to hear him play something more musically challenging.

  • like what?

  • ????wtf???? you can't be serious. like what? something more musically challenging? all i ever heard is people butcher this piece. this kid is extraordinarly musical and he likely would play anything beautifully.

  • I think there are very few truly great performances of this piece. Richter has one and Solomon has another. Lazar isn't quite in their class yet, but may well be one day. Keep up the good work, Lazar!

  • flawless techniques, but not enough passion and devotion, that will come later as he grows, hes only 12! very bright future for this young man.

  • わずか12歳でこれだけ弾ける子がいるのですね。

    キーシンの演奏を聴いたときも、神童、天才としての衝撃を受けた­が、それと同様のショックを受けた

  • I cant believe someone so young can play this as well as some of the profesionals out there; if not better than some of them. I could, and would, listen to this recorded as music to just listen to. I cant believe hes not not famous yet! This is a really hard piece, and hes practically mastered it. The end is a bit out of control, but regardless Im amazed by this. It would take me years and years to play this as well as him.

  • Que dire... y a tout

    De la passion, de la sincérité, de l'inventivité, la compréhension du texte, un rapport personnel à l'instrument.

    On a là plus qu'un morceau bien joué. C'est une bonne interprètation d'un bon artiste

  • Bien d'accord.

  • amazing ! when i was in 1st grade i use to dream of playing this piece along with la campanella

  • excellent! but extremely quick at the end! It's only presto!

  • In general needs to pay closer attention to minor (but important for someone as talented as you) details in piece.

    Very beginning needs to be more subtle.

    Some chords (esp repeated ones) need to be less robotic.

    Occasionally LH/RH balance is a little off.

    The ending seems too fast. You need to loosen your forearm a bit more.

    Again, much potential and obvious talent. May need more professional teacher to 'tidy up' performance. Can be 9.5/10 in my books (1st class professional).

  • Yeah, holy crap, it's like he got hit by a lighting bolt at the end. I can't believe his wrists didn't hurt like hell after that.

  • I'm 15 right now, just started perfecting this song like 2 months ago and its still pretty hard!

  • Great Job kid XD, love every part of appassionata XD.

  • very nice .. hopefully the tens of thousands of hours of practice won't sap his ability to emote later in life. i don't get the impression that he's a pianist out of his own free will. not that his talent shouldn't be fully developed.. it's just hard to get the right balance of "life" and dedication

  • very good job if you thimk of his age! Good performance though his expression could better. But generally it was very good! Bravo!

  • I wonder who his teacher was/is..

    excellent, can't believe the picture of a boy I see and the sound that comes out..

  • I think this is nearly impossible!Man this is like magic