His voice is insane, I get chills. I mean, the soundtrack makes my breath catch at the notes he hits, but this is live. I bet their acting is lovely as well, and everyone in the audience is tearing up from the added song.
The only thing that really bothers me is that the rhythm is kind of all over the place. It bothers me that they're not following the music the way it was written. Sondheim would be having a fit! They are good singers but the music is very important in this musical and they should really follow it!!!!
I'm confused. I was listening to this and thinking, wow, this is amazing :). Then, I sneak a peak at the comments and everyone is like 'OMG THEY SUCK!!1!!!11!' I don't get it. I think there both amazing, not based on there technique (which singers pay attention to) but just there basic tonal quality. They sound nice. Whats the problem?
Josefina is just beyond all words of amazing... Matt, on the other hand, is another story. He's a great actor and dancer, but as far as singing goes, I'm not exactly upset that he's not there anymore.
I don't care for either of them. And none of that "it's not like you could do a better job" crap. It's not the artistic directors deciding if this play succeeds--it's the common people who decide, who are not educated about music. I'm not a soprano or trained for singing but I still know I don't care for the timbre of either's voice. Tony is too girly and vibrato, and Maria is nasally and not sweet enough.
I think Josefina Scaglione is great. Matt Cavenaugh isn't the very best, but he doesn't suck completely. At least they do sing. A lot of you are used to the vocals from the 1961 film, which Natalie Wood and Richard Beymer didn't even do. Try singing this song at the volume Matt and Josefina do, chances are, you won't be any better.
I agree. And Natalie Wood did not even sing; someone dubbed the voice for her...I think you can find the video of Natalie singing..she wasn't that great
they are both attractive, but his voice is god aweful, his vibrato is rediculous, his voice sound like someone making fun of the song. however she is very good. btw, what sounds good about his voice to you, i just don't hear it.
I somehow doubt you even saw the show. In my nearly half a century of seeing Broadway shows, her performance was one of the most letter perfect. This cut sounds like it was recorded in a tin can and is obviously of very poor quality.
haha everyone's bashing Matt Cavenaugh saying he has too much vibrato? Since WHEN is that a bad thing? haha I wish I had such control over my voice like that!
once again, he doesn't sound classical at all, do you listen to music, he sounds like an over-acting/over-singing douch who is way too cocky about being a bad singer. he ruined the show for me
Wonderful! One of my favorite moments of the show :). As for Matt Cavenaugh, I agree that he's less than stellar, but he was best whenever he sang with Josefina. "Something's Coming" and "Maria" were too subtle and full of vibrato that they didn't soar. The creative team must like his style but it just didn't work for me, nor does it work for many others. There's no need to get snippy if someone expresses a dissenting opinion.
Who are these fools who claim that they can't sing. What I hear here is on pitch, well supported singing. Maria sounds angelic and ethereal as she should in this music, her final note sung piano is INCREDIBLY hard to do. Tony, well OK he has legato issues but he sounds young, earnest and in love as he should be. I think we're a little too used to listening to recordings by people like Mandy Pantinkon that we forget Tony is YOUNG.
here's the problem. people basically want cavenaugh to sing like larry kert. but love it or hate it, matt can't be larry kert--he has to be matt. i think that should at least be respected, but i doubt it will happen.
I'd like to hear you try to sing better than them and act like the way you think they should be acting and do it well enough to get on broadway before you start bashing them.
Guys stop bashing on the actors. They do their best. it's trying and also maybe Laurents (as director and original collaborator on West Side Story and Revival) he wanted them to do something specific and they did that. They will be different from the originals because every actor has to put their own stamp on the role. Personally I think their voices match wonderfully. I haven't seen the show so I can't say anything bout the acting except for what I know about professional theatre.
just saw this yesterday. the production was fantastic, the dancing amazing, and overall the acting and singing were great. Matt Cavenaugh was the only problem i had with the show. His acting was off his singing didn't work and there was nothing "special" about his performance. This is not the best recording, because in performance Josephina's voice really shines and sparkles she's wonderful.
I agree! I saw this when it was in preview in the beginning of March. Poor Matt...when he came out of the stage door after the show he looked so sad and disappointed. During the curtain call, everyone else got hoots and loud applause, but, when he stepped up to bow, everyone in the audience was just eh so so...because he overacted and he didn't act like he was in love with Maria. Which is a problem since, ya know, it's a LOVE STORY. Oh well, maybe he's better now...
I agree with blackpython. You shouldn't put Adam Pascal in Oklahoma! and you shouldn't put John Raitt in Rent....and you shouldn't put Josephina Scaglione and Matt Cavenaugh in West Side Story. It is style and there is a certain "style" they are just not honoring. Now, personally I don't know into what "style" Josephina would fit. I don't particularly like her voice. It sounds pretty incorrect in many ways and really has no luster. But that's just me. The point remains, vocally poor casting.
Not a fan of the Maria, she sounds like she's singing out of her nose in the higher sections (which, being that it's WSS, is almost the entire song). And I love Matt Cavenaugh generally, but I can see where everyone's coming from with the vibrato. He does it in everything he does (and in say, Grey Gardens, it totally worked!), but in this it's a bit annoying. Maybe they smoothed it out a bit in the recording?
Exactly! Your parents must have been a wonderful influence. WSS is truly some of the most beautiful music written for musical theatre. Maybe we can single-handedly remind people of what it's intended to sound like. Ha! And I'm not saying belting is bad. There are certainly people who naturally sing with that sound and it's great for particular characters. It's just disappointing to know that the people who decide what goes on stage-have no idea what to listen for when it comes to legit singing
I think it is THE most beautiful music written for musical theatre...BY FAR. I'm going to be honest, though..I don't even think Carol Lawrence was very good. I have the Original BW recording, and I dunno, she doesn't seem to have much musicality.
And there's a significant difference between belting...and belting well. People forget that, too.
About Carol Lawrence-it's kind of true. I think that happens with a lot with old studio recordings, like they are afraid to sing too loud. I went back and listened to it and there isn't a lot of dynamic in "I Feel Pretty" either. Strange. who would be your pick as far as Marias go?
Agreed. People are so used to casting for Rent and Legally Blond that they have forgotten what a real legit voice is supposed to sound like. She is weak and one-dimensional. I imagine she is the Charlotte Church of Argentina. Casting should listen to recordings from the 50s and retrain their ears. Just a thought.
Wow, I was totally expecting the comment following mine to be nothing like this. I appreciate that. I've grown up with music all my life. My Dad's a Pulitzer/Grammy winning composer and my Mom's a pianist (They were actually good friends with Bernstein) so I've grown up with an ear for what's acceptable and what isn't. This is just appalling. It's a shame, because it's just about the most beautiful music for the stage.
I feel like people in those show's are "real" singers, they are just a radically different style. You shouldn't take Adam Pascal and throw him in Oklahoma, the same way one shouldn't take John Raitt and throw him into Rent. Not saying there haven't been people cast in Rent or Legally Blonde who suck, there certainly have, but not EVERYONE who's been in them is a bad singer because they shouldn't sing the classics.
This is disappointing. They're both terrible. She has that typical awful squealy voice that people seem to love these days, even though it's not a voice at all. He has more talent than she does, but definitely needs to tone down his vibrato.
First of all this song is not called Tonight, it's called the Balconey Scene. Tonight is when they're all singing the quintet. She is good, he annoys me. But my school did this show and the Maria gave me chills when she sang those high G's and this Maria just doesn't do that for me.
I was also in this show and, yes, it is indeed called Balcony Scene in the score. This is the title of the music underscoring and accompanying the entire scene. If you look at the cast recordings of both the movie and the original Broadway production, the song is called "Tonight".
I agree. This show is amazing an I've seen about 10 shows and this is my favorite!!! Sure it has a couple of "ok" parts but what show doesn't???? I thought the singing is amazing
I don't know what everyone is talking about. I saw the show and it was phenomenal. Maria was incredible and her voice is great. Tony was amazing too. He just has some crazy vibrato parts. Anita was perfect. The dancing was all perfect and some of those guys are only in high school. The sets were great. The show is now my favorite Broadway show out there and I've seen quite a few. Don't judge it before you see it. I cannot imagine a better way to revive a Broadway legend.
are ppl basing their comments to speed the tempo according to the OBCR?
apparently that was sped up for recording purposes (to fit everything on one record). bernstein was not there to supervise and was apparently not happy when the tempo was accelerated during the show.
the tempo is a bit slow, but we are not he musical directors, and for all we know this is how it is supposed to be played....i think both maria and tony sound awesome...the music is extremely challenging ..although it does seem that tony is trying to find where he should use his vibrato and not use it....it will come with time...but tone wise he has an amazing instrument
theres something about the way she pronounces her words that bugs me. its not her spanish accent though its something else i think its when her words kinda taper off like on the first "Tonight Tonight"
His voice is insane, I get chills. I mean, the soundtrack makes my breath catch at the notes he hits, but this is live. I bet their acting is lovely as well, and everyone in the audience is tearing up from the added song.
keenoled 3 months ago
Lol @gupppo
But I loved the whole thing! Surprised you people dont...
cpuff512 1 year ago
Dramadude, It is called rubato.
jlholmescello 1 year ago
Dramadude, It is called rubato
jlholmescello 1 year ago
The only thing that really bothers me is that the rhythm is kind of all over the place. It bothers me that they're not following the music the way it was written. Sondheim would be having a fit! They are good singers but the music is very important in this musical and they should really follow it!!!!
SexyHogwarts 1 year ago
@SexyHogwarts the fact you dont know that bernstein acutally composed the music... lol.
megan132 4 months ago
He has way too much vibrato it almost sounds like he cant' keep the notes:/
She's great though...
inbach 1 year ago
I'm confused. I was listening to this and thinking, wow, this is amazing :). Then, I sneak a peak at the comments and everyone is like 'OMG THEY SUCK!!1!!!11!' I don't get it. I think there both amazing, not based on there technique (which singers pay attention to) but just there basic tonal quality. They sound nice. Whats the problem?
squirrelywrath321 1 year ago 3
@squirrelywrath321 musical theater lovers like to bitch.
bethnor 1 year ago 3
1:45 - And what was just a world is a STAHAHAHAHAHAHAHAHAHAAAAAAR TOOOHOOHOOHOONIIHIHIHIHIGHT
That vibrato is out of control.
Gupppo 1 year ago 2
his vebrado doesnt fit w/ the music... ick
MAGICLOVER8 1 year ago
Josefina is just beyond all words of amazing... Matt, on the other hand, is another story. He's a great actor and dancer, but as far as singing goes, I'm not exactly upset that he's not there anymore.
LocutusOfBorg2010 1 year ago
Their voices dont seem to blend well at all. They're both good singers, but maybe together... no.
And Matt Cavenaugh doesnt always sound like this.
Lexigiggles 2 years ago
I don't care for either of them. And none of that "it's not like you could do a better job" crap. It's not the artistic directors deciding if this play succeeds--it's the common people who decide, who are not educated about music. I'm not a soprano or trained for singing but I still know I don't care for the timbre of either's voice. Tony is too girly and vibrato, and Maria is nasally and not sweet enough.
spacecadetonice 2 years ago 5
I think Josefina Scaglione is great. Matt Cavenaugh isn't the very best, but he doesn't suck completely. At least they do sing. A lot of you are used to the vocals from the 1961 film, which Natalie Wood and Richard Beymer didn't even do. Try singing this song at the volume Matt and Josefina do, chances are, you won't be any better.
theamazingivysmith 2 years ago 5
I agree. And Natalie Wood did not even sing; someone dubbed the voice for her...I think you can find the video of Natalie singing..she wasn't that great
RoseZombie 2 years ago
This just keeps getting worse.
applescruff121 2 years ago
I don't like either of their voices...
dizzygirlx3 2 years ago
i like this but i want the original 1
blondegirlct 2 years ago 3
I think they both sound wonderful. You can never go wrong with two attractive young leads with powerhouse voices!
leadingladybug 2 years ago 4
they are both attractive, but his voice is god aweful, his vibrato is rediculous, his voice sound like someone making fun of the song. however she is very good. btw, what sounds good about his voice to you, i just don't hear it.
hellomynameiscory 2 years ago 5
I'd say just the opposite. She's a soprano with a voice that is a dime a dozen. There's nothing memorable about her at all.
halaluani 2 years ago
I somehow doubt you even saw the show. In my nearly half a century of seeing Broadway shows, her performance was one of the most letter perfect. This cut sounds like it was recorded in a tin can and is obviously of very poor quality.
roccoh21 2 years ago
haha everyone's bashing Matt Cavenaugh saying he has too much vibrato? Since WHEN is that a bad thing? haha I wish I had such control over my voice like that!
Don't be jealous... go practice!!! : )
speedingclock 2 years ago 2
Does anyone else hear Tony being of Tempo at 1:26? or am I just crazy?
dramadudeinbham 2 years ago 14
I heard it too!
japper98 2 years ago
i think he holds "today" out a little longer than usual but if that was a mistake then her recovered very well!
alexitalabonita12 2 years ago 3
Nope he tore from the pit!
Magus9653 2 years ago
Tony sounds very classical, young, legato, innocent, but I would prefer a Tony with a little bit more power in his voice.
Still, he kicks ass as Tony!
FloriZ1988 2 years ago
once again, he doesn't sound classical at all, do you listen to music, he sounds like an over-acting/over-singing douch who is way too cocky about being a bad singer. he ruined the show for me
hellomynameiscory 2 years ago
Wonderful! One of my favorite moments of the show :). As for Matt Cavenaugh, I agree that he's less than stellar, but he was best whenever he sang with Josefina. "Something's Coming" and "Maria" were too subtle and full of vibrato that they didn't soar. The creative team must like his style but it just didn't work for me, nor does it work for many others. There's no need to get snippy if someone expresses a dissenting opinion.
ukrainegirl 2 years ago
i agree with you
he sounds amazing with josefina but the vibrato is too much when he is singing by himself
i still think he's pretty good by himself!
emarloo 2 years ago
Don't even mess with Matt Cavenaugh. His voice left me breathless. I's like to see one of you do better?
ilovesinging1202 2 years ago
i really wish people would stop bashing matt cavenaugh. i dare you sing better; and if he's so terrible, then why was he cast as tony?
machinegunvibrato 2 years ago 4
eh, fuck all you. its good and you're jealous
RUNTHERECOMING 2 years ago 8
josefina...wow....i love you
christiantbailey 2 years ago 3
Who are these fools who claim that they can't sing. What I hear here is on pitch, well supported singing. Maria sounds angelic and ethereal as she should in this music, her final note sung piano is INCREDIBLY hard to do. Tony, well OK he has legato issues but he sounds young, earnest and in love as he should be. I think we're a little too used to listening to recordings by people like Mandy Pantinkon that we forget Tony is YOUNG.
FoggyRoad81 2 years ago 6
here's the problem. people basically want cavenaugh to sing like larry kert. but love it or hate it, matt can't be larry kert--he has to be matt. i think that should at least be respected, but i doubt it will happen.
bethnor 2 years ago 6
This has been flagged as spam show
SHUT UP AND LISTEN
uncletibs 2 years ago
I'd like to hear you try to sing better than them and act like the way you think they should be acting and do it well enough to get on broadway before you start bashing them.
StarlitMasquerade 2 years ago 4
Guys stop bashing on the actors. They do their best. it's trying and also maybe Laurents (as director and original collaborator on West Side Story and Revival) he wanted them to do something specific and they did that. They will be different from the originals because every actor has to put their own stamp on the role. Personally I think their voices match wonderfully. I haven't seen the show so I can't say anything bout the acting except for what I know about professional theatre.
StarlitMasquerade 2 years ago
just saw this yesterday. the production was fantastic, the dancing amazing, and overall the acting and singing were great. Matt Cavenaugh was the only problem i had with the show. His acting was off his singing didn't work and there was nothing "special" about his performance. This is not the best recording, because in performance Josephina's voice really shines and sparkles she's wonderful.
brookes0 2 years ago
I agree! I saw this when it was in preview in the beginning of March. Poor Matt...when he came out of the stage door after the show he looked so sad and disappointed. During the curtain call, everyone else got hoots and loud applause, but, when he stepped up to bow, everyone in the audience was just eh so so...because he overacted and he didn't act like he was in love with Maria. Which is a problem since, ya know, it's a LOVE STORY. Oh well, maybe he's better now...
StetsonSOMusic 2 years ago
Very nice. Can't wait to see it.
civicplayer 2 years ago
I agree with blackpython. You shouldn't put Adam Pascal in Oklahoma! and you shouldn't put John Raitt in Rent....and you shouldn't put Josephina Scaglione and Matt Cavenaugh in West Side Story. It is style and there is a certain "style" they are just not honoring. Now, personally I don't know into what "style" Josephina would fit. I don't particularly like her voice. It sounds pretty incorrect in many ways and really has no luster. But that's just me. The point remains, vocally poor casting.
Raittfan 2 years ago
Not a fan of the Maria, she sounds like she's singing out of her nose in the higher sections (which, being that it's WSS, is almost the entire song). And I love Matt Cavenaugh generally, but I can see where everyone's coming from with the vibrato. He does it in everything he does (and in say, Grey Gardens, it totally worked!), but in this it's a bit annoying. Maybe they smoothed it out a bit in the recording?
blackpython 2 years ago
josefina is fantastic...tony isnt BAD but i agree, that much vibrato is not neccesary
nyprncss1996 2 years ago
This was an amazing production. Id like to hear YOU sing, if you think these people have bad voices. It simply crazyy..
tiaraglitz 2 years ago
the whole point is tony went soft after he left the Jets
UberWackyAmerican 2 years ago
lol true
aasjb4ever 2 years ago
tony's weak
flicfan416 2 years ago
I saw this yesterday with the same cast. It was wonderful!
JasonIsAwesom 2 years ago
he usually doesnt have this much vibrato... listen to "in whatever time we have" by him, it's very different
idareyou2move24 2 years ago
I wish Tony grew some balls and sang like a real man. not with all that vibrato
KingHenryWord 2 years ago
I think his Vibrato was intentional stylistic choice. And whatever, he's hot.
ec2031 2 years ago
what does vibrato have to do with masculinity?!!! It's about healthy singing and this music is not easy to sing.
jtcarey2 2 years ago
I saw Josefina Scaglione at Hairsray in BA and she was totally phenomal. She has a beautifll voice,
ferwynn04 2 years ago 2
Exactly! Your parents must have been a wonderful influence. WSS is truly some of the most beautiful music written for musical theatre. Maybe we can single-handedly remind people of what it's intended to sound like. Ha! And I'm not saying belting is bad. There are certainly people who naturally sing with that sound and it's great for particular characters. It's just disappointing to know that the people who decide what goes on stage-have no idea what to listen for when it comes to legit singing
Raittfan 2 years ago 3
I think it is THE most beautiful music written for musical theatre...BY FAR. I'm going to be honest, though..I don't even think Carol Lawrence was very good. I have the Original BW recording, and I dunno, she doesn't seem to have much musicality.
And there's a significant difference between belting...and belting well. People forget that, too.
applescruff121 2 years ago
About Carol Lawrence-it's kind of true. I think that happens with a lot with old studio recordings, like they are afraid to sing too loud. I went back and listened to it and there isn't a lot of dynamic in "I Feel Pretty" either. Strange. who would be your pick as far as Marias go?
Raittfan 2 years ago
I'm not sure. Well, I thought Marni Nixon did a great job in the movie.
applescruff121 2 years ago
Someone should post Andrea Burns' or Laura Benanti's if they have them. I'd love to hear them sing the role.
Raittfan 2 years ago
It looks like we're being vetoed.
applescruff121 2 years ago
Agreed. People are so used to casting for Rent and Legally Blond that they have forgotten what a real legit voice is supposed to sound like. She is weak and one-dimensional. I imagine she is the Charlotte Church of Argentina. Casting should listen to recordings from the 50s and retrain their ears. Just a thought.
Raittfan 2 years ago 3
Wow, I was totally expecting the comment following mine to be nothing like this. I appreciate that. I've grown up with music all my life. My Dad's a Pulitzer/Grammy winning composer and my Mom's a pianist (They were actually good friends with Bernstein) so I've grown up with an ear for what's acceptable and what isn't. This is just appalling. It's a shame, because it's just about the most beautiful music for the stage.
applescruff121 2 years ago
And don't even get me started on Legally Blonde and Rent.
Go back to the 40s, 50s, and 60s even. Those were REAL shows with REAL music and REAL singers. It just isn't like that anymore. It's a real shame.
applescruff121 2 years ago
I feel like people in those show's are "real" singers, they are just a radically different style. You shouldn't take Adam Pascal and throw him in Oklahoma, the same way one shouldn't take John Raitt and throw him into Rent. Not saying there haven't been people cast in Rent or Legally Blonde who suck, there certainly have, but not EVERYONE who's been in them is a bad singer because they shouldn't sing the classics.
blackpython 2 years ago
This is disappointing. They're both terrible. She has that typical awful squealy voice that people seem to love these days, even though it's not a voice at all. He has more talent than she does, but definitely needs to tone down his vibrato.
applescruff121 2 years ago
i agree
selenagomez28 2 years ago
LOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOVE THIS SONG these two are amazing.
yeahitsmej15 2 years ago
First of all this song is not called Tonight, it's called the Balconey Scene. Tonight is when they're all singing the quintet. She is good, he annoys me. But my school did this show and the Maria gave me chills when she sang those high G's and this Maria just doesn't do that for me.
loverofbroadway 2 years ago
except the song is called Tonight. The quintet is called Tonight (Quintet and Chorus). Just sayin'.
THinDC90 2 years ago
I was in the pit band for the show at my high school and we played the score and this song is 6. Balconey Scene
loverofbroadway 2 years ago
I was also in this show and, yes, it is indeed called Balcony Scene in the score. This is the title of the music underscoring and accompanying the entire scene. If you look at the cast recordings of both the movie and the original Broadway production, the song is called "Tonight".
And you spelled balcony wrong.
THinDC90 2 years ago
do you go to howell? are you talking about the one they did in 2008. if thats the one your talking about the one they did was AMAZING
yeahitsmej15 2 years ago
they have incredible voices
spicywinniepooh 2 years ago
I think that goat has a sinus infection. Is he supposed to be the romantic lead?
I'm not sure I can deal with it.
She is angelic however.
ladequa 2 years ago
he drags too much.
and has too much vibrato.
but he's great!
KingHenryWord 2 years ago
wait ur saying that she's bad?cuz if u r i agree
selenagomez28 2 years ago
I'm saying she's bad. Haha. Very very very bad.
applescruff121 2 years ago
if she's not to your personal taste, that's fine, but speaking as if she is unskilled is plain ridiculous.
bethnor 2 years ago
I agree. This show is amazing an I've seen about 10 shows and this is my favorite!!! Sure it has a couple of "ok" parts but what show doesn't???? I thought the singing is amazing
tiptoegirl98 2 years ago
I don't know what everyone is talking about. I saw the show and it was phenomenal. Maria was incredible and her voice is great. Tony was amazing too. He just has some crazy vibrato parts. Anita was perfect. The dancing was all perfect and some of those guys are only in high school. The sets were great. The show is now my favorite Broadway show out there and I've seen quite a few. Don't judge it before you see it. I cannot imagine a better way to revive a Broadway legend.
TNMEBDobsession1 2 years ago 3
This is supposed to be a sexual and exciting scene!! They're a couple of kids who just fell in love, not 80-year-olds!! It's WAAAYY too slow.
JuliaDarling 2 years ago
She's terrrible.
seventysevenplus 2 years ago
What!!! She is amazing!!!!
quickquickfast 2 years ago
I was asked to get the casting cd of this revival (2009) to surprise someone overseas. Does anybody know when or if it is coming out? Thanks!
Butterflyneverlands 2 years ago
June 2 :)
alittledazzled 2 years ago
Thank you so much for the info!!!
Butterflyneverlands 2 years ago
is this a joke????
they suck.
Saigon10185 2 years ago
tony, tony, tony, what happened with this? Tony is off with timing off pitch and just, blah!!!
mrelectric40 2 years ago
I watched it on Broadway this past Wednesday...I really enjoyed it!
gLoCkGooN19 2 years ago
My god....the overload of vibrato and backphrasing (mainly on Tony's part) made this really unpleasant.
I'm disappointed. West Side Story has always been my favourite. I had high hopes for this revival. I hope this was just an off night.
carnivalfreakshow 2 years ago 2
are ppl basing their comments to speed the tempo according to the OBCR?
apparently that was sped up for recording purposes (to fit everything on one record). bernstein was not there to supervise and was apparently not happy when the tempo was accelerated during the show.
bethnor 2 years ago
Maria has a good voice, but it's completely overshadowed by how shitty Tony's is.
He doesn't seem to be using any sort of technique at all, and the performance suffers for it.
Durnty 2 years ago
it is a bit slow, but still, it's gorgeous. i like both of them.
BroadwaySomeday37 2 years ago
the tempo is a bit slow, but we are not he musical directors, and for all we know this is how it is supposed to be played....i think both maria and tony sound awesome...the music is extremely challenging ..although it does seem that tony is trying to find where he should use his vibrato and not use it....it will come with time...but tone wise he has an amazing instrument
theonefour 2 years ago
This is awful.
yesblanche 2 years ago
I like the tony! ahaha am I the only one?
GravityIsUnderated 2 years ago
Pretty much.
Jarrod005 2 years ago
well that's a pity because he sounds extremely talented.
GravityIsUnderated 2 years ago
I like him, too!!
worldtraveler91 2 years ago
I do!
synchro101 2 years ago
Maria pretty good, Tony not so much.
And agreeing with several other commenters, MOVE THE TEMPO!!! That's really the conductor's problem, not theirs.
JohnDEldridge 2 years ago
but nonetheless, it was still gorgeous!!!
cdmsinger 2 years ago
UGH they are reeeaaally dragging in some places. i mean, come ON! listen to your orchestra and keep up with them.
cdmsinger 2 years ago 2
I think they're putting a lot of acting into it that makes the scene go a little slower, but I'm sure it's amazing to watch.
G4Rat 2 years ago
Her voice is beautiful, his not so much
BEVERYCUMMINS 2 years ago 3
tony's vibrato is all over the place
cbgbs93 2 years ago 2
She is so amazing!!!! I can´t believe how wonderful. Her voice is simply marvelous. And she is beautiful. This is a part for her.
He is fabolous too.
quickquickfast 2 years ago
theres something about the way she pronounces her words that bugs me. its not her spanish accent though its something else i think its when her words kinda taper off like on the first "Tonight Tonight"
Selendomono 2 years ago
Why is it soooooooooooo slooww?!?!?!
JuliaDarling 2 years ago 2
i dont like her.
iloveelphaba17 2 years ago