When I first started listening to art music, I remember that this piece sounded too thick. I could not process all the beautiful "information" that Brahms had written. It took a while to appreciate this. I love the B-flat minor perorative phrases which occur twice in the first movement.
Absolutely beautitiful. I have only just discovered this piece of music.....heard a part of it on Classic FM. It was chosen by Anita Shreve (writer) as one of her favourites.
I'm forever thankful Anita! It's amazing in a piano concerto that the cello features so prominently......however I am but a novice. Thanks bugopolo!
I'd say it is the best performance I've heard since Claudio Arrau's recording. I began to listen to that when almost still in my diapers, and must have heard it close to a thousand times over the years. Before my late teens, however, I mostly ignored this movement, since the proceeding and consecutive ones are so extrovert and vivant. Now this is my favourite and I can only agree with ravello99, alvarito45 and others.
@unicorndl People dislike it because they do not know any better.
I lament this; though I've noticed that people at my age begin to broaden their horizons with music, but (though I have nothing personally against them) if you play this to a 15-year old almost all of them will call it boring and that all 'classical' music sounds the same. The irony, is that when you analyse the pop music they listen to, you find all *that* music IS the same. A reductionist approach to music is important, I think.
This movement of the No 2 concerto is so inspiring, moving, calming, etc. Beautiful, beautiful, beautiful. Amazing work of art. God bless Brahms for taping into the divine on this one.
An unbelievably amazing piano concerto, played so well and beautifully by both the orchestra/conductor and soloist, despite how extremely difficult it is!
@magneticmidget could be way worse. it's elegant and for the most part keeps moving. Look up an old Chicago recording if you want a really yummy rendition.
@skryabyn I find it weird that everyone prefers different parts to others and cite parts that I didn't find too enticing or 'pure magic'- they are great as the rest of the work, but not enticing as other passages for me. I didn't find Theodosius's sections were the best either. For me the favourite passage is from 4.06 to 6.00, with the magical moment at the sections with the tune 4.17 to 4.33 or so. These passages are close to madness- a possible scenario put in clumsy words in my imagination
Wonderful. Only a shame that in section 3:41-4:00 right hand has two beautiful melodies and, besides they're not in regular crescendo, they are overlapped by left hand.
As I wrote in Mov 3 part 2, for me there in no doubt thatthis is the best slow movement among all piano concertos. It has more soul and profoundity than any other. The recording is not very good, and even the music goes to the deeep of one's heart. Tropo bello!!!!
Baremboim and Celibidache (pronounced chehl-EEE-bee-DAH-kay) recorded or performed several concertos (both Brahms, Tchaikovsky 1, Schumann, to name a few). Celibidache usually took his time with slow movements, and this was no exception.
Does anyone have copies of the Number 1, Schumann and Tchaikovsky? Does anyone know how to locate a copy? I have Brahms 1 in VIDEO cassette but not the others.
All those that critisize should realize that the problem is in the recording, not in the interpretation. Barenboim is quite excellent and his Beethoven's sonatas are the best. Also this concert in his hands is perfect. I agree with ersnstmax1403: many silly comments!!
Gun to my head probably my favorite Piano Cto. Absolutely no wasted or extraneouos notes from the piano. Saw it live with the NY Phil last year. Awesome.
I love Barenboims clear and structured sound. you can hear every note, instead of some other performances which seem moody and nebulous. its this clearness which lets come what brahms' music is: honestly.
only the cellist could be kicked a bit, for example at 8.35 ... :-D
Barenboim is a hell of a musician, I'm not sure if I could say the same about the orchestra's principal cellist. I'm a cellist myself, and that opening solo was not very well done.
I agree about the opening cello solo here, and a tick faster would have helped that section. The cello sounds rather whiny and the piano's treble notes somewhat tinny as well, so maybe it's the recording, not the performers. For this concerto, covering a broader range of notes than perhaps any other, a first-rate piano is essential.
Sheer cantabile. Never have I heard the slow mvnt of this glorious concerto sing so magically, not even that of the Berlin Phil. with Gilels/Jochum or Pollin/Abbado with the Vienna Phil. Barenboim could not have found a better partner than this genius Celibidache whom some have even called a 'crank'. Well genius is to madness near allied! sd goh (malaysia)
Der Celi hätte sich einen besseren Pianisten suchen sollen, er und Barenboim, gegensätzlicher kann mensch nicht sein. Ansonsten Brahms... und die Seeele öffnet sich...
do1tro, es ist ein Jammer dass Celi dich nicht gebeten hat zu spielen - du haettest das sicher perfekt gespielt. Mein Gott was fuer ein kleinkariertes A.... du doch bist.
Now I'm sure the dynamics are fine and the orchestra's great and the whole thing is just teeming with 'musicality', but what the hell's he waiting for? It's an ANDANTE movement, from the Italian, "walking". I could have walked all the way to Tokyo and back and he'd barely have done a phrase. Get a move on! I enjoyed Katz and Slavchev better.
This is one of best music ever writen for any ensemble and instrument, I've heard a lot of versions e none could make this 3 mov. least than wonderfull, and emotionally dense
I totally disagree with you. Celibidache, who played every year with Barenboïm till his death, choses this tempo because he KNOWS Barenboïm's rare capacity for managing with it, for expressing his remarquable poetic sense in it, just as he did, for instance, with Klemperer and his slow tempi in Beethoven's concertos in the 60's. I heard so many renderings of this Brahms concerto in my life, and this one is for sure one of the most beautiful. It's a pity you don't feel it.
I find Barenboïm at least as amazing as Celibidache. His playing is unbelievably full of poetry and spirituality. He confirms once more that slow movements are his "speciality".
he tends to over-poetisize phrases. and it turns me off. brahms is very complex composer,and the score has to be read fully as a harmonic architecture and not piece by piece, with these bursts of small emotions. Celibidache choose a fantastic tempo, slow and he maintains that slow. Barenboim looses unity and integrity between phrases.
Brahms is a Beethoven type composer, poetic - yes but sentimental - no way.
I agree that Barenboim tends to exaggerate the phrasing. But the basic tempo is stunningly fast for either Celibidache or Barenboim. If anything, the performance would have benefited from a slower tempo. Through an incredibly liberal use of rubato, the tempo drops to nearly half-speed in the middle of the movement and then picks back up again when the theme is restated. Otherwise though, the tempo is very near to Brahms's flowing metronome mark of 84 to the quarter.
Oh, most definitely, etucker82. The recording of Backhaus/Bohm from '62 (i think that's the year) is beyond anything I've ever heard. It is the greatest recording of Brahms in history. I don't think anyone comes close.
I'm a big fan of that recording, but Backhaus was already 84 and it began to show in his technique. My favorite of his three is the second which he did with Carl Schuricht and the Vienna Philharmonic. All three of them are superb in their own ways, but for me the second time was the single greatest recording of this concerto.
I didn't think I needed to by another rec of this .This is going to be one of my faves .Brahms the unmuddied classicist fluent orchestrator.this is really great.I have to dig out the Furtwangler/ w/fischer .I cant believe schnabel released his mess -sounds like he just satkept on a keyboard aw/ a bunch of cats lol.
This is masterful playing by Barenboim! Amazing how well they are together when the conductor never looks at Barenboim. Course, Barenboim is a conductor too, so he knows what's going on in the orchestra parts.
That conductor is THE man.
IronGrobSquat 2 weeks ago
brilliant... favorite... beautiful... sublime...
irmagvarama 1 month ago
Comment removed
AdversusHaereses 2 months ago
The principal cellist looks like Richard Dawkins.
MOTHERfcknBRAIN 2 months ago
When I first started listening to art music, I remember that this piece sounded too thick. I could not process all the beautiful "information" that Brahms had written. It took a while to appreciate this. I love the B-flat minor perorative phrases which occur twice in the first movement.
lmagee1948 3 months ago
MERCI BRAHMS, MERCI MUNICH !
Ich liebe der deutsche Geist ûber Alles !
revelatorization 3 months ago
Absolutely beautitiful. I have only just discovered this piece of music.....heard a part of it on Classic FM. It was chosen by Anita Shreve (writer) as one of her favourites.
I'm forever thankful Anita! It's amazing in a piano concerto that the cello features so prominently......however I am but a novice. Thanks bugopolo!
wesleyrocks1738 4 months ago
@wesleyrocks1738 Heh, that's the same reason I'm here.
kelseyjudson 4 months ago
I'd say it is the best performance I've heard since Claudio Arrau's recording. I began to listen to that when almost still in my diapers, and must have heard it close to a thousand times over the years. Before my late teens, however, I mostly ignored this movement, since the proceeding and consecutive ones are so extrovert and vivant. Now this is my favourite and I can only agree with ravello99, alvarito45 and others.
systemspel 4 months ago
The songs of johannes brahms are the most beautiful in the world
akiratabakodesu 5 months ago
I love that movement, it's so beautiful I wanna cry...this cello...
MartinaFromPoland 5 months ago
wow Barenboim and Celibidache play Brahms
sinaia1 6 months ago
how can somebody dislike a beautiful piece like this?
unicorndl 7 months ago
@unicorndl People dislike it because they do not know any better.
I lament this; though I've noticed that people at my age begin to broaden their horizons with music, but (though I have nothing personally against them) if you play this to a 15-year old almost all of them will call it boring and that all 'classical' music sounds the same. The irony, is that when you analyse the pop music they listen to, you find all *that* music IS the same. A reductionist approach to music is important, I think.
PhysicalsimForever 6 months ago 2
@PhysicalsimForever You said it right, ALMOST all of them :)
Rudolph1722 6 months ago
This movement of the No 2 concerto is so inspiring, moving, calming, etc. Beautiful, beautiful, beautiful. Amazing work of art. God bless Brahms for taping into the divine on this one.
ravello99 8 months ago 2
The cello solo is one of the most beautiful melodies i've ever heard
k73f 9 months ago 3
Barenboim plays extremely well. I must say that my animosity towards him is gradually diminishing with regard to the Jacqueline Du Pre debacle.
davidoff9764 11 months ago
Right up there with Beethoven's 5th and Rachmaninov's 2nd piano concerto for emotive power.
PhysicalsimForever 11 months ago
@PhysicalsimForever Querido amigo, has olvidado. Prokofiev´s 2nd, Paderewski y Moszkowski pianos conciertos.
1944fernando 11 months ago
An unbelievably amazing piano concerto, played so well and beautifully by both the orchestra/conductor and soloist, despite how extremely difficult it is!
OrangeSodaKing 1 year ago
Barenboim....unique
Ultrazone91 1 year ago
Notice:
The camera work is fantastic! You can become friends with everyone in the orchestra :D this is amazing!
And Brahms was a genius. Not a neo-classic as they say, he was a true romantic.
nine9below0zero 1 year ago
wah is this clear liquid drippin from my eyes??
sooo soulful.. feels like i've been in heaven 4 10mins!! SNAP!
bangbangDero 1 year ago 5
One of the tenderest, most endearing compositions ever!
Darbkin 1 year ago
Terrible cello solo. Just Awful!
magneticmidget 1 year ago
@magneticmidget could be way worse. it's elegant and for the most part keeps moving. Look up an old Chicago recording if you want a really yummy rendition.
cactuscrane 1 year ago
6:37 --> 8:30 Best part :)
Theodosius3308 1 year ago
The most intelligent and passionate version I have ever heard. Well done Danny.
esclarmonde1 1 year ago
2:53 pure pure pure magic
skryabyn 1 year ago
@skryabyn I find it weird that everyone prefers different parts to others and cite parts that I didn't find too enticing or 'pure magic'- they are great as the rest of the work, but not enticing as other passages for me. I didn't find Theodosius's sections were the best either. For me the favourite passage is from 4.06 to 6.00, with the magical moment at the sections with the tune 4.17 to 4.33 or so. These passages are close to madness- a possible scenario put in clumsy words in my imagination
mehandas 1 year ago
@skryabyn akin to a situation when two people who love each other (not just lovers necessarily) have to part for ever.
mehandas 1 year ago
Me ha emocionado profundamente !!!!!!
Gracias !!!
kalonice100 1 year ago
Beautiful cello solo!
davidgee100 1 year ago
When was this performed???
SebastienLoong 1 year ago
The orchestra pretty much plays by itself. Celibidache is old and ignorant.
andreyborisov 1 year ago
I think it's a crime for not showing the solo cellist in the video in the beginning solo.
dga471 1 year ago
absolutely stunning
IA2329 1 year ago
i like this director very much!
annvanmiegem 1 year ago
woorden schieten tekort!
annvanmiegem 1 year ago
"impressive lyrically"? amazing architecture?
What are yo talking about? Are you a musician o just a snob talking about it? God...
MFN2000s 1 year ago
This has been flagged as spam show
"impressive lyrically"? amazing architecture?
What are yo talking about? Are you a musician o just a snob talking about it? God...
MFN2000s 1 year ago
a beautiful nostalgic slow movement that brings a tear to my eye especially when I think of sad events that hurt me...
jonnyenglishlim 1 year ago
Really bad quality, but intensively played!
However, the sound is not equal to the video, that's pretty annoying...
Casals1990 1 year ago
MONICA LENGUINSKI AND BILL CLINTON
LARSE42 1 year ago
So beautiful!
furtherdefinitions 1 year ago 7
SINFONIA CON PIANO
jorgealbertobaron 2 years ago
HERMOSA OBRA DE BRAHMS
jorgealbertobaron 2 years ago
Ici on touche au sublime... Le hautbois est remarquable.
AZTIQOT 2 years ago
Absolutely touching . . . just as good as the versions I heard on LP's by Van Cliburn and Philipe Entremont. Very passionate as well.- R.
rachmaninovpc3dminor 2 years ago
i have this LP's too ^^
Agus from Argentina!
AgusLobato 2 years ago
Comment removed
Blahshua 2 years ago
Thank you very much!
oblifan132 2 years ago
slower is not possible, it is almost stopped ; Barenboim's and Eggebrecht's sounds allow this quasi-immobility.
noratranvouez 2 years ago
Wonderful. Only a shame that in section 3:41-4:00 right hand has two beautiful melodies and, besides they're not in regular crescendo, they are overlapped by left hand.
marcosbabu 2 years ago
Ah....Brahms.....Schumann's spiritual son.... What a gem,that piano concerto.....
mokacode 2 years ago 2
From 4:50 to 6:02 is Brahms in his best expresion. An also in the oboe solos.
alvarito45 2 years ago
As I wrote in Mov 3 part 2, for me there in no doubt thatthis is the best slow movement among all piano concertos. It has more soul and profoundity than any other. The recording is not very good, and even the music goes to the deeep of one's heart. Tropo bello!!!!
alvarito45 2 years ago 2
Baremboim and Celibidache (pronounced chehl-EEE-bee-DAH-kay) recorded or performed several concertos (both Brahms, Tchaikovsky 1, Schumann, to name a few). Celibidache usually took his time with slow movements, and this was no exception.
I think that the cellist is Joerg Eggebrecht.
pianistconductor 2 years ago
Yes, the cellist is Joerg Eggebrecht.
TomBarristerX 2 years ago
Does anyone have copies of the Number 1, Schumann and Tchaikovsky? Does anyone know how to locate a copy? I have Brahms 1 in VIDEO cassette but not the others.
PLease let me know if any one knows. THANKS.
sandatucson 2 years ago
All those that critisize should realize that the problem is in the recording, not in the interpretation. Barenboim is quite excellent and his Beethoven's sonatas are the best. Also this concert in his hands is perfect. I agree with ersnstmax1403: many silly comments!!
alvarito45 2 years ago
Gun to my head probably my favorite Piano Cto. Absolutely no wasted or extraneouos notes from the piano. Saw it live with the NY Phil last year. Awesome.
mrstock185 3 years ago
I love Barenboims clear and structured sound. you can hear every note, instead of some other performances which seem moody and nebulous. its this clearness which lets come what brahms' music is: honestly.
only the cellist could be kicked a bit, for example at 8.35 ... :-D
kletterkajo 3 years ago
Beautiful old recording !! Brahms would have loved it ! ...more of it !
Some of the negative comments are true & tremendous bullshit !!
ernstmax1403 3 years ago
Barenboim is a hell of a musician, I'm not sure if I could say the same about the orchestra's principal cellist. I'm a cellist myself, and that opening solo was not very well done.
IsaacDelarge 3 years ago
I agree about the opening cello solo here, and a tick faster would have helped that section. The cello sounds rather whiny and the piano's treble notes somewhat tinny as well, so maybe it's the recording, not the performers. For this concerto, covering a broader range of notes than perhaps any other, a first-rate piano is essential.
kiddosha 2 years ago
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barenboim is sick. that cellist sucks dick though.
leon fleisher has a great recording of this by the way, rubinstein as well.
SawBoss1000 3 years ago
Sheer cantabile. Never have I heard the slow mvnt of this glorious concerto sing so magically, not even that of the Berlin Phil. with Gilels/Jochum or Pollin/Abbado with the Vienna Phil. Barenboim could not have found a better partner than this genius Celibidache whom some have even called a 'crank'. Well genius is to madness near allied! sd goh (malaysia)
301250 3 years ago
Second thought: violin= violincello. dancewu(dot)net
georgewu5 3 years ago
I supposed the violin= Brahms; the piano=Clara? dancewu(dot)net
georgewu5 3 years ago
Der Celi hätte sich einen besseren Pianisten suchen sollen, er und Barenboim, gegensätzlicher kann mensch nicht sein. Ansonsten Brahms... und die Seeele öffnet sich...
do1ro 4 years ago
do1tro, es ist ein Jammer dass Celi dich nicht gebeten hat zu spielen - du haettest das sicher perfekt gespielt. Mein Gott was fuer ein kleinkariertes A.... du doch bist.
tasteism 2 years ago
Now I'm sure the dynamics are fine and the orchestra's great and the whole thing is just teeming with 'musicality', but what the hell's he waiting for? It's an ANDANTE movement, from the Italian, "walking". I could have walked all the way to Tokyo and back and he'd barely have done a phrase. Get a move on! I enjoyed Katz and Slavchev better.
henripche 4 years ago
Barenboim is very impressive lyrically and has amazing architecture in his playing.
arioso7 4 years ago 2
This has been flagged as spam show
@arioso7 "impressive lyrically"? amazing architecture?
What are yo talking about? Are you a musician o just a snob talking about it? God...
MFN2000s 1 year ago
Well dear Bruno Lien, I wish you all the best hearing it :).
karakallatore 5 years ago
This is one of best music ever writen for any ensemble and instrument, I've heard a lot of versions e none could make this 3 mov. least than wonderfull, and emotionally dense
Camenietzki 4 years ago 14
@Camenietzki :D Couldn't have put it any better.
SebastienLoong 1 year ago
@Camenietzki Absolutely right!!! For me is the best slow movement of all piano concertos. The second in the list is Beethoven's Emperor.
alvarito45 11 months ago 2
I totally disagree with you. Celibidache, who played every year with Barenboïm till his death, choses this tempo because he KNOWS Barenboïm's rare capacity for managing with it, for expressing his remarquable poetic sense in it, just as he did, for instance, with Klemperer and his slow tempi in Beethoven's concertos in the 60's. I heard so many renderings of this Brahms concerto in my life, and this one is for sure one of the most beautiful. It's a pity you don't feel it.
BrunoLien 5 years ago
celibidache is amazing. not sure about barenboim. great skill but not enough spirit for macho brahms.
karakallatore 5 years ago
I find Barenboïm at least as amazing as Celibidache. His playing is unbelievably full of poetry and spirituality. He confirms once more that slow movements are his "speciality".
BrunoLien 5 years ago
he tends to over-poetisize phrases. and it turns me off. brahms is very complex composer,and the score has to be read fully as a harmonic architecture and not piece by piece, with these bursts of small emotions. Celibidache choose a fantastic tempo, slow and he maintains that slow. Barenboim looses unity and integrity between phrases.
Brahms is a Beethoven type composer, poetic - yes but sentimental - no way.
karakallatore 5 years ago
I agree that Barenboim tends to exaggerate the phrasing. But the basic tempo is stunningly fast for either Celibidache or Barenboim. If anything, the performance would have benefited from a slower tempo. Through an incredibly liberal use of rubato, the tempo drops to nearly half-speed in the middle of the movement and then picks back up again when the theme is restated. Otherwise though, the tempo is very near to Brahms's flowing metronome mark of 84 to the quarter.
etucker82 4 years ago
I enjoy listening to Rubinstein and Arrau when it comes down to it. They have the most masculine and mature sense of direction in their renditions.
sab3156 4 years ago
Totally agreed about Rubinstein and Arrau in Brahms. But I'd put Wilhelm Backhaus at the very top of that list.
etucker82 3 years ago
Oh, most definitely, etucker82. The recording of Backhaus/Bohm from '62 (i think that's the year) is beyond anything I've ever heard. It is the greatest recording of Brahms in history. I don't think anyone comes close.
sab3156 3 years ago
Sorry, it was 1967. But yeah, here it is on Amazon:
Brahms-Mozart-Piano-Concertos-Backhaus/dp/B00001IVR0/ref=sr_1_1?ie=UTF8&s=music&qid=1217865365&sr=8-1
It's sublime.
sab3156 3 years ago
I'm a big fan of that recording, but Backhaus was already 84 and it began to show in his technique. My favorite of his three is the second which he did with Carl Schuricht and the Vienna Philharmonic. All three of them are superb in their own ways, but for me the second time was the single greatest recording of this concerto.
etucker82 3 years ago
Best recording is undoubtedly Tiegerman. If you haven't heard it, go find it immediately.
marliben 3 years ago
I didn't think I needed to by another rec of this .This is going to be one of my faves .Brahms the unmuddied classicist fluent orchestrator.this is really great.I have to dig out the Furtwangler/ w/fischer .I cant believe schnabel released his mess -sounds like he just satkept on a keyboard aw/ a bunch of cats lol.
lovesGenet 5 years ago
ahhh... Celibidache!!!
cellobasics 5 years ago
This is masterful playing by Barenboim! Amazing how well they are together when the conductor never looks at Barenboim. Course, Barenboim is a conductor too, so he knows what's going on in the orchestra parts.
sll10 5 years ago