very good painting. I wonder only why don't you lift a bit the canvas in way that it is directly in front of your face. It must be very uncomfortable curving your back every time.
Try a good quality odourless mineral spirit, only put out small amounts while working. Use sparingly to thin paint. And wipe brushes on rags or paper to clean brushes. If your wealthy apparently Spike of Lavender will work.
Is there any way to do this sort of thing with 0 harmful vapors? I love to oil paint but it is such a pain to do it in my bedroom, without turpentine and the like. As of now I only use walnut oil (and a fast drying variant)
Hi, I'm a 15 year old artist and all my life I've been fascinated by paintings from the renaissance period. I'm currently looking for a teacher and I have no doubt your style of painting suits me. Do you teach in person?
Omg! before I came to this page I was thinking of Chopin's music then after clicking this video................surprised! I heared a chopin waltz!!!! Coincidence? or chopin's music is just beautiful to accompany this painting? so surprised
Jonathan, love your technique! Are you using oils or acrylics? I noticed early on when you were marking out the features that you did some correcting with lighter paint and your work didn't dirty with colours running into one another, which makes me think you're using acrylics?
Thanks! I'm using oils actually. I have found that I am horrible with acrylics. They dry so fast that I feel like I can't do anything. I've seen beautiful work with acrylics but I could never quite get them to work for me. The trick with overlaying oil paint is to make sure you haven't used too much medium/thinner in the first layer. You have to make sure to use enough paint for the overlaying stroke as well and use a light touch. You have to leave the stroke too and not mess with it.
welll done man I like your text overlays with little tidbits of valuable info Someone commented you on seeing the model, you can always set up another camera to capture her @ same time and put it as an insert/small thumbnail in upper left or lower left of this main screen. Something my camera guy did on my demos. I will show you an example when its up
Yeah I think you are right. Showing the model would help tremendously...even if it was just a picture in the upper right. I've got some software now that allows for picture in picture so I think for my next one I will have both my palette and also the model reference.
This is actually canvas that I have taped to the drawing board. The reason I do it this way, especially for quick sketches, is to allow myself compositional room. I don't have to worry about the composition while I am painting...I can always just take it off the board and stretch it later. Because of the ground on the canvas the tape doesn't stick or leave a residue...at least in my experience I've never had that happen. It probably depends a lot on the tape and the canvas used.
you're 19... do you have any training? It doesn't sound like you know what you're talking about. This guy is one of the most trained skilled realists alive. Block-in's are the first abstract 2d shapes of the drawing (the first 1:30), proportions, placement, etc; the tones involve the lay-in, posterizing, and the modeling. He only has two hours on a quick sketch, the modeling won't be perfect.
I actually trained using sight-size during the drawing stage but I quickly abandoned it when I started feeling more competent. By the time I was painting I didn't use it at all.
The model was over to the left and below my eye level so it would have been really tricky to set it up in sight size. Sight size is great for just starting out, but it's restrictive (in my opinion) once you get to a certain point. You can see, in my block in, that I work comparatively with angles in mind.
I ran out of space on the last reply, but I wanted to say thanks for the kind words too! I love painting and I feel really blessed to be able to do it fulltime.
I love your videos. Good art and music at the same time :)
HERMIONExCANTxDRAW 2 months ago
very good painting. I wonder only why don't you lift a bit the canvas in way that it is directly in front of your face. It must be very uncomfortable curving your back every time.
pagnes61 3 months ago
whats the title of the back song?
electricsparty 7 months ago
9 people are mad they can't paint like Jonathan Hardesty.
nervousnotebooks 7 months ago
Try a good quality odourless mineral spirit, only put out small amounts while working. Use sparingly to thin paint. And wipe brushes on rags or paper to clean brushes. If your wealthy apparently Spike of Lavender will work.
sclewi 7 months ago
Is there any way to do this sort of thing with 0 harmful vapors? I love to oil paint but it is such a pain to do it in my bedroom, without turpentine and the like. As of now I only use walnut oil (and a fast drying variant)
Thanks (I'll take advice from anybody)
LukeShetler 7 months ago
Remember the painters philosophy, or the 3"M"s, 1st stroke Magic, 2nd stroke Mediocre, 3rd stroke Mud.
TRASUPO 8 months ago
Beautiful
edifice9 11 months ago
goooooooooooood
grdemihop1 11 months ago
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sinfuledge 11 months ago
It's painting!!! Congrats from Brasil :-)
ramiresarte 11 months ago
how do u get the blue green background?
tomatoe39 1 year ago
what colors are you using?
tecagasdelarisa 1 year ago
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sinfuledge 1 year ago
Love it! This is how I was originally taught to work; however over time I have changed my style. I enjoy watching you work, Bravo!
paintedglyphs333 1 year ago
what's the music? chopin?
krimskrams 1 year ago
Hi Johnathan, Great piece. Do you have any instructional CDs for sale?
doddling 1 year ago
this is great
bytonynguyen 1 year ago
That was amazing to watch!
really makes me want to take an art class
Freak7109 1 year ago
Hi, I'm a 15 year old artist and all my life I've been fascinated by paintings from the renaissance period. I'm currently looking for a teacher and I have no doubt your style of painting suits me. Do you teach in person?
asdfkie 1 year ago
gotta love the song.. ^^ Awesome drawing =D
Akinari 1 year ago
bad
Afrorazor 1 year ago
Great work
delilahsart 1 year ago
Omg! before I came to this page I was thinking of Chopin's music then after clicking this video................surprised! I heared a chopin waltz!!!! Coincidence? or chopin's music is just beautiful to accompany this painting? so surprised
theromanpraetorian 1 year ago
gooooood!
Miasmummy2497 1 year ago
looks good, do another video in HD
koffeekage 1 year ago
Jonathan, love your technique! Are you using oils or acrylics? I noticed early on when you were marking out the features that you did some correcting with lighter paint and your work didn't dirty with colours running into one another, which makes me think you're using acrylics?
BigDogGMoney 2 years ago
Thanks! I'm using oils actually. I have found that I am horrible with acrylics. They dry so fast that I feel like I can't do anything. I've seen beautiful work with acrylics but I could never quite get them to work for me. The trick with overlaying oil paint is to make sure you haven't used too much medium/thinner in the first layer. You have to make sure to use enough paint for the overlaying stroke as well and use a light touch. You have to leave the stroke too and not mess with it.
JonathanHardesty 2 years ago 3
welll done man I like your text overlays with little tidbits of valuable info Someone commented you on seeing the model, you can always set up another camera to capture her @ same time and put it as an insert/small thumbnail in upper left or lower left of this main screen. Something my camera guy did on my demos. I will show you an example when its up
dcolman27 2 years ago
Yeah I think you are right. Showing the model would help tremendously...even if it was just a picture in the upper right. I've got some software now that allows for picture in picture so I think for my next one I will have both my palette and also the model reference.
JonathanHardesty 2 years ago
how do u lift the paper w/out ripping it when done?
bagoona 2 years ago
This is actually canvas that I have taped to the drawing board. The reason I do it this way, especially for quick sketches, is to allow myself compositional room. I don't have to worry about the composition while I am painting...I can always just take it off the board and stretch it later. Because of the ground on the canvas the tape doesn't stick or leave a residue...at least in my experience I've never had that happen. It probably depends a lot on the tape and the canvas used.
JonathanHardesty 2 years ago
wow how cool is this.
lp22hot 2 years ago
YES! Beau-tee-full.
billypaul85 2 years ago
I like how messy your style is. seems like fun. :)
well done.
Hamking1 2 years ago
saw your sketchbook at CA and mate - yes you know it: 6years of how to see you shining now as you are :-)
what a journey! greetings from germany. much love
crunk001 2 years ago
Very nice job. I would like to have seen the model posed next to the painting at the end for comparison, but I am very impressed.
ironpirites 2 years ago
mmmm fa cacà
divanoaelle 2 years ago
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You were amazing. Loved watching you work, obviously very talented! Thanks for sharing.
LaMonf7 2 years ago
It was fascinating watching you work! You are so talented. Thanks for sharing.
LaMonf7 2 years ago
See the model sneak in to take a look, that was cute.
artettina 2 years ago
thank you Jonathan hardesty, I shall think of your little notes every time oil attempts to intimidate me.
seahinchey 2 years ago
lol, It's looks like a jeremy lipking, just not as soft. Hmm, any influences/inspiration in any direction?
matthewrocks711 2 years ago
Jonathan, are you using a paper?(sorry for my poor english)
josepesfial 2 years ago
Saw most of your wonderful demo's !
Merci beaucoup !
aquacryl 2 years ago
very nice
69ali 2 years ago
i can see your raw natural talent, it's great. jus work more on your block-ins. i don't think your seeing in tones enough.
yuske05 2 years ago
you're 19... do you have any training? It doesn't sound like you know what you're talking about. This guy is one of the most trained skilled realists alive. Block-in's are the first abstract 2d shapes of the drawing (the first 1:30), proportions, placement, etc; the tones involve the lay-in, posterizing, and the modeling. He only has two hours on a quick sketch, the modeling won't be perfect.
KeithEPatton 2 years ago 5
This is a two hour sketch? Well that changes perspective quite a bit, don't it.
yuske05 2 years ago
OMG that was amazing!^___^
kuraudosutoraifu24 2 years ago
Oh Jonathan you are just too good. You are just too damn good!
UncleRabbit1 2 years ago
wowowowowowowowonderfull job 5 stars for you! =D
daromaclub 2 years ago
Effing amazing!
Your a great inspiration.
I'm just starting ot get really serious with this stuff. I looked at where you started(first page of your thread).
This doesn't even look like the same person did it ! O_O Anyways I'm subscribing and faving this.
Shoujoboy51 2 years ago
Great video, hope you add more!
bengoshia 2 years ago
Beautiful. Traditional is always best.
dannyVulture 2 years ago
Definitely ;)
JonathanHardesty 2 years ago
Insanely Great! That's all can say ... incredible!
0Kiwitube0 3 years ago
Thanks!
JonathanHardesty 2 years ago
Hey Jonathan, well done! Are you using the sight-size method when you step away from the canvas?
WillySausage 3 years ago
I actually trained using sight-size during the drawing stage but I quickly abandoned it when I started feeling more competent. By the time I was painting I didn't use it at all.
The model was over to the left and below my eye level so it would have been really tricky to set it up in sight size. Sight size is great for just starting out, but it's restrictive (in my opinion) once you get to a certain point. You can see, in my block in, that I work comparatively with angles in mind.
JonathanHardesty 3 years ago
I ran out of space on the last reply, but I wanted to say thanks for the kind words too! I love painting and I feel really blessed to be able to do it fulltime.
JonathanHardesty 3 years ago
***** sweet
charlenerice 3 years ago
Thanks hehe
JonathanHardesty 2 years ago
Awesome!
Earendil135 3 years ago