I am not a keyboard player...but on hearing this at a recital recently (on a beautiful church organ in Chesterfield - recitalist Nigel Gotteri) I have bought a keyboard and want to learn (even a simplified version). This version is very clear....I can hear what both hands are doing...and thus it will help me to learn. I KNOW I will never play to a very high standard but if it pleases me then all is good. Thank you to Edbrye for posting. :-)
I have never heard the piano transcription of this fugue, good tempo, the only thing is how you treat the theme, way too staccato and the end of every melodic line, example 2:26, the moving bass, could you play non legato on the first beat of every meassure? 4:07, way too staccato, i think you could play in general more non legato. The endig was suddenly very romantic with octaves in bass and a accelerando,that did not fit the piece very well!Besides that you play very good. Regard from oganist
@TheBaroquecomposer Since it was (romantic pianist/composter/performer) Liszt who transcribed for piano this organ piece by Bach, I grapple with baroque vs. romantic interpretations. Liszt was on the newer grand piano with greater capacity due to the stronger frame at the time. Dover's urtext as well as Schirmer and Paderewski editions vary. For example, tenuto (held longer than staccato) is called for with the Schirmer edition, but no tenuto is indicated in the urtext. Thanks for writing. Ed.
Hey Ed, I think its important to keep in mind that this not a piece by Liszt,its not a romantic piece:) I This is a baroque fugue by Js Bach,transcribed by liszt for piano,maybe he added some slurings and staccato dots, but that is a romantic interpretation of one of the greatest organfuges. I think you should think more about how is this historicaly performed (how did Bach view he music and what is it that he want to shear with this piece), what Liszt ment is irrelevant, not hes piece:)
Granting that, allowances are permitted for interpretations of a piece that was composed in another musical era. The topic is subjective and even philosophical. - If you have played this fugue on the organ, how does it go for you? Do you run into any interpretive issues?
love it. you should listen to it on organ. i would do a little less rubato towards the end. i love the dynamics. it is not stylistically correct to use much organ swell for this kind of music so the only way to change the dynamic on organ is to change the registration of the stops. but on piano you can give it so much more emotion :-) well done
Ed, I like the impeccable mode in which you just float over all the theoretical difficulties of these immortal composers. I hope to see you at the comptition. Oh if you listen to my appassionata that was not me. I just fell apart. Ive played this work MUCH MUCH better. Best of luck and skill to you...........
Bach - Thunderclap Newman Stylee! lol ;-)
mikegotteri 3 months ago
Way too much staccato! Way too much.
TheLastMyztery 4 months ago
I am not a keyboard player...but on hearing this at a recital recently (on a beautiful church organ in Chesterfield - recitalist Nigel Gotteri) I have bought a keyboard and want to learn (even a simplified version). This version is very clear....I can hear what both hands are doing...and thus it will help me to learn. I KNOW I will never play to a very high standard but if it pleases me then all is good. Thank you to Edbrye for posting. :-)
bonobo2go 6 months ago
Man! This is absolutely magnificent. To overcome such a piece must be a hell of a nightmare...
Congratulations !
kerawelt 6 months ago
u have total control. its impressive.
jmixplizik 11 months ago
I have never heard the piano transcription of this fugue, good tempo, the only thing is how you treat the theme, way too staccato and the end of every melodic line, example 2:26, the moving bass, could you play non legato on the first beat of every meassure? 4:07, way too staccato, i think you could play in general more non legato. The endig was suddenly very romantic with octaves in bass and a accelerando,that did not fit the piece very well!Besides that you play very good. Regard from oganist
TheBaroquecomposer 1 year ago
@TheBaroquecomposer Since it was (romantic pianist/composter/performer) Liszt who transcribed for piano this organ piece by Bach, I grapple with baroque vs. romantic interpretations. Liszt was on the newer grand piano with greater capacity due to the stronger frame at the time. Dover's urtext as well as Schirmer and Paderewski editions vary. For example, tenuto (held longer than staccato) is called for with the Schirmer edition, but no tenuto is indicated in the urtext. Thanks for writing. Ed.
Edbrye2008 1 year ago
Hey Ed, I think its important to keep in mind that this not a piece by Liszt,its not a romantic piece:) I This is a baroque fugue by Js Bach,transcribed by liszt for piano,maybe he added some slurings and staccato dots, but that is a romantic interpretation of one of the greatest organfuges. I think you should think more about how is this historicaly performed (how did Bach view he music and what is it that he want to shear with this piece), what Liszt ment is irrelevant, not hes piece:)
TheBaroquecomposer 11 months ago
Granting that, allowances are permitted for interpretations of a piece that was composed in another musical era. The topic is subjective and even philosophical. - If you have played this fugue on the organ, how does it go for you? Do you run into any interpretive issues?
Edbrye2008 11 months ago
impeccable performce. this piece should be performed more often
seahyimin 1 year ago
The living Metronome !!
robalupa 1 year ago
i cant find a word...perfect...you and bach of course ;-)
buugroo 1 year ago
wounderful! thanks!
klavierspielerin83 1 year ago
love it. you should listen to it on organ. i would do a little less rubato towards the end. i love the dynamics. it is not stylistically correct to use much organ swell for this kind of music so the only way to change the dynamic on organ is to change the registration of the stops. but on piano you can give it so much more emotion :-) well done
colinmacknight 1 year ago
perfect
tommyIglesias 1 year ago
HOW MUCH IS YOUR PIANO???? !!!!
Giangy4 1 year ago
@Giangy4 . This is a Steinway "A".
Edbrye2008 1 year ago
Very nice recording! Really enjoyable.
I like how the theme just goes on and on. My favorite part is final, starting with the harmonic change from 5:44.
Kristianpont 2 years ago
Found a midi of this...i am an amuetur and am having a lot of trouble adding in my 2nd hand... can play the start easily though.
mushr00mhelmet 2 years ago
I really like your version of this incredible fugue a lot. My copy of Leslie Howard is scratched on this song :(
jnylen0 2 years ago
Ed,
This is awesome. your hands just glide over the keys. You make it look so easy!
Norine
njc94512 2 years ago
Ed, I like the impeccable mode in which you just float over all the theoretical difficulties of these immortal composers. I hope to see you at the comptition. Oh if you listen to my appassionata that was not me. I just fell apart. Ive played this work MUCH MUCH better. Best of luck and skill to you...........
DrRobertBalaban 2 years ago
Well played.
Bach's counterpoint is simply amazing!
jayliew1 2 years ago 2
Great and very interesting work indeed. Listening it conveys sense of joy. Thank you for sharing it.
So nice to see you. Good luck in contest and all ways of life.
Sigitas
ThePianoamateur 2 years ago
I really really love how you play this!!
Yesslith 2 years ago
Really nice work, Ed! Your musicality shines through! Good luck!
Joel
JoelMG1 2 years ago