I once hit that High A, live onstage, in her pitch, (in Falsetto, of course), but now, I reckon the Highest I could get in Falsetto'd be the Middle F, at about thirty seconds in.
It's not the same to have 4 or more octaves range and that your highest notes suck and can hardly be heard, than to have a 3 octaves range FULL OF MAGNIFICENT UNHUMAN POWER like La Divina, even in her highest notes she paralizes you!!
@SsteinwayS hi are you going to be doing this kind of video/recording for notable male voices too? the basses, baritones and tenors throughout recorded history
@brayanm787 Ummm no she didn't. :P And she's not alive anymore, unfortunately. Though she had one of the most incredible and probably the most unique voices in the world!
@baritonebynight Just like singers like Bartoli & Fleming have them but rarely use them...it's not a comfortable region for their voices and usually there is not much opportunity to use them in the repertoire they sing. Plus for Callas the high register was not particularly "pretty"...
I HAVE RARELY HEARED SUCH A CLEVER AND GLORIOUS TRIBUTE ABSOLUTELY THAT WAS TERRIFIC!!!!!!!!!! DO ONE FOR JOAN SUTHERLAND IF YOU NEED A HIGH F FROM JOAN DONT FORGET THE IMPRESSAIRION BY MOZART AND OF COURSE THE OZITTRE NICHT FROM ZAUBERFLOTE GOOD JOB MY FRIEND!
And this is only what is recorded; Renata Scotto and Elvira de Hidalgo testified that Callas could sing the top G with the same huge voice. And when we hear her masterclasses, she sometimes sing around the low D, so, the total is: 3 octaves and a half !
@mellynumerounoo Why should it matter? It's how she uses the rest of her voice that we care about :) But people rumour that she sang high F, but I don't think it's true and plus, high notes aren't everything anyway! She things the mezzo repertoire phenomenally...I like Callas's low notes much more! :P
@vandikofilos "Lakmé" by Léo Délibes...the Italian version of the "Bell aria" from that opera. High E! And normally light, high colouratura repertoire! To think she sang this as well as Puccini, Wagner...Gluck, Mozart...Callas was encyclopedic!!
Bothersome of me to comment again, but I have to say this video has become indispensable as a way to understand Callas' voice and her range - and I'm speaking as someone who is obsessed with opera but can't read music. I've determined what three of the recordings are - the high D, Eb and E natural, and I'm trying to figure out the rest.
@gustopheles Not at all! Your comment really made my day! Feel free to ask! High D is as Rosina in Rossini's "Il barbiere di Siviglia" with Tito Gobbi, high D-flat is from the Italian version of "Ombre légère" (Ombra Leggiera) from Meyerbeer's "La pardon de Ploermel"/"Dinorah" and the E is from the Italian version of Délibes "Clock song" ("Ou va la jeune Hindoue") from Lakmé. :) Something interesting is that I tried include pictures of Callas in the role she was singing whenever possible :)
@SsteinwayS Yes and I think the E flat is from a 1959 recording of "Spargi D'amaro Pianto". I can't figure out the year of the high D. I think It's from a 1958 "Fortunati affetti miei", but her voice sounds insanely strong, like a lazer, and I wouldn't have guessed she would be in such great voice that year, considering she was starting to lose her high notes in the late 50s.
I LOVE the pictures you chose - I haven't seen most of them, and always the shots of her as Medea are astonshing.
@gustopheles Yep I you're correct about Lucia...it's with Serafin conduting...and the high D is from "Dunque io son" from a 1957 performance in London :) Thank you! I spent a lot of time gathering them from various sources :) Medea is INCREDIBLE...as usual!
@cariston1950 Good question! If you listen to her voice, her low notes have a distinct, strong quality to them very different to her more gentle middle range, different again from her piercing high notes. Each part of her voice has a very distinct character, but of course the way she colours her voice in each register in a particular aria or phrase changes the sound too...but I think her voice naturally had very distinct regions, almost like three voices put together!
@eliaschcjs Well...I didn't include it because it's such bad quality and also it's supposed to be a high E at that point in the opera, so it's doubtful it actually is a high F. I would have included it, but I thought the high E from Lakme would make a better ending :)
Well, her Lucia has always remained one of her most affecting roles...and every glance, every gesture she made came from her very SOUl - that is the core of the magic La Divina - her incredible, incredible soul!!
Hahaha...you said that "The picture shown just before the last (Medea) gives me the goosebumps every time I look at it."...and it happened to be Lucia...I was just so happy that you were touched by even a photograph of her in one of her best roles!
I once hit that High A, live onstage, in her pitch, (in Falsetto, of course), but now, I reckon the Highest I could get in Falsetto'd be the Middle F, at about thirty seconds in.
CockneyRebel1979 4 weeks ago
What year is the high Eb from in the Lucia recording?
caltrask51 1 month ago
@caltrask51 I believe it's the 1959 studio recording, if I remember correctly...
SsteinwayS 2 weeks ago
CALLAS 3 OCTVS,, YMA SUMAC 5 OCTVS
lalox3001 1 month ago
@lalox3001 But Yma is not an opera singer, the instruments are completely different...
SsteinwayS 2 weeks ago
It's not the same to have 4 or more octaves range and that your highest notes suck and can hardly be heard, than to have a 3 octaves range FULL OF MAGNIFICENT UNHUMAN POWER like La Divina, even in her highest notes she paralizes you!!
LacrimaLunaMortua 2 months ago
@LacrimaLunaMortua So true!
SsteinwayS 2 weeks ago
upper range sounds as if stepping on cats tail and wobble all over the place
she had about four good notes
dziady1 2 months ago
amazing voice
childofthe70s2 2 months ago
@SsteinwayS hi are you going to be doing this kind of video/recording for notable male voices too? the basses, baritones and tenors throughout recorded history
please consider it :)
loko2468 2 months ago
@loko2468 I will, but I am so incredibly busy with life, and with answering all these comments! :) We'll see... :)
SsteinwayS 2 months ago
Hey guys, witch of them are chest notes? I mean notes between (on piano D5-B5)
Plz respond! Ive always interested aboutvocal range, thx!
Rafka20111 2 months ago
The Best Anna Bolena !!!
aynottdead 2 months ago
I think she had more than 3! 1000!!
anteaus71 2 months ago
@anteaus71 Maybe! This is all that was recorded at least!
SsteinwayS 2 months ago
the one and only
Pjotr1414 3 months ago
She could have had a career :). Hehehe...
TheWisemonkey8 4 months ago
Would have thought her voice went lower than G2 (doesn't sound like an F sharp to me)
Kibouo 5 months ago
Incredibilie, but true. Grazie for sharing.
TheDianabana 5 months ago
@@
deville49 5 months ago
Used in a post on my blog about Callas' vocal range. Thanks so much for creating
divadevotee 5 months ago
@divadevotee Oh wonderful! You're welcome! :)
SsteinwayS 2 months ago
she had an ugly voice,never liked her.
hobo1975 5 months ago
@hobo1975 This is what I thought first listening to her, but over the years, I realized that she is so much more than just the voice...
SsteinwayS 2 months ago
There is no High B--High B is above High A, above High F...hehe...Mado Robin has High B
Doooku 6 months ago
@Doooku But Callas has the power and the fire...
SsteinwayS 5 months ago 11
@SsteinwayS
yes
Doooku 5 months ago
Comment removed
brayanm787 6 months ago
@brayanm787 Ummm no she didn't. :P And she's not alive anymore, unfortunately. Though she had one of the most incredible and probably the most unique voices in the world!
SsteinwayS 5 months ago
F#3-E6 isn't 3 octaves, it's almost 3 octaves xD
JJLopesz 6 months ago
@JJLopesz Hahaha...it's rumoured Callas could sing high F too! :P
SsteinwayS 6 months ago
@SsteinwayS I'm sure she had top F and F#, but she chose not to use them in public.
baritonebynight 6 months ago
@baritonebynight Just like singers like Bartoli & Fleming have them but rarely use them...it's not a comfortable region for their voices and usually there is not much opportunity to use them in the repertoire they sing. Plus for Callas the high register was not particularly "pretty"...
SsteinwayS 5 months ago
really amazing video!
ferrykalos 7 months ago
@ferrykalos Thank you! :)
SsteinwayS 6 months ago
I HAVE RARELY HEARED SUCH A CLEVER AND GLORIOUS TRIBUTE ABSOLUTELY THAT WAS TERRIFIC!!!!!!!!!! DO ONE FOR JOAN SUTHERLAND IF YOU NEED A HIGH F FROM JOAN DONT FORGET THE IMPRESSAIRION BY MOZART AND OF COURSE THE OZITTRE NICHT FROM ZAUBERFLOTE GOOD JOB MY FRIEND!
MrStpendouslvforjo 7 months ago
@MrStpendouslvforjo Thank you! I will try to do more when I have the time!
SsteinwayS 6 months ago
My ears exploded at 1:16.
iwantwatermellon 7 months ago 3
@iwantwatermellon Hahaha!
SsteinwayS 6 months ago
It's amazing..but how could it not be?...it's Callas
profgv2011 8 months ago 2
@profgv2011 Sounds like a great advertisement...too bad Callas was...priceless! :)
SsteinwayS 8 months ago 2
Fabulous job! Brava to you and to Callas' gift!
voceangelo 9 months ago
@voceangelo Thank you! Callas takes all the credit! :P
SsteinwayS 8 months ago 2
....wow....Thanks for taking the time to make this :D And labeling what opera it's all from...amazing...simply amazing.
magicmonkichi 9 months ago
@magicmonkichi No problem...a very cool project to do :)
SsteinwayS 8 months ago
And this is only what is recorded; Renata Scotto and Elvira de Hidalgo testified that Callas could sing the top G with the same huge voice. And when we hear her masterclasses, she sometimes sing around the low D, so, the total is: 3 octaves and a half !
bpicaud1 10 months ago
@bpicaud1 I know...truly astonishing!
SsteinwayS 10 months ago
Comment removed
gustopheles 9 months ago
@bpicaud1 The low D - do you know in which masterclass recording she sang it?
gustopheles 9 months ago
@gustopheles No!!! I did not know that! Super cool...she did do masterclasses with tenors and baritones too, after all...
SsteinwayS 8 months ago
@bpicaud1
Wow, Callas singing a G, these was magnum!!
Alleeexoscm 9 months ago
@Alleeexoscm Yes, definitely!
SsteinwayS 8 months ago
1:15 amazing
Cleoxxxx 10 months ago
@Cleoxxxx 1:15 or the whole thing? lol...what a voice!
SsteinwayS 10 months ago 4
Excellent job on the editing of the video! love it! Thanks for sharing!
flako1983 11 months ago 3
@flako1983 Aww you're welcome! And thank YOU for the nice comment!
SsteinwayS 11 months ago
This is SO FREAKING COOL!!!!
lekkerejongen 11 months ago
@lekkerejongen Merci! :)
SsteinwayS 11 months ago
Really got a kick out of that! Great job! Viva Callaa!
Paddy818 11 months ago
@Paddy818 Yes definitely! Viva Callassss!
SsteinwayS 11 months ago
ci credo che a 40 anni non aveva più voce! °_°
0137890 1 year ago
@bconsitt Too true...it's a voice that is so much more than just a voice!
SsteinwayS 1 year ago 4
she stops at E6?
mellynumerounoo 1 year ago
@mellynumerounoo Why should it matter? It's how she uses the rest of her voice that we care about :) But people rumour that she sang high F, but I don't think it's true and plus, high notes aren't everything anyway! She things the mezzo repertoire phenomenally...I like Callas's low notes much more! :P
SsteinwayS 1 year ago
This video gave me chills on how equally and strongly was supported by her - no thin weak tones, from top to bottom the same power
LohengrinT 1 year ago
@LohengrinT Pure power...
SsteinwayS 1 year ago
You've done a fine job compiling these. Thanks for that!
CuddlyBadger 1 year ago
@CuddlyBadger Oh thank you *blush*! And you're welcome! :)
SsteinwayS 1 year ago
what's the last one?
vandikofilos 1 year ago
@vandikofilos "Lakmé" by Léo Délibes...the Italian version of the "Bell aria" from that opera. High E! And normally light, high colouratura repertoire! To think she sang this as well as Puccini, Wagner...Gluck, Mozart...Callas was encyclopedic!!
SsteinwayS 1 year ago
@SsteinwayS
She was an Assoluta ;)
primohomme 1 year ago
@primohomme She could do everything! Super-woman! :P
SsteinwayS 1 year ago
excellent video!!!
ezev8logos 1 year ago
@ezev8logos Thank you! :) Glad you enjoyed it!
SsteinwayS 1 year ago
bravaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
marylambcarter 1 year ago
@marylambcarter And now we know why she's La Divina... :)
SsteinwayS 1 year ago
Callas had much better and impressive high E flat's and high E to hear...
Levomerin85 1 year ago
@Levomerin85 They are amazing, aren't they!
SsteinwayS 1 year ago
Bothersome of me to comment again, but I have to say this video has become indispensable as a way to understand Callas' voice and her range - and I'm speaking as someone who is obsessed with opera but can't read music. I've determined what three of the recordings are - the high D, Eb and E natural, and I'm trying to figure out the rest.
Thanks again!
gustopheles 1 year ago
@gustopheles Not at all! Your comment really made my day! Feel free to ask! High D is as Rosina in Rossini's "Il barbiere di Siviglia" with Tito Gobbi, high D-flat is from the Italian version of "Ombre légère" (Ombra Leggiera) from Meyerbeer's "La pardon de Ploermel"/"Dinorah" and the E is from the Italian version of Délibes "Clock song" ("Ou va la jeune Hindoue") from Lakmé. :) Something interesting is that I tried include pictures of Callas in the role she was singing whenever possible :)
SsteinwayS 1 year ago
@SsteinwayS Yes and I think the E flat is from a 1959 recording of "Spargi D'amaro Pianto". I can't figure out the year of the high D. I think It's from a 1958 "Fortunati affetti miei", but her voice sounds insanely strong, like a lazer, and I wouldn't have guessed she would be in such great voice that year, considering she was starting to lose her high notes in the late 50s.
I LOVE the pictures you chose - I haven't seen most of them, and always the shots of her as Medea are astonshing.
gustopheles 1 year ago
@gustopheles Yep I you're correct about Lucia...it's with Serafin conduting...and the high D is from "Dunque io son" from a 1957 performance in London :) Thank you! I spent a lot of time gathering them from various sources :) Medea is INCREDIBLE...as usual!
SsteinwayS 1 year ago
Thank you so so so much fro this! She really deserved to have this kind of video!
zurriussII 1 year ago 2
@zurriussII No problem! :) I think it's time we heard her full range! It's incredible!
SsteinwayS 1 year ago
I love how her vibratto grows increasingly wider, the higher she sings. And that E natural at the end - amazing!
gustopheles 1 year ago
@gustopheles Trademark Callas :) She had a glorious voice!
SsteinwayS 1 year ago
Amazing.
WestVoice 1 year ago
@WestVoice Ditto!
SsteinwayS 1 year ago
Armida Armida Armida... you have to include it!
TheSuperChrisMark 1 year ago
@TheSuperChrisMark It's not really a high F!! Plus, the recording quality sucks...the Lakmé high E makes a much a better ending :)
SsteinwayS 1 year ago
Genius, both Callas and this video maker :)
mozarthaydn 1 year ago
@mozarthaydn Aww thank you :) Madame Callas deserves all the credit though! :)
SsteinwayS 1 year ago
very interesting!!
belcunto 1 year ago
@belcunto Interesting indeed!
SsteinwayS 1 year ago
Comment removed
cariston1950 1 year ago
@cariston1950 Good question! If you listen to her voice, her low notes have a distinct, strong quality to them very different to her more gentle middle range, different again from her piercing high notes. Each part of her voice has a very distinct character, but of course the way she colours her voice in each register in a particular aria or phrase changes the sound too...but I think her voice naturally had very distinct regions, almost like three voices put together!
SsteinwayS 1 year ago
there is an top F above the top C in Armida
eliaschcjs 1 year ago
@eliaschcjs Well...I didn't include it because it's such bad quality and also it's supposed to be a high E at that point in the opera, so it's doubtful it actually is a high F. I would have included it, but I thought the high E from Lakme would make a better ending :)
SsteinwayS 1 year ago
thanks for this.. are there any other videos like this?
she is the best..
CyprusHot 1 year ago
@CyprusHot I did one with Natalie Dessay's 3 octaves :)
SsteinwayS 1 year ago
Low Bb is Bb2?
Whistlelover14 1 year ago
Ummm...no...that would belong to a bass...it would be Bb3 I believe :)
SsteinwayS 1 year ago
The picture shown just before the last (Medea) gives me the goosebumps every time I look at it.
tneprescintr 1 year ago 2
Well, her Lucia has always remained one of her most affecting roles...and every glance, every gesture she made came from her very SOUl - that is the core of the magic La Divina - her incredible, incredible soul!!
SsteinwayS 1 year ago
@SsteinwayS I can't remember what I wrote... so I can't really reply. Though I believe I have no negative thoughts on callas' lucia
tneprescintr 1 year ago
Hahaha...you said that "The picture shown just before the last (Medea) gives me the goosebumps every time I look at it."...and it happened to be Lucia...I was just so happy that you were touched by even a photograph of her in one of her best roles!
SsteinwayS 1 year ago
really nice video! Good job Mr Watson! ^^
DessayBestSingerII 1 year ago
Merci, merci, Sherlocka! :)
SsteinwayS 1 year ago
Simply incredible
sapemi08 1 year ago 2
That's why she's La Divina! :)
SsteinwayS 1 year ago
Brava!
DanBarthy 1 year ago 2
x2!!!
SsteinwayS 1 year ago
great video, excellent choice of clips :)
turnipoverlord 1 year ago 2
Thank you! I tried to cover most of her renowned roles :)
SsteinwayS 1 year ago
@turnipoverlord i agree. wonderful!
FoxyGrandpa 1 year ago