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From: mobiusII
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  • Fantastic piano solo

  • intense, fantastic!

    

  • Makoto Ozone ( Piano ) is perhaps the best living Jazz Pianist. DOT

  • i mean brecker is the best but guys watch this piano player!! all of them are completely crazy!!!

  • staggering virtuosity, incomprehensible mastery of genre, sound, time feel, emotional content, harmonic sophistication, taste, passion, there is no one even close to this guy in the history of the saxophone. i don't mean that other players weren't historic; of course trane was, bird was. but in terms of complete heaviness, it will be a long time before anyone comes close to this.......

  • @subframer Well said! Your comment inspired to sit and listen to this whole clip once more. I've heard it a hundred times but it never gets old. Michael seemed to be especially inspired for this performance.

  • @subframer ...but there's nothing like a love supreme in brecker career...

  • @valentynesuite - Yes of course. I'm talking about virtuosity and artistry on the saxophone. No one would argue that Mike's compositional career or overall impact as a recording artist is the same universe as Trane's. But as a saxophone player, in consideration of the overall stylistic and technical history of the instrument, show me anyone who's even close in terms of mastery or coverage. No one is even close.

  • @subframer well said, friend

  • I WAS IN THE DUES BAND (BASS TROMBONE 81-84) @ BERKLEE...MAKOTO WAS OUR PIANIST... AN HONOR THAN AS NOW...LISTENING TO THIS IS LIKE DESSERT...YA CAN'T HAVE ENOUGH AND YA DON'T WAN'T IT TO END !!!

  • Man what a show

  • Ozone has fingers of fury!

  • WOw. Just wow- amazing performance by all musicians. Brecker and Ozone especially are just killing it

  • Comment removed

  • Makote Ozone is next Thelonius Monk!

  • Greatest player ever...

  • Talk about your mind-body connection!! Awesome!! God's gift!

  • @1955gasman  prolly=probably

  • reason he isnt known is he prolly doesnt play with heavy cats like michael brecker. i mean there was hugh masakela he was pretty famous froim africa milton nascimento lionel louke i mean there r people that r from other places that are really good maybe hes just not that great when hes playing with brecker he might be amazing cuz brecker has that effect on other players around him.

  • @guysaxophone What does "prolly" mean

  • Makoto Ozone is the most complete Jazz Pianist that ever existed. Yet he isn´t much known due to the fact that he isn´t American, as French Pianist Martial Solal also. There´s a noticeable prejudice against Jazz players from other countries unless America. Listen to these guys. Makoto is a living Jazz Encyclopedia. One must listen him playing and improvising on Gershwin´s Rhapsody in Blue. He simply absorbed Classical Music and All Jazz Legends.He´s the most complete pianist of our time!

  • just came in my pants...

  • Brecker Lives!!!!

  • Il piu' GRANDE!!!!

  • Grazie Michael!!!

  • sei un grande non morirai mai

  • Makote Ozone is a stud playing outside!!

  • Le maitre de tenor, tout simplement.

  • Michael Brecker IS!, WAS,and always WILL BE!!!!!!

  • preach on purple....

  • makoto ozone - badass comper

  • No kidding!

  • Comment removed

  • Michael Brecker The Best Of The Best!!!

  • What mouthpiece did Michael use?

  • Michael used Guardala M. Brecker Model mouthpiece

  • though in his early stuff he did actually go to dukoff for a while, I know you probably meant this vid but its worth noting that people are different and go through phases

  • Yes, I know it! But I know that so many different between Dukoff and Guardala!

    Trust me!!!!!!!!!!

  • wow calm down buddy...

  • JAZZ IS NOT SHIIIIIIIIIIIIIIIIIIIIIIIIT Shit. It is an art which expressses personal feelings of an individual wich black/hardcore/death/gloomy/he­avy metal doesn't. It's about expressing yourself in the moment and that's why we improvise. We know more music than just the basic chords and the power chords, yes, we know harmonic structures and arpeggios and scales and rythms, cross-rythms and melodies and we, most of us,have great musicality. I saw your only favourite video and I didn't hear music

  • WOOOOOOOOOOOOOOOO

  • cavalloo esse pianistaa

  • is 9:07 real?

  • What kind of question is that?

  • :D just me being facetious

  • 9.07 is not from earth^^

  • RIP you always be the best jazz player MIKE!

  • Makoto Ozone Rules!

    One one most, if perhaps not THE most complete Jazz Pianist of all time! He gather information from all others. The guy is a piano encyclopedia !!

  • I think he could play a little more stride piano, but other than that i agree.

  • Holy $h*t, this is good! I can't believe Michael is no longer with us. Thank God that his music lives on in recordings like this.

  • WOOOOOOOOOOOOO

    Clarence Penn is the best!

  • Grazie Michael!

  • Great to see Michael playing with so much joy & positive energy!

  • no cmnt to MB <3

    ich like the piano player so much :O

  • Just what one can expect of brecker... genious=)

  • I can't believe his son is my camp friend

  • fuckin rad.

  • Can't it be better? its's amazing how MB can bend the tunes; and his finger tecnic is just manifique! by the way best regards to the band.

  • Makoto Ozone is outstanding too !

  • Terrific, because I live in Toulouse ! isn't it formidable ?!

  • Where is it? I thought France, but i'm probably wrong, right?

  • It's in the south of France.

    Perhaps Michael Brecker met Claude Nougaro in Toulouse?

  • Maybe if I lived there I wouldn't risk loosing my french.

  • Damn, i love brecker.

    He is influencing me most on my horn.

    Sometimes I ask myself why brecker did nothinbg wirh Jarrett ( you all know wich Jarrett).

    He had fitted for example perfect in combination of "hudson tale" because he already know Dejohnette very good

  • Is this tune a Michael composition?

  • Yes

  • Question???? Who do you guys think solo's better. Steve Marcus on Tenor (Buddy Rich Big Band) or Brecker?

  • i woould say brecker...steve marcus just doesn't stand out as much..too bad he is a overlooked talent...

  • the best saxophoneist ever!

  • SICK piano solo. Man!

  • What do you guys see in your mind's eye when you hear this magnificent performance?  With such virtuosity on a single stage, its hard not to see something special. I imagine an extravagant, yet relaxed, tour of all things beautiful in each different part of the world. All at a serene, calming pace set to lull your brain into a wonderland of peace.

  • Trane could have learned from mike...He is a god!!!

  • dude right on.

    i always say that brecker is better cuase he can do all the subsitutions that trane could and more. he was a way more versatile player as well. every one always disagrees with me but whatever

  • without a doubt he was a more versatile player...I'm sure Trane would have loved to share the stage with him! Everyone will always argue with you, but I let-it-go because they don't know shit!! They know of trane and bird, and that's it!!!!

  • I'm not gonna argue w/you about who's better becasue there's no right answer. They were BOTH amazing. OF COURSE Brecker was more versitile. There was a much wider spectrum of music in the world influencing Brecker than there was when Trane was here. Not to mention all the technological advances. Check it out: Trane died July'67. Hendrix's first record - released August'67. "Cold Sweat" (James Brown) - released in '67 and so on. There's no argument to be had here. Everyone has their opinions.

  • But more importantly Mike learne from Trane first in all his aspects of his playing and Mike has admitted it many times. But you can't judge because sometimes I have thoughts of who were the best at certain points in their lives. Eddie HArris learned from Trane, Trane Learned from Eddie and Sonny Rollins, and Sonny Stitt... Stitt learned from Parker... Everyone after that have all picked up on the same guideline. Joe Henderson was a pure originator... I don't know where he picked it up from.

  • Great thoughts--have you ever hear Elvin's record "Live at the Lighthouse"? It's Dave Liebman and Steve Grossman on saxophones--you can totally hear the step between Trane and Brecker on that record!

  • that solo by makote was beyond genius.

  • Ditto!

  • Try listening to joey calderazzo with dave liebman on My Favorite Things on utube, you won't believe it!

  • 'Two blocks from the Edge" is probably the greatest sax album ever! We love you Mike!

  • ce n'est pas une "manifestation ostensible de mécontentement !" ou alors je ne mis connais pas en saxophone. Son chorus est génial, rien à dire!!!!!

  • Toi tu pense que son chorus est top (moi aussi !) mais lui n'est surement pas totalement satisfait, il esperait faire une meilleure phrase et n'a pas pu la réaliser, c'est pourquoi il est un peu déçu, tout musicien peut comprendre ça, ça ne demande pas de connaissances en saxophone particulièrement !

  • this is his best clip (for me ) that I have EVER seen!

    not only him, the group as a single entity...

  • Une attitude extrêmement rare du grand Michael Brecker à 4:16 du morceaux!

  • Boah, si je l'ai vu plusieurs fois faire ce genre de "manifestation hostensible de mécontentement !" lol

  • That is one of the sickest piano solos I have ever seen regardless of asian guy status.

  • freakin awesome

  • his notes are still ringing in to the future, so long mike

  • What kind of sax did Michael Brecker play?

  • I believe it's a Selmer mark VI with silver neck.

  • Un-stinkin' real. The best of all horn players!!! Makoto Ozone as well.

  • the best ever

  • tiruf ahi

  • Masterpiece. Brecker is the man.

  • You rock my socks, Brecker-man.

  • magnífico

  • Wow. Michael really was one of the modern greats.

  • This is an incredible performance. The entire band is of the ultimate highest of virutosity. Complete command of their instruments! SMOKIN'

    The melodic and harmonic texture is very tasteful and flowing eventhough it is of the most extended order and flirts closely to atonality! Very Tasty!!!!! 5 stars in my opinion.

  • genieus really

  • Awesome stuff! One of the all time great saxophonists of this century! We've lost a great one recently.

  • Semplicemente Fanatstico *_*

  • Saxophone legend.

  • If you are planning on doing any kinda of jazz playing, do not buy a C*. C*'s are good for classical or technique exercises, but the tone for jazz just sounds bad. I use a Meyer 6 for all my jazz playing and it sounds great. Paired with original vandoren 3's, you can't beat that combo!

  • ou yeah!!

  • may i ask.. i'm gonna learn saxophone and now in the process of buying my own sax... so, which type of mouthpiece would any1 recommend.. plastic, wood, metal?

  • Man, did you just open a can of worms. In my opinion you would be best off with a student model sax/plastic mouthpiece. Bundy and Conn make good quality horns to start with. You can't beat a Selmer C* for an all around plastic mouthpiece. Hope that helps!

  • plastic, definitely to start. metals are for non-classical genre's only. I would also recommend you learn how to play classical saxophone before jazz styles.

  • thx both of you!!

  • hard rubber for classical. like a selmer c* or something. for alto, i recommend a vandoren optimum.

  • If you want to play like Mike, get a good metal mouthpiece with a medium tip opening, medium baffle, probably a #2 reed to start on, a good solid horn, and practice - practice - practice - practice - practice - practice - practice...

    And LISTEN!!!

  • listen listen listen....

  • Also, play and practice with energy! I see too many kids playing without passion or energy these days. Put your heart into it! It doesn't matter if you're practicing scales at home or playing along to the radio, do it with gusto! Try to emulate that energy that inspired you to play in the first place! Get in touch with that inner artist!

  • Damn Brecker is a BEAST on wheels!

  • this is quite cool.. the drummer looks a bit like a monkey..

    but brecker is a killa on the horn and the others (including the drummer) are very good, too :)

  • Wow...no other word for it.

    (anyone else spot theme from Delta City Blues @ 0'24?)

  • this isn't my favorite side of jazz as i prefer the 'smooth' edge of the blade, but brecker is one hell of a player. he's got some crazy chromatic themes going on in the middle of his solo that blow me away. I think it's funny how he sites coltrane and rollins as major influences, because in my opinion he's more technical than rollins and coltrane. good stuff

  • How do you think he got there? If no one influenced him, he wouldn't play, or he'd be a pop saxophonist.

    Everyone has influences, and sometimes they get better than the people that influenced them. I think thats the point of practice.

    Im sorry to be so negative, but a lot of what you said is annoying to me, haha

  • i'm sorry am i supposed to care? and yes i know what practice is, i'm a music major, i practice 4-5 hrs a day.

    And yea, that was my point, that he's progressed beyond the technicality of his idols. It's IRONIC.......clear enough?

  • how could anyone be more technical than Trane?

  • look man, notes are notes. whether you see them as more technical or "better" than his or not, is just a matter of opinion. i don't care what anyone else thinks. i just happen to think that a lot of people don't even listen to coltrane anymore. they just know that they've been told that he's great by people who know what they're talking about so that's what they say. nobody disects sound anymore, they're just group thinkers, regurgitating what they've heard.

  • when i compare Trane solos and Brecker solos at some points the harmony is a mirror image, Brecker is a true jazz man, respecting where the music comes from, the tradition. what he plays and what Trane played it was all about preserving the tradition of jazz and moving it to a new level. Brecker takes Trane's solos and ideas in a new direction he's not at all better than him, just different.

  • i'm glad someone else actually listens these days. and i totally agree with what you said. personally, i am a little more awed by what comes out of brecker's horn than coltrane's. but that's the opinion part of this.

  • You've got a LOT to learn about the world of music, kid...your goal as a music major in college is to open yourself up to the world of music and learn all you can; those "crazy chromatic themes" wouldn't exist without Rollins, Coltrane, Lester Young, etc. INFLUENCE is about loving something so much it becomes a part of you. Learn to love Coltrane, or learn to respect that everyone else does.

  • yeah but he got his inspiration from Rollins and Coltrane

  • rip...

  • Michael is brilliant here...as usual...what a loss. Makoto Ozone also plays quite well. He sounds like a combination of some of the most appealing traits of McCoy Tyner and Chick. Thanks for letting me hear this! -Eric

  • Err, kinda post-HardBop?

  • What kind of Jazz is this exactly?

  • The kind that's good.

  • It is one of the best version of "Madame Toulouse" I heard. Maybe thanks to Makoto Ozone on piano, a true genius

  • The Interaction between the pianist and Brecker is amazing, totally inspiring...

  • especially 4:07!

  • This guy is just searching some way to fight, he is ridiculous. If you want to fight, it is your stupid problem, but spoiling Michael's name like you did is not acceptable. I don't want to respond to your comment because it was not serious, but don't involve Michael in the thread like you did ! You don't have any respect for anyone, so avoid making stupid comments like that.

  • Michael can play sweet and he does, but he is clearly focusing more on his scrumptious relationshipped ideas than tone, his growls and overtones accentuate this also, as Coltrane was getting into before he died. THIS, TRULY IS MUSIC

  • But as I mature as a musician, both classically and jazzing, I have learned to love Coltrane as much as I loathed him for his tone early on... and the same with Brecker who has taken Trane to the next level. I HAVE ONE THING TO SAY: LISTEN, adapt, then listen more, and adapt, and you will learn to love the qualities we hated before...

  • I can totally see where you're coming from because I have been there too. (I play sax, clarinet, and piano) Before I listened to Coltrane and thought his tone was shitty from first impressions. Then I learned that was early Trane and he could very well produce incredibly beautiful tone if he wanted... and later he did. He combined beautiful tone with impeccably sick and awesome licks from scales unperformed before (Chopin and Rachmonnonof were touching upon, but masking these ideas in concerts)

  • Makoto Ozone is truly amazing. He has recorded a duet with trombonist Phil Wilson. Does anyone know where to find a CD of this duet ?

  • muy bueno exelente :D

  • Swing it Michael all the way to them pearly gates. Any real musicans knows the deal with his music. If not a musician feel his passion...my god I am speechless when I listen to his exploration and spontaneous direction....

  • A sign of no maturity would be to compare bird,dolphy,Cannonball. Ornette. Your direction may favor one but 30 or 40 years of practice and listening will teach that it is subjective Listen to Dexter After he heard Coltrane as well as Canonball With Coltrane. Great is great I don,t know that much -people have been paying me to play the saxophone fulltime for 40 years. Michael and everyone I mentioned and about 500 other players can,t be compared- that's childish JZ

  • You might be right zangsax1. I didn't like Parker at first. Might take me a while to like Brecker, although, in general, I've never liked instrumental freneticism, even if the player is technically brilliant. To be *musically* brilliant is a different thing.

  • don't disagree with you. Some musicians achieve such a level of mastery that to those of us that have not achieved it- it sounds like technical offerings but after careful listening one realizes it is not that for them -only for us who are still trying to find that freedom from our instruments. Much Love John Z

  • Sorry, not a Brecker fan. Too many fingers, not enough space, or dynamics, or feeling. Perhaps he should have listened to more classical music, like Parker.

  • Additionally, his tenor sounds electrified, rather than natural. I like to hear wood, not plastic and metal. I do hope he's not using one of those plastic reeds. An un-amplified tenor in a smoke-filled room with an acoustic bass is my cup of tea.

  • That's just his tone. Which is probably the most influential since Coltrane's. Anyway, regardless of what you think of his tone, have you ever listened to classical music? Like actual classical music? There is shit all 'space' in that, and there is far less dynamics and feeling. Comparing Brecker to Parker is pointless. Both were revolutionary, it's just one of them actually kept creating after doing one thing. Go to 4:30. No feeling there at all. Devoid of emotions. (sarcasm).

  • you idiot... MICHAEL BRECKER DIDN'T GIVE A FUCK

  • Not sure what you mean by this dannybari, or who you're replying to. I think Brecker did indeed give a very large f* in regards to his music. I agree that when you're up on stage you have to mentally "shut off" so to speak and go on pure intuition, feeling, without consciously thinking too much. In other words, you have to have the feeling of "not giving a f* ", let loose, and go for broke when you actually play.

  • damn dude, people can have their own ignorant opinions, you didn't have to bring in Brecker's name like that. How the fuck is that respecting his memory? If anything, you're the cocksucker.

  • My question wasn't sarcastic. I love Michael Brecker's music. I just want to know what genre of Jazz this is exactly. I get it. What you don't get is the English language. matzl answered my question. "Err, kinda post-HardBop?"

  • I wasn't speaking to you genius.

  • Wow, you really show a lot class and tolerance for others. Can you say elitist?

  • Sure, as long as you can recognize you're fuckin retarded. Now go on about your business you immature little waste of space.

  • 'You are a little self righteous prick. Who gives a shit. All the greats these guys mention wouldn't even engage in this conversation. They are HUMBLE (or were) shut up already..Mr point maker..Get over it and yourslef already..

  • Who the fuck you supposed to be? You're nobody now go practice your flute.

  • listen to piano and saxophone. brainlink from 4:06 - 4:12. Brecker is amazing...

  • it's part of the form. listen to the bass. but f'ing amazing none the less!!!!

  • check out this saxophone player. Search: Whiplash Part 2 Princeton

  • IM 32 years old, I've been a musician since the age of 7..I have NEVR seen anybody play the piano so precisely like this!! Specially between 7:04- 7:15.....And Michael Becker, incredible as always!

  • Have you ever seen the young pianist, Eldar?

  • - sens profond et génial du jazz - phrasé riche, tellurique et magmatique -

  • Happy Jazz! Monk would be proud.

  • HEY EVERONE, I found a pianist, who is so good. She may be even better than Michael...well maybe not that good, but definitly my someday surpass him. Search for "long vent: improv on piano"...Its amazing. Some of the best I've heard on YOUTUBE.

  • Michael Brecker is the tenor player...Makote Ozone plays the piano......you were comparing a pianist to a sax player in terms of skill.

  • I was comparing the musical creativity and improv, not tone or something that varies widely different. Each instrument varies inherently in tone, but a saxophonist and pianist do not inherently have different skills at improv or musical creativity simply because they play different instruments.

  • He's so good. HEY EVERYONE, GO LOOK AT 11SUNCHILD. She makes videos of her piano and they are simply. One day, she'll probably up with John and Michael.

  • after simply, i was supposed to say amazing, but you know, i got ahead of myself

  • ha, all the good ones are dead

  • We've only got Branford Marsalis and Joe Lovano now, IMO.

  • Don't forget Josh Redman and Bob Mintzer.

  • And one more, Dave Liebman.