Cette version Marc Minkowski est formidable, et Mireille Delunsch (ici) et Paul Agnew (Platée) — et toute la distribution — sont formidables : un pur régal !
Cette version Marc Minkowski est formidable, et Mireille Delunsch (ici) et Paul Agnew (Platée) — et toute la distribution — sont formidables : un pur régal !
After hearing Rameau one has a sense of where Berlioz comes from, even if he himself said that Gluck was his primary inspiration, there is no question that something of this affective writing found its way, however coincidentally, into Berlioz's music.
Bach did not write operas but you can have a glimpse of how it would be by listening to some of his secular cantatas, like the Kaffee kantate and others.
For sure, french baroque composers had a great influence on Bach, specially on his keyboard works, but it can also be heard on his vocal works as well.
At he beginning of his career, still in Lünenberg, as young as 15, Bach had already known and studied pieces of composers like Jean-Baptiste Lully, François Couperin and other, being Couperin and the italian Antonio Vivaldi his lifetime greatest favourites.
LA FOLIE.(Seule d'abord, puis avec MOMUS, MERCURE, CITHERON & TOUS LES CHOEURS.) Hymen, hymen, l'Amour t'appelle Prépare à Jupiter une chaîne nouvelle, Viens couronner la nouvelle Junon. PLATEE, à ce mot de nouvelle Junon. Hé, bon, bon, bon. LA FOLIE, MOMUS, MERCURE, CITHERON, TOUS LES CHOEURS, & PLATEE, à différentes reprises. Que la flamme Qui brûle son âme, Allume ton brandon. Hé, bon, bon, bon, Venez tôt, venez donc. Hé, bon, bon, bon. Venez donc.
The performance is, obviously, perfect however, it never ceases to amaze me as to WHY bother with original instruments and authentic performance practices and then not use period costume or ballet movements. In order to bring "new" life to the work? I don't know. But I still enjoyed this video very much and thank you!
This is probably because they need to cater towards a new audience and to be honest after seeing both this version and a version using traditional methods live, i prefer this one.
I saw this for the first time the other day on television and I fell in love with it, the costumes are very beautiful and imaginative. Not to mention I was laughing all the way through it, poor Platée.
At this scene the soloist soprano in the superb role of La Folie is Mireille Delunsch and the others are Laurent Naouri as a Satyr, Franck Leguerinel as Momus, Vincent Le Texier as Jupiter and Paul Agnew in the title role.
The orchestra is Les Musiciens du Louvre conducted by Marc Minkowski.
I love your lute videos and I am intended do buy a six course renaissance lute after George Gerle this year.
wen the guy laughs at 1:29 - 1:30
that was funny ;p
moviegurl16 1 year ago
Cette version Marc Minkowski est formidable, et Mireille Delunsch (ici) et Paul Agnew (Platée) — et toute la distribution — sont formidables : un pur régal !
zarbithechti 1 year ago
Cette version Marc Minkowski est formidable, et Mireille Delunsch (ici) et Paul Agnew (Platée) — et toute la distribution — sont formidables : un pur régal !
zarbithechti 1 year ago
que c'est jouissif. à écouter , et à réécouter.
batoud 1 year ago
Rameau etait un genie!!! Bravo!!
violinhunter2 2 years ago
J'adore! Il est génial Monsieur Rameau!
gabe2ricco 2 years ago
After hearing Rameau one has a sense of where Berlioz comes from, even if he himself said that Gluck was his primary inspiration, there is no question that something of this affective writing found its way, however coincidentally, into Berlioz's music.
Varese52 2 years ago
@Varese52
Rameau and Berlioz have' in common a sense of orchestral colours.
StCorentin 1 year ago
Vive l'opera baroque! Vive Monsieur Rameau!
deLevand 2 years ago 5
this is just so beautiful
fluffynamedkimba 3 years ago 2
Est-ce que c'est la scene de la finale de l'opera?
Is it a final scene of this opera?
E la scena della finale di quest'opera?
Czy to jest scena z finału tej opery?
deLevand 3 years ago
No, it is the end of the second act. There is still much more of the opera after that scene.
mgpoliveira 3 years ago
Comment removed
taxiride1 2 years ago
if only Bach wrote opera...
wolfgang7445 3 years ago
Bach did not write operas but you can have a glimpse of how it would be by listening to some of his secular cantatas, like the Kaffee kantate and others.
mgpoliveira 3 years ago
And from some of his pieces it's apparent that Bach was a huge Rameau fan ...
reinpost 3 years ago
For sure, french baroque composers had a great influence on Bach, specially on his keyboard works, but it can also be heard on his vocal works as well.
At he beginning of his career, still in Lünenberg, as young as 15, Bach had already known and studied pieces of composers like Jean-Baptiste Lully, François Couperin and other, being Couperin and the italian Antonio Vivaldi his lifetime greatest favourites.
mgpoliveira 3 years ago
@mgpoliveira He considered opera beneath him.
P1B1U1H1 1 year ago
azerty123 3 years ago 5
Merci de joindre une partie du livret.
YSeitek 3 years ago
en réponse à azerty23 pour les paroles :)
YSeitek 3 years ago
amazing! which opera ??
ilgiardinobarocco 3 years ago
Platée (as stated in the title of the video) by Rameau
azerty123 3 years ago
incredibly wonderful!!!!!! no end for the beauty!
ricardofrantz 3 years ago 3
NO WORDS. DIVINE.
BABAORILEY282 3 years ago 2
This has been flagged as spam show
hardly is divine not a word retardos muslim jew sucker gay
taxiride1 3 years ago
GLOIRE A RAMEAU !
StCorentin 4 years ago 2
i just love her...!!!
thanx
karenmaresa 4 years ago
the hymen is a myth
LubaLoveMe 4 years ago
Rameau had a great sense of humor in this ballet bouffon. The "he bon bon bon" part was quite hilarious.
Poor Platee, caught up in this sham marriage.
GoldenAwakening 4 years ago
The performance is, obviously, perfect however, it never ceases to amaze me as to WHY bother with original instruments and authentic performance practices and then not use period costume or ballet movements. In order to bring "new" life to the work? I don't know. But I still enjoyed this video very much and thank you!
NorbertZF 4 years ago 3
This is probably because they need to cater towards a new audience and to be honest after seeing both this version and a version using traditional methods live, i prefer this one.
couperin102 4 years ago 3
I saw this for the first time the other day on television and I fell in love with it, the costumes are very beautiful and imaginative. Not to mention I was laughing all the way through it, poor Platée.
firefly467 4 years ago
I could watch this 1000 times, and It'd still not be enough. Mireille Delunsch is a goddess.
skaeggo 4 years ago 4
Platée, opera comique by Jean-Philippe Rameau.
At this scene the soloist soprano in the superb role of La Folie is Mireille Delunsch and the others are Laurent Naouri as a Satyr, Franck Leguerinel as Momus, Vincent Le Texier as Jupiter and Paul Agnew in the title role.
The orchestra is Les Musiciens du Louvre conducted by Marc Minkowski.
I love your lute videos and I am intended do buy a six course renaissance lute after George Gerle this year.
mgpoliveira 4 years ago
Thanks for the infos. About six courses after Gerle, I play one (on Capirola for example), in A, 55cm of diapason. Very nice and clear instrument.
;-)
Luthval 4 years ago
You said that you play a lute after Gerle in A. Is not the usual tuning for this intrument in G?
mgpoliveira 4 years ago
Excellent ! name of the orchestra, singers and director ???
Thanks for posting such a jewel...
Val
Luthval 4 years ago