Magnificent--I love the brilliance in her voice, and appreciate the absence of heavy chesty vocal production. Her voice actually has the heft without having to beef it up in other ways. Fabulous!
Magnificence--I love the brilliance in her voice, and appreciate the absence of heavy chesty vocal production. Her voice actually has the heft without having to beef it up in other ways. Fabulous!
I think she is one of the best mezzo's over, but I really do not like her shrill, thinnish soprano high register. Gladly she left the soprano repertoire sooner than later, discovering that singing Abigail and Lady MacBeth did not do her voice any good. Listen to her studio recordings of Verdi soprano arias, It really is not good, flat and shrill. But as Amneris few will be her equal
I LOVE this! What a mezzo-soprano, -what a register, and what a technique! And it sounds and looks so effortless, yet knowing it's real hard work. Great!
La ottima e meravigliosa Cossotto è probabilmente, come meteriale di partenza, un soprano drammatico scuro scuro... ma le vibrazioni sono sopranili. Anche nel Macbeth ovviamnte non può che eccellere-
Fiorenza Cossotto sei meravigliosaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!!!!!!!!!!!!!!!!!!!!!Mi fai venire i brividi!!!!!!!
calcolando che la Cossotto è un mezzo soprano,dobbiamo pensare a come ha interpretato quest'aria.L'emissione chiara e pulita,gli acuti sicuri e squillantissimi,ottimo coinvolgimento psicologico del personaggi ed una tecnica sopraffina e solidissima.MERAVIGLIOSA PER SEMPRE.......
sono convinto che eternauta72 non abbia alcuna vera cognizione di canto, di voci e di opera. nonostante questo, però, penso che gli insulti che qualcuno gli ha messo per iscritto siano un grande segno di inciviltà e controproducenti. inoltre ripagano con volgarità la funzione benemerita di you tube, al quale chiunque ami la musica deve molto... un po' di decenza, per favore.
This comment has received too many negative votesshow
Cossotto e una soprano engolata che fingere essere mezzo.Gli acuti della Cossotto sono come gli acuti d' uno sorpano mozartiano...Cossotto! Vada a cantare il Cherubino!! ma non Verdi!
Sorry, but don't you think you are being quite rude and unpleasant with Fiorenza Cossotto? Everyone can notice that you don't like her, but there is no need for you to bash her like this. She is not for everybody's taste and no one is forcing you to like her, but she had a great career, worked with the greatest conductors and singers and is recognized by many as one of the greatest mezzo-soprano of her generation and she deserves respect.
In the video that you mentioned (the Judgement Scene in Japan), Cossotto is 71 years old and it may not be her best performance and, yes, maybe she should have retired, but don't you think that classify it as "..he most shameful, awful, creepy and nasty play of all the opera history" is a bit to much? Opera history is full of great singers who didn't retire on right time, and in the other side, it shows their huge love for the stage.
There are singers who I personally don't like too, it's more than normal for it to happen, but never crossed my mind to talk about them like you are talking about Fiorenza, because it's not their fault that I don't like them, it's simply a matter of taste.
I am quite astonished at the vehemence!I have read your comments on her Japan concerts from last year. And I agree with you on one point : She is in vocal decline.But do not focus just on this aspect of her career look at the global career of one of the most outstanding mezzo's in the 20th Century. Ask any singer of respect today and they will attest to the greatnes of this womans art.More rationale and intellect and less vile would be better considered.
she is 72 yo in that video..i would sure like to see you do it at her age....even now you probably cant do anything opera related besides criticising great singers...
The fans of Cossotto named her IL CANNONE becasue her voice power; cañon las pelotas!! siempre fue asopranda y de un timbre horrendo! Dove e IL CANNONE? Io ascolto soltanto uno piccolo pistoletto! hahaha
Putting aside the fact that you're behaving much like an internet troll, I have to say that's a most inane comment. This is not the Cossotto that became, as you say, IL CANNONE, for that you should see, say, her Azucena. This is Cossotto trying to sing outside her register - and she does it wonderfully, might I add. This is not THE Cossotto. Fancy you not knowing that, who you are so bent on defacing her image and career with flimsy arguments.
i'm not sure i understand you...cosotto is probably the most famous amneris there is. she made a career on this role. are you saying its creepy and nasty?
Jajaja...como salto el tano para defender a la Cossotto! No hay nada peorrrrr que le toquen una diva a un fan...mas si el fan es "una loca" como decimos en la Argentina! jajaja...sobre todo cuando le pones en jaque el registro de la misma...por algo saltó asi...será que dolió el comentario...lo lamento, no me pienso retractar...es lo que pienso...
I am a OperA vOCAL cOACH and I really think that Christa Ludwig's Lady Macbeth is much better than Cossotto's one...Ludwig is a mezzo-soprano two, but have more sharpness, more colour and more fullness of voice than Cossotto.I find Cossotto a voice without a REAL mezzo colour; not the dramatic colour of a Ludwig,Obraztsova,Nicolai,Elmo,Barbieri or Terentieva even.Even in Tebaldi´s Met Gioconda, Cossotto has less colour than Tebaldi itself! So,is Cossotto a true mezzo or is a soprano Manquée?
Obraztsova: portamenti insopportabili che compromettono spesso l'intonazione !! e grida SI La Obraztsova grida come un cane.Obraztsova acuto è calato o non è ? SI è calato.
why does one have to be better than the other,,,,and if you really do like christa "better" than it might be better to go to her video and compliment her there. i understand you do have right to an opinion but then i do too ....i'm tired of the bashing....cosotto is brilliant her and i;m sure ludwig is equally brilliant
This is an extraordinary Lady on the league of Callas, Souliotis, Sass, and Dimitrova.
Only these five singers gave unique interpretations which imbued a menacing viciousness within the character that would ice the blood of anyone who would be foolhardy enough to attempt to get in their way.
Another stunning tour de force performance by Miss Cossotto.
lovvvvvvv'
c une des plus grandes et une référence pour bcp de nous grands ou petits
amneris54 1 month ago
Non mi piace. La voce suona troppo lirica e poco aggressiva.
ferrykalos 8 months ago
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Magnificent--I love the brilliance in her voice, and appreciate the absence of heavy chesty vocal production. Her voice actually has the heft without having to beef it up in other ways. Fabulous!
franceseattle 11 months ago
Magnificence--I love the brilliance in her voice, and appreciate the absence of heavy chesty vocal production. Her voice actually has the heft without having to beef it up in other ways. Fabulous!
franceseattle 11 months ago
not bad as i thought it was going to be....
TerrancePogue 1 year ago
I like how she forgets at 9:19 that for the recording take she sang all the notes before the coloratura to the high b ending the aria.
mrlammermoor 1 year ago
I think she is one of the best mezzo's over, but I really do not like her shrill, thinnish soprano high register. Gladly she left the soprano repertoire sooner than later, discovering that singing Abigail and Lady MacBeth did not do her voice any good. Listen to her studio recordings of Verdi soprano arias, It really is not good, flat and shrill. But as Amneris few will be her equal
robertdonkers 1 year ago
I LOVE this! What a mezzo-soprano, -what a register, and what a technique! And it sounds and looks so effortless, yet knowing it's real hard work. Great!
sivoda 1 year ago
La ottima e meravigliosa Cossotto è probabilmente, come meteriale di partenza, un soprano drammatico scuro scuro... ma le vibrazioni sono sopranili. Anche nel Macbeth ovviamnte non può che eccellere-
agladd 2 years ago
Fiorenza Cossotto sei meravigliosaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!!!!!!!!!!!!!!!!!!!!!Mi fai venire i brividi!!!!!!!
operaclassicc 2 years ago
calcolando che la Cossotto è un mezzo soprano,dobbiamo pensare a come ha interpretato quest'aria.L'emissione chiara e pulita,gli acuti sicuri e squillantissimi,ottimo coinvolgimento psicologico del personaggi ed una tecnica sopraffina e solidissima.MERAVIGLIOSA PER SEMPRE.......
marcobenve 2 years ago
i like cossoto very much actually but i dont think this is for her...nice to listen to her doing it..but just for curiosity...
andrecueca 2 years ago
Cossoto è e resterà un fenomeno straordinario del canto. Un vero artista come si non fa più. Su scena, era grandioso!
marioj34 2 years ago 4
she always tended to act as a silent movie actress, and lyp-synching actually emphasizes that...
xafnndapp 2 years ago
dommage que la direction d'orchestre soit si lente !
drodde5607 3 years ago
pas du tout, la direction est bien dans le tempo indiqué.
ritrovoil 2 years ago
sono convinto che eternauta72 non abbia alcuna vera cognizione di canto, di voci e di opera. nonostante questo, però, penso che gli insulti che qualcuno gli ha messo per iscritto siano un grande segno di inciviltà e controproducenti. inoltre ripagano con volgarità la funzione benemerita di you tube, al quale chiunque ami la musica deve molto... un po' di decenza, per favore.
carlogic1953 3 years ago
@carlogic1953 e lei chi parla di:"decenza"?
E proprio lei che dà "lezioni" di "decenza" dopo avermi insultato senza nessuna ragione?
E proprio lei che parla di canto e di educazione?!?!?
Mi aveva offeso senza nessuna ragione!
Lei é un maleducato che si permette di "regalare" insulti a sinistra e a destra!
Vai à scuola e impara le buoni manieri!
Vai e smetti di aggredire gente simpatica!
Viviamo nella libertà della espressione e della "emozione"!
Ritorna nella scuola media musicale,buffone.
bodiloto 9 months ago
perfect!
nadopera90 3 years ago
This comment has received too many negative votes show
Cossotto e una soprano engolata che fingere essere mezzo.Gli acuti della Cossotto sono come gli acuti d' uno sorpano mozartiano...Cossotto! Vada a cantare il Cherubino!! ma non Verdi!
eternauta72 3 years ago
And Corelli was really a bass-baritone.
Happy? Now we've both posted dubious opinions as though they were true. But guess what? That's not enough to make them true.
PedroPiresTrovatore 3 years ago 3
This comment has received too many negative votes show
Ma vatene a fanculo figlio della mignota.FINOCCHIO.
Dov'è il tuo profile eternauta72
trombarecosi 3 years ago
e tu vai a cagare
operaclassicc 2 years ago
I invite all of you to see Cossotto on Tokyo last year...on Amneris...here in youtube and you will see her voice decadence...
eternauta72 3 years ago
Sorry, but don't you think you are being quite rude and unpleasant with Fiorenza Cossotto? Everyone can notice that you don't like her, but there is no need for you to bash her like this. She is not for everybody's taste and no one is forcing you to like her, but she had a great career, worked with the greatest conductors and singers and is recognized by many as one of the greatest mezzo-soprano of her generation and she deserves respect.
LadyArmide 3 years ago
In the video that you mentioned (the Judgement Scene in Japan), Cossotto is 71 years old and it may not be her best performance and, yes, maybe she should have retired, but don't you think that classify it as "..he most shameful, awful, creepy and nasty play of all the opera history" is a bit to much? Opera history is full of great singers who didn't retire on right time, and in the other side, it shows their huge love for the stage.
LadyArmide 3 years ago
There are singers who I personally don't like too, it's more than normal for it to happen, but never crossed my mind to talk about them like you are talking about Fiorenza, because it's not their fault that I don't like them, it's simply a matter of taste.
LadyArmide 3 years ago
I am quite astonished at the vehemence!I have read your comments on her Japan concerts from last year. And I agree with you on one point : She is in vocal decline.But do not focus just on this aspect of her career look at the global career of one of the most outstanding mezzo's in the 20th Century. Ask any singer of respect today and they will attest to the greatnes of this womans art.More rationale and intellect and less vile would be better considered.
senilangakali 3 years ago
she is 72 yo in that video..i would sure like to see you do it at her age....even now you probably cant do anything opera related besides criticising great singers...
andrecueca 2 years ago
You think she's 72 in the video? I seriously doubt
that...late 40's, early 50's maybe. The studio
album was recorded in 1976, Riccardo Muti
conducting. Personally, I like her performance
here.
Jeanne90275 2 years ago
Andrecueca was talking about another video, the one from Tokyo where Cossotto is indeed 71/72 years old, not this one here.
LadyArmide 2 years ago
Comment removed
andrecueca 2 years ago
The fans of Cossotto named her IL CANNONE becasue her voice power; cañon las pelotas!! siempre fue asopranda y de un timbre horrendo! Dove e IL CANNONE? Io ascolto soltanto uno piccolo pistoletto! hahaha
eternauta72 3 years ago
Putting aside the fact that you're behaving much like an internet troll, I have to say that's a most inane comment. This is not the Cossotto that became, as you say, IL CANNONE, for that you should see, say, her Azucena. This is Cossotto trying to sing outside her register - and she does it wonderfully, might I add. This is not THE Cossotto. Fancy you not knowing that, who you are so bent on defacing her image and career with flimsy arguments.
PedroPiresTrovatore 3 years ago
Ti piace la Cossotto?
I specially invite you to see her here in youtube: put in the search bar:
Fiorenza Cossotto "Ohime, morir mi sento" Part2
and will appear the most shameful, awful, creepy and nasty play of all the opera history...
eternauta72 3 years ago
This comment has received too many negative votes show
Meglio la grandissima Fiorenza un puo in declino , lei è la voce di Verdi e no la rusa.Obraztsova non è una grande cantante, veramente fa schiffo.
eternauta72.Dov'è il tuo profile ? maledetto finocchio
trombarecosi 3 years ago
i'm not sure i understand you...cosotto is probably the most famous amneris there is. she made a career on this role. are you saying its creepy and nasty?
DivaDeb1234 3 years ago
Jajaja...como salto el tano para defender a la Cossotto! No hay nada peorrrrr que le toquen una diva a un fan...mas si el fan es "una loca" como decimos en la Argentina! jajaja...sobre todo cuando le pones en jaque el registro de la misma...por algo saltó asi...será que dolió el comentario...lo lamento, no me pienso retractar...es lo que pienso...
eternauta72 3 years ago
I am a OperA vOCAL cOACH and I really think that Christa Ludwig's Lady Macbeth is much better than Cossotto's one...Ludwig is a mezzo-soprano two, but have more sharpness, more colour and more fullness of voice than Cossotto.I find Cossotto a voice without a REAL mezzo colour; not the dramatic colour of a Ludwig,Obraztsova,Nicolai,Elmo,Barbieri or Terentieva even.Even in Tebaldi´s Met Gioconda, Cossotto has less colour than Tebaldi itself! So,is Cossotto a true mezzo or is a soprano Manquée?
eternauta72 3 years ago
Cossotto soprano mancata ? Cretino! stronzo.
this is the most nonsense thing written in this website
trombarecosi 3 years ago
Ti piace la rusa .
Obraztsova: portamenti insopportabili che compromettono spesso l'intonazione !! e grida SI La Obraztsova grida come un cane.Obraztsova acuto è calato o non è ? SI è calato.
trombarecosi 3 years ago
why does one have to be better than the other,,,,and if you really do like christa "better" than it might be better to go to her video and compliment her there. i understand you do have right to an opinion but then i do too ....i'm tired of the bashing....cosotto is brilliant her and i;m sure ludwig is equally brilliant
DivaDeb1234 3 years ago
Has anyone ever heard Cossotto in the sleepwalk scene?
mm9913 3 years ago
A pity that she didn't try it on stage, live!
foropera 3 years ago
Very, very good, Fiorenza. Powerful and beuatiful. Che Lady di granbdezza!!!!!
PapagenoHannover 3 years ago
She never performed the role on stage? What a shame! She storms through the coloratura after all those awkward leaps so easily
aquax9 3 years ago
Fiorenza è una grande! ma perché usa la corona se non è ancora regina nella trama?!
eboli1000 4 years ago 3
questa è una cantante.... FIORENZA COSSOTTO ovvero una delle piu belle voci d tutti i tempi
niobe4 4 years ago 2
I have this performance on vinyl too. I seem to remember a lot of criticism of it, which still seems rather unfair...I find it most effective.
periodictable47 4 years ago 2
This is an extraordinary Lady on the league of Callas, Souliotis, Sass, and Dimitrova.
Only these five singers gave unique interpretations which imbued a menacing viciousness within the character that would ice the blood of anyone who would be foolhardy enough to attempt to get in their way.
Another stunning tour de force performance by Miss Cossotto.
crewmantle 4 years ago
AH! NOW, it makes sense to me. Hahaha, please!
courtneybaritone01 4 years ago
It contents me to no end to enlighten nobodies about the art form which is opera.
crewmantle 4 years ago
add to the list Verrett and Bumbry.
mm9913 3 years ago
Semplicemente divina! Il più grande messosoprano/soprano del mondo!
lantis323f 4 years ago
She spits out those Italian consonants like very few other Ladies.
Orfeus80 4 years ago
I have the recording on disc, and I always wondered how it would seem on screen. It's beautiful! She could have been a great Lady Macbeth on stage.
AmatureComposer 4 years ago 2