Added: 2 years ago
From: robertdick9
Views: 9,169
Sort by time | Sort by thread (beta)

Link to this comment:

Share to:

All Comments (20)

Sign In or Sign Up now to post a comment!
  • This is really important for guitarists too.

  • Thanks for this. Much appreciated.

  • I've been practicing this and also singing in harmony when I play for a longer time than I want to admit. It is a great exercise, but not one I thought a real expert would endorse. I am pleased to know that when I futz around trying to sing in tune with myself, I actually am practicing and not goofing off for my own amusement. I'm working, I'm working!!!!

  • I have long held this theory, very glad to see it backed up.

    I have personally found that a lot of technical problems I encounter are completely eradicated when I play on the alto-flute because my natural voice is baritone range (two G's below middle C is my lowest comfortable note).

    That means that when I play on the concert flute I have a tendency to use head-register vocally, because middle C would be the second harmonic of my vocal range.

  • Thank you, thank you, thank you-at the risk of sounding like Gomer Pyle! After working this for 15 minutes, there is WAY more "spin" in my sound. I'm a doubler-sax, clar., flt. I've subconsciously known this was the case on sax for years BUT NEVER consciously realized it until seeing your video. I always found if I played an unintentional note in improv, it lacked "snap" in the sound. The connection must be the voice-the "inner" voice, if you will. Brilliant, Mr. Robert Dick!!Thanks so much!!

  • hm.. does flute has this one thing like saxaphone? bas, tenor, soprano?

  • @roberthlubnaomi Yes. There is the piccolo fute (colloquially known to most as the piccolo), the concert flute (flute), alto flute, bass flute, and contrabass flute.

    There maybe some I've forgotten.

  • thank you for your careful, clear, and enjoyable presentation. well done!

  • Robert-this is truly astounding information. Some of the time I do this, being a fan of your work since I attended one of your masterclasses in 1988. It's so great to be able to consciously control and use this technique! I am indebted to you. Dinner on me next time I'm in New York. Best wishes, Adan Provencio, San Diego, Ca.

  • This is a truly AMAZING technique that greatly and instantly improved my tonal quality. I had never thought about it. (Oh, how I hated those "bad days".) I can't thank you enough.

  • This video is amazing. I am a beginner flutist that has played for about 4 months now and within days of doing this exercise, my tone has become fuller and more resonant.

    Thanks!!

  • Wonderful and very clear and easy to follow. I'm sending this to my students to watch as well.

    Thank you , Robert.

  • This really helped. I can finally play the flute solo in Chant Funeraire in tune and with an open throat

  • THIS IS JUST AWESOME! THANK YOU!

    p.s does anyone know where I can get a recording of his Afterlight for solo flute?

  • Thanks Robert, Very excited to follow you on these videos. Mamaglee

  • Hey Robert! Great to see you on YouTube - what a wonderful resource! Hope you are well. - Celine

  • Thank you oh so much for your videos!

    You probably already know this, but this is also a great technique for any wind instrument!

  • Just when you think you know all about flute technique, along comes Robert with a video on something you had never thought of. Great video-keep 'em coming!!

  • Bravo, Robert! You were great at Boxwood two weeks ago and I'm delighted to find your videos on youtube. Thanks for sharing and encouraging all of us to excellence.

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more