The Cowboy
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Added: 5 years ago
From: SomeKindaThing
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  • Just watched this movie. I...I didn't understand much, but I've learned that that is common. The only thing I really got was Diane was dreaming for 2 hours of the film. The blue box, the cowboy, disjointed storyline, Winkie's dream, all went over my head. I assume this film requires multiple viewings and extensive research. Good god.

  • I have a hunch that Lynch originally had Dennis Hopper in mind for this cowboy.

  • Is anyone else totally freaked out by the cowboy's coat? It scares the hell outta me.

  • You've got to love that Cowboy. Genial but threatening nonetheless.

  • I tried to figure out what the Cowboy reminds me of, and I found it out.

    He reminds me of a Teacher who tries to talk to you after class.

  • haha totally

  • david lynch is a genious

  • this is how hollywood works... once you take the oath you do as they say

    or you end up wearing drag hanged in a closet in bangkok

    the media whores shall sit with their masters when we rise up

  • wtf is this where is hannah montana

  • You've been LYNCH-ROLLED.

  • Her dad's in the movie yeah.

  • you see him 3 times

  • yeah... this time and then two more times, as he threatened.

  • The Cowboy is part of the lead characters dreamscape. So is this male director character. Now it gets more complicated from there but these basics have to be understood first. Your attitude on the matter will go a long way in you grasping this film dont you agree?

  • People don't understand and realize is that when you are dreaming, each character in the dream is a representation of different aspects of your personality; like a hall of mirrors, multi-faceted and reflecting our deepest fears and hidden desires.

  • I see the cowboy representing Hugo Grotius and how he saw "In the whole Christian world as a license of fighting at which even barbarous nations might blush. Wars were begun on trifling pretexts or none at all, and carried on without any reference of law, Divine or human." How's that for over analysis? :)

  • "Thank You Masked Man"

  • ive uploaded all of this masterpiece if anyone is interested in watching

  • Cowboy: There's sometimes a buggy. How many drivers does a buggy have?

    Adam Kesher: One.

    Cowboy: So, let's just say I'm driving this buggy. And, if you fix your attitude, you can ride along with me.

  • I think the cowboy is a mind-a-fucking with my entire brain and I do not like it. :)

  • this is the END

  • He is just a figure you would never expect to meet...He's Cowboy (country man, peasant, villager etc...)and the Cowboy is talking to a rich, important, powerful man from Hollywood,..He's warning him, giving him orders...isn't that creepy?

  • not really, I mean he could be an even richer, more important, and more powerful man who just dresses as a cowboy

  • An "off" light bulb flickers on. Electricity appears out of nowhere, and with it, the Cowboy, as if an invisible door opened, and power came through. What he is, isn't as important as the fact that he is there. He has come to open Adan Kesher's eyes, at a crucial time, that will either make him, or break him. All he wants Adam to do is stop being a jerk and listen, like a man. The Cowboy leaves, the light goes off. I think as soon as he stepped out of sight, he vanished into thin air.

  • I think the Cowboy is a spirit from a bygone time, the Silent Era, like Tom Mix. He's modest and simple, and is fairly disgusted by the modern man's sarcastic tendencies. Still, he's there to put the young fool on the correct path. This is like the spiritual equivalent of being sent to the principal's office. It may not seem so nice, but it's for your own good.

  • The cowboy is not "evil" He's a no-nonsense, straight talker. I think the spirits of Old Hollywood are angry with the hot-headed Kesher, but they want him to succeed, so they send the Cowboy, not to threaten him, but to give him the inside scoop on how to succeed in Hollywood. The Cowboy is saying "This is how you will succeed. Do it differently, and you will fail. The choice is yours" Who ever it is, they seem to want him to succeed, to accept the compromise for his own good.

  • The actor who plays Cowboy has been an executive producer in several Lynch productions. this is his only role as an actor to date.

    I find it tinglingly funny that in his only scene as an actor his character is giving threatening orders to a rebelling young director.

  • Great material for child raising. I use the cowboy's statements in raising my own kids. I'll tell my son every so often that a man's attitude goes some ways, and that if they fix their attitude, they can ride along with me. Or they'll see me 2 more times if they do bad, lol!

  • Hitchcock did the same thing in Psycho with Norman Bates "Mother". His mother was the antagonist and instigator of the film, but only in Norman's demented mind. He not only took on the persona of his mother but also her psyche as well. Norman was a kind man, but in Psycho II, when he found out that another woman was his biological mother he became violent and killed her. My main point is that David Lynch must have been a fan of Alfred Hitchcock.

  • The cowboy's dialog is brilliant. Where the hell did they find that guy?

  • Never seen this, but I have seen Lost Highway.....a number of times. Stil can't figure that one out even after reading a number of thoughts on it. Maybe they're just kool movies that confuse the shit out of people and make you think real hard. Maybe the joke is on us and Lynch is laughing. How about that?

  • Lynch has a talent for creating creepy characters, that feel as if they are taken from real life. One absolutely doesn't feel as if this guy comes from a script. What I would love to see, is a deathmatch between Lynch's characters. Frank Booth vs The Cowboy. Sounds stupid, I know, but Lynch would be crazy enough, or would he...

  • I love this movie, you have to watch it a few times to fully understand. the ending reveals the dream. the cowboy at the party, everyone. not hard to understand but its surely a mind fuck

  • He should have just got this cowboy customer in a headlock and then drove off in his precious buggy, instead of listening to his bullshit riddles. This film is a masterpiece.

  • this film can't be understood nor explained entirely, IMO. but still my fav. movie. see this scene in german on my channel

  • i love the pink on his shirt

  • i somehow think that david couldn't represent exactly what was in his mind at the time of making some of the scenes, i would really love to be an actor in a david lynch film, i think i would really comprehend him

  • How such ideas work in our brain is not understood. So every interpretation that begins with "The Cowbow stands for...." is highly questionable me thinks.

  • "A man's attitude goes some ways...the way his life will be. Is that somethin' you might agree with?" Great dialogue. His voice reminds me of brother Larry (w/ Darryl & Darryl) on Newhart.

  • does this movie actually really has sense or is it just a "surreal" creation that it really has no other sense than impacting the human mind?

  • The Cowboy is a mind control mechanic.....read up on MK Ultra...

  • The Cowboy is a non-entity, more of an ethereal being of malevolence. I have this theory that the Cowboy may actually be Diane's personified ego basically saying that if she does not get what she wants in life, which in this case is a part in the movie there will be deadly consequences. The Cowboy is very similar to Robert Blake's Mystery Man character in Lost Highway. Frank from Blue Velvet is flesh and blood and needs no influence from the "spirit realm" to magnify his psychosis.

  • No, you fools! The Cowboy is obviously Michael Gira.

  • the cowboy maybe good.....but he is nothing compared to the character Frank in Blue Velvet, played by dennis hopper - another mind fucking creation of David Lynch.

  • The Cowboy is a non-entity, more of an ethereal being of malevolence. I have this theory that the Cowboy may actually be the Naomi Watts character's personified ego basically saying that if she does get what she wants, which is the part in the movie there will be deadly consequences. The Cowboy is actually very similar to Robert Blake's Mystery Man character in Lost Highway. Frank, from Blue Velvet is flesh and blood and needs no influence from the "spirit realm" to magnify his psychosis.

  • that what a very philosophical comment! ;-)

  • Thank you.

  • I love this part ! I don't know why! I'm crazy about it! I memorized every single dialog in this part!!

    and I love that cowboy!!!!

    really something! Ohhhh Fuuuck!

  • i love that fucking cowboy

  • Definitely!!!

    That lead girl is NOT up to you! (wonderful language and expression everything is amazing in this dialog!!!)

    Fuck yeah!!

  • "Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot." Twain wrote this as a "notice" in "The Adventures of Huckleberry Finn"

    I post this in response to the comments relating to Lynch's own statements that that so much shouldn't be made of his films.

  • This is going to sound very sad, please don't make fun of me for being so stupid, but is that true of the inscription.

  • ****** Spoiler********* Dont forget that Diane is all the characters in her dream world. So this is part of Diane's psyche talking to the Cowboy.

  • One of countless remarkable scenes from this truly terrifying film. David Lynch is brilliant, and MULHOLLAND DRIVE rules. Nothing like it ....

    Silencio ..... silencio.

  • The cowboy to me represents a kind of moral choice the director has to make - I feel he is a cowboy as that archetypal character perfectly symbolises the battle between good and evil (the Old West) and that is the decision the director has to make here.

  • i love the cowboy's tone and accent.....so intruiging.

    btw, the cowboy has his eyebrows shaved off...did anybody notice it ?....y is that ?

  • Indeed, I read somewhere that they shaved his eyebrows to make him look less intimidating.

  • thats what makes it creepy. the shaved off eyebrows in combination with the akward scene makes it even more creppy

  • Maybe to be as simple and direct as possible like the way he talks.

  • Greatest scene for any movie

  • I am completely mixed up with this scene

  • OK, here's my question: Why would the director see the cowboy two more times if he "did bad."

    What happens on the second meeting that couldn't have just as easily happened the first meeting (which was going to proceed regardless of whether the director "did good" or "did bad")?

    If I were the director, I would have asked... It's always good to solicit clarification on details like that.

  • Probably there is one time that cant be avoid even by the cowboy - lets say some reunion or something, witneses involved.. Second time is the killing.

  • Lynch is all about mood and psychology. I think the sheer ambiguity of it generates tension for the audience. Something like what I've heard Hitchcock say about a death scene out of the viewers sight, say behind a closed door, but still heard, is more terrifying than seeing the actual death scene.

  • you are too busy being a smart alec.

  • Lynch is a genius : )

  • The cliche cowboy and cliche gangsters earlier, the cliche of the perfect iconic actress...I interpreted that much as being a commentary on how two dimensional Hollywood can appear from the outside.

  • I can't remember -- does he see him one or two more times? I saw this so long ago, I don't remember anymore.

    Genius scene, though!

  • Three.

  • Wow - what does that mean?

  • "Wow - what does that mean?"

    What, the "three" part?

    Well obviously it's an answer to your question "does he see him one or two more times?"

    Three is the number that follows numbers one and two, meaning three.

  • Nope, we see the cowboy two more times. Once when he wakes Naomi Watts character from her dream, and also once at the party. As he predicts here in her dream two times is bad, and we know what happens then in the end.

  • This 'cowboy' seems to bear an uncanny resemblance to another figure that used to haunt the same Hollywood hills, Max Hardcore, the porn producer.. And it would certainly fit with certain themes and motifs that recur through the film. The destruction of women, under the glare of the sun and flashbulbs of the 'starmaking' capital.

  • lynch is a god.

  • freak of nature cowboy!

  • "well stop for a little second". Classic. I'll bet he ad libbed that.

  • i dont think lynch wants anyone ad libbing anything

  • Every thing the Cowboy says sounds like there's some hidden pretext to it lol

    He's such a simple character but he really makes the most of his screentime.

  • Yeah Lynch is a master of that. Check out the Andy's Party clip from Lost Highway. If you can successfully pull that shit with someone at a party, he'll be talking about you for years!

  • watch twin peaks and see that the cowboy says almost the same like the giant who helps agent cooper (season 2 episode 1 or 2 can't remember)

  • This film is confusing, challenging, and ultimately brilliant -- but don't ask me to explain why.

    It's simply Lynch at his best, providing individual scenes like this that tend to scare the s--- out of you. The is hands down the most unusual and captivating film of the past 10 years.

  • Perfectly put.

    I think that that film is also Lynch's best to potray love in a healthy way, as Blue Velvet and Twin Peaks showed us love in a sick and twisted way. Wild at Heart is also a good potrayal of love.

  • probably my favorite bit of dialogue in a movie. cheers for posting

  • anyone notice the color schemes in this movie, the red dress blue box and key pink paint

  • we all need the cowboy

  • Brilliant is all i have to say, ive never really understanded his even tho i have many theories, thus i came to a conclusion of my own a while ago, i decided to just watch and enjoy all the great scenes and not think about the plot at all, this scene for example is just so damn entertaining as the most in his movies.

  • "If you do good, you'll see me one more time. If you do bad, you'll see me two more times."

    Oh man, a lot could be said about that line.

  • David Lynch can derive such menace from such simplicity.

  • Can someone tell me what that means?? What does he mean one time if you do good or two more times if you do bad??

    And doesn't the other gentleman look a little like Johnny Knoxville?

  • It's obviously a veiled threat. As if to say, you'll see me at the movie screening no matter what, but if you don't do as we say I'll pay another visit . . .

  • That's pretty badass.

  • You'll need to watch the film to understand that line - believe me - it's worth it!

  • I've seen the movie recently twice. I just didn't understand the one time, two times part. But I understand it now.

  • Yeah, he só looks like Johnny Knoxville, he reminded me of him every time I watched this movie.

    Absurd scene, bizar movie, but great.

  • oooo Justin is HOT!!

    not even a freaky no-eyebrow'd cowboy can take away his hotness!

  • [creepy silence]

    "Beautiful evening..." HAHAHAHAAAA!

    I looked at this clip just to hear that comment again.

  • I'm going to change my smart-alec ways RIGHT NOW.

  • Man, it's STILL creepy as all Hell...

  • My opinion on the cowboy is that he's the devil, controlling a person. I don't know what it is..the whole "meeting in a corral" thing gave me that feel, and the eerie light turning on, and his controlling, but elusive way of speaking. He has the guy in his back pocket, utterly..

    This is why I'd love to study these movies in school, so much can be learned from each character, each scene, each subject, Each film!

  • I love the tension in this scene. The way the cowboy talks to the director reminds me of the tone a teacher takes when trying to deal with a troublesome student. The cowboy's eyes are almost completely black and his questions seem to see right through the director. Also, the cowboy's calm makes this scene eerie...

  • Effin classic. I disliked this film, but this scene is worth watching the rest of it for.

  • this guy didn't have any eyebrows, just like the mystery man in lost highway

  • This is a good scene. The cowboy didn't have any eyebrows. That made me think he was some kind of demon or something; one of lynch's supernormal characters like the mystery man in lost highway. The man in the planet. The lady in the radiator. etc.

  • I don't know who wrote this dialogue but it's fantastic. The cowboy's phrasing is so strange.

  • the Movie was Wriiten by Mr. Lynch

  • Lynch really does have a touch of genius.

    I just finished watching Eraserhead which was reaaally weird. I made the surrealistic scenes in Mulholland Drive look normal by comparison.

    Good movie to watch though, if you like Jack Nance (once of Lynch's regulars). It was made in 1977 and you have a very young Nance in the title role.

  • true good film the first of David's movies I saw was Blue Velvet and I was shaking but i was hooked and yea Eraserhead is an excellent film

  • The cowboy conveys not only a sense of something ominous but also a certain sadism. It's actually a very scary scene.

  • hahaha wiseass

  • you'll see me once if you do good.

    you'll see me twice if you do bad.

    ______________________________­__

    we see him twice, kesher see's him once.

    the film's about hollywood as a system, rather than a literal narative.

    play by the rules dictated by the studio, you do good.

    diane elms/betty selwyn is the talent overlooked by blind studio chiefs.

    in my opinion

  • I guess this is very true. It's what this movie is actually about.

    BTW, the director resembles young Wim Wenders...

  • its genious!!!wh

  • Hey all, thanks for the responses to the cowboy question, what I still never got though, was why is the cowboy watching her kill herself at the end of the film? And I still don't understand what he means about the one time or two times thing.

  • "Hey pretty girl. Time to wake up."

    He's actually not in the room when Diane kills herself. He's in the bedroom after Diane had Camilla killed.

    I saw the Cowboy as a dark angel. (Someone else called him a demon. I actually thought he was the devil the first time I watched this movie.) It seems like he's always around, and is in control, of the darker side of Hollywood.

  • fucking excellent film

  • Alright Lynch fans. I feel like I "get" this movie...most of it is lived in the Watt's charators fantasies. Most of it is not supposed to be really happening, but she is fantasizing about this life that she'll never have, but what the hell is the cowboy character? I mean, what is he? Theories? This scene, like so many in the film are only this deluded woman's fantisies...so what is this character??? ????

  • Well now, here's a man who wants to get right down to it. Kinda anxious to get to it, are ya?

  • I see him as a dark angle.

  • Sorry, make that "dark angel".

  • The cowbay was a real person in reality. In reality the cowboy was simply some dude dressed is western garb at the dinner party where Adam (director character) announces to his guests that he and Rita are getting married. Diane, catches a glimpse of this guy in the western garb as he's moving about the party. This man, perhaps because he was dressed so out of place at that party, enters her subconscience. He shows up in her dream as this mysterious behind the scenes Hollywood string puller.

  • thank you...awesome comment and I didn't pick that up. You're the first person who explained that and that sounds right...thanks

  • Good interpretation. I think Lynch is having fun setting up the perfect "mind fuck" scene.

    On first viewing, you're expecting the guy to beat Adam up. But Lynch sustains the tension in a non-violent way, through spoken words, mood, visuals, and the stark contrast in personal styles.

    Adam is supposed to be urbane, the cowboy straight-talking and plain. Adam wears glasses, the cowboy a stereotypical hat. Adam is passive; the cowboy aggressive with his leading questions ("what did I say?").

  • I'd guess that Lynch modelled the cowboy's mannerisms and speech after Ross Perot.

  • I heard a theory he is a demon

  • No, you posters are not thinking. You're too busy being a smart aleck to be thinking. Now I want you to think, and stop being a smart aleck. Can you try that for me?

  • Look. Where's this going? What do you want me to do?

  • There's sometimes a buggy. How many drivers does a....no, never mind. You must be a person who does not care about the good life.

  • The cowboy is Michael Gira's doppleganger. Shorter but his doppleganger.

  • My favorite part of the whole movie:

    Adam - "I agree with what you said...truly."

    Cowboy - "What'd I say?"

  • This is my 2nd favorite scene from this movie! I love justin's glasses too.. they are actually his personal glasses that Lynch allowed him to wear

    "You will see me one more time if you do good - you'll see me two more times if you do bad"

  • Notice, the cowboy seems to appear (and then disappear same way) out of nothing. Suddenly he's there.

  • the cowboy looks exactly like my music teacher...creepy oO

  • Yes, that's eery! Just watch out, Kumpel.

  • Ma parodie de Mulholland Drive est sur ma page =0)

  • You see hime twice after this part in the movie. (HOLY HELL I LOVE THIS MOVIE). Once at the party (which occurs in "real life"), and once more after he tries to wake Noami Watt's character up (which I believe is after her suicide/in her "dream")

  • REALLY??? TWICE after THIS scene?? I completely missed out on that one, then.

    Then that would mean, that the director screwed up?

  • The cowboy says "you'll see me one more time if you do good, you'll see me two more times if you do bad... goodnight."

  • The audience and the director(I think he saw him) saw the Cowboy once more near the end of the movie at the party. Remember he said you'll see him once if he did good, twice if he did bad...or something along those lines. Freaky scene.

  • Yes exactly, you can see him shortly at the end at the director's party. So just one more freaking time. So the director did what he had to do...

    Of course the movie is (too) a critique of Hollywood & moviebusiness. By the way, that director guy resembles Wim Wenders a lot, right?

  • i don't recall the director seeing the cowboy any more at all? is that how it went or am i dreaming?

  • Yes at least one more time. But jlkmeyer here, says TWO more times...Was totally unaware of...??? Holy hell, indeed, makes me feel stupid or blind.

  • only from the mind of lynch.

  • This has got to be one of my favorite scenes in any movie. I think part of what makes it so good is that there is nothing physically about the cowboy at all to make him intimidating. His clothes are ridiculous, he's small, and his voice is not that deep. And still, based on dialogue alone, he is totally intimidating. That is awesome writing!

  • its his confidence. he talks with a demanding calm. makes you think "what is this guy capable of, or who is he connected to? and not ONCE does he take his eyes and concentration off Kesher (Theroux).

  • Evil people have a tendency to look ridiculous in order to persuade people to laugh at them so that they can justify the evil things they like to inflict. It's like bait.

  • After the cowboy tells the director, Alan

    "stop for a litle second and think about it - can you do that for me?" Alan snickers and then suppresses his laugh. When the camera cuts back to the Cowboy, you can see the actor almost lose it and start cracking up - but he catches himself and finishes the scene. Great stuff!

  • Yeah, you're totally right. Awesome.

  • I saw The Cowboy's jaw-working as being a symptom of barely controlled anger, myself. Really freaked me out the first time I noticed it.

  • You're all wrong! Cowboy is delighted at seeing Alan's snigger because his job of killing him will now be justified in his mind should he have to do it, and he is suppressing this delight to a smirk. This emphasise the evil and sadistic nature of the Cowboy making him even more sinister. Lynch would never let an accidental smirk in his film, especially on such a tense scene. Brilliant stuff!

  • Imagine a conversation between the Cowboy and the Mystery Man from Lost Highway.

  • Impossible!!!

  • We'v met before haven't we?

    Where is it you think we met?

    At your corral, don't you remember?

    You're to busy being a smart alek to be

    meeting me.

  • LOL. That's great.  I just finished watching that scene, too.

  • Give IT back!!!!!!!

  • In terms of scariness, this movie has nothing on the last episode of Twin Peaks.

    But it's more beautiful than Twin Peaks in my opinion!

  • great scene.

  • best scene

  • "You'll see me two more times if you do bad. Goodnight." HOLY CRAP I LOVE THIS MOVIE I TELL YA WHAT I'M GONNA WATCH IT AGAIN RIGHT NOW.

  • If theres a line i don't understand in this film i'ts "there's sometimes a buggy"...

  • There's sometimes a buggy is him making a very awkward analogy. A buggy being like...something a cowboy would drive, Wild west buggy. His point is, he's driving the buggy. He is dominating the conversation. The director guy will not.

  • That's one of the highlights of his speech, the way he says it is so natural but so alien to us, we immediately know how different he is just from one small analogy.

  • Lynch plagiarizes my dreams.

  • Lynch reads your dreams and makes them beautiful. He's giving the world what we enjoy so much.

  • you wish

  • exactly, who's driving the buggy, making the decisions? your reason? (i see adam *also* as the reason/head of diane, 'this is the girl'.) well no, most of the decisions humans make are deeply emotional, and the comboy represents the power of our deepest desires or grieves. although adam may think it's his own choice to pick camilla rhodes and diane can say the decision to kill camilla is completely reasonable. but it's not because diane regrets it at the end and so does adam at the audition.

  • yes, your thinking in the right direction. the way i see it is, the cowboy resembles peoples deepest line between fail & success. he's like the pure logic we think over in our heads when challenged with a large decision to make. now also think about when the light came on, when adam stepped into that area with the cowboy, (logic&deeper thought) I belive the light bulb is a sign of thinking going on(bulb over head=idea). so think back to the other appearances of the cowboy.

  • I think people read too much into Lynch films. He's just an odd guy who makes weird movies to entertain us. He's even admitted there's no deeper meaning to his movies. That being said, I do like your analysis.

  • sometimes i think people read too little.

    there are always ideas and meanings to scenes and characters that are going to remain up for debate, but this movie in particular does indeed have a very definite plot.

  • the fact that lynch has apparently confirmed that there's no deeper meaning, is even more intriguing...

  • actually I think it's very funny

  • I think BOB from Twin Peaks is scary. This guy is relatively tame. Certainly didn't give me any nightmares.

  • you're too busy being a smart aleck for this to give you nightmares.

  • The cowboy is a demon.

  • The place of the skull.

  • Where Jesus was crucified!

  • This guy scares the fucking shite out of me.