For a young teenager in the mid-sixties in the UK this was a difficult record to get your head round. The world was awash with the British Invasion, headed by the Beatles and the Merseybeat Sound...
And yet there was this provocative, challenging sound from America which sank its teeth in you and shook you like you were a rag doll!
The Funk Brothers....the Best..of the best....classic....Benny Benjamin...classic four four pattern....sound like theres 2 bass guitars...?...and Kazoo...towards the end of the song....but Benny...leading pack here..super cool!!!
Read a comment saying with all the technology available why can't we produce music like this today. These were artists,masters of their craft,dollars were not their
main interest,the music was, Aspirations and outlook were different back then and todays artists can't compete. Northern Soul man,England
When I listen to these and other related tracks, i cannot help but believe that this is America at her best; such beauty and power is more expressive of the U.S.A. than anything that may spill from a politicians mouth.
When this song was first released in 1966, it was just one of many Motown hits, and I didn't pay much attention. And then, in about 1980, I rediscovered it. Since then, it's been a major favorite and I've listened to it thousands of times. And NOW, here's the instrumental background, for me to rediscover all over again!
Oooh, it's a burnin' sensation, far beyond imagination!
This track, along with Tell me it's just a rumour (instrumental,) sum up THAT MOTOWN SOUND, absolute dynamite, as previously said it gets no better than this!
yeah jamerson is the man, but if you listen to some of the northern soul records bass lines they are all inspired by his playing i reckon. but there are some amazing bass lines from these guys too in northern soul tunes that came after motown, but no one knows who the bass players were?!
I like the harmony with the bass, brass and vibraphones. Your typical Motown sound. Martha & The Vandellas, Four Tops, Temptations and others have that same sound.
@motownfan3 Agree it's a lack of talent. But cuts in music education is recent. In the early 60s there weren't developed music programs in schools like in the 80s, 90s & 00s. I think innovation comes from depravity where everything isn't handed to you on silver platters. Where you have a hunger for music. Depravity forces the creative individual to be more innovative making do with virtually nothing; it forces ingenuity to create incredible things never heard or seen. Today there is mediocrity.
@motownfan3 - And then when you hear today's dreary music, like by over-rated Alicia Keys with her boring, redundant, methodical and robotic percussions that sounds like it's coming out of one of those 1970s drum machines or one of those tacky keyboard organs with the drum beat feature, you just want to throw up.
"Itching in my Heart" is easily The Supremes best track but take away Diana Ross' whiny nasal voice and you can then hear James Jamerson, the real hero of the piece properly. Its even better.
BRILLIANT!! The Funks at their very - very best. You can hear Jamerson there, deep in the snake-pit at Hitsville on the bass. It don't come any better, even with today's technology.
I've been looking for an instrumental (Funks) of Martha & the Vandellas' Jimmy Mac, but can't find it posted anywhere.
James Jamerson, the bass player on all the Motown sessions, was a genius. This song was produced by Holland/Dozier/Holland with two basses, low and high (I just read the Supremes book) and James is probably the low one. They get out of synch a few times, but in the mix it's just magic. Great job, a classic.
Where did you find these instrumentals? When i was a kid in the early 1970s in the North and starting to hear some of the motown songs from the time and at house parties, I wanted to be a session musician.life changed somewhat and did nt make it . Anyway, thanks for sharing!
This piece contains a holy grail, a magic element with soul - a four note/chord riff reaching for the next octave and taking you higher. The interplay of the minor chords plucks on your heart strings, brings your sadness to happiness.... maaaaaan... shouldn't analyze it, just feel it! This has it. My respect to the artists behind it.
Shame Diana and the Supremes got the credit and the true back bone lost out ( funk Bros) Was Berry Gordy a early Simon Cowell?? Controversial or what?
Thanks for this trac sandfordway. Do you know are these tracks that have just crept out of the woodwork from producers and engineers, are they done electronically or are they being officially released?
Good comment. Check out, 'This Old Heart Of MIne' by Tammi Terrell. A Jmaerson masterpiece. Play the post of, 'BabyBollox' the one with the multi-coloured record deck. All the best.
For anyone who doesn't remember, the Flo and Mary humming near the end was one of the Album version's background parts that was not used in the mix for the 45 single version...I always wondered why....it's a great part...so much fun...THIS SONG SHOULD HAVE BEEN A MONSTER HIT! IT IS SUCM A MAJOR JAM!!!
@saddamsalaugh yes but Black America was hook on Motown more than England,TRUST ME, I lived in that ere. Every Black family (almost) had piles of motown 45's and Lps in their stash. They were the PRIDE of Black America!!!
Sorry my friend I guess my comment was more aimed at white Americans. Here in England the white working class related to motor city tunes in a big way . When west coast and british pyschadelia started coming in Motown was the music of choice for mant woking class guys. especialy in the north. Peace to you and happy Christmas from a very snowy London.
this tune was actually recorded on June 23, 1965 but wasn't released by Motown until April 8, 1966 - it peaked at #9 on the Billboard Hot 100 in May of 1966-
I Only wish that whomever had NOT applied modern-day compression technology to this recording which does NOT allow for the kick and the PUNCH of the music the way the original did! It's a bit muddy and watered down from the original 'PUNCH' of the song! I YEARN for THAT!
Totally awesome! Thanks for posting all these great Funk Bros. instrumentals. Now one can alas appreciate the musical composition in clarity with all its fine syncopations and instruments, not to belittle the incredible voice tracks of the Supremes and the lyrics by B. Holland/L. Dozier/E. Holland, Jr. in any way.
The liner notes for the "Standing in the Shadows of Motown" soundtrack this mix came from says it's a celeste double by a kazoo. No one knows who was playing it.
Jack Ashford was playing the tambourine, Jack Brokensea is playing the vibes.
The kazoo at the end always makes me laugh. And nobody knows who played it. My guess would be Jack Ashford, because he often played the "extra" instruments but I could be wrong. Best drum and bass combo in Motown history IMO
Thanks. I did a web search after my last post and found it. I'm clueless as to how that one slipped by me. On second thought... I'm just plain clueless. LOL
Thanks for posting this. Definitely one of my all-time fav Supremes tunes. You'd be hard pressed to find a group of studio musicians as talented as the ones that played for Motown in the 60's. Someone should do a story on these guys. After all, they were behind some of the best music of all time.
You're absolutely right. The Funk Brothers were incredible. A lot also has to do with "The Snake Pit" which was the studio they recorded in. That's where they got that brassy, nearly but not quite distorted, bassy feel.
I love this Band! Thank you Funk Brothers from a very grateful old musician.
bhanlon 2 weeks ago
'One more like that and I'm through!'... 'These earphones is gar...!' (did they cut off Diana saying 'garbage?' lol!!
mmace63 3 months ago
ALWAYS a favorite song, and this version is on the EXPANDED 2-cd soundtrack of STANDING IN THE SHADOWS OF MOTOWN.
alexk2501 4 months ago
Anyone got a vinyl copy for sale ? or know where I can get one ?
appreciated les@soulnites.co.uk ;-)
sunnyles 4 months ago
This has been flagged as spam show
THE FUNK BROTHERS RULE
mowestjohn 4 months ago
THE FUNK BROTHERS RULE
mowestjohn 4 months ago
For a young teenager in the mid-sixties in the UK this was a difficult record to get your head round. The world was awash with the British Invasion, headed by the Beatles and the Merseybeat Sound...
And yet there was this provocative, challenging sound from America which sank its teeth in you and shook you like you were a rag doll!
Jackboots and candy floss!
studyinthesky 4 months ago
This embodies the Motown of the mid-60s makes me jump around
giano56 4 months ago
Yes this is great x
smartypantsnancy 5 months ago
The Funk Brothers....the Best..of the best....classic....Benny Benjamin...classic four four pattern....sound like theres 2 bass guitars...?...and Kazoo...towards the end of the song....but Benny...leading pack here..super cool!!!
snare500m 6 months ago
Read a comment saying with all the technology available why can't we produce music like this today. These were artists,masters of their craft,dollars were not their
main interest,the music was, Aspirations and outlook were different back then and todays artists can't compete. Northern Soul man,England
edge78a 7 months ago
This has been flagged as spam show
This is not a D. Ross smash hit as someone as stated in error. It is when she was a part the best female vocal group ever, The Supremes.
TheRmjr 8 months ago
This is not a D. Ross smash hit as someone as stated in error. It is when she was a part the best female vocal ever, The Supremes.
TheRmjr 8 months ago
When I listen to these and other related tracks, i cannot help but believe that this is America at her best; such beauty and power is more expressive of the U.S.A. than anything that may spill from a politicians mouth.
TheShalasweet 8 months ago
STUNNING AND SERIOUSLY BAD ASS!
TheShalasweet 8 months ago
Where can you buy worn out LaBella's?
Jonnydog1 9 months ago
just listin to james rip them cords rip Bass man
securitycat11 10 months ago 2
Are there any known daily recording logs for Motown?
dvd1man 10 months ago
this gives me goosebumps!.....real music!
tedmuss 10 months ago
When this song was first released in 1966, it was just one of many Motown hits, and I didn't pay much attention. And then, in about 1980, I rediscovered it. Since then, it's been a major favorite and I've listened to it thousands of times. And NOW, here's the instrumental background, for me to rediscover all over again!
Oooh, it's a burnin' sensation, far beyond imagination!
hebneh 11 months ago
WARNING! this is really only worth listening to on days that end in 'Y'
Mej2102 11 months ago 6
i play this over and over and over gotta go press the replay button
vase40 1 year ago
This track, along with Tell me it's just a rumour (instrumental,) sum up THAT MOTOWN SOUND, absolute dynamite, as previously said it gets no better than this!
pebble1955 1 year ago
Love Mary and Florence purrring in the background and the grabbing the lyrics. Wonderful!
DetroitLives313 1 year ago
The Sound of Detroit..........YEAH!!!
DetroitLives313 1 year ago
My favorite song by THE SUPREMES. They were the only female group that were just as famous as THE BEATLES, and icons for starting the MOTOWN sound.
Jjonathanhart 1 year ago
yeah jamerson is the man, but if you listen to some of the northern soul records bass lines they are all inspired by his playing i reckon. but there are some amazing bass lines from these guys too in northern soul tunes that came after motown, but no one knows who the bass players were?!
antoni7515 1 year ago
I like the harmony with the bass, brass and vibraphones. Your typical Motown sound. Martha & The Vandellas, Four Tops, Temptations and others have that same sound.
Jjonathanhart 1 year ago
Wanna Dance!
oiyoumuppet 1 year ago
@oiyoumuppet HELL YES
oceanbound222 1 year ago
Many imitations but they don't come close!
elvingtonred 1 year ago
Excellent tune!!
soulsupremeful 1 year ago
This should be called the Harry Weinger and Andrew Skurow mix..
Didn't they do a fabulous job!
.....what I'm gonna doooooooo....
theboyfromxtown 1 year ago
THIS TRACK ROCKS SOOOOOOOOO HARD!!!
hollidayevery 1 year ago
Earl Van Dyke would play the piano so hard that it would go out of tune.
MikeJ6129 1 year ago
ITS TRUE............once the Funk Brothers locked themselves into a groove, it took off like a runaway freight train!!!!!!!!!!!!!!!!!
christheone8773 1 year ago
Thilling music !!!!!!! Diana Ross sure did have the best solo smashes !!!
oceanbound222 1 year ago 2
I love Diana complaining at the beginning.
irvingklaw57 1 year ago 3
Why dosen't anyone make music like this anymore? What's the problem?
Eschatus2 1 year ago 4
@Eschatus2 Plain and simple there is a lack of talent and sadly the school boards nation wide cut the music programs :(
Holland Dozier Holland were "ON FIRE " back in the 60's
motownfan3 1 year ago
@motownfan3 Agree it's a lack of talent. But cuts in music education is recent. In the early 60s there weren't developed music programs in schools like in the 80s, 90s & 00s. I think innovation comes from depravity where everything isn't handed to you on silver platters. Where you have a hunger for music. Depravity forces the creative individual to be more innovative making do with virtually nothing; it forces ingenuity to create incredible things never heard or seen. Today there is mediocrity.
Eschatus2 1 year ago
This has been flagged as spam show
@Eschatus2 You are 100% correct !!
motownfan3 1 year ago
@motownfan3 - And then when you hear today's dreary music, like by over-rated Alicia Keys with her boring, redundant, methodical and robotic percussions that sounds like it's coming out of one of those 1970s drum machines or one of those tacky keyboard organs with the drum beat feature, you just want to throw up.
Eschatus2 1 year ago
@Eschatus2 You hit the nail on the head !! 100% correct !
motownfan3 1 year ago
@motownfan3 - LOL! I answered my own question... thanks for inspiring me to do so. :)
Eschatus2 1 year ago
That's the essence of that Motown sound....that driving beat. Those guys could really create a great sound. Thanx for the post, good looking out.
susej1able 1 year ago
Ovo je isto čarobno.
njezan1 1 year ago
Thanks for sharing this is great
jdldtw 1 year ago
"Itching in my Heart" is easily The Supremes best track but take away Diana Ross' whiny nasal voice and you can then hear James Jamerson, the real hero of the piece properly. Its even better.
geoffdtom 1 year ago
Polyrhythmic funk at it's best this the real pure funk !
hapzap13 1 year ago
BRILLIANT!! The Funks at their very - very best. You can hear Jamerson there, deep in the snake-pit at Hitsville on the bass. It don't come any better, even with today's technology.
I've been looking for an instrumental (Funks) of Martha & the Vandellas' Jimmy Mac, but can't find it posted anywhere.
Can you help?
Regards and thanks for this post.
gw7sbo 1 year ago
I dare anyone to listen to this and not want to dance.
So very superior to todays rap garbage......
stevie68a 1 year ago
PURE FUNK NO DOUBT !!!!
hapzap13 1 year ago 2
Amazing... Motown was pure magic!
zookat 1 year ago
did you hear diana about the headphones. :) cute!
dj09492 1 year ago
Who was talking at the beginning?
stu0812 1 year ago
@stu0812 One of the Holland brothers
Kenteman 1 year ago
James Jamerson, the bass player on all the Motown sessions, was a genius. This song was produced by Holland/Dozier/Holland with two basses, low and high (I just read the Supremes book) and James is probably the low one. They get out of synch a few times, but in the mix it's just magic. Great job, a classic.
amusia111 1 year ago 2
Rock On!!!!! The best of Motown for sure!!!! These songs always sound great back then and now!!!
riitade644 1 year ago
Where did you find these instrumentals? When i was a kid in the early 1970s in the North and starting to hear some of the motown songs from the time and at house parties, I wanted to be a session musician.life changed somewhat and did nt make it . Anyway, thanks for sharing!
canonet17 1 year ago
the bass line is fantastic on this song. one of my favorite d. ross and supremes songs.
daymude63 1 year ago 7
gotta love that bass line....it made the song, just like the Saxaphone solo
SFAundergrad79 1 year ago
This piece contains a holy grail, a magic element with soul - a four note/chord riff reaching for the next octave and taking you higher. The interplay of the minor chords plucks on your heart strings, brings your sadness to happiness.... maaaaaan... shouldn't analyze it, just feel it! This has it. My respect to the artists behind it.
soulrongang 1 year ago 4
Happy Music, Detroit Music......gone y'all !
DetroitLives313 1 year ago
Sends shivers down your spine!...Fantastic!!!
demodiscs 2 years ago 2
Yyeah!
thomasrealdance 2 years ago
Helped. Sorry just moving a little to fast today and without my glasses!!
feeleffect 2 years ago
Era that is. Also this was the music that heip started to break the racial tension in USA especially the incredibly highly racist south USA.
feeleffect 2 years ago
One of their best and most underrated.
Jobeterob 2 years ago 2
No one can ever dublicate this stuff..No matter how much we try....
motorcitymiguel 2 years ago
great find! Where on earth did you find this?
canonet17 2 years ago 2
When the Funk Brothers locked into this groove it was hellacious!!
christheone8773 2 years ago 2
Shame Diana and the Supremes got the credit and the true back bone lost out ( funk Bros) Was Berry Gordy a early Simon Cowell?? Controversial or what?
By the way james J felt every heartbeat
pekaydub 2 years ago
Thanks for this trac sandfordway. Do you know are these tracks that have just crept out of the woodwork from producers and engineers, are they done electronically or are they being officially released?
SteveArpo 2 years ago
damn Jamerson killed it on the bass
GHOSTWRITAJR 2 years ago 3
wow! this is Great
tayishere202 2 years ago
I felt it.
Greatest recorded bass ever!
adamr63 2 years ago
Good comment. Check out, 'This Old Heart Of MIne' by Tammi Terrell. A Jmaerson masterpiece. Play the post of, 'BabyBollox' the one with the multi-coloured record deck. All the best.
SteveArpo 2 years ago
The Supremes most underrated Hit!!
feeleffect 2 years ago 3
The Funk Brothers, Mary and Flo......hit y'all! LOL! They were all the best.
DetroitLives313 2 years ago 2
Loved Every single note...Every Beat!! Love That Motown.
many Thanks.
alan49624 2 years ago
For anyone who doesn't remember, the Flo and Mary humming near the end was one of the Album version's background parts that was not used in the mix for the 45 single version...I always wondered why....it's a great part...so much fun...THIS SONG SHOULD HAVE BEEN A MONSTER HIT! IT IS SUCM A MAJOR JAM!!!
hollidayevery 2 years ago 5
I love the fact that motown was HUGE in England and the white orientated Yanks were all caught up with West Coast and Brit invasion. Keep the faith
saddamsalaugh 2 years ago
@saddamsalaugh yes but Black America was hook on Motown more than England,TRUST ME, I lived in that ere. Every Black family (almost) had piles of motown 45's and Lps in their stash. They were the PRIDE of Black America!!!
feeleffect 2 years ago 2
Sorry my friend I guess my comment was more aimed at white Americans. Here in England the white working class related to motor city tunes in a big way . When west coast and british pyschadelia started coming in Motown was the music of choice for mant woking class guys. especialy in the north. Peace to you and happy Christmas from a very snowy London.
saddamsalaugh 2 years ago 2
this tune was actually recorded on June 23, 1965 but wasn't released by Motown until April 8, 1966 - it peaked at #9 on the Billboard Hot 100 in May of 1966-
christheone8773 2 years ago
That is a Baritone Sax played in a low note.
tpg911 2 years ago 3
Simply awesome!!!
TheRmjr 2 years ago 2
That's not a kazoo... it's a baritone sax playing behind the girls humming.
trilogypart3 2 years ago
IT GETS NO BETTER THAN THIS!
chj1950 2 years ago 20
I Only wish that whomever had NOT applied modern-day compression technology to this recording which does NOT allow for the kick and the PUNCH of the music the way the original did! It's a bit muddy and watered down from the original 'PUNCH' of the song! I YEARN for THAT!
stage7 2 years ago
Totally awesome! Thanks for posting all these great Funk Bros. instrumentals. Now one can alas appreciate the musical composition in clarity with all its fine syncopations and instruments, not to belittle the incredible voice tracks of the Supremes and the lyrics by B. Holland/L. Dozier/E. Holland, Jr. in any way.
Eschatus2 2 years ago
Wow!
stencil62 2 years ago
For those wondering what I"m talking about, the kazoo starts at 2:45
cottagechskitty 2 years ago
That's no Kazoo. And Jack Ashford also couldn't have played it, because at the same time he's playing the vibraphone.
What you think is a kazoo are simply the girls humming.
Risimif 2 years ago
or 'Dooing'
Umskiddy 2 years ago
The liner notes for the "Standing in the Shadows of Motown" soundtrack this mix came from says it's a celeste double by a kazoo. No one knows who was playing it.
Jack Ashford was playing the tambourine, Jack Brokensea is playing the vibes.
GarudaStudio 2 years ago
@Risimif No its a kazoo. Standing in the Shadows of Motown IDs it as a kazoo as does a couple of biographies of Ross.
cottagechskitty 10 months ago
@cottagechskitty It's an alto or baritone sax. Not a Kazoo.
HaliB75 8 months ago
Sounds like humming, not a kazoo.
delacortexxx 2 years ago
These are my folks! Detroit ROCKS!!!
DetroitD60 2 years ago 10
@DetroitD60 Yes they are. These were the days when the Good Humor guy rode a tricycle down the street.
Motownbrother 6 months ago
OMG! I didn't know that this exsisted!!
RodneySandersTV 2 years ago
Sizzling!!!!!
Largo3point0 2 years ago
The kazoo at the end always makes me laugh. And nobody knows who played it. My guess would be Jack Ashford, because he often played the "extra" instruments but I could be wrong. Best drum and bass combo in Motown history IMO
cottagechskitty 2 years ago 2
Thanks for posting. Brilliant song. Being from Detroit I can remember when this came out in the 60's. It still sends shivers down my spine.
tattbro 2 years ago 3
Love instrumentals and this one is great!!!...Thanks..Ve
venusclare 2 years ago
No Funk Brothers, No Motown, No Northern........Nuff said. can't sit still lol KTF
cloud9dj 2 years ago 3
You need to be nailed down to sit still!
dagr382 3 years ago 4
Brilliant !! Try listening to it without tapping your feet.. bet you can't !
dissotheref 3 years ago 2
Damn....that was FIYAH!!!!
motownbaby 3 years ago 2
unbelieveable good!
Bowie99 3 years ago 2
Love is ITCHING all over the place on this one. What a great track !
DISCOVEGASGUY 3 years ago
was this version released ?
saddamsalaugh 3 years ago
It is on the the CD " Funk Brothers - Standing in the shadows of Motow" ( CD 2 Deluxe Edition)
zaggy3110 3 years ago
Thanks. I did a web search after my last post and found it. I'm clueless as to how that one slipped by me. On second thought... I'm just plain clueless. LOL
trilogypart3 3 years ago
Thanks for posting this. Definitely one of my all-time fav Supremes tunes. You'd be hard pressed to find a group of studio musicians as talented as the ones that played for Motown in the 60's. Someone should do a story on these guys. After all, they were behind some of the best music of all time.
trilogypart3 3 years ago 2
there is a documentary , "Standing in the shadows of Motown" its a DVD
privatperson 3 years ago 2
I love this.
docludi 3 years ago 2
That Motown band kicked major ass ... they were more than amazing!
BotMai 3 years ago 5
You're absolutely right. The Funk Brothers were incredible. A lot also has to do with "The Snake Pit" which was the studio they recorded in. That's where they got that brassy, nearly but not quite distorted, bassy feel.
PJDooWop 3 years ago 2
Thanx for the post -- great beats!
bronxbarbiedolla 3 years ago 7
James Jamerson's simply the best bassman of all time. His great bass creates that itch.
jazzetc 3 years ago 20
Great song!
RancidoKaddy 3 years ago 6
the sax really puts me in mind of jj barnes song sweet cherry.
bonglewongle 3 years ago
From 2.43 is excellent
Jaynesoul 3 years ago 5
Vibraphone does it for me
Jaynesoul 3 years ago 4
This comes from a great 2-disc set from Hip-O Records "standing in the shadows of Motown, Deluxe Edition" 440066365-2. Rocks my stereo regularly.
ThanksAl 3 years ago 4
Thanks for that. I have just bought it off internet. XXX
Jaynesoul 3 years ago
brill
motown250 3 years ago 4
Listen to that Sax. Infact all of it is just the best. Could you please post it to me? Thanks for sharing.
Jaynesoul 3 years ago 3
James Jamerson and Benny Benjamin could do no wrong. Best one two punch of a rhythm section ever!
lordritchie 3 years ago 8
JJ and BB..........you are so right, this bass and drum combination is so nasty it hurts. Jam brothers jam.
bluenile048 2 years ago 3
Fantastic, makes me have goose pimples on my goose pimples. LOL
Jaynesoul 3 years ago 4
Please send me that song!!!! It'a the jam.
kingofmotown 3 years ago 2
This has gone straight into my favoutires! Thank you for posting this tremendous instrumental Supremes song.
valzoom 3 years ago 8
James Jamerson and his famous hook!!!
pjpj311 3 years ago 7
Nice instrumentals!! I love the supremes intrumentals!
queenmpa 3 years ago 7
NICE!!!
MOREHOUSE80 3 years ago 7
Whoa!!! Where did you get this at? There is nothing even close to this unique sound today.
This went right to my favorites. Thanks for sharing.
frisco495 3 years ago 15
ahh this is amazing =)
thx for posting
Individuell83 3 years ago 11
this absolutey rocks !
bosskat57 3 years ago 9
You Go James!!!!!!!!
Redcar43 3 years ago 6
I just got bitten by some love bug.
BotMai 3 years ago 7
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ONLY Diana could have sung this song. Imagine Pixie or Dixie on lead, well on second thought, let's not.
oceanbound222 3 years ago
Brill.
xwsftassell 3 years ago 8
The best ponding beat ever. Love it so much.
Motwnee 3 years ago 8
Great track, I love instrumentals
iGuy101 3 years ago 11
You've come to the right place then Guy. I like being able to hear the Funk Brothers clearly.
sandfordway 3 years ago