I've got the "Nocturne" CD, and whilst Robert Smith is no John McKay and certainly no John McGeoch, apart from "Switch" I think he does a good job on the rest of "Nocturne". I can't think of another guitarist at the time who could have done better. Except for Stuart Adamson, but he was otherwise engaged. And they did "Hyaena" during his stint, which is the Banshees most experimental album. Steven Severin's bass was much more to the fore, a Robert Smith "Cure" trademark.
Wow they were tight!! Siouxsie looks and sounds great, Steve is killing it on bass and Budgie on drums and of course Robert Smith on guitar = Thanks for posting now I have goosebumps
@Gary1497 GREAT guitarist??? Well, you're entitled to your opinion, mate, but...to me a great guitarist is Clapton, Page, Hendrix, Johnny Marr etc; You really think
@tstsullivan797 Hi tst, I love the work of all the guys you mention there, he may not be as good as that, but he's still a great player. Listen to the originality and mood on "three imaginary boys" and all the Cure's early albums. He is good.
@tstsullivan797 I'm a jazz player, I've been playing for about 40 years. I know my stuff. Smith is a very innovative player;he's far more imaginative than most of the guys you mention. Those guys pretty much stick to blues scales, Major, minor and dom7 chords. Smith gets into some nice chordal qualities and scales that are altered, extended and diminished forms. He's not out front flashy, greatness isn't about that. Check Jim Hall out sometime. Brilliant w/ absolutely zero flashiness.
@AvirtualSwitzerland Not superior but definitely, when it comes to music and recognition of ability, jazz players have knowledge behind them and that comes from hundreds of hours of study and practice.That makes an ah-um "jazz geek" well qualified to comment on a players abilities, especially with respect to the musical constructs that are being used. Smith is an innovative guy. My point was that flashiness does not equate to musical greatness. A substitute for a large weenus though perhaps.
Both John McGeoch and Robert Smith (playing here) were brilliant guitarists, but neither of them quite managed to produce that wonderful sound that John McKay made originally.
@roddy76to86 I heard McGeoch from 10 feet away in November 1980 and they played "Switch" 2 nights' running out of the 3 I saw at the Whisky-A-Go-Go and he came pretty damn close to McKay. A lot more than Smith did. McGeoch was a guitar genius, end of.
John McGeoch was the best guitarist known to me, I envy you seeing him play so close, as that is an entertainment in itself. But even he couldn't quite match that amazing sound that John McKay produced. I've heard that Robert Smith always struggled with "Switch". But who else could take that job on TWICE with no notice ? My unremastered 1990 CD of the first two Peel Sessions has arrived, and I was about to upload a track. Surely UMG haven't got their meathooks into that ?
@roddy76to86 I suspect that the difference was purely down to McGeoch's Yamaha SG vs. McKay's Les Paul. I'm pretty sure McGeoch used most of the same effects pedals as McKay did in an attempt to closely emulate his sound on the older material. Smith on the other hand, you can hear him make mistakes in this vid (which is a really nice transfer of the "Nocturne" video, I must say!). Smith did pretty well with the older thrashy stuff back in 1979 when he did his first substitution stint, though.
@ILikeCalliopes This really made me laugh, because I heard the vocal you were talking about, and imagined a bunch of people staring, completely vexed out of their minds wondering why someone would sing the album version like this. Totally hilarious!
there were 2 nights at the albert hall 2 tracks were not on the album but were released as a fan club single only..buy the way does anyone who was there remember throwing paper aeroplanes from the balconys before they came on
This band influenced me so much in the eightees....I loved to listen to this music and I always admired Siouxsie. I loved the way she looked like and the way she used to dance and move...Great song and a great memorie of good times in the eightees!....
@RiotNrrrdUTube
I've got the "Nocturne" CD, and whilst Robert Smith is no John McKay and certainly no John McGeoch, apart from "Switch" I think he does a good job on the rest of "Nocturne". I can't think of another guitarist at the time who could have done better. Except for Stuart Adamson, but he was otherwise engaged. And they did "Hyaena" during his stint, which is the Banshees most experimental album. Steven Severin's bass was much more to the fore, a Robert Smith "Cure" trademark.
roddy76to86 7 months ago
Rocks hard! Love em!
sharka69 7 months ago
Ooops, something went wrong with 'ghhh...patient guinea-pigs'
b.t.w. that background vocal must be 'the mark of devilry'
Siouxsie rules ^^
MrsVanGoth 1 year ago
Wow they were tight!! Siouxsie looks and sounds great, Steve is killing it on bass and Budgie on drums and of course Robert Smith on guitar = Thanks for posting now I have goosebumps
RainmanCT 1 year ago 4
i'm 25 but wished i got to see siouxsie...and like this at least once! :-( great song and best live performance of the song i think!
suprememissg 1 year ago
if you speak or understand Portuguese, then find find out what "sarcasmo" means. (Hint: it's quite the same as in English)
See ya
xuao24 1 year ago
magnifica versión de una de las mejores muestras de su disco debut "scream".
wander910 1 year ago
this is great, or as they say in Portuguese, é fraquinho
xuao24 1 year ago
@xuao24
fraquinho in portuguese means something like awful,bad,weak
fraco = weak
Jubireba 1 year ago
Linda!!!
RICVILE 1 year ago
nice song. nice band. nice woman.
COUVELOMBARDA 1 year ago
i love this band but why oh why did she ever ask that fat wanker Smith to join them??
tstsullivan797 1 year ago
@tstsullivan797 because he's awesome :D
Ombrenuit 1 year ago
@tstsullivan797 because he's a great guitarist that's why tst.
Gary1497 1 year ago
@Gary1497 GREAT guitarist??? Well, you're entitled to your opinion, mate, but...to me a great guitarist is Clapton, Page, Hendrix, Johnny Marr etc; You really think
Fat Boy Smith belongs in that company???
tstsullivan797 1 year ago
@tstsullivan797 Hi tst, I love the work of all the guys you mention there, he may not be as good as that, but he's still a great player. Listen to the originality and mood on "three imaginary boys" and all the Cure's early albums. He is good.
Gary1497 1 year ago
@tstsullivan797 I'm a jazz player, I've been playing for about 40 years. I know my stuff. Smith is a very innovative player;he's far more imaginative than most of the guys you mention. Those guys pretty much stick to blues scales, Major, minor and dom7 chords. Smith gets into some nice chordal qualities and scales that are altered, extended and diminished forms. He's not out front flashy, greatness isn't about that. Check Jim Hall out sometime. Brilliant w/ absolutely zero flashiness.
talkingwall 1 year ago
@talkingwall ....Why do jazz geeks always think they are superior and THE PUREST FORM?.....Go bee-bop your little turtle dick, Sully.
AvirtualSwitzerland 1 year ago
@AvirtualSwitzerland Not superior but definitely, when it comes to music and recognition of ability, jazz players have knowledge behind them and that comes from hundreds of hours of study and practice.That makes an ah-um "jazz geek" well qualified to comment on a players abilities, especially with respect to the musical constructs that are being used. Smith is an innovative guy. My point was that flashiness does not equate to musical greatness. A substitute for a large weenus though perhaps.
talkingwall 1 year ago
I am such a freak for Siouxsie.
SWTinFLA 1 year ago
Timeless! You can listen to her music over and over but never grow tired of it??? I am simply in awe!
aetechllc 1 year ago 2
some of the best bassplaying you'll ever hear. it may not be the greatest technique or the most notes but it's the perfect note choice every time.
richcr4 1 year ago 5
une de leur plus belle chanson... je me l'écoutais en boucle à une époque, en rêvant de savane africaine et d'aventure romantique... hihi
rochefort82 2 years ago
I somehow feel exited as if I'm actualy there at the concert! Thank you very much!
PurpleBlueHaze 2 years ago 10
Both John McGeoch and Robert Smith (playing here) were brilliant guitarists, but neither of them quite managed to produce that wonderful sound that John McKay made originally.
roddy76to86 2 years ago
@roddy76to86 I heard McGeoch from 10 feet away in November 1980 and they played "Switch" 2 nights' running out of the 3 I saw at the Whisky-A-Go-Go and he came pretty damn close to McKay. A lot more than Smith did. McGeoch was a guitar genius, end of.
RiotNrrrdUTube 7 months ago
@RiotNrrrdUTube
John McGeoch was the best guitarist known to me, I envy you seeing him play so close, as that is an entertainment in itself. But even he couldn't quite match that amazing sound that John McKay produced. I've heard that Robert Smith always struggled with "Switch". But who else could take that job on TWICE with no notice ? My unremastered 1990 CD of the first two Peel Sessions has arrived, and I was about to upload a track. Surely UMG haven't got their meathooks into that ?
roddy76to86 7 months ago
@roddy76to86 I suspect that the difference was purely down to McGeoch's Yamaha SG vs. McKay's Les Paul. I'm pretty sure McGeoch used most of the same effects pedals as McKay did in an attempt to closely emulate his sound on the older material. Smith on the other hand, you can hear him make mistakes in this vid (which is a really nice transfer of the "Nocturne" video, I must say!). Smith did pretty well with the older thrashy stuff back in 1979 when he did his first substitution stint, though.
RiotNrrrdUTube 7 months ago
I really always loved how Satan joined them
as the background singer from 3:05 to 3:23.
To this day when I listen to the album version
I sing Satan's background vocal out loud and
if anyone's nearby they look perplexed.
ILikeCalliopes 2 years ago 18
@ILikeCalliopes This really made me laugh, because I heard the vocal you were talking about, and imagined a bunch of people staring, completely vexed out of their minds wondering why someone would sing the album version like this. Totally hilarious!
MasterShifty 1 year ago
@ILikeCalliopes I know exactly what you're talking about! I thought I was the only one who did that! It does sound like a demon-voice.
librabonze 1 year ago
there were 2 nights at the albert hall 2 tracks were not on the album but were released as a fan club single only..buy the way does anyone who was there remember throwing paper aeroplanes from the balconys before they came on
podder66 2 years ago
loz
amo
<3
katzetnik135633 2 years ago
Siouxsie, Robert, Steve et BUDGIE, le meilleur batteur new wave qui ait jamais existé!
Laurent75017 2 years ago 3
apocalipse!!!
masterfraza 3 years ago
This band influenced me so much in the eightees....I loved to listen to this music and I always admired Siouxsie. I loved the way she looked like and the way she used to dance and move...Great song and a great memorie of good times in the eightees!....
Wichtelmayer 3 years ago
one of the best songs ever!
roxyheard8 3 years ago 2
Merci à Siouxsie et Robert.Le Top.
17secondsif 3 years ago 2
Really good audio quality. Thanx syrex
ibyt1000 4 years ago 2
lol...buy nocturne dvd at amazon^^
schlummbumm68 4 years ago
better yet, buy any album at your local independant record store.
karenchristine9 2 years ago
Great!
antimaria 4 years ago
Nocturne!!
madladynad 4 years ago 2
i love nocturne to death.the best song she is ever done.i love the black outfit she wears it's sexy.her hair cut is so cute. definitely the best.
aschenputtel85 4 years ago 3
quand le mouvement punk signifiait encore quelque chose c etait beaucoup mieux que de voir ces clowns déguisés faire la manche dans la rue
killinggeorge 4 years ago