"Within these hallowed halls One knows not revenge. And should a person have fallen, Love will guide him to duty. Then wanders he on the hand of a friend Cheerful and happy into a better land. Within these hallowed walls, Where human loves the human, No traitor can lurk, Because one forgives the enemy. Whomever these lessons do not please, Deserves not to be a human being."
I love high notes. I love the Queen of the Night, I love "Popoli di Tessaglia", I love "Quando Più Irato Freme"... but this is just beautiful. Low voices have their place, too. It is amazing, as well.
And I, as a tenor/baritone (still don't know for sure) am damned to do none. So sad :c
Blond hair, blue eyes, and skin as fair as paper - yeah, good job casting THAT as Pamina, who's also the Queen's daughter and the love interest of Tamino!! The only real black in this opera is the evil Monostatos, but gosh, we can't show a real black guy as a violent rapist, so let's just put some dirt on a white guy for Monostatos. Brilliant.
Thank US political correctness for that---it is not even permissible to refer to Monostatos as "black" in the US; the usual dodge is to substitute "blue" or something like that (the original "schwarz" inconveniently does mean black.)
Kathleen Battle was very good at singing the role, whatever her appearance.
@CesarAmadeus In diesen heil'gen Hallen kennt man die Rache nicht. Und ist ein Mensch gefallen fährt Liebe ihn zur Pflicht. Dann wandelt er an Freundes Hand vergnügt und froh ins rechte Land. (2x) In diesen heil'gen Auen, wo Mensch den Menschen liebt, kann kein Verräter lauern, weil man dem Feind vergibt. Wen solche Lehren nicht erfreu'n verdienet nicht, ein Mensch zu sein. (2x)
Wobei ich die Inszenierung der Szene schon arg kitschig finde ...Wie sie ihn nach zwei Tönen sofort hingerissen anstrahlt, erinnert mich stark an Disneys Rührschinkenromantik ...^^
@XavierBelles Talvela's progression from lyric Bach bass to operatic basso-profundo is very enjoyable, but along with the beautiful legato of Moll "No one has sung this aria better."
Ich finde seine Textinterpretation äußerst mäßig, es ist praktisch unverständlich, was er singt, wenn man das Libretto nicht kennt und passt auch musikalisch nicht zum Inhalt, dieser Hymne an die Libertinage der Freimaurer. Er singt das, als ob er Bauchschmerzen hätte. Also für mich ist das nicht die beste Interprettation. Gottfried
Alleine seine Sprechstimme ist unglaublich melodisch und voller Resonanz. Aber ich muss auch sagen, ich finde die Klangfarbe und die Obertöne in seiner Stimme höher als ein Bass sie normalerweise hat. Seine Körpergröße darf man auch nicht außer acht lassen. Impressionistisches Auftreten!
@Sanitoeter666 Weißt du zufällig, wie groß er ist? In dem Video sieht er RIESIG aus, was aber auch daran liegen kann, dass Pamina klein ist... trotzdem würde ich ihn um die zwei Meter schätzen.
@Bomenpulp Pamina ist wohl eine Sehr große Frau! Ich hab das bis jetzt erst in einem Interview gelesen, aber ich denke mir, alleine an seiner Stimme hört man dass er nicht kleiner als zwei Meter sein kann.
@ArieVisker No, the bottom note is F#. The bottom D is from Osmin's Triumph Aria from Entfuhrung. Check out Kurt Moll singing it, he is the standard to which we all aspire in these German Mozart bass roles.
Everyone is responding to the quality of singing - however, who is listening to the meaning of the text?! Mozart clearly had a better vision of what the world could be like. Long live the Enlightenment!
OMG i am going to be working on this song next semester... mozart is sooo good to basses kinda like handel is good to baritones... sounds sooo good!!!!
I don't think Pape competes with either of them as far as voice production. Salminen is a singer on the level of Moll, but I don't like him as Sarastro; his voice is too intimidating. He never did singspiel, but I would have loved to hear Cesare Siepi as Sarastro. It goes way back, but I like Wilhelm Strienz in the role probably second after Moll.
Kurt Moll is amazing and I apire to sound like him. His range in "In Diesen Heil'gen Hallen" is especially impressive.
I sing bass (as an amateur) and I would like honest opinions on my videos (especially Ave Maria). If you Kurt Moll fans would watch my videos and comment (positive or negative) I would appreciate it.
While there are of course right and wrong ways to sing a note (ie. not hitting it, singing it in a way that harms your vocal cords, or simply not singing the right note, but I don't think we're worrying about That), in the context of singing these notes, each person has an individual way to hit these notes. I find among basses, that we might have the right notes, but we push on the sound, or darken it. The sound is more in relation to his age, size, and diaphram work. So don't despair :)
I agree! but Kurt Moll does not make it sound it low. This is simply is timbre, it's a natural thing. An that's the hood way. If a bass darkens the sound, then he's a bass wanting to sound someone else, wanting to sound lower than he is. I thought I was a bass because I did this, but I am actually a bass baritone. I sang this aria in the bad way.
So, when I was a kid I wouldn't go to sleep until my parents let me listen to BOTH the Sarastro arias sung by Moll, haha. Meeting him when I was in college was like a dream come true....he is getting old though...
and any recording where Crazy Battle isn't singing
Ha yes I do, and I want to sing the last three notes Db Eb then E an octave down, but my voice teacher wont let me lol it was hard enough for me to get him to let me sing the E, but I won on that one
Yeah, I firmly agree with both Weber and Moll, not familiar with the third guy. I have found that every role I've heard Frick in that Moll did, Frick has much more power in the lowest part of his range, especially, for instance, Osmin. And it's a shame Frick never sang Baron Ochs.
Ok, I uploaded the best version of this aria I've heard, by Alexander Kipnis. Go to the link I provided in the "About This Video" sidebar above, right-hand corner. Click on the "(more)" to view all the notes.
Correct me if I'm wrong, but I never said I don't like Moll, and I was under the impression that live recordings were recorded as performed, including DVDs such as this, with voices remaining unenhanced. If I'm wrong, then I withdraw any of the credibility I felt I had on judging a singer's voice. But Moll, as you said, certainly is a master. So is Frick, and dozens of other singers.
mIHALY sZEKELY WAS BORN IN hUNGARY has Hungaroton recordings and DECCA made some, he was very good Osmin, Ochs you can find Simon Boccanegra in MET with Astrid Varnay as Amelia Warren as title role
No, it isn't. This is a real black bass aria. The highest note in it is c#. If you can sing only a fourth lower, you really should sing something that is technically less demanding.
I was singing tenor unbroken when I was 13 so this wasn't that much of a struggle, just hard work. Where wasn't much breadth to the sound, and my placement was all over the place, but I was still getting used to my new voice lol
The notes were there. I could get a bottom Eb, but there was no power below the a B. Now it's my lowest is a bottom Db. so mu range hasn't changed that much, just I've got the power to fill a large parish church. When I was 14 i wouldn't have done.
It's not that unsual. There used to be a 14 year old bass in my Church choir. Boys voices are breaking earlier and going deeper than ever before. Of course there are some boys which buck the trend
And on the upper end? Training for a bass as far as range is more concerned with building the top. The concern with the bottom is quality more than whether or not the notes are there.
Greatest Bass voice ever, and a personal hero/role-model mine. :)
skingaz 2 months ago
today is my exam... and i'm singig this aria... hope it will be ok!
zolirulzz 2 months ago
Moll is the king
erizabeta 6 months ago
hearts0ngs 6 months ago
@hearts0ngs "Does not deserve to be a man", is actually the last line. Quite specific (which makes sense with the plot and context).
geschreiben 3 weeks ago
Comment removed
geschreiben 3 weeks ago
I love high notes. I love the Queen of the Night, I love "Popoli di Tessaglia", I love "Quando Più Irato Freme"... but this is just beautiful. Low voices have their place, too. It is amazing, as well.
And I, as a tenor/baritone (still don't know for sure) am damned to do none. So sad :c
Guilherme7530 7 months ago
Questo sì che è un basso!!!!
Eccellente interpretazione!
Bravo!
rwagner83 7 months ago
Wir nehmen das gerade in Musik in unserer Schule durch - genau mit diesen Schauspielern.. :D
Die können es eh am besten <'3
EliIndirekt 8 months ago
Bravíssimo!
emileabib 8 months ago
einfach geil
Killer93422 8 months ago
Blond hair, blue eyes, and skin as fair as paper - yeah, good job casting THAT as Pamina, who's also the Queen's daughter and the love interest of Tamino!! The only real black in this opera is the evil Monostatos, but gosh, we can't show a real black guy as a violent rapist, so let's just put some dirt on a white guy for Monostatos. Brilliant.
8Ho03EdONl1liL 9 months ago
Thank US political correctness for that---it is not even permissible to refer to Monostatos as "black" in the US; the usual dodge is to substitute "blue" or something like that (the original "schwarz" inconveniently does mean black.)
Kathleen Battle was very good at singing the role, whatever her appearance.
OlDoinyo 2 weeks ago
is that kathleen battle?
bigmanbass09 9 months ago
@bigmanbass09 yup:)
FreddeeG 8 months ago
@FreddeeG thought that was her thank you!
bigmanbass09 8 months ago
Can u help me to write in german wat does saratro spoke
CesarAmadeus 10 months ago
kiepura1902 10 months ago
he makes me love men even more than I already do ........
brighidclaire 11 months ago 2
I don't want to be rude, but either there's something wrong with the sound track or the singer is tone deaf. Not as bad as Robert Lloyd, but close.
salmig99 11 months ago
@salmig99 What do you mean? This seems flawless to me!
uglymoon78 6 months ago
q voz!!
gabrielkanewwe 11 months ago
¡¡¡De Los Grandes, Pero De Los Grandes Con Mayusculas!!! Un Magnifico Bajo,
Soberbio Artista. Verdaderamente Grandioso.
55werther 1 year ago
Bravo!!!!!!!
basilio481 1 year ago
Großartig! Einfach wunderschön!
Wobei ich die Inszenierung der Szene schon arg kitschig finde ...Wie sie ihn nach zwei Tönen sofort hingerissen anstrahlt, erinnert mich stark an Disneys Rührschinkenromantik ...^^
Jokaire 1 year ago
well, you should hear Martti Talvela or jaakko Ryhänen - before you talk about basses :)
tjh58 1 year ago
It's nice to come back here from time to time and listen to Kurt Moll - the Intergalactic Bass.
Dogaradodia 1 year ago
Back-tingling !
jonedelleman 1 year ago 2
I still cant get over that low note, so juicy!!! I can't wait to be Pamina so I can have a bass sing this to me =)
ykaiilah 1 year ago
@ykaiilah i doubt that any other bass has such a strong f ;) But anyway, have fun!
Bomenpulp 1 year ago
@Bomenpulp Really? I would not know. DAMN its a sexy "F"
ykaiilah 1 year ago
Bravo! Bravo! Bravo!
witkola 1 year ago
Really deep bass
andressantin86 1 year ago
This has been flagged as spam show
Why is it that those who can sing can't act, and the other way around?
ElBundz 1 year ago
No one has sung this aria better. If you enjoyed this, listen to his Loewe songs for bass voice.. Superb!
TheVerdiBaritone 1 year ago
I loved this. It is just great. But, please sir, do listen to Martti Talvela's version before claiming this is the best.
XavierBelles 1 year ago
@XavierBelles Talvela's progression from lyric Bach bass to operatic basso-profundo is very enjoyable, but along with the beautiful legato of Moll "No one has sung this aria better."
TheVerdiBaritone 1 year ago
@TheVerdiBaritone
Ich finde seine Textinterpretation äußerst mäßig, es ist praktisch unverständlich, was er singt, wenn man das Libretto nicht kennt und passt auch musikalisch nicht zum Inhalt, dieser Hymne an die Libertinage der Freimaurer. Er singt das, als ob er Bauchschmerzen hätte. Also für mich ist das nicht die beste Interprettation. Gottfried
mayrgott 1 year ago
His low F just blows everything away...
Bomenpulp 1 year ago
Certified Intergalactic! The best "In Diesen Heil'gen Hallen".
Dogaradodia 1 year ago
Alleine seine Sprechstimme ist unglaublich melodisch und voller Resonanz. Aber ich muss auch sagen, ich finde die Klangfarbe und die Obertöne in seiner Stimme höher als ein Bass sie normalerweise hat. Seine Körpergröße darf man auch nicht außer acht lassen. Impressionistisches Auftreten!
Sanitoeter666 1 year ago
@Sanitoeter666 Weißt du zufällig, wie groß er ist? In dem Video sieht er RIESIG aus, was aber auch daran liegen kann, dass Pamina klein ist... trotzdem würde ich ihn um die zwei Meter schätzen.
Bomenpulp 1 year ago
@Bomenpulp Kurt moll hat eine uberragende körpergrösse Von über 2,10 Meter!
Sanitoeter666 1 year ago
@Sanitoeter666 über 2,10? Das erscheint mir schon fast ZU groß, aber wenn du meinst...
Bomenpulp 1 year ago
@Bomenpulp Pamina ist wohl eine Sehr große Frau! Ich hab das bis jetzt erst in einem Interview gelesen, aber ich denke mir, alleine an seiner Stimme hört man dass er nicht kleiner als zwei Meter sein kann.
Sanitoeter666 1 year ago
I love bass voices.
Sanitoeter666 1 year ago
Kurt Moll is the standard to which we all aspire in these arias.
BigglesWatch 1 year ago
As an amateur I have to perform this piece once in a while. Mr Moll is my guide.
magnusakerman 1 year ago
I'm singing this next week, mine has a low E in it ^_^!!
Brent16br 1 year ago
Is that Kathleen Battle as Pamina?
OlDoinyo 1 year ago
@OlDoinyo Yes, it is.
Swamprat225 1 year ago
Is this the famous Aria with one of the lowest D ever written for a opera ?
ArieVisker 1 year ago
@ArieVisker No, the bottom note is F#. The bottom D is from Osmin's Triumph Aria from Entfuhrung. Check out Kurt Moll singing it, he is the standard to which we all aspire in these German Mozart bass roles.
BigglesWatch 1 year ago
@ArieVisker nope. you're probably looking for O wie will ich triumphieren from Seraglio.
ktrum492 1 year ago
Everyone is responding to the quality of singing - however, who is listening to the meaning of the text?! Mozart clearly had a better vision of what the world could be like. Long live the Enlightenment!
kschneid7 1 year ago 2
Very nice singing, and acting. When Sarastro hugs Pamina, seems to be quite paternal and comfortgiving! Wonderful!
bebetonguga 2 years ago 2
Hab nach ein paar Sekunden gleich voll Gänsehaut bekommen.
passion2muse 2 years ago
0'58' is so amazing!moll and the violins going up unisono and then moll coming down and the violins continuing going up!unbelievable!
giobass 2 years ago 2
That chick's German accent is pretty bad. But Kurt is, as always, phenomenal!
bbopdude 2 years ago
Marvelous singing! My one pet peeve is that he upstages himself in his turn to exit at the end of the aria.
1violaplayr 2 years ago
Wieder sehr schön und mehr.....!!
Wer kennt hört dieses!!
scarlabar 2 years ago 2
And the winner is...
Kurt Moll...
Best "In Diesen Heil'gen Hallen"
Dogaradodia 2 years ago 11
What a marvelous performance. Robust yet lyrical. Kurt Moll is my new favorite bass.
evolve749 2 years ago
Not at all bad. If you like this version check out also Matti Salminen's act on the same issue. Very charismatic indeed!
Hirmulin 2 years ago
Is das eine Aufnahme aus Wien?
JodavomSharKS 2 years ago
Nein, aus der Metropolitan Opera New York.
SatanAteMySocks 2 years ago
Hmm hätt ich mir denken können...
JodavomSharKS 2 years ago
sehr sehr schön .
gipskull 2 years ago
This comment has received too many negative votes show
Ich glaubt es nicht. If you think otherwise, you are tone deaf.
cga2000 2 years ago
Comment removed
dandefikon 2 years ago
i think when people in operas who are a Bass sound very cool when they speak
Brachiale 2 years ago 35
This has been flagged as spam show
Heil Mozart Heil Moll Heil HitlerHeil Europe !!!
sheckpet 3 years ago
creepy...
pannicatack 2 years ago
Certified Intergalactic!
Dogaradodia 3 years ago
He is an inspiration to all us basses. Good job Mr. Moll
Horusdragon 3 years ago 45
Seconded!
Articorse 3 years ago
@Horusdragon Don't forget us low bass-baritones who sing this aria too.
Fozzymaple 1 year ago
OMG i am going to be working on this song next semester... mozart is sooo good to basses kinda like handel is good to baritones... sounds sooo good!!!!
marlinward87 3 years ago 2
Moll est certes un excellent Sarastro, mais Salminen et Pape n'ont rien à lui envier dans un tel rôle
luisamiller 3 years ago
I don't think Pape competes with either of them as far as voice production. Salminen is a singer on the level of Moll, but I don't like him as Sarastro; his voice is too intimidating. He never did singspiel, but I would have loved to hear Cesare Siepi as Sarastro. It goes way back, but I like Wilhelm Strienz in the role probably second after Moll.
IceMasterEasthamJazz 3 years ago 3
Mon Sarastro préféré (j'aime bien Talvela aussi) jackbruce a raison voyez son Commendatore FAMEUX. Son Osmin est aussi extraordinaire.
jacquesurlus 3 years ago
check out the video of him as the Commendatore in Don Giovanni... incredible
jackbruce 3 years ago
long live mozart ,spectacular bass kurt moll
beethomozart 3 years ago
Kurt Moll is amazing and I apire to sound like him. His range in "In Diesen Heil'gen Hallen" is especially impressive.
I sing bass (as an amateur) and I would like honest opinions on my videos (especially Ave Maria). If you Kurt Moll fans would watch my videos and comment (positive or negative) I would appreciate it.
RushAndRuleIt 3 years ago
hermosa y mil veces hermosa aria
rodoShaolin2 3 years ago
Hes just...amazing....SO incredible!!
Horusdragon 3 years ago
Kurt Moll is simply the best bass I ever heard.
Guilherme7530 3 years ago
maravilloso
rodoShaolin2 3 years ago
is there part of this aria that switches to triple metre?
"wen solche lehren nicht erfreun"
it sounded weird rhythmically. any thoughts?
mrtyles 3 years ago
I don't believe so. I think it is just the way that he sings it. Though, I have never sung this song. I was Tamino when we did it =D at Centenary.
gentsitpunk 3 years ago
how does he make the b and the c# sound so low? i'm a bass, and i could never hit those notes right.
mrtyles 3 years ago
While there are of course right and wrong ways to sing a note (ie. not hitting it, singing it in a way that harms your vocal cords, or simply not singing the right note, but I don't think we're worrying about That), in the context of singing these notes, each person has an individual way to hit these notes. I find among basses, that we might have the right notes, but we push on the sound, or darken it. The sound is more in relation to his age, size, and diaphram work. So don't despair :)
Aleksei5 3 years ago
I agree! but Kurt Moll does not make it sound it low. This is simply is timbre, it's a natural thing. An that's the hood way. If a bass darkens the sound, then he's a bass wanting to sound someone else, wanting to sound lower than he is. I thought I was a bass because I did this, but I am actually a bass baritone. I sang this aria in the bad way.
jhvorotin 3 years ago
So, when I was a kid I wouldn't go to sleep until my parents let me listen to BOTH the Sarastro arias sung by Moll, haha. Meeting him when I was in college was like a dream come true....he is getting old though...
and any recording where Crazy Battle isn't singing
lucyliesinashes 3 years ago
.. aunque corran xD
sciencemuzzy 4 years ago
Dioooos! qué bozarrón tiene Kurt Mooooll!! :D
Hay bajos que son increíbles.
sciencemuzzy 4 years ago
Awesome!!
This is one of my favorite Die Zauber Flöte Arias.
rodoShaolin2 4 years ago
toller song, hab ihn bisher noch nie von moll gehört.
great song, nerver heard moll singing this one before.
johnm32145 4 years ago 2
I'm singing this for this semesters required vocal performance for music majors, lol just getting some tips from one of the best
pavelkostov 4 years ago
Ah, beautiful, I'm currently singing it too.
I presume you end it with the optional low e on "...ein Mensch zu SEIN.", right?
Ufelan 4 years ago
Ha yes I do, and I want to sing the last three notes Db Eb then E an octave down, but my voice teacher wont let me lol it was hard enough for me to get him to let me sing the E, but I won on that one
pavelkostov 4 years ago
Wait, I'm not sure about what you are saying... Does "E an octave down" mean the e below low c???
Ufelan 4 years ago
One of the best versions of this aria ive ever heard
mbanda124 4 years ago 2
Maybe today. However, suggest you try to acquire a CD of "IVAR ANDRESEN"
796824 4 years ago
no you do not, hear Ludwig Weber, Gottlob Frick Mihaly Szekely just a couple, Moll is good by the way
egymagyar1111111 4 years ago
Yeah, I firmly agree with both Weber and Moll, not familiar with the third guy. I have found that every role I've heard Frick in that Moll did, Frick has much more power in the lowest part of his range, especially, for instance, Osmin. And it's a shame Frick never sang Baron Ochs.
IceMasterEasthamJazz 4 years ago
Ok, I uploaded the best version of this aria I've heard, by Alexander Kipnis. Go to the link I provided in the "About This Video" sidebar above, right-hand corner. Click on the "(more)" to view all the notes.
TheGreatPerformers 4 years ago
Ice Master, you can't judge the power of a singer's voice until you hear him/her live. And I love both Frick and Moll.
Ufelan 4 years ago
Correct me if I'm wrong, but I never said I don't like Moll, and I was under the impression that live recordings were recorded as performed, including DVDs such as this, with voices remaining unenhanced. If I'm wrong, then I withdraw any of the credibility I felt I had on judging a singer's voice. But Moll, as you said, certainly is a master. So is Frick, and dozens of other singers.
IceMasterEasthamJazz 4 years ago
mIHALY sZEKELY WAS BORN IN hUNGARY has Hungaroton recordings and DECCA made some, he was very good Osmin, Ochs you can find Simon Boccanegra in MET with Astrid Varnay as Amelia Warren as title role
egymagyar1111111 4 years ago
kurt moll ist traumhaft...samt in der stimme!!!!! unvergleichlich
newhotmailit 4 years ago
Kurt Moll, a real master! I absolutely love him!
Ufelan 4 years ago
isn't this kind of a high aria for a bass? i've been trying to do this aria myself, and i have to transpose it down a fourth!
mrtyles 4 years ago
No, it isn't. This is a real black bass aria. The highest note in it is c#. If you can sing only a fourth lower, you really should sing something that is technically less demanding.
Ufelan 4 years ago
Yeah, and you must have quite the bottom end in your voice to sing the low C#'s that would be required in singing this a fourth lower. ;)
IceMasterEasthamJazz 4 years ago
gives me goosebumps - absolutely fantastic
ibinsi1 4 years ago
Those hands, large as the lady's head!
He's a very big chap, no doubt about that.
Wonderful voice!
rayrac 4 years ago
Sublime!
I had the pleasure of hearing Kurt Moll as
Sarastro at the Met in 2001 and his voice
had lost none of its warmth. The sound just
sort of envelopes you. Rich and majestic
performance.
Thank you for posting!
verdiguy 4 years ago 3
I learned to sing bass age 14 singing this song
elton1981 4 years ago
Yeah, no.
Your voice wouldn't be developed enough.
It would harm you horribly to try this.
Searian 3 years ago
I was singing tenor unbroken when I was 13 so this wasn't that much of a struggle, just hard work. Where wasn't much breadth to the sound, and my placement was all over the place, but I was still getting used to my new voice lol
elton1981 3 years ago
when you say there wasn't much breadth to the sound, do you mean more growly, or what?
this song is still pretty low for anyone in high school.
Not fun to push.
Searian 3 years ago
The notes were there. I could get a bottom Eb, but there was no power below the a B. Now it's my lowest is a bottom Db. so mu range hasn't changed that much, just I've got the power to fill a large parish church. When I was 14 i wouldn't have done.
It's not that unsual. There used to be a 14 year old bass in my Church choir. Boys voices are breaking earlier and going deeper than ever before. Of course there are some boys which buck the trend
elton1981 3 years ago
yeah..
My voice dropped like over an octave (from good high actual tenor to low bass.. :[ ) over the course of one summer.
so NOT cool.
I have an Ab below the low C thats 2 octaves below middle C...
I can hit lower, but not much in the way of sound.
Searian 3 years ago
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i can hit E below the low C. my voice is so masculine.
doesntmatter01 3 years ago
This has been flagged as spam show
No, MY penis is the biggest!
ArentWeSpecial 3 years ago
Why don't you post a video of that?
RushAndRuleIt 3 years ago
it's an F# smarty.
cheesydutchman 3 years ago
And on the upper end? Training for a bass as far as range is more concerned with building the top. The concern with the bottom is quality more than whether or not the notes are there.
IceMasterEasthamJazz 3 years ago 2
Tuba mirum spargent sonum! :)
Bravo!
dorje1975 4 years ago
great!
mnul 4 years ago 2