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From: presonusaudio
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  • CAN SOMEONE PLEASE HELP ME!? im starting to record drum tracks and im buying a mic pack and it comes with 4 mics. im buying the chords and everything but now all i need is an interface and i dont kno which one to get! do i need an interface with 4 mic inputs and 4 mic outputs or just 2 mic in puts and 2 mic out puts and what does all of that mean? whats the chepest way record my drums with a 4pack mic set and an interface plase help.

  • check my own songs in my channel! used the firestudio mobile!

  • @UlukoJiiRi Will check it out now, thanks man!

  • need to tune those toms

    

  • Anyone hear Clipping?

    

  • You're toms sound like crud. Get some moongels on that bitch!

  • cant hear difference? Then buy a better set of studio monitors. Still can't hear the difference? Get a new line of work....

  • Comment removed

  • sigh, money is the only problem. sold my $300 electric drum set because it was impossible to do fast fills with it.

    now all i need is...to get an interface, some drum microphones, and a way better computer than i have now..

    oh. did i mention a drum kit.

  • Comment removed

  • boring

    

  • This was so helpful! It was wonderful to hear the different micing positions side by side. Thank you! I am subscribing!

  • how do you make the music play through the laptop

  • Tem gringo maluco que diz que o som não muda dos tons conforme a posição do mic muda...

    Sinceramente... esse aí tá surdo ou não trabalha com áudio.

    Fica bem claro quando ele muda a posição e surgem os médio-graves bem mais cheios nos tons.

  • Your shit.

  • fuck your voice is annoying

  • Has anyone tried recording outside?

    What was the outcome like?

  • @didsydude

    I'd imagine it would be extremely dry sounding, since there would be no room reflections. Would have to make sure there's no wind though...

  • stupid question but when recording drums how is that done I got mics and mixer do I record each piece separate and is there like a 8 channel mixer that can record 8 simultaneous tracks becuase if you do it separate there will be a timing issue

  • @DECIFERTHIS09 you bought the wrong thing you bought a mixer instead of a interface , there are no uses for mixers in studios now a days

    get a 8 channel interface ie presonus f10. maudio fast track 8r

  • how do you export a song in studio one artist?

    when i mixdown to audio file, i go through the steps and it seems like it loading with no problem. but at the end it gives me a "clipping has ocurred signal was lost 5db, do you want to continue export''' message, wat do i do? can you help me please.

  • the only prob i have is tht the drums r overpowering the song cuz the volume is so fucking low

  • @spursfan112 you can adjust the output volume and input sensitivity of your mics and also if need be you can amplify your song tracks to equal out better when layering with your drums. 

  • @zeTamadrummaster thanks man, i sounded like an ass in the comment! Lol :)

    thanks

  • @spursfan112 Nah man it's cool. Trust me I know recording can make you mad to the point of throwing your drums out the window each Tom at a time! I have 10% of what these better recorders have in terms of adjustment options and millions of different settings. If anything your comment was a typical mind set that I would experience every time I record (HELP!). Just glad I was able to help before the throwing would take place

    Kevin

  • really?! a video about "little audio changes" in 240p and poor audio quality?!

  • Good vid … but I would say acoustics is first priority. Also, moving a mic a few inches makes a huge difference. We put over 40 micas on Dennis Chambers in 2 diff studios (including Skywalker's Scoring stage) … the rooms make such a huge diff!. Simple EQ can make all the diff in the mix. Nothing like a great player though! being able to monitor them right is key! Check our vids out … great info about monitoring … make music! =) channel is SecretPros

  • thanks for the video! I've just started mic'ing my kit and doing some recording. I find that my snare mic really gets in the way. I always catch it when coming off the hi-hat back onto the snare, or when going from my snare to my first Tom.  I think this may be because I have my kit set low.

    Can anyone take a quick look at one of my videos and maybe offer to advice. i think i may have them too close to the rim too. Thanks a lot :)

  • I have song recorded on one of these;

    search for;

    "Deep Blue dJinn in the Studio, Jan 2011"

  • This is so awesome. Full of great info. Thanks!

  • Recording the drums in a church : the new studio technique

    I enjoy xD

  • @TheAceOfTheCase Exactly what I was thinking, we all arnt rich pros who have money to buy this loads of stuff

  • "Anytime you have two mics that point at eachother they are out of phase"

    Wow do you know anything about sound? seriously? That is not true in any way.

  • @NicholsonDen That's why you buy stero mics paired together . Or use the phase button in your setup to reverse them from eah other! DUR!

  • To mic a drum set and get a good sound starts with the drums themselves...they gotta sound good for recording (not meccessarily live). a church could sound AWESOME...but could also produce lots of phase problems. its important to use the polarity switch, by toggling the polarity of the overheads and snare in different combinations to find what has the least phase cancellation.

  • Credit is due, the mics are 180 out of phase, yes. But the button you are referring to is all too often mislabeled a 'Phase' switch. It in fact does not manipulate phase in any way, since it does not deal with a time relationship between waveforms. It is a polarity switch. I mistakenly wrote that the mics were out of polarity...that would have dealt with an electrical problem. thanks for correcting me

  • isnt a church probably the worst place for recording? it must have a HUGE amount of undesied reflections... i always record in a 10squaremeter and i get nice sounding drums

  • The microphones on the snare drum are NOT out of Phase; they are out of polarity. Entirely different.

  • @mattlhc Granted, you may have a shallow point, but mixers have phase reverse buttons that compensate for these kinds of problems. You fix the problem by pressing the phase reverse button. The mics are 180-degrees out-of-phase! It's not difficult to understand the difference between polarity and phase! I'm just trying to help people get better results from their gear.

  • This is a great video. You don't see many like this that actually show different examples in HQ sound!

  • hauhauha... Pods crer, Cleeveland!!! hauhauha

  • seriously...these drums sound like shit. NEXT!!!

  • Well...there is that :-) If you read the book that this comes from, you'll see that I always start at the source first, trying to make it clear that a bad instrument and an unskilled musician are the first problem.

  • @billgibsonmusic Thanks for posting. All the basics for drum recording are included in this video. Good stuff...

  • You forgot to mention the most important part when recording drums, the drums. If your drums sound like poo, played by a poo drummer, it is impossible to get good sounding drums. The most expensive gear to the biggest rip off plug-ins cant change the fact that the drums will sound like crap. You could trigger or sample replace but then it'll just sound like a cheap drum machine which defeats the purpose of you recording tha drums in the first place.

  • hey dude thaks for this tips...im a beginer in recording but i've been playing for 7 years ...pd : your snare is a bit out of tone in one side you should fix it playing every area between the scrws and try to make them all sound =

  • seriouslly presonus fucking rocks... it the best audio software i've used studio one that is... i still record my audio in pro tools ..i havnt figured out how to select a section of the track in presonus and get it to plat or cut it without moving the whole track off time but umm.. i'm using it to learn about mastering luv it luv it ... good stuff pre sonus....you got a winner with this one

  • those toms sound like ass!!

  • ...does it make sense to use expander/gates to isolate the sound of say the bass drum so you can eq the bass drum without having the background sounds getting in the way??

  • @calvinlove0 of course. but if you use a gate, listen to the track together with the overheads louder, so you can hear if the gate missed a bassdrum.

    2nd Tip: Use a gate with an inbuild eq-sidechain. then you can easily find the most bassy frequence of your bassdrum, which helps the gate to decide "what is the bassdrum" and "what not".

  • the tom sound did NOT change when you move the mics!

  • @TipsAndTricksGuy Yeah it does.

  • @TipsAndTricksGuy actually it does

  • @TipsAndTricksGuy Yeah they did. Iether you don't have good speakers or you don't have the right ear for the job.

  • @TipsAndTricksGuy are you serious?

  • @TipsAndTricksGuy

    your ear obviously isn't developed enough. I noticed a lot of change between positions, despite the video quality (240p) being pretty crap.

  • @TipsAndTricksGuy haha thank you! thought i was the tone deaf for a second there

  • @TipsAndTricksGuy i heard the difference. i found it pretty noticable actually.

  • @MrRazzmire Yeah me too.

  • what do u mean by INVERT the bottom mic on the snare

  • @111drummer111 invert the phase so the mics dont start to sound hallow and crapy when close together and picking up the same sound.

  • this is very helpfull!!! thank you

  • Phasing is important, listen carefully and you can tell that the sound is fuller when phasing is correct, It makes a big difference even when hooking up stereo speakers, if the phasing is wrong it sounds weak. People that try and tell me Im wrong have bad hearing I think lol

  • Best drum sound I've gotten is with just four mics: Heil PR40 for the bass drum, SM57 at 45 degrees to the snare and a couple of ribbon mics, one about 2 feet over and behind the rhythm cymbal (aiming at the hi-hat) and the other about 3 feet directly over the snare (aiming straight down). Awesome rich sound.

  • @unclewaldo2002 The Heil PR-40 is like $300! I wish I could afford that ):

  • @EnjoyTheMorningView

    what is pr 40? im a newb and i wana record my band someone help

  • @maximum512 It's a full range dynamic microphone, AKA really good quality recording. You can pretty much use it for anything on your drum set, if you have the money, which I don't.

  • "Any time you have two mics that point to each other they are out of phase. So always invert the phase of the bottom mic".

    That is just not true. It's an old misunderstanding. Every time you have MORE THEN ONE mic recording a SAME sound source they will be out of phase. Don't matter if they are pointed at each other or not. What you have to do is try to select what frequency will be cancelled for your benefit, you do this by increasing or decreasing the distance between the mics.

  • Awesome video!  This video saved me so much time! You should consider uploading your video to this site, Ewisdomtv Very educational, well done!

  • Comment removed

  • i dont mind a little natural ring.. especially for a vintage sound, but that just sounds OUT OF TUNE!!!

  • haha yea the high tom is lower than the mid tom wtf haha

  • I have 1 question, when i try to record i cant hear whats going on on the headphones while i play the drum, and if i put the sound to loud it starts to distort!! can anyone help me?

  • @LupaShiva

    Vic Firth Stereo Isolation Headphones

    try it - love it

  • ty mate =) ill try it

  • are you using a headphone preamp. that might help with clarity... you can find some cheap ones too.

  • @LupaShiva if there is a volume knob for the headphones try just turning that up instead of the entire track(s) you are trying to record.

  • and finaly another drummer out there who comes to videos but cant tune his own drums

  • God this is horrible. Clipping, poorly-tuned drums, and a drummer that sucks.

  • is there a way to connect a mixer to a laptop via usb?

  • Buy a usb audio interface, you will be able to the mixer on your computer recording program.

  • Tascam offers several USB interfaces starting around $250 US

  • Could you quickly explain phasing? What is it, why and how to avoid it.

  • phasing is caused by the magnets in the mics are to close then bind together causing cancellation. to avoid keep mics to a minimum and not so close together.

  • If two mics are picking up a signal from the same source but one is further away than the other, or if they are on opposite sides of a moving diaphragm (drum skin, speaker cone etc) they can become partially or completely out of phase, which will cause frequency cancellation. two identical signals in perfect phase will be twice as loud, while the same signals 180 degrees out of phase will cancel out completely and result in silence. Put mics as close together as possible, or use the 3:1 rule.

  • @evenbass Well, imagine the graphic of a sound wave... the first semi-cicle goes on the positive side of the timeline and the second semi-cicle goes on the bottom side of the time line, together, it's a cicle... The mic on phase starts like a I just said, but the bottom starts with the negative semi-cicle, so in order to have the same phase, you have to invert the bottom one

  • @evenbass And THATS what causes cancellation,...

  • Great clip... very imformative... thanks! Is it possible to chain up 2 PreSonus FP10's in order to get 16 XLR inputs using just 1 firewire port? many thanks again!

  • I´m recording now, and we are using two mics on the Bass Drum, one for the click, and one with the normal range.. One normal and one inside the bass drum..

    Try it out, it´s tricky but the final effect is great..

  • Does anybody know if the firestudio project will work on windows 7 ...32bit?...64bit?

  • @jmc2219 Yes it surely does. I am using a Firepod (it is now called FP-10) and it works perfectly with Win7. I had to do a driver and framework update from the Presonus website and now it is flawlessly working. The only thing, seems like my firewire card and wireless are not compatible to be used at the same time with the Firepod. I just disable my wireless card when I need to record.

  • thanks for posting... great. i just got the little tiny presonus box and it works great. i like their stuff so far. . . plans to upgrade in the future!

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  • i know this sounds stupid but does anyone know if the mics to records drums are the same ones used to amplify sounds when u want a louder sound live ?

  • thx!!!

    but the pro tools has it to?

    and which one is better ( cubase or protools)

  • They can be. It's up to the sound engineer to decide if close miking or room mics/overheads are better.

    Listen to the drum sounds on The Who's "Who's Next." I happen to think that's one of the best classic recorded drum sounds I've ever heard (Glyn Johns produced those recordings) and they only used 4 mics: (1) snare, (1) bass drum, (1) next to the last floor tom top head facing across the kit to the hi hat and (1) above the kit, 40 inches over the snare drum facing the bass drum pedal.

  • you use the same at home at studio and live...what differs is how you sync them(you do this at the mixer..)

  • yes, same mics except it goes into the PA system.

  • doesnt sound stupid at all... I also wanna know...

  • @alahad To my knowledge, yes, they are. It all depends where the mic is connected. During live shows (for example, the drummer's mics during a concert) are mic'd as usual, and they go into the mixer as they would. However, they get fed into the amps directly, rather than into a computer. The "output" isn't the headphones this way. The "output" is the speakers to the audience. I'm pretty sure you can even do that with things like Rock Band USB-type mics. :P

  • would the sound become clearer and louder or just louder ? im not sure whether its the mixer or the mics which gives that tight sound with less overtones etc etc

  • @aaronalwines It's being run through a mixer, so it's clearer and more compressed right there. The only difference is the final touches on the computer aren't being added, as it's being done live. Mic --> Mixer --> Amps/Speakers. Mic picks up sound, mixer...mixes/condenses/compre­sses sound, amps/speakers are the output.

  • thanks alot for the info man ive been reading drum magazines and shit for ages nowhere it seems to explain these mechanics. thanks again !

  • but how much that console or that box for imput mics costs?

  • the FirePod, or FP10, runs for about $600, bundled with Cubase LE

  • 6:37-6:37 WOW huge difference......

    nice

  • could u record this stuff with Kristal?

  • if anyone could give me a tip or two that would be great. i'm just using my interface with cubase le 4 and i need to record seperate instruments on a few seperate tracks at once. is there any specific way i'm supposed to set up the inputs in program itself. any advice would be greatly appreciated. you might even receive a crisp high five.

  • If it works like in cubase3 (and i think it does), then you have to go to VST Connections (F4), and there set up all the input buses that You want to use and chose for each coresponding input on your interface.

    Then, on each track you just have to select input you want for it, arm it, and have fun recording :)

    If you want more info, then send me a message.

  • i fuckin hate my camera.. it only records for 3 mins... and most songs are like 4 mins.. i dont know how to change it

  • "Notice how when the sound plays back there are clicks and pops in the audio because the computer isn't good enough."

  • i thought that was just a retarted metronome

  • Comment removed

  • Ye brah.

  • isn't it simply peaking audio input?

  • No, it just happens randomly during recording. It's not because the input is peaking, it just happens when the computer can't handle that much information. I have one with only two inputs, and it only works on my newest computer which has much higher specs than presonus says it needs.

  • @MichaelBradus actually its probably the buffer level being too low

    might also be youtube glitching out the playback, vid/aud is compressed..

    Studio One Rules!

  • @MichaelBradus Incorrect. In digital recording a click and pop is from having the level set to HOT. If the computer isn't strong enough to run the software it will just drop channels or freeze.

  • How much would all of this cost? and can u plug triggers into that machine?

  • Does anyone know why I can't import every drum track from the firepod to magix music maker? I have the 8 mic firepod but I can't record all the tracks at the same time someone help please!

  • Why is my man playing the beat from "Tigthen Up" from Archie and the Drells? Cool,helpful vid,tho!

  • This guy speaks a little bit like Cleveland from Family guy!

  • @udderhippo Loretta! lol!

  • @udderhippo thats funny

  • holy balls!

    VERY helpful video!

    one billion out of five stars!

  • does anyone know of a free downloadable program for a mac which will allow parametric equalisation?

  • the updated garageband has a parametric EQ built in

  • I need help can u help me plz? When i go to the website, i click on download theres so many programs to download i dont no which i to get can u tell me which 1?

  • jesus i wanna buy some tayes now

  • Does the FirePod connects directly in the audio card or first in the mixer , or maybe directly in the computer ?

    And what other hardware do you use for recording drums except the FirePod (those in the church) ?

  • FireWire is the Sound output, the support of 96kHz will be destroyed if you put the FirePod tru a 3.5mm Jack in your Card, only poor 22kHz same with the Mixer ;-)

  • So it goes thru what ?

  • you can only connect your FirePod with your pc by FireWire cable, not instrument cables.

  • nice setup

  • I REEALLLYYY need some help!!! I'm recording my band over the next 2 days and I am using a Yamaha MW12 CX mixer and Cubase AI 4 Software. Could some PLEEEASSSEE tell me how to recording the drums so that each drum (kick, snare, toms, etc) is on a separate track while I am recording with all the mics miced up.

  • from the mixer what are you using ( an interface )?

  • Close mic each thing individually that you want to mic up? Then just 2 overheads and you should be sorted. I thought it was simple. Ill help you with other stuff if you want?

  • What mic is that at 3:02 ?

  • That's a really nifty little technique at 6:25 - 6:35. Lemme get this right. He was using the spike in frequency volume to identify the frequency that was the source of the ringing and then doing the exact opposite, nearly mutiing that frequency? I think that's what he was doing.

  • holy crap those toms sound amazing

  • great video!! you guys should check out my video cause im willing to help anyone with recording

  • Finally a video that sets it straight. No bullshit. No wank. Just placement and mic type.

  • I love how the bass drum sounds! I've always wanted mine to sound like that!

  • can u list the things at ur rack?

  • i have really shitty mics, but my drum vids are recorded with a presonus firestudio, if anybody's curious.

  • No offense intended toward whomever produced this video, but that drumset at around 4:00 sounds really terrible. The kick drum is flabby, the snare is pitched too high and pong-y (sounds like a kettle), the tom is too tight, and the cymbals are too thin. I can't hear that set working for any kind of music; it just sounds lousy.

  • elevator music? nah...

  • It could just be youtube compression.

  • all i what to know is how to record on my laptop i gotta mic input which i plug my effect pedal directly in, the cleans nice but the distortion is deafening. can any1 help me record distortion, i lookd at these amps that are downloadable are they any good.

    iv got all these projects but nowhere to record them.

    cheers 4 any1 who reply's

  • do not always invert phase, trust your hear insted... wich sound you like the best? sometimes in metal espescially i would not invert the phase to get only the tight hit of the snare. + i don't need to use an EQ on the snare to cut its low end that inverting the phase would emphasize. Anyways use your hear there is no rule!

  • His snare sucks... but thanks for the info!

  • Did he just say when you point 2 mics at eachother they are "always" in phase? What a douche.

  • He said OUT of phase. Clean your ears.

  • haha badly tuned toms. the tone drops :S well well well. firepod still is awsome :)

  • It would be great if the audio would quit farting...

    hard to really hear things with that popping...

  • useful tips, thanks!

  • Heres a question, how many mics do you think are necessary to get a pretty good sound (not professional, but good enough to the listeners). i was thinkin around 4 to 6: 2 overheads, 1 kik, and 1 snare. or is it really important to mic the bottom of the snare and the toms?

  • My minimum for best quality is nine: kick, 3Toms, hihat, 2Overheads, top and bottom snare. Not NECESSARY, but beautiful!

  • Try Google for links to the Glyn Johns method. Amazing sound with just 4 mics. Much less tweaking and a HUGE sound.

  • Depending on the drum beat complexity and the desired effect. The most natural sound would be achieved by placing 2 mics only. But you would need to wounder around, testing diffirent placements till you find the most desirable sweet spot. Have you evber heard about holophonic reacordings of drum sets?

  • You guys have never heard a bad sounding drum have you?

  • They heard this one, didn't they? It's pretty darn bad from what I'm hearing.

  • the snare sucks :( and toms :(

  • the toms sound like garbage

  • ha, yes, and way too much tone in that snare

  • hey. your tom muffing? It SUCKS

  • thanks for the vid.

    love the tone of those vaults