LindoroRossini, your comment on one of my favorite arias is very informative, as always. I looked up the exact name of the lovely Victorian painting: "The Gallery of H.M.S. 'Calcutta' (Portsmouth)" – 1877.
Good comments. I never thought this as a rescue opera but in a sense it is, but one where the roles are reversed(vs Torvaldo e Dorliska for example) and one where charm is used to achieve the end desired.
You also have some interesting comments of how Coccia was to have written this, he must have dragged is feet and lost his commission.
LindoroRossini, your comment on one of my favorite arias is very informative, as always. I looked up the exact name of the lovely Victorian painting: "The Gallery of H.M.S. 'Calcutta' (Portsmouth)" – 1877.
lyrictenorfan 1 year ago
Che bella voce!!! STUPENDO MAESTRO!!!
meowmeowpowa134 1 year ago 10
Che bella voce!!! BRAVO!
meowmeowpowa134 1 year ago 9
Remarkably! Very beautifully. Raul Gimenez BRAVO!!!
MsOpera7 1 year ago 64
A very wise view of Lindoro! A good analysis of the emotional perspective of the character.
oruamavlis 2 years ago
This comment has received too many negative votes show
he slips up on the cadenza
caribolas 2 years ago
What is the painting in the video, and who painted it? It is very lovely; it has a sort of impressionist feel to it.
omgomgLAWLZ 2 years ago
I'm more than sure that it's James Tissot but the name of the painting escapes me :P.
LindoroRossini 2 years ago
Good comments. I never thought this as a rescue opera but in a sense it is, but one where the roles are reversed(vs Torvaldo e Dorliska for example) and one where charm is used to achieve the end desired.
You also have some interesting comments of how Coccia was to have written this, he must have dragged is feet and lost his commission.
Very effective and demaning(on the tenor) aria.
jay377777 3 years ago 2