Added: 4 years ago
From: Oneguin65
Views: 18,936
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  • dificilmente habrá ptro calaf que le iguale tanto en voz como en presencia

  • Voce potentissima e con un registro acuto meravigliosamente potenziato e squillante, in questo tipo di repertorio credo che abbia ben pochi rivali. SPLENDIDO.

  • me en canta franco corelli se decia que tenia el re pero no creo porque el si natural le cuesta dar por ahí si alguien tiene una grabanciónde corelli en re seria genial..

  • Tenía el Re bemól, lo puesde escuchar en vivo en Los Hugonotes y el Trovador

  • Corelli is really powerful...But he doesn't regulate his power smartly...I mean he is agressive all the time...I think Pavarotti shows and hides his power at the right moments...That's why I prefer Pavarotti, but it's just my opinion...Anyway I love this Corelli's interpretation of Nessun Dorma as well...

  • buddy, their no hidden power in this piece whatsoever. it's all right there and you either got it or you don't. Corelli had it.

  • raige...you're right on...Corelli had great

    vocal control. Pavarotti of course was

    a lyric tenor with a smaller voice and

    not the same incredible projection.

    For a guy to say he didn't regulate his

    power smartly is just ignorant.

  • personally I'd rather listen to a "listen to my powerful, sexy voice" rendition of this song anyway, the plot is corny as hell. tenors may have more emotional repertoire, but there characters don't tend to be as bad ass as baritone roles (with the exception of Manrico).

    Calaf: marry me

    Turandot: hmm no, well maybe if I can't guess your name but I'll think about it, but if I guess it then I get to kill you.

    Calaf: okay

    Don G: what up ho. I'm gonna seduce you

    Zerlina: okay bu

  • raige...LOL...so true.

  • I find Pavarotti's voice is stunning. But Corelli's makes me cry every time...

  • The first time I heard Corelli was on a live broadcast (Turandot) from the Met in the early 60's. I was absolutely stunned by the beauty and power of his voice; I had never heard anything like it nor have I yet to this day.

  • I saw both Corelli and Pavarotti sing this role live. Both were very great tenors. But their voices were very, very different. Corelli owned this role and Pavarotti owned Rodolfo, but I won't transpose them in those roles.

  • @pmuzio lanza owned both. please listen.

  • IDOLO!

    Gracias por el video! Bravissimo!

  • Bravo Corelli! He is the best tenor of all time, in my opinion! He has a strong and powerfull voice!

  • If Pavarotti would have made a recording of this then it would have sounded better than Corelli's version. Pavarotti's live version is better than Corelli's recorded version. I still think that Corelli ranks up there in the top 3 to be considered the best tenor of all time. No one has been the face of opera like Luciano has. Corelli is great, but Luciano is a better talent.

  • Having a color recording even if it is lip-synched is better than nothing.

    Wonderful.

  • 30 degrees centigrade but goosebumps over my arms.

    Grande Franco!

  • Yes, it is lip-synched to his recording. There were a series of these lip-synched areas in costume that were done for European TV. Caused a little scandal/disdain at the time. But, at least now we have them as a memento.

  • The best!

  • The singing is wonderful, but the video looked lip-synched... Am I right? (I don't doubt that it's Corelli's voice that we hear, but I'm not convinced that he was actually singing when the filming was done.)

  • I agree lip-synched. The soundtrack from complete recording with Nilsson 1965

  • @kynnjo i love corelli, but it was "ok" for him to lip-synch on television, but not mario lanza. why?

  • The king, the master, the greatest tenor bar none.

  • grandissimo Franco... Ho avuto l'occasione di parlarti per telefono... La tua voce è inconfondibile e insieme a Bastianini alla Callas e alla Tebaldi chissà che bel concerto starete facendo da lassù

  • EL MEJOR

  • The greates Tenore! Bravissimo!

  • When Corelli was singing at the Met, you bought, begged or printed a ticket and then prayed he'd appear; you went, and it didn't matter what opera he was starring in. He always sung his finest and I never left the theater less than thrilled.

  • Bravo,Franco!

    Gary from N.S.

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