@hiyetty Just to let you know that we have just put our Mahler 5 recording with Gergiev on sale online. You can pre-order it now, and it will be posted out a week before the official release date, 31 Janurary. lso.co.uk. Mahler 9 will follow after its recorded in March.
@sirmattbelios Yes, all the recordings on LSO Live are the ones recorded live at the Barbican, and the recording of the 9th coming out in the near future will be that recorded at the beginning of March.
Listen again everyone. Gergiev delivers sublime Mahler. He is Mahler stands sqaure in the tradition of Bruno Walter. For me, the great question is whether it is he or Dudamel who is the greatest living interpreter of Gustav Mahler.
PS I would definitely give him a hear cut,but rest is irreversible,we all like to express our emotions to the end,that how we stay psychologically healthy.LOL
This performance ranks with the Karajan performances, but possessing a bit more gusto. The opening begins like a Russianesque version of the 4th mov. of Brahms' 1st. I am very impressed with Valery Gergiev treatment of Mahler; dark, tragic, insular. This is not music for welcoming the new day. It's very brassy & this orchestra definitely has an outstanding brass section. I'm particularly impressed with the trombonist's playing of this endearing solo. Bravo!
I left a very negative comment with the video of the 6th movement, because I found, and still find that Gergiev messed up there. I must say that this part of the 1st movement has a great tension, due to both very intense conducting by Gergiev and fantastic playing by the trombone soloist!
I guess the problem with Gergiev is that he ALWAYS conducts very intensely with EACH piece, so that there is always a danger that his energy turns into nervousness or uncontrolled playing in the orchestra.
@martytrombone This is an honest,constructive comment, I'll say.Thanks for not including a hatred notes in your comment
He does seem being nervous, but because I know his origins and cultural background I believe that inside he is very balanced man.Behind tempered and crazy appearance there always hidden caring gentleman The question is if Orchestra can handle it.
@LLJtbone. If it's the same trombone that Dudley Bright was using a few years back it's an Elkhart Conn 8H, not a Conn 'Artist Symphony' 8H. I think his dates from around1973.
@garfieldtbn Yeah.. I am always coming back to this piece of music. I love the way he plays this music, nice and fluid sounding. Somebody said something about not listening to pop music because of music like this. I'd have to agree with that one. I do like pop music but love classical music above all.
@LLJtbone try the version with bernstein and the vienna philharmonic, it's so much better! i don't really like the lso, the trombone section has fallen apart since bousfield is gone!
Yeah I know I have commented on this guys playing before but wow, just really liking his sound. I wonder what kind of tbone he's playing there? I love his composure too.
@LLJtbone Hi, I'm pretty sure he's playing a Conn 8H possibly an Artist Symphony 8H. They do have a colourful sound... but it's mostly down to the player of course. Hope this helps!
London Symphony Orchestra as I remember tends to have an austere, over-disciplined, almost army-like sound, but in this recording a true artistic sense, profound and delicate, has been shown. Bravo.
I really loved his interpretation of that piece, 1st movement esp. That is what you can truly call "Dionysian music". Live performance in Saint-Petersburg was also extremely good.
Oh my gosh, you lot and your righteous "oh it's not this or it's not that or i heard a wrong note at x:xx or I think such and such a recording was better or the trombonist was flat....." just shut up and enjoy the piece, it's wonderful...moreover I'd like to hear any of you musical philistines do any better!! and to those of you who just enjoy the music, good on you, that's what it's here for!!!
I know this is a live recording and everything, its fantastic as it is the lso. But San Francisco's recording of this will always be at the top of my list.
It matters not if it's a real "symphony" or not. There's too much analyzing these days and not enough listening. It's a wonderful piece of music written by Mahler called Symphony No. 3 - That's all that matters. Just click play and enjoy :)
i think ur all missing the point here. symphony or not, just close ur eyes and listen to that beautiful music, that great trombone solo. think of the music in ur own personal way - for me, it kinda makes me think of WWI
waaaait a second. Could someone explain me why this is different from my bernstein recording? In the very beginning, the part with the trumpets, in my bernstein recording the sequence is only half as long! i'm confused! Did he write different versions?
[sigh] youtube is full of so many righteous responses.. who is right? anyway, i don't think gergiev is a good mahler conductor! at least with the lso.. lack of immediate genuineness, simple immediacy and efficacy.. he labours the interpretation with his heavy russian bullshit..!
@ilovewilsonal Why compare rap/hip hop to classical? They're both art. People expressing themselves through music. The expression may be different, but they are both art and should be respected... Even if you rap isn't to your liking. And just because you do not understand rap music, doesn't mean it is stupid. Most people (particularily white people) who say that haven't even given it a chance. What they really mean is "I don't like black people music."
"The concert G in the 5th measure of the trombone solo (2:10 in the clip) is slightly sharp. The low A in the 10th measure (2:25) is slightly flat, making the following interval (augmented 5th, already dissonant interval) sound a bit wide."
Yes, I have studied the score as well as listened to riccardo chailly's recordings with the concertgebouw, and that chord is most definitely supposed to be major!
it wasn't perfect intonation but (I have been told) that the performance was under alot of stress as Gergiev had unavoidably been detained in Russia and only had time for a run through on the day. (earlier rehearsals being taken by someone else). They basically only had one run through and one performance to get it in the can for a live CD so......!
The concert G in the 5th measure of the trombone solo (2:10 in the clip) is slightly sharp. The low A in the 10th measure (2:25) is slightly flat, making the following interval (augmented 5th, already dissonant interval) sound a bit wide. Neither of these errors were more than 10 cents off pitch. In terms of equal tempered tuning, he was closer than it sounded, but in the scalar context those intervals have different pitch tendencies. Overall though, solo sounds excellent, very tasteful!
that has to have been cut up a bit on my recording the trombone solo doesnt start for at leat 5:30.. or may this is a revision.. or my version haha but yeah it seems too quick its missing sections
this is the recapitulation, not the opening, if you listen carefully you can hear the offstage snare drums at the start of the clip... that might explain the problem!
I was quoting, or at least paraphrasing, a remark made by a 20th century British composer about Mahler's Third. The only thing is, I can't remember which composer it was who said this - can anyone help me out on this? My hazy recollection suggests that it might have been William Walton, however I am by no means certain. So, if anyone knows, would you please put me out of my misery and let ME know...
You'd like to know who said that - other then myself, of course? You mean to say, from which source did my quotation originate? Why, it was none other than that very epitome of ignorance himself: English composer Ralph Vaughan Williams...
Vaughan Williams doesn't hold a candle to Mahler IMO. I believe his music to be ornamental, shallow, pompous (a view reinforced by that comment), and predictable, just like most other modern English composers save for guys like Elgar who broke free from the mind-numbingly boring english folk song idiom. Could just be a matter of taste, but I believe (and I'm far from alone in this) Mahler's symphonies are far, far more timeless. Again, just my opinion, we'll agree to disagree.
The nature of my role hitherto has been merely to play Devil's Advocate. I threw the VW quote into the mix as so far the comments regarding this piece have been mainly ones of unbridled appreciation for it - and why not? As you imply, music can only ever be utterly subjective, that is to say subject to the ears of the beholder, which essentially comes down to a matter of individual taste. Notwithstanding, as "Duke" Ellington said, that "There are only two types of music - good and bad."...
I totally agree. Mahler was one of the greatest composers of all time, and Vaughan Williams, well, I just found out he existed about a month ago and have been listening to classical music for my entire life. And besides? when's the last time Vaughan Williams could write something like this, or the symphony of a thousand. How about never.
@1spissatus You have a point - he may well have been out of order. However it's interesting that a previous commentator's opinion was that the remark was 'utterly ignorant' - but can VW really be accused of being a musical ignoramus? It may be worth taking into account though, that Mahler's music began to become more widely appreciated in the 1960's and later, after VW's death. Perhaps his music wasn't given a fair hearing up to that point, but that has been amended in the last forty years.
Both composers have such individual voices and yet their music is so different, although I do hear a Mahlerian influence in the scherzo of VW's 8th. VW was not a musical ignoramus; I just think he didn't like Mahler's music. Maybe he could have said: "Not my cup of tea Squire", and left it at that! But then Sibelius and Mahler, again very different voices, at least had respect for each other although having opposing views on what a symphony should represent.
@1spissatus Indeed, as Mahler said, "The symphony must be like the world, it must contain everything." Whereas Sibelius' essays in the form were essentially conventional, with the exception of the single movement seventh symphony, which could just as easily be called a 'tone poem'.
Both composers had very individual voices although I hear a bit of Mahler's influence in the scherzo of VW's 8th. I don't think VW was a musical ignoramus at all; I think he just didn't like Mahler's music. Maybe he could have said:"Not my cup of tea Squire", and left it at that! But then Sibelius and Mahler, again so different, at least had respect for each other despite their opposite views of what a symphony should represent.
OK - point acknowledged and accepted. However I think that Walton was expressing the view that Mahler's third departed so dramatically from all previous examples of symphonic "form" (albeit "form" not in being in of itself a prerequisite of the symphony) that he found it hard to reconcile the grotesqueries, excesses and general high calorie content of the Mahler 3rd with the symphonic repertoire as he understood it then.
This does make sense. Compare Beethoven's 3rd to Mahler's 3rd and this won't seem to be a symphony. The problem is, what else could it be? Not a concerto, a tone poem (maybe), etc.
where is the drama, phrasing, articulation, tension in melanconic parts!?
kropchik 1 month ago
SO many horns!!
Therearemen16 2 months ago
@Therearemen16 its rather horny...
youcantholdthisback 2 months ago in playlist YouTube Mix for London Symphony Orchestra
maaaaaaaaaaad horns
Mizzles240 4 months ago
Holy horns, batman.
JimmyFightingBack 4 months ago
Yes, love the trombone solo, it's one of my favorites. He plays it so well too ;-)
Jonesbone3 5 months ago
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Vonzaku 5 months ago in playlist Classical
1:32
nekrorider 5 months ago
1:34
nekrorider 5 months ago
Mahler Symphony No.3 Film Montage scene on my page (1974)
OpusNo1 5 months ago
The trombonist is good, Gergiev sucks as always. Hate him so much!!
Haritonov46 5 months ago
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Haritonov46 5 months ago
I hope people understand how powerful Mahler is, conductor is wet at the beginning of the masterpiece.
EstJazzJ 6 months ago
@EstJazzJ THat's because this is the recapituation, and they've already been at it for something like 20 minutes.
DavidWBrooks 6 months ago
Why is the sound so bad! I know that fucking Barbican has dodgy acoustics but surely not this bad?
TheVaughan5 7 months ago
sounds like the music id expect in a movie castle siege scene
jhavid2 8 months ago 7
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LeonardAbbado3 6 months ago
@jhavid2 That's exactly what I thought the first time I heard this part.
LeonardAbbado3 6 months ago
one of my favorite pieces of music, and my favorite conductor.
wPHao 9 months ago
The ending of this work is amazing! T_T
jamesaellis 10 months ago
Love this piece! Am playing it at the moment with West London Sinfonia!!
Cellogirl1000 11 months ago
why does the opening of the horns resemble Brahms sym. 1 finale "ode to joy"(1st theme)?
changjiang001 11 months ago
@changjiang001 :
"why does the opening of the horns resemble Brahms sym. 1 finale?"
By George, you're right. It's a variation on Brahms' theme. Thanks, you just spoiled my all-time favorite fanfare.
DrDeist 6 months ago
Damn I heard this guy is going to Coachella.
Phantomking90 1 year ago
Damn I heard this guy is going to Coachella.
Phantomking90 1 year ago
Wow, that is a lot of French Horns! :P
emanonami 1 year ago
Holy horns is right but loving the trombones more.
LLJtbone 1 year ago
Holy Horns!
Zielkenoel 1 year ago
dude 9 horns!!!
khaderach19 1 year ago 3
This has been flagged as spam show
I don't think this is as good as modern music like Justin Bieber.
justinbieberforking 1 year ago
@Lso the 9th is the best!
777wallaby777 1 year ago
@777wallaby777 LOVE IT! The ninth is possibly one of the greatest musical journeys ever composed.
EDGJZConglomerate 1 year ago
Is the LSO Planning on recording Nos. 5 and 9? I saw Gergiev conducting the 5th in the proms and it was brilliant!
hiyetty 1 year ago
@hiyetty Just to let you know that we have just put our Mahler 5 recording with Gergiev on sale online. You can pre-order it now, and it will be posted out a week before the official release date, 31 Janurary. lso.co.uk. Mahler 9 will follow after its recorded in March.
Lso 1 year ago
@Lso I saw the 9th at the Barbican centre a couple of weeks ago. It was amazing!! Will the recording be one recorded in front of an audience?
sirmattbelios 10 months ago
@sirmattbelios Yes, all the recordings on LSO Live are the ones recorded live at the Barbican, and the recording of the 9th coming out in the near future will be that recorded at the beginning of March.
Lso 10 months ago
@sirmattbelios Except for Mahler's 8th which is from St Paul's Cathedral.
henryvann 2 days ago
@henryvann indeed! Forgot about that one being different. Thanks!
Lso 2 days ago
anyone know what key this is in?
atrios28 1 year ago
@atrios28 d minor
leptismagna10 1 year ago
@leptismagna10 thanks. i love it. i searched all night to find the only Mahler CD i ever owned and was grateful to find it again.
To everybody: where should a young Mahler initiate go next after the 2nd
atrios28 1 year ago
@atrios28 ré mineur
777wallaby777 1 year ago
1.trombone sounds great!
migosch1 1 year ago
Listen again everyone. Gergiev delivers sublime Mahler. He is Mahler stands sqaure in the tradition of Bruno Walter. For me, the great question is whether it is he or Dudamel who is the greatest living interpreter of Gustav Mahler.
KinwunMingyi 1 year ago
@KinwunMingyi
for me it's dudamel, but they are super ;)
777wallaby777 1 year ago
PS I would definitely give him a hear cut,but rest is irreversible,we all like to express our emotions to the end,that how we stay psychologically healthy.LOL
LelaBay 1 year ago
wow... epic :)
valihorn92 1 year ago
This performance ranks with the Karajan performances, but possessing a bit more gusto. The opening begins like a Russianesque version of the 4th mov. of Brahms' 1st. I am very impressed with Valery Gergiev treatment of Mahler; dark, tragic, insular. This is not music for welcoming the new day. It's very brassy & this orchestra definitely has an outstanding brass section. I'm particularly impressed with the trombonist's playing of this endearing solo. Bravo!
unclejuniorsoprano 1 year ago
I left a very negative comment with the video of the 6th movement, because I found, and still find that Gergiev messed up there. I must say that this part of the 1st movement has a great tension, due to both very intense conducting by Gergiev and fantastic playing by the trombone soloist!
I guess the problem with Gergiev is that he ALWAYS conducts very intensely with EACH piece, so that there is always a danger that his energy turns into nervousness or uncontrolled playing in the orchestra.
martytrombone 1 year ago
@martytrombone
I like his risks, above playing it safe.
He let the musicians sit on the edge of their seats.
But/and let you enjoy every second.
martinusB95 1 year ago
@martytrombone This is an honest,constructive comment, I'll say.Thanks for not including a hatred notes in your comment
He does seem being nervous, but because I know his origins and cultural background I believe that inside he is very balanced man.Behind tempered and crazy appearance there always hidden caring gentleman The question is if Orchestra can handle it.
LelaBay 1 year ago
@LLJtbone. If it's the same trombone that Dudley Bright was using a few years back it's an Elkhart Conn 8H, not a Conn 'Artist Symphony' 8H. I think his dates from around1973.
garfieldtbn 1 year ago
@garfieldtbn Yeah.. I am always coming back to this piece of music. I love the way he plays this music, nice and fluid sounding. Somebody said something about not listening to pop music because of music like this. I'd have to agree with that one. I do like pop music but love classical music above all.
LLJtbone 1 year ago
@LLJtbone try the version with bernstein and the vienna philharmonic, it's so much better! i don't really like the lso, the trombone section has fallen apart since bousfield is gone!
mortalfrog0815 1 year ago
@mortalfrog0815 Ok, I will go check out the Vienna Philharmonic. I sure like the 1st tbone players sound though.
LLJtbone 1 year ago
this is the reason why i almost never listen to pop music anymore
when you listen to something this sublime, its hard to go back
VanAdlerMusic 1 year ago
I think somewhere around 1:30
Bassoon forget to play
arnikloes 1 year ago
Yeah I know I have commented on this guys playing before but wow, just really liking his sound. I wonder what kind of tbone he's playing there? I love his composure too.
LLJtbone 1 year ago
@LLJtbone Hi, I'm pretty sure he's playing a Conn 8H possibly an Artist Symphony 8H. They do have a colourful sound... but it's mostly down to the player of course. Hope this helps!
Snookbone 1 year ago
@Snookbone Ok thanks :-) Definitely down to the player and in this guys case, a very good player!
LLJtbone 1 year ago
@LLJtbone Yeah, that's Dudley Bright, he teaches at the Royal Academy of Music in London as well.
Snookbone 1 year ago
virtuosity!
elKarlos84 1 year ago
London Symphony Orchestra as I remember tends to have an austere, over-disciplined, almost army-like sound, but in this recording a true artistic sense, profound and delicate, has been shown. Bravo.
elend56 1 year ago
Music is like candy... You have to get rid of all the rappers.
TheMusicmajorman 1 year ago
Mahler likes his horns...
TheKevinV08 1 year ago
This symphony has a good beginning with all the French horns while Mahler wrote a solo section for trombone.
sean82091 1 year ago
OH yeah, bring on the tbone solo!! Love this.
LLJtbone 1 year ago
I-M-P-R-E-S-I-O-N-A-N-T-E
djisco 1 year ago
Gosh, this is SO Lord of the Rings. :P
gwaur 1 year ago
@gwaur
More like: "Lord of the Rings is SO Mahler" ;)
MrRockwell1995 1 year ago 23
@MrRockwell1995 Exactly. Contemporary movie soundtracks would be nothing without Mahler's influence.
LazarusErlking 1 year ago
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IdealInsomnia 1 year ago
I really loved his interpretation of that piece, 1st movement esp. That is what you can truly call "Dionysian music". Live performance in Saint-Petersburg was also extremely good.
IdealInsomnia 1 year ago
Man, what a great sound that guy has. I guess you don't get in the LSO sucking!!
LLJtbone 1 year ago
1:21 that look he gives the camera is one of the creepiest things I've ever seen!!!!
davew0927 1 year ago
Whoahhh this is awsome..
I liked Chailly's best so far (Concertgebouw Orkest) but this is very good as well.. Guess I'll have to buy this one too lol
quintos34 1 year ago
hmm first movement is sposed to be 30 mins long
srorasco1 1 year ago
the trombone solo was great
ranimal101 2 years ago 3
This is my absolute favorite recording of this movement, I have this on CD and am surprised to see it on youtube now.
Pdnorell 2 years ago 3
Outstanding version! Bravo, Maestro!!!
Violetatorelli 2 years ago 3
This is such a wonderfully strange piece of music, I think it's possibly the most frightening piece mahler ever wrote!
ewhguitarist 2 years ago 3
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mvuorsalo82 2 years ago
WAIT THIS ISN'T THE BEGINNING!!! I feel cheated :(
that horn player at 0:48 looks like Dwight
wabbitsnot 2 years ago 5
You know you have a lot of horns when they take up their own row in the orchestra!
kotetsu131 2 years ago 3
repeat if weezer brought you here.
HomesliceSym 2 years ago
nice
YTBeatBattle 2 years ago
this is not the beginning of the first movement. This is about 20 minutes in. Great though!
MasterAzunai 2 years ago
I agree :)
arkticheskiy 2 years ago
why thank you!!! A mite to staccato for me, more "schllepend". (or how I think dragging is spelled in german) ;)
MasterAzunai 2 years ago
wow trombone solo and french horn section
flutage 2 years ago 3
my favorite sections are the Horns and the low brass
Philbatrom 2 years ago
Oh my gosh, you lot and your righteous "oh it's not this or it's not that or i heard a wrong note at x:xx or I think such and such a recording was better or the trombonist was flat....." just shut up and enjoy the piece, it's wonderful...moreover I'd like to hear any of you musical philistines do any better!! and to those of you who just enjoy the music, good on you, that's what it's here for!!!
dlbucko 2 years ago 2
Whoa dude it's Dwight from the office @ 0:44!!!
oopsnuts 2 years ago
ola que hay, me llamo juan y voy solo, por cierto pedassso de sinfonia
djisco 2 years ago
I know this is a live recording and everything, its fantastic as it is the lso. But San Francisco's recording of this will always be at the top of my list.
spoondawg27 2 years ago
The brass sounds unbelievable!
DizzyShaw 2 years ago
It matters not if it's a real "symphony" or not. There's too much analyzing these days and not enough listening. It's a wonderful piece of music written by Mahler called Symphony No. 3 - That's all that matters. Just click play and enjoy :)
JC92488 2 years ago 2
active listening calls for analyses
FungoBoy 2 years ago
i think ur all missing the point here. symphony or not, just close ur eyes and listen to that beautiful music, that great trombone solo. think of the music in ur own personal way - for me, it kinda makes me think of WWI
MiyazakiKnight 2 years ago
waaaait a second. Could someone explain me why this is different from my bernstein recording? In the very beginning, the part with the trumpets, in my bernstein recording the sequence is only half as long! i'm confused! Did he write different versions?
EriolAB 2 years ago
This starts at the recap from later in the movement.
trumpetjasser 2 years ago
[sigh] youtube is full of so many righteous responses.. who is right? anyway, i don't think gergiev is a good mahler conductor! at least with the lso.. lack of immediate genuineness, simple immediacy and efficacy.. he labours the interpretation with his heavy russian bullshit..!
fischpredigt 2 years ago
dudley bright!
benimoler 2 years ago 2
y does the video start at the recapitulation? lol when the trombone went all into to the quiet part i was so confused!
nco62292 2 years ago
can i have a mp3 download anywhere on this?
mooshoobutt 2 years ago
Hiya, you can buy all the LSO's Mahler recordings conducted by Gergiev as MP3s from iTunes, eMusic and Amazon.
Lso 2 years ago
awesome!!! I love this symphony. it is my favorite. Don't ya'll all love classical music?
mooshoobutt 2 years ago 2
YAH, I totally LOV classical! I hate all that stupid rap and hip hop hurts my ears!!
ilovewilsonal 2 years ago 21
@ilovewilsonal Why compare rap/hip hop to classical? They're both art. People expressing themselves through music. The expression may be different, but they are both art and should be respected... Even if you rap isn't to your liking. And just because you do not understand rap music, doesn't mean it is stupid. Most people (particularily white people) who say that haven't even given it a chance. What they really mean is "I don't like black people music."
AncientsReborn 1 year ago
@ilovewilsonal Couldn't have said it better!! Remember, you can't spell "crap" without rap!
HeyDufus 1 year ago
@ilovewilsonal :D As a composer, this makes me incredibly happy to hear!
emanonami 1 year ago
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KendoSaggyknackers 2 years ago
Comment removed
mvuorsalo82 2 years ago
"The concert G in the 5th measure of the trombone solo (2:10 in the clip) is slightly sharp. The low A in the 10th measure (2:25) is slightly flat, making the following interval (augmented 5th, already dissonant interval) sound a bit wide."
yes.
largemoose 2 years ago
The absolut greatest komposer of the morderna eara.
SonofDostojevskij 2 years ago
Isn't the chord at 0:41 supposed to be a major chord? I've always heard it that way; someone must've been playing a wrong note.
ThaSchwab 2 years ago
I highly doubt someone played a wrong note.
houseisawesome96 2 years ago
Someone did, unless I'm having trouble hearing. I believe the chord is supposed to be major.
ThaSchwab 2 years ago
Comment removed
MagicMarti 2 years ago
Yes, I have studied the score as well as listened to riccardo chailly's recordings with the concertgebouw, and that chord is most definitely supposed to be major!
maestrokoury 2 years ago
it wasn't perfect intonation but (I have been told) that the performance was under alot of stress as Gergiev had unavoidably been detained in Russia and only had time for a run through on the day. (earlier rehearsals being taken by someone else). They basically only had one run through and one performance to get it in the can for a live CD so......!
0modernmillie0 2 years ago 2
The concert G in the 5th measure of the trombone solo (2:10 in the clip) is slightly sharp. The low A in the 10th measure (2:25) is slightly flat, making the following interval (augmented 5th, already dissonant interval) sound a bit wide. Neither of these errors were more than 10 cents off pitch. In terms of equal tempered tuning, he was closer than it sounded, but in the scalar context those intervals have different pitch tendencies. Overall though, solo sounds excellent, very tasteful!
DJChrisBradley 2 years ago 2
GO HORNS!
AndyD201 2 years ago
god i love the trombone solo.
punkazn77 2 years ago
How come Paul Milner only plays 3rd, instead of 4th?
JMR6916 2 years ago
Wow!!! Huge horn section!!!
Neat. I liked it.
TechnoBIan 2 years ago 3
I enjoyed this clip very much. Being a trombonist, I have heard many people play this solo; this is indeed a very fine performance!
DFRosenthal 2 years ago
This is unreal.
ahsdm07 2 years ago
that has to have been cut up a bit on my recording the trombone solo doesnt start for at leat 5:30.. or may this is a revision.. or my version haha but yeah it seems too quick its missing sections
HornPlayerBen 2 years ago
this is the recapitulation, not the opening, if you listen carefully you can hear the offstage snare drums at the start of the clip... that might explain the problem!
schnozz87 2 years ago
i realised that just after i posted! hahahaha
HornPlayerBen 2 years ago
it starts at the recapitulation. (about 20 minutes in ;)
MasterAzunai 2 years ago
Sad... His intonation is not always on the money
JMR6916 3 years ago
who the trombonist? No way sir, thats Dudley Bright, one of the greatest orchestral trombonists on the earth, his intonation is never off.
macree01 2 years ago 2
Gorgeous trombone playing!
parmat88 3 years ago
Great trombone solo!
Standerlpartiebaby 3 years ago
The conductor looks like Hell Boy! Yes and what a very awesome sound the trombone player has.
LLJtbone 3 years ago
his sound is great, but his intonation is off in a FEW places
atrain118 2 years ago
I am a horn player & this rendition is HOT!!!!!!!
julaibeeb 3 years ago
GREAT OPENING!
seowl 3 years ago
9 horns :*
maksiorro 3 years ago
mahler only wrote for eight, the ninth is an assistant to the principal. In case he gets tired. still... Holy crap!!!
MasterAzunai 2 years ago
It's all very good... But you can't call 'that' a 'symphony'...
KendoSaggyknackers 3 years ago
Are you kidding me?
TheresNoEinALLI 3 years ago
I was quoting, or at least paraphrasing, a remark made by a 20th century British composer about Mahler's Third. The only thing is, I can't remember which composer it was who said this - can anyone help me out on this? My hazy recollection suggests that it might have been William Walton, however I am by no means certain. So, if anyone knows, would you please put me out of my misery and let ME know...
KendoSaggyknackers 3 years ago
"Mahler - a tolerable impersonation of a composer."...
KendoSaggyknackers 2 years ago
who said that? what an utterly ignorant comment.
thereisonlyonething 2 years ago
You'd like to know who said that - other then myself, of course? You mean to say, from which source did my quotation originate? Why, it was none other than that very epitome of ignorance himself: English composer Ralph Vaughan Williams...
... "Get Some."...
KendoSaggyknackers 2 years ago
Vaughan Williams doesn't hold a candle to Mahler IMO. I believe his music to be ornamental, shallow, pompous (a view reinforced by that comment), and predictable, just like most other modern English composers save for guys like Elgar who broke free from the mind-numbingly boring english folk song idiom. Could just be a matter of taste, but I believe (and I'm far from alone in this) Mahler's symphonies are far, far more timeless. Again, just my opinion, we'll agree to disagree.
thereisonlyonething 2 years ago
It might be because you may not perceive the storm and heavy clouds comming behind the trembling mountain...
Concentrate and li-s-t-en, the beauty is in every sound, hiding.
And Art is what ever can make you dream (and produce -healthy- images)...
Tia
TiaAlmpoura 2 years ago
"Are you 'avin a laarf?!!!"
KendoSaggyknackers 2 years ago
The nature of my role hitherto has been merely to play Devil's Advocate. I threw the VW quote into the mix as so far the comments regarding this piece have been mainly ones of unbridled appreciation for it - and why not? As you imply, music can only ever be utterly subjective, that is to say subject to the ears of the beholder, which essentially comes down to a matter of individual taste. Notwithstanding, as "Duke" Ellington said, that "There are only two types of music - good and bad."...
KendoSaggyknackers 2 years ago
I totally agree. Mahler was one of the greatest composers of all time, and Vaughan Williams, well, I just found out he existed about a month ago and have been listening to classical music for my entire life. And besides? when's the last time Vaughan Williams could write something like this, or the symphony of a thousand. How about never.
MasterAzunai 2 years ago
yeah I consider Mahler to be the compendium of all music before him, and a taste of the music to come.
nevertheless123 2 years ago
@KendoSaggyknackers
I enjoy the music of both composers but i think VW was out of order with that comment!
1spissatus 1 year ago
@1spissatus You have a point - he may well have been out of order. However it's interesting that a previous commentator's opinion was that the remark was 'utterly ignorant' - but can VW really be accused of being a musical ignoramus? It may be worth taking into account though, that Mahler's music began to become more widely appreciated in the 1960's and later, after VW's death. Perhaps his music wasn't given a fair hearing up to that point, but that has been amended in the last forty years.
KendoSaggyknackers 1 year ago
@KendoSaggyknackers
Both composers have such individual voices and yet their music is so different, although I do hear a Mahlerian influence in the scherzo of VW's 8th. VW was not a musical ignoramus; I just think he didn't like Mahler's music. Maybe he could have said: "Not my cup of tea Squire", and left it at that! But then Sibelius and Mahler, again very different voices, at least had respect for each other although having opposing views on what a symphony should represent.
1spissatus 1 year ago
@1spissatus Indeed, as Mahler said, "The symphony must be like the world, it must contain everything." Whereas Sibelius' essays in the form were essentially conventional, with the exception of the single movement seventh symphony, which could just as easily be called a 'tone poem'.
KendoSaggyknackers 1 year ago
@KendoSaggyknackers
Both composers had very individual voices although I hear a bit of Mahler's influence in the scherzo of VW's 8th. I don't think VW was a musical ignoramus at all; I think he just didn't like Mahler's music. Maybe he could have said:"Not my cup of tea Squire", and left it at that! But then Sibelius and Mahler, again so different, at least had respect for each other despite their opposite views of what a symphony should represent.
1spissatus 1 year ago
Then you can't call any of Mahler's symphonies such. Symphonies are defined by their structure, nothing else.
ThaSchwab 2 years ago
OK - point acknowledged and accepted. However I think that Walton was expressing the view that Mahler's third departed so dramatically from all previous examples of symphonic "form" (albeit "form" not in being in of itself a prerequisite of the symphony) that he found it hard to reconcile the grotesqueries, excesses and general high calorie content of the Mahler 3rd with the symphonic repertoire as he understood it then.
KendoSaggyknackers 2 years ago
This does make sense. Compare Beethoven's 3rd to Mahler's 3rd and this won't seem to be a symphony. The problem is, what else could it be? Not a concerto, a tone poem (maybe), etc.
ThaSchwab 2 years ago