Added: 5 years ago
From: sylphida
Views: 64,164
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (83)

Sign In or Sign Up now to post a comment!
  • i went to the gala in 2011 at Lincoln center and got her autograph (she was sitting two seats in front of me). it was probably the happiest day in my ballet life.

  • I remember seeing this version before. She had to go back to the stage something like eight times, because the people just didnt stop applauding. The audience was so right: she is the best!

  • Guapa!

  • RUSSIANS the BEST !

    LOVE !

  • She danced with such purity of the line, regal deportment , exquisite epaulement and port de bras!

  • She was 49 years old during this production and yet she looks like a young girl and makes an amazing performance!

  • Classical ballet is such an exquisite thing. It is not for all. And this piece in particular. It is the gem of the gems. Kolpakova is iconic here... I don't know anyone who could be called iconic in this part after Kolpakova. By the way she is simply quite old here already. And still, you can only see it in some moments. I am glad the Kirov does remember how to dance it.

  • I prefer the japanese girl from 1993's Prix de Lausanne to Kolpakova. Obviously the ballerina's today work w higher lines, Kolpakova was doing a less than 90° arabesque.

  • All due respect but this is nothing compared to Zakharova.

  • @MsGrrrl You are joking, surely...

  • I don't really like her style of dancing this particular variation, but she did dance it (in the technical way) perfectly, so I must give her props

  • She perfectly did Aurora when she danced at Kirov ballet, she was almost the best Aurora of that time, but what i find a bit unpleasant to eyes is that she does not (or can't) turn her legs out when she's doing ecartee from 1.32.

  • mmm, she could give more of her!!! I dont like her

  • I have worked with her!!!

    She is a great artist with a great personality!!!

    I LOVE IRINA!!!

    BEAUTIFUL!!!

  • old school

  • you people should respect everyone opinions...some of us like, some not.

    why do u always have to insult and be rude?

    gosh..

  • not bcuz of her flexibility , but the way she dances..i dont know how to explain cuz im dont speak english :$

  • im sorry but i am not impressed

  • me neither..i dont like her legs :|

  • i know shes so not flexible add my other channel laurelballerinafly

  • She is so musical! Wow.

  • I agree with everybody here appreciating her classical elegance and technique, Uta420 and mrlopez, unfortunately they don´t make dancers like this anymore, there are good dancers of course but there are also gymnasts on point (no ofense to gymnasts, but ballet is... different). I really pray that someday ballet will go back to be the way it was...real art should never die!

  • I have to say, this is not the most amazing thing I have ever seen. Her technique is not very good, but her presence is nice. I think for older times this was nice, but she seems to take tension in her shoulders and neck, and I think she could be better, but over all, it was ok....

  • For "older times"? You obviously have never seen a film of her when she was younger. She sure didn't look like this! Her dancing became far more restrained with age, but to say that her technique is "not very good" is ridiculous. Her technique is perfect. What "tension" do you speak of?

  • Do you have the male variation and the coda?

  • She is one of my favorite dancers and the biggest reason is because of her pure understated style! Watching this is like a breath of fresh air compared to what the Mariinsky is currently shoving down our throats!

  • Is this really old? because her technique is horible.

  • her technique is horrible? Are you serious? This is pure, classical technique. So pure in fact, and so easy, that never once does her dancing make a spectacle of itself. Nevertheless she was near retirement here, the last student of Vaganova to achieve the rank of prima.

  • she has beautiful legs but I don't really like her posture with her back hunched over...

  • she does not look 16 or 18. Its like seeing my mother dance

  • she's the best aurora I've seen. lovely but never cute. porcelain and gem-like not juicy and elastic like so many tall girls. she has the royal air and french petite, but never a doll. she understands what is "brilliante" in music and so sparkles. there is a zharkarov bit here on the tube, she is so pliant and elastic she's like a rubber band! which takes the glitter out of the music and is often late

  • just what her opening sisson par terre, hwo she shoots out and became still like a china figurine. she shoots out farther than tall girls!!! who just kick their back legs... irina is exciting from go.

  • watch how she breathes thru the slow chene, and you don't see her push from a single to a double pique turn. she just slide thru the whole turn sequence seemingly without trying to put in any effort at all. the whole things looks like an adagio. we moderns may like strong women but she's a little princes from fable france. Long girls like zhakarov are good for the swan maybe, or lilac and florine, but really not aurora,

  • wow she was absolutely beautiful! but the audience were annoying.. did they HAVE to clap in unison?

  • it is a very old European tradition to clap in such a manner at the theatre......you must be American??

  • Comment removed

  • There were MANY dancers at the time this was filmed - 1977 - that were just as technically accomplished as today. It is anything but a recent thing.

    Those with negative comments - what exactly are you looking @? Her classicism is perfection, everything is placed in the most precise manner possible, and with such ease and steadiness that her dancing never makes a spectacle of itself. She is a ballerina of the old gaurd, not a rhythmic-gymast in toe-shoes like many other danseuses today.

  • one more thing - this is right before she retired, she danced very different when she was younger. Shes was about 44 years old here.

  • I agree with mrlopez2681, her technique is far beyond a lot of other "rythmic-gymnasts in pointe shoes". She's strong and hits and holds her positions. I'd much rather see a strong dancer with legs just above 90 or at 90 than a dancer with legs growing out the side of her head with no emotion or strength

  • She is perfect, wonderful ballerina...brava Mrs. Kolpakova!!!!

  • this video's at the very least 30 years old, and ballet's evolved over time. kolpakova was wonderful for her time, and she's now a much-respected ballet mistress at abt.

  • ok so im no dancer or (well used to be when i was younger) but anyways, i seemed to like her! at her time, she as one of the greatest ballerina!

  • This film is from th e 70s or 60s, so there are many different ability changes between then and now!

  • i think all of you who are saying shes crap should shut up

    god you infuriate me

    get a grip shes a better dancer than you

    and to people who like this well done you know a good dancer when you see one

  • whats wrong with her... maybe she is old

    lacks extension

    doesn't turn out

    smiles weird

    she lacks everything

  • shes a beautiful dancer its just her arms(wrists mostly) they are a little to "flippy" when they are not supposed to be

  • Exactly Moosterjj21

  • why hate? shes good! i like her in sleeping beauty!

  • Number 1: You people know nothing.

    Number 2: I think this i Beautiful for begin a old film

    Number 3: Ballet is better than it used to be in those times.

    I think she good.

  • for some reason... i just don't like this! at all

  • me either, i think its because it seems a little awkward or something, i cant quite put my finger on it

  • That woman is way to old to be playing Aurora

  • agreed :)

  • This woman, Kolpakova, is the only reason I keep watching this otherwise rather boring and long ballet everytime it's on tv. Sorry, I have no idea about ballet, but she seems not to demonstrate a technique, but to express the subtlety and grace of a young girl. I thought she was very young at that time! Her performance seems very moving to me!

  • Unfortunately this does Kolpakova or her reputation no favours, whatsoever.

    Here she's 50, and sadly what you're watching is the remnant of a great technique. It was a time when the Russian's were going long long past their prime. But in her youth, she was one of the all time greats.

  • You call yourself a "ballerina" yet you have no idea who Irina Kolpakova is? That's a shame.

  • what a terribly rude person you are ballerina08! I'm sorry for you.

    This is one of the greatest Auroras, reknowned for her classicism, her musicallity, her understanding of the subtleties of vaganova style and the role of Aurora. She has influenced most Auroras at the Mariinsky and many at the ABT (where she coaches).

    If she looks 30 to you it is an accomplishment in itself because she is 52 in this video. This is her farewell and the applause is the whole of her remarkable career.

  • Well, i think you have to calm down and stop calling people names. And I didn't even claim that I can do better, you did. And if you really can then good for you. But I still doubt that. XD

  • wow...you're such a rude, nasty, non educated and vulgar human being...i'm amazed you are even within the noble and graceful world of ballet, so unsuited for ordinary entities like yuself. kneel down and uncover yourslf in precense of greatness...

  • Please stop posting mean comments like "this was terrible, she couldn't dance at all"! They're professionals and I'd like to see you doing better, if you can. And besides, she is good at this variation. >:[

  • well i dont think it was horrible, but its deffinetly not my favorite.

  • She's so graceful!Beauty! Beauty!

  • good, but I don't like her in this role

  • Here you see Irinas Kolpakovas farewell performance in (Tutu character) Aurora. She was one of the most important ACADEMICAL Primabalerinas of the 20th Ceuntry, She was last Vagavovas pupil I think.

    It doesn't look like now but she moved female technigue foward in 70's like nobody in the world and still she preserved ACADEMICAL PRINCIPLES of the classical ballet....and everythink else is just just matter of individual taste. :-)

  • Her part seem shallow and on top of it natural individuality that gives it autenticity.

    It may sound fulish but mostely balerinas around late 20's to 30's get it just right.

  • Remeber, Aurora enters on stage 16 year old and gets married 116 years old in the end of the ballet and in between she was running in the forest like vision to make sure the Prince will notice. This part requires everything: strongest technique even the choreography seems easy (that's how Mr. Petipa created it more than hundred years ago), talent, professionalism, absolute knowlege of academical rules, musicality, great actig mastery even from the point of audience

  • The Sleeping Beauty is concidered Academical "mile stone" in the professinal ballet world = if you could well interpreted Aurora you place in the theatre is safe.

  • It requires perfectly clean and strong technique and absolute knowlege of the original (Russiann-Petipa-Vaganova school) source, then you may follow any company idea you want, but if you don't know the basic you are wasting your and the auduience time.

  • Sleeping Beauty - Aurora, is one of the most coplex, difficult and for many balerinas "ungrateful" parts.

  • I love Irina!!! Some people say she's Russia's most famous Aurora. You can see how much people love her by the applause. She's an amazing teacher as well. She came to our summer camp like 8 times. I've even kicked her once. Oops. Her husband is also a regular at the camp.

  • I really don't like her...she is boring

  • do you like the role of aurora in general?

  • yes Aurora is one of my favourite roles. I saw many interpretation of the Sleeping Beauty. Of course, this is a performance very old and now the technique has changed a lot...but I don't know, I don't find Irina anything special, I mean she gives me nothing.

    Of course, this is my opinion...

  • i really like her lines, but beyond the pretty classical lines the role hasn't really given me anything ... so i'm curious to know which interpretations you like. the later auroras i've seen still adhere, more or less, to the classical aesthetic.

  • I think my favourite Aurora is Viviana durante's. I have her performance on dvd and I think she has a geat technique and interprative quality. You can find her on youtube.

  • ty i will def check it out

  • Did you see her? she is just fabulous !!

  • yes, she is lovely, i hadn't seen this choreography before either

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more