I first saw Tibaldi as Tosca at LaScala when we lived in Italy. I've never forgotten her glamour, presence, and, of course, the voice. She's a great one, who'll live on in the hearts of those who were blessed to see her.
I was very fortunate to be present at many of Renata's performances at many venues. Every performance was thrilling. Her voice never ceased to amaze me. I saw her first Butterfly at the Met and probably over 100 of her performances there. No one could ever replace her in a role I saw, the audiences were totally mesmerized at every performance. I was one of the lucky few who could count her as a dear friend. I miss her terribly but enjoy listening to every one of her recordings.
She's one of the great sopranos, but she has a tendency to go flat in hitting those high notes sometimes like in the latter "perche, perche signore" climax in this particular performance.
@Orfeus80 first of all thank you very much for your post. is it possible to give us some information about the recording, when and where did it happen?? do you know if it does exist on cd format ?
@chopinopus28 you're welcome, if you google Tebaldi, Tucker, Warren - Mitropoulos Tosca you should be able to find a release of this performance. I'm not a huge fan of the other singers but this is a must recording for Tebaldi and Mitropoulos.
@Orfeus80 haha, the funny thing is that i already own this recording, but haven't heard it for years and so didn't recognize it! i agree with you about the rest of the cast, but mitropoulos is for sure one of my favorite conductors. so thank you very much again!
@7thViking i can assure you that in the theatre with this huge ovewhelming sound coming at you over the orchestra at full blast you wont notice that it is a tiny bit down in pitch at least the start of it, while you nit pick at the universe , your chin will still have to be scraped off the ground where you dropped it !!!!
grandissima interprete forse anzi sicuramente insuperabile, ogni tristezza vola via con il suo canto d angelo ,la callas è sicuramente un tantinello al di sotto.
Simply superb. The elegance of phrasing, the noble and rich tone, well paced but never rushed, hers is arguably the best "Vissi d'Arte". Price, Callas, Caballe are close seconds.
I hear her sing it at the Old Met and the experience changed my life. Robert Merill was Scarpia, Sondor Konya Mario and the great Fernando Corena the scaristan. It's over fifty years later and I still remember it clearly.
I didn't know she sang it with Merrill so looked it up in the met archives - are you sure it was at the met because they only list one performance and that's not at the MET but in Ohio with the MET on tour I guess. Sandor Konya sings Mario so it looks like your cast. She and Merrill must have sounded magnificient together - two of the greatest voices.
@Orfeus80 My apologies. It was almost 50 years ago. In my mind I see Tito Gobbi, whom I know Tabaldi paired with in the role. I did see Merrill at the Old Met, but as Rigoletto. That I'm sure of. In any case, it was a life changing experience, culminating just a few years later in seeing Maria Callas and Giuseppe DiSteppano in Carnegie Hall. Those would be my two most memorable experiences in all these years.
@Alieaz It was when Sandor signaled the sacristan, "da mi coloira." I had no idea what was in store, as I had never seen an opera before. Some strings, then a lonely flute introduced the melody. By the time he hit the high notes of "Tosca sei tu." I was an operaphile for the rest of my life.
My favorite act in all opera is Act I of Tosca, has everything. I can still hear Gobbi singing "Va Tosca" with the alter boys, voices high in the heavens, singing Te Deum. This is grand opera.
@bobbyluy Wonderful. What a charming memory for the rest of your life. I remember Fernando Corena as the sacristan, must have stood 6 ft 5 in. I later saw him sing Doctor Ducumarra in the Elixir.
It broke my heart when they tore down the great building. Was worse than when the Brooklyn Dodgers split for the west coast.
I think this is a much better version. It is so sweet and yet strong, extremely well pased, so different to Callas' whose unique version is all about passion.
To me personally, this is the greatest voice out side of Caruso at his best. And, again personally, I don't think anyone ever understood Caruso better than Tebaldi. (And noone need flip out about it, for it is just the way I experience it. Aesthetics is a complicated and varied field.)
I would agree. On vocal quality, Tebaldi's voice was one of the the richest and most powerful. ever Forget Callas. While her vocal technique and acting were superb, the rich tone wasn't there. Only Flagstad's voice was in the same league as Tebaldi's.
Yes, I have been learning that when I go to a live performance, I want the whole ball of wax; i.e., sufficiently great voices (though maybe not the greatest), acting, casting, directing, accompaniment, etc., for that is what a live opera is all about: the entire thing, not just one or more element or dimension of it. A great performance is does not need the greatest in each and every thing. Great live opera is not just about voices. But when listening alone, then one wants the greatest voices.
For example, I attended a performance this past Spring of "Carmen." I went mainly for friends; but it turned out to be great, because of not only the woman's voice, but because of her profound acting. If the casting is wrong, the composer's power, his voice, is not present.
And I agree: first time I saw a film of Callas in performance, I could not believe the power of her acting, even on film. In person, it must of been overwhelming.
@gigie555 Flagstad is also one of my all time favorite sopranos. And while, yet, in an opera hall, great acting and other visual appearances are parts of what live opera is holistically all about, as experienced "live," the ESSENCE of grand opera is in the voice, what one HEARS via the VOICE! It's a "gift" that its recipient is also called forth to learn a lot besides; rarer than a diamond, or aesthetically, which is a part of the essence of it also, even making it to the moon etc.
Tebaldi's voice was always known for it's power and richness. Callas for her superior belcanto technique. Both singers could convey drama like none of their contemporaries. Unique voices that will never be forgotten.
Perfection. Every note a gem, but every note also heartfelt. No false "theatrics" like some sopranos, no milking and gulping and emoting. Tebaldi can convey more with one grace note that most sopranos can in an entire evening. We love and miss you Renata.
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If you like Puccini, check Paul Pottss studio version of Turandots NESSUN DORMA + 40 other operas by 40 other composers in my play list 20th CENTURY OPERAS ( including the world premiere of ARIA DEL CIRUJANO from Opera Opus Operatorum by Roberto Rius & Pedro Ipuche Riva )
20th CENTURY OPERAS : the MOST VIEWED and MOST COMPLETE last century opera playlist in YOU TUBE !
Just one word....MAGIC........todays sopranos are millions of lightyears away from the qualities of a Tebaldi, a Callas, a Albanese or a Sutherland...
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This is one of my favored arias, Very nice performed by Tebaldi's but I cant get over Callas, I think best performed is from her , then Angela Geoghiu.
Also Anna Moffo and many others sang this role superbly. About the pace - that's up to the conductor so common sense says that the singer was doing as being paid to do.
Check out the Norwegian soprano Sissel. She has an amazing voice and she is extremely talented. Her voice is crystalclear. Singers like Placido Domingo, Bryn Terfel and Jose Carreras loves her. Check out the videos of Sissel here on YouTube.
this happens when a good conductor can bring out the best of a singer (and what a singer, in this particular case). Tebaldi and Mitropoulos make a great pair, if u wanna have another example, listen to her live Forza, with Mitropoulos conducting...AMAZING
probably we are driven by the compassion for the sad end of the life of Maria and she became a legend. Imhp, It's impossible to judge which is the better. The worlsd is nice because we can judge on our own based also on our feelings and emotions
I totally agree with you, and apparently here I am the only one, but I don't care. It's truly obvious that Leontyne delivers an even more powerful and touching rendition. But I must admit that Tebaldi is one of the best.
Bravissima!! La mejor interpretación que he escuchado de esta aria de Tosca en la exquisita voz de la recordada diva Renata Tebaldi. ¡Grande entre las grandes !
Stunning. Beautiful control and the tempo was blissful. I've never heard it sung as well as i hear it in my head, but this is about as close as it comes :)
"Grandi Voci," Renata Tebaldi, London (records/CDs). It is the CD with that image on it, of Tebaldi. Play it on stereo from the disk directly. Albeit, it is an anthology, crossing Puccini, Verdi, and four other composers, but undoubtedly one of the most succinct greatest presentations of what extraordinary beauty the soprano, Tebladi, was composed of---herself. Enjoy!
I am amazed at the vitriolic comparisons of Price, Callas and Tebaldi. All of them were outstandingly gifted in their own right. This Tebaldi rendition of Vissi d´arte is excellent, tender, in carachter, and she´s holding back her spinto skillfully. Brava, Tebaldi, and God bless all the fantastic sopranos of that era!
Well said and blessings for reminding that there is room in the circle - we don't have to be at war; we can celebrate all the talent & beauty in this world... This was the recording (about 14 years ago) that I heard on the radio that made me stop in the middle of my tiny apt in NYC & feel the presence of God. I'd never heard Tebaldi before, but I've never forgotten her since (and never will)...
This voice always transmits special emotions within my soul. I can't explain it. I know she is far from perfection from the technical standpoint but the voice alone is unparalleled and in possession of so many colors. Wow.
unfortunately a "vissi d'arte" does not a great Tosca make, but truth be told it has always been one of her best aria, and this version is one of her best
VivaMariaCallas - I agree with you, Callas and Tebaldi were two of the greatest singers so different. They are no voices like them anymore. We were lucky they arrived at the same time.
Of course, Callas is often considered the gold standard for this aria and the whole opera. Muzio was also fabulous in the role. But Tebaldi was a great Tosca as well, and she does a splendid job here, displaying a most beautiful and expressive tone.
I defend Tebaldi because she is one of the greatest singers who ever lived. Loving Maria doesn't mean that you can't love Renata, or little Renata, or Mirella, or Leyla, or Monserrat....
I agree that the tempo seems just a little slow, but I think that it really works for her here. It seems more dramatic and she really did a great job with this aria.
I agree that the tempo seems just a little slow, but I think that it really works for her here. It seems more dramatic and she really did a great job with this aria.
What a great voice - Incredible sound, so rich and poised. Perfection on earth - Nobody singing today have this sound - powerful and so feminine. Thanks for posting this.
I agree. What has happened to this type of wonderful singing? Not only Tebaldi, but many other of the greats from the past possessed this warm, straight forward way of singing. I love listening to so many of them in preference to today's singers. It's a mystery to me. Maybe it's a lost art.
This type of wonderful singing comes from a lifetime of sacrifice, and respect for music. She in fact did live for her art, as did many others. She wasn't thinking about her lastest recording of " I could have danced all night". These are people who learned from Conductors, when Conductors knew something about singing, rather then brainstorming with General Managers about who's thin enough to do the next High Defintion Telecast in Times Square. It's over.
Yes, this is wonderful singing. I lament the loss of this type of singing also. But surely the art of teaching this free technique must have been passed down somewhere - PLEASE!!. Why do today's singers have these thready, thin sounds or overly plummed, airy sounds or pushed, strident, wobbly sounds? Who is ruining today's voices at the basic technical level??
listentomom: I agree with you about today singers, there are NO great voices, today singers voices are average, too covered, no edge, not greatsounding voices etc, too many flaws.BUT let's admit a voice like Tebaldi is 1 or 2 in a century.R.Zandonai told that when she auditioned with him, in Italy she was called the italian Flagstad
For the whole opera, probably Callas was the best Tosca, or perhaps Muzio. But this "Vissi d'arte" of Tebaldi's is spectacular; what year was it sung and from which performance? Thanks for posting.
I first saw Tibaldi as Tosca at LaScala when we lived in Italy. I've never forgotten her glamour, presence, and, of course, the voice. She's a great one, who'll live on in the hearts of those who were blessed to see her.
Margaux3200 3 weeks ago
I was very fortunate to be present at many of Renata's performances at many venues. Every performance was thrilling. Her voice never ceased to amaze me. I saw her first Butterfly at the Met and probably over 100 of her performances there. No one could ever replace her in a role I saw, the audiences were totally mesmerized at every performance. I was one of the lucky few who could count her as a dear friend. I miss her terribly but enjoy listening to every one of her recordings.
dickshouse1 1 month ago
Tolle Stimme!
7bbuwe 1 month ago
The photo attached to this performance is an iconic one not just for Tebaldi but for all opera. Does anyone know much about it?
GeorgeM1949 1 month ago
per quanto riguarda Tosca ci sono fior di cantanti che hanno interpretato molto bene questo ruolo.....
e poi c'è Floria Tosca: cioè la Tebalbi..........
80Mrmirko 4 months ago
Tebaldi is excellent, as good as callas, but not as good as caballe and Sutherland. Her range is slightly less.
Milahi1935 5 months ago
Sorry, Pavarotti said upon her death"the voice of an angel has been silenced"
Happy Holidays to you.
heigei1 1 year ago
Pavarotti said Tebaldi has the voice of an angel.
heigei1 1 year ago
@heigei1 actually was Toscanini, but who cares? She really DOES have a voice of an angel!!!! What a great artist!!! increadible...
ibk1980 1 year ago 2
et en plus elle avait la beauté!
louvet66 1 year ago
She's one of the great sopranos, but she has a tendency to go flat in hitting those high notes sometimes like in the latter "perche, perche signore" climax in this particular performance.
7thViking 1 year ago 5
@7thViking a very small price to pay for such legendary performances. No singer was perfect but Tebaldi at her best, came pretty close.
Orfeus80 1 year ago 6
@Orfeus80 Ditto
7thViking 1 year ago
@Orfeus80 first of all thank you very much for your post. is it possible to give us some information about the recording, when and where did it happen?? do you know if it does exist on cd format ?
chopinopus28 1 year ago
@chopinopus28 you're welcome, if you google Tebaldi, Tucker, Warren - Mitropoulos Tosca you should be able to find a release of this performance. I'm not a huge fan of the other singers but this is a must recording for Tebaldi and Mitropoulos.
Orfeus80 1 year ago
@Orfeus80 haha, the funny thing is that i already own this recording, but haven't heard it for years and so didn't recognize it! i agree with you about the rest of the cast, but mitropoulos is for sure one of my favorite conductors. so thank you very much again!
chopinopus28 1 year ago
@7thViking I have to agree with you - she was fairly flat on the climax. I will say the quality of her voice on most things makes up for it though.
PianistandFencer 1 year ago
@7thViking i can assure you that in the theatre with this huge ovewhelming sound coming at you over the orchestra at full blast you wont notice that it is a tiny bit down in pitch at least the start of it, while you nit pick at the universe , your chin will still have to be scraped off the ground where you dropped it !!!!
TheValdoro 1 year ago
grandissima interprete forse anzi sicuramente insuperabile, ogni tristezza vola via con il suo canto d angelo ,la callas è sicuramente un tantinello al di sotto.
080291ful 1 year ago
Interprete insuperabile e raffinatissima - La regina e la gloria del belcanto
Grande TEBALDI !
giacomo473 1 year ago 2
Tebaldi is still the best. No voice has ever come near the quality of her's. The purity of those high notes is nothing short of ecstatic.
22Starreacher 1 year ago
Splendida per sempre...
etadsum 1 year ago 2
Renata Tabaldi has AMAZING tone quality!!!
disquand 1 year ago 2
La madre di tutte le soprano,ha un solo nome:Renata Tebaldi
flavikio 1 year ago 3
@flavikio - grande intenditore - è davvero la più grande - mi fa tanto piacere sentire quanto dici . grazie e cordiali saluti
giacomo473 1 year ago
@giacomo473
Grazie del bel complimento.
Grazie sopratutto a Renata,la quale rimane per la Sua tecnica e per la Sua voce sublime,eterna ed incontrastata stella dell'Opera.
R.I.P. Renata.
flavikio 1 year ago
La cosa piu bella! Tebaldi!
lamsalgado 1 year ago 3
Great, Great. Beats Callas by far. Nowadays I love Angelica Gheorghiu, sensitive, sensible, full of warmth.
seetsebea1 2 years ago 2
Gone but not forgotten we her devoted fans
will always love her and recall the wonderful
performances she gave at the Metropolitan
Opera House in New York City where she
was dearly loved.
12Fegens 2 years ago 8
Simply superb. The elegance of phrasing, the noble and rich tone, well paced but never rushed, hers is arguably the best "Vissi d'Arte". Price, Callas, Caballe are close seconds.
philipc67 2 years ago 5
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here her diction is terrible
johan1938 2 years ago
Magnifica, especial.......etc.
QBoxit 2 years ago 3
Fascinating voice ! Strong and yet graceful....Thank you this video.
morinoroba 2 years ago 7
de gustibus....magnifica si...la divina maria mamma che emoziione dava.......
cleope79 2 years ago
sublime.....O_O'
longlifeluke 2 years ago 3
she looks just like Tosca should - regal
BernardProfitendieu 2 years ago 5
C'était, c'est "la Tebaldi" et on ne la fera jamais assez revivre.
Merci.
It was, it is " la Tebaldi " and we shall make her relive never enough.
Thank you.
Patpoussin 2 years ago
Bellissima voce per me il piu'grande soprano di tutti i tempi.
MARISOLDELMONACO 2 years ago 3
I hear her sing it at the Old Met and the experience changed my life. Robert Merill was Scarpia, Sondor Konya Mario and the great Fernando Corena the scaristan. It's over fifty years later and I still remember it clearly.
aristopus 2 years ago 3
I didn't know she sang it with Merrill so looked it up in the met archives - are you sure it was at the met because they only list one performance and that's not at the MET but in Ohio with the MET on tour I guess. Sandor Konya sings Mario so it looks like your cast. She and Merrill must have sounded magnificient together - two of the greatest voices.
Orfeus80 2 years ago
@Orfeus80 My apologies. It was almost 50 years ago. In my mind I see Tito Gobbi, whom I know Tabaldi paired with in the role. I did see Merrill at the Old Met, but as Rigoletto. That I'm sure of. In any case, it was a life changing experience, culminating just a few years later in seeing Maria Callas and Giuseppe DiSteppano in Carnegie Hall. Those would be my two most memorable experiences in all these years.
aristopus 1 year ago
@Orfeus80
My error. I think now it was Tito Gobbi. That year I later heard Merril sing Rigoletto. The years must have blurred my memory.
aristopus 1 year ago
@aristopus Isn't Konya wonderful too? I am a young tenor and youtube has introduced me to singers like Lauri-Volpi, Konya, Giacomini and Fisichella.
Alieaz 1 year ago
@Alieaz It was when Sandor signaled the sacristan, "da mi coloira." I had no idea what was in store, as I had never seen an opera before. Some strings, then a lonely flute introduced the melody. By the time he hit the high notes of "Tosca sei tu." I was an operaphile for the rest of my life.
My favorite act in all opera is Act I of Tosca, has everything. I can still hear Gobbi singing "Va Tosca" with the alter boys, voices high in the heavens, singing Te Deum. This is grand opera.
aristopus 1 year ago
@aristopus me too its amazing i was in the childrens chorus at the met at that time.
bobbyluy 1 year ago
@bobbyluy Wonderful. What a charming memory for the rest of your life. I remember Fernando Corena as the sacristan, must have stood 6 ft 5 in. I later saw him sing Doctor Ducumarra in the Elixir.
It broke my heart when they tore down the great building. Was worse than when the Brooklyn Dodgers split for the west coast.
aristopus 1 year ago
Good heavens, what an incredible voice
theoriginashutterbug 2 years ago 2
Oh my god!
Wonderful
Clevinal 2 years ago 3
bjorling tebaldi voices from heaven
georgegurr 2 years ago 2
Poche storie: il miglior "Vissi d'arte" di sempre. D'altronde, se Toscanini la definì "voce d'angelo" ci sarà pure un motivo...
pramzano69 2 years ago 3
Brava Cara Renata !!! ci dimentichiamo
lumenar70 2 years ago
you mean non ti dimentichiamo, I guess...
Dondinin 2 years ago
I think this is a much better version. It is so sweet and yet strong, extremely well pased, so different to Callas' whose unique version is all about passion.
espinaca79 2 years ago
No one sings this particular aria better then Tebaldi
7enlightenedtemplar7 2 years ago
I fully agree.
To me personally, this is the greatest voice out side of Caruso at his best. And, again personally, I don't think anyone ever understood Caruso better than Tebaldi. (And noone need flip out about it, for it is just the way I experience it. Aesthetics is a complicated and varied field.)
idiotnumber8 2 years ago 4
I would agree. On vocal quality, Tebaldi's voice was one of the the richest and most powerful. ever Forget Callas. While her vocal technique and acting were superb, the rich tone wasn't there. Only Flagstad's voice was in the same league as Tebaldi's.
gigie555 2 years ago 4
Yes, I have been learning that when I go to a live performance, I want the whole ball of wax; i.e., sufficiently great voices (though maybe not the greatest), acting, casting, directing, accompaniment, etc., for that is what a live opera is all about: the entire thing, not just one or more element or dimension of it. A great performance is does not need the greatest in each and every thing. Great live opera is not just about voices. But when listening alone, then one wants the greatest voices.
idiotnumber8 2 years ago
For example, I attended a performance this past Spring of "Carmen." I went mainly for friends; but it turned out to be great, because of not only the woman's voice, but because of her profound acting. If the casting is wrong, the composer's power, his voice, is not present.
And I agree: first time I saw a film of Callas in performance, I could not believe the power of her acting, even on film. In person, it must of been overwhelming.
idiotnumber8 2 years ago
@gigie555 Flagstad is also one of my all time favorite sopranos. And while, yet, in an opera hall, great acting and other visual appearances are parts of what live opera is holistically all about, as experienced "live," the ESSENCE of grand opera is in the voice, what one HEARS via the VOICE! It's a "gift" that its recipient is also called forth to learn a lot besides; rarer than a diamond, or aesthetically, which is a part of the essence of it also, even making it to the moon etc.
idiotnumber8 1 year ago
Tebaldi's voice was always known for it's power and richness. Callas for her superior belcanto technique. Both singers could convey drama like none of their contemporaries. Unique voices that will never be forgotten.
gigie555 2 years ago
Perfection. Every note a gem, but every note also heartfelt. No false "theatrics" like some sopranos, no milking and gulping and emoting. Tebaldi can convey more with one grace note that most sopranos can in an entire evening. We love and miss you Renata.
Richiesutherland 2 years ago 4
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If you like Puccini, check Paul Pottss studio version of Turandots NESSUN DORMA + 40 other operas by 40 other composers in my play list 20th CENTURY OPERAS ( including the world premiere of ARIA DEL CIRUJANO from Opera Opus Operatorum by Roberto Rius & Pedro Ipuche Riva )
20th CENTURY OPERAS : the MOST VIEWED and MOST COMPLETE last century opera playlist in YOU TUBE !
upatoia 2 years ago
Paul Potts..????......LOOOOOOOOL...
chris99103 2 years ago 5
lol
SiEtIn1 2 years ago
I was thinking about removing the Paul Potts comment but it's actually funny to have it as an entry here. A good joke to cheer us all up...lol
Orfeus80 2 years ago
Paul potts is a joke, he's terrible.
tenor220 2 years ago 23
@tenor220 ugh tell me about it. why do we put mediocrity on a pedestal these days?
OperaLover84 1 year ago
my fav interpretation. Brava!
bwonderlandj 2 years ago
Just one word....MAGIC........todays sopranos are millions of lightyears away from the qualities of a Tebaldi, a Callas, a Albanese or a Sutherland...
chris99103 2 years ago 3
I should add Zeani as well...LOL
chris99103 2 years ago
Zeani indeed...
bogdankos 2 years ago
Amazing!! I think this is the best thing I have ever heard her sing!!
daffodilnyc 2 years ago
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This is one of my favored arias, Very nice performed by Tebaldi's but I cant get over Callas, I think best performed is from her , then Angela Geoghiu.
theofilosch 2 years ago
Also Anna Moffo and many others sang this role superbly. About the pace - that's up to the conductor so common sense says that the singer was doing as being paid to do.
LaerdBryn 2 years ago
Muy buena interpretacion.
B1079TL 2 years ago
Che bella interpretazione! Che bella voce!
AulicExclusiva 2 years ago 2
Marvelous here.
Houndentenor1998 2 years ago
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She's great, amaizing, but i prefer Maria Callas.
michompy7 3 years ago
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Check out the Norwegian soprano Sissel. She has an amazing voice and she is extremely talented. Her voice is crystalclear. Singers like Placido Domingo, Bryn Terfel and Jose Carreras loves her. Check out the videos of Sissel here on YouTube.
sisselfan 3 years ago
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I like her singing "Un bel di," but I think Leontyne Price is the best!
miklamar 3 years ago
Amazing... Callas is wonderful, and so is Tebaldi. Can't choose a favorite.
karatepanda13 3 years ago 5
this happens when a good conductor can bring out the best of a singer (and what a singer, in this particular case). Tebaldi and Mitropoulos make a great pair, if u wanna have another example, listen to her live Forza, with Mitropoulos conducting...AMAZING
conmaleta 3 years ago
Impressionante!
neronnenn 3 years ago 6
Il miglior "vissi d'arte" che ci sia.
rossini90 3 years ago 6
Callas' and Tebaldi's interpretations are equally beautiful. It's no point comparing them.
luker2222 3 years ago 7
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throw in Price and it really get impossible to compare.
mm9913 3 years ago
luker2222 ha perfettamente ragione.Non possono esserci 2 interpretazioni belle senza ke l'una superi l'altra?
kakolukiam1984 3 years ago
probably we are driven by the compassion for the sad end of the life of Maria and she became a legend. Imhp, It's impossible to judge which is the better. The worlsd is nice because we can judge on our own based also on our feelings and emotions
adremoid 3 years ago 2
Eat your heart out Callas. You'll never be as good as Tebaldi.
flicfan416 3 years ago 2
I think they are BOTH amazingly beautiful and moving - each in her own unique way. When you are at that level there is no better, only different.
troppofiato 3 years ago
yodavinavarro says "(...)but I MUST ADMIT(...)".
hahahaha! ma,sei um stúpido, o soltanto un po ubriaco??
klinsha8 3 years ago
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I totally agree with you, and apparently here I am the only one, but I don't care. It's truly obvious that Leontyne delivers an even more powerful and touching rendition. But I must admit that Tebaldi is one of the best.
yodavidnavarro 3 years ago
La più grande in assoluto!
ligure2008 3 years ago 6
E' stata la più grande in assoluto!
ligure2008 3 years ago 5
cosa ci può essere di più bello???
sissipiaf 3 years ago 4
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I am overall enraptured by this, except for the flat note she sings at 3:05. Otherwise the best version I am aware of.
CalifaJohn 3 years ago
Bravissima!! La mejor interpretación que he escuchado de esta aria de Tosca en la exquisita voz de la recordada diva Renata Tebaldi. ¡Grande entre las grandes !
amarillysa2007 3 years ago 3
(P.S.: Or at least an image similar, with candle further from her and her right hand behind it.)
idiotnumber8 3 years ago
The best version os this Aria!!! Loved it!! Thank you.
ccalina 3 years ago 3
Stunning. Beautiful control and the tempo was blissful. I've never heard it sung as well as i hear it in my head, but this is about as close as it comes :)
koalabee 3 years ago 3
Grandissima Tebaldi
francamentefranca 3 years ago 6
Stupenda!
promthjr 3 years ago 9
Brava,la voce d'angelo.
v2eqi 3 years ago 7
Perfetto, ideale!! No words..
RenataAnna 3 years ago 7
fantastic
utineke 3 years ago 3
Captivating, wonderful, really gorgeous. Please, from where it's this version?
Onegin65 3 years ago 3
MET '56
Orfeus80 3 years ago
Thanks
Onegin65 3 years ago
"Grandi Voci," Renata Tebaldi, London (records/CDs). It is the CD with that image on it, of Tebaldi. Play it on stereo from the disk directly. Albeit, it is an anthology, crossing Puccini, Verdi, and four other composers, but undoubtedly one of the most succinct greatest presentations of what extraordinary beauty the soprano, Tebladi, was composed of---herself. Enjoy!
idiotnumber8 3 years ago
Perfect: no other words required.
Grazie, Renata
adremoid 3 years ago 5
It had always been callas vs tebaldi. The combination of both would be heavenly.
mylittlepony34 3 years ago
Such a beautiful sound from heaven, or at least what I imagine heaven to be.
ffilchtaeh 3 years ago 3
Renata Tebaldi is an Italian voice full of life, color and love. She is perfect for Puccini.
ciaojellissimi 3 years ago 8
Magnifica.... Un anticipo di paradiso!
maggeo78 4 years ago 2
I am amazed at the vitriolic comparisons of Price, Callas and Tebaldi. All of them were outstandingly gifted in their own right. This Tebaldi rendition of Vissi d´arte is excellent, tender, in carachter, and she´s holding back her spinto skillfully. Brava, Tebaldi, and God bless all the fantastic sopranos of that era!
swe50 4 years ago 5
Well said and blessings for reminding that there is room in the circle - we don't have to be at war; we can celebrate all the talent & beauty in this world... This was the recording (about 14 years ago) that I heard on the radio that made me stop in the middle of my tiny apt in NYC & feel the presence of God. I'd never heard Tebaldi before, but I've never forgotten her since (and never will)...
crooner62 4 years ago 4
She is wonderful here, and her high note phobia
seems to have disappear.
Of course she sang this aria a lot of times.
Brava.
ZMPOUTSAM 4 years ago
This voice always transmits special emotions within my soul. I can't explain it. I know she is far from perfection from the technical standpoint but the voice alone is unparalleled and in possession of so many colors. Wow.
bradoperaman 4 years ago 2
unfortunately a "vissi d'arte" does not a great Tosca make, but truth be told it has always been one of her best aria, and this version is one of her best
franrat 4 years ago
VivaMariaCallas - I agree with you, Callas and Tebaldi were two of the greatest singers so different. They are no voices like them anymore. We were lucky they arrived at the same time.
VivaTebaldi 4 years ago
Unappealing as usual.
sakmeof 4 years ago
Of course, Callas is often considered the gold standard for this aria and the whole opera. Muzio was also fabulous in the role. But Tebaldi was a great Tosca as well, and she does a splendid job here, displaying a most beautiful and expressive tone.
meltzerboy 4 years ago
I defend Tebaldi because she is one of the greatest singers who ever lived. Loving Maria doesn't mean that you can't love Renata, or little Renata, or Mirella, or Leyla, or Monserrat....
VivaMariaCallas 4 years ago 5
BTW, Tebaldi wasn't a son. She was a daughter.
VivaMariaCallas 4 years ago 6
I really don't see how this singing can be void of beauty. This is Tebaldi in her prime. The voice is paramount.
VivaMariaCallas 4 years ago
For me, the tempo is too slow, but Tebaldi is simply angelic here.
VivaMariaCallas 4 years ago 5
I agree that the tempo seems just a little slow, but I think that it really works for her here. It seems more dramatic and she really did a great job with this aria.
Voluptuossa1234 3 years ago
I agree that the tempo seems just a little slow, but I think that it really works for her here. It seems more dramatic and she really did a great job with this aria.
Voluptuossa1234 3 years ago
Her voice makes the world melt away. "Amazing" doesn't come close to describing her talent.
cubdaddy40 4 years ago 3
I will hunt down and slap the person, or descendants of, that initiated the applause over her last piano note.
Liwah 4 years ago 4
I agree!
tomzoricic 4 years ago 2
Brava!
veramour 4 years ago 3
It's perfection-- pure gold.
Andante735 4 years ago 3
P.S. This is the way it's supposed to sound. Ditto for Callas.
Andante735 4 years ago 2
Mitropoulos is conducting, right?
sevoflurane 4 years ago
Yes it is Mitropoulos conducting.
VivaTebaldi 4 years ago
I think this is from The Metropolitan Opera from 1956 with Richard Tucker and Leonard Warren.
VivaTebaldi 4 years ago
What a great voice - Incredible sound, so rich and poised. Perfection on earth - Nobody singing today have this sound - powerful and so feminine. Thanks for posting this.
VivaTebaldi 4 years ago
I agree. What has happened to this type of wonderful singing? Not only Tebaldi, but many other of the greats from the past possessed this warm, straight forward way of singing. I love listening to so many of them in preference to today's singers. It's a mystery to me. Maybe it's a lost art.
zetetics3 4 years ago 2
This type of wonderful singing comes from a lifetime of sacrifice, and respect for music. She in fact did live for her art, as did many others. She wasn't thinking about her lastest recording of " I could have danced all night". These are people who learned from Conductors, when Conductors knew something about singing, rather then brainstorming with General Managers about who's thin enough to do the next High Defintion Telecast in Times Square. It's over.
Andante735 4 years ago 5
Yes, this is wonderful singing. I lament the loss of this type of singing also. But surely the art of teaching this free technique must have been passed down somewhere - PLEASE!!. Why do today's singers have these thready, thin sounds or overly plummed, airy sounds or pushed, strident, wobbly sounds? Who is ruining today's voices at the basic technical level??
listentomom 4 years ago 4
listentomom: I agree with you about today singers, there are NO great voices, today singers voices are average, too covered, no edge, not greatsounding voices etc, too many flaws.BUT let's admit a voice like Tebaldi is 1 or 2 in a century.R.Zandonai told that when she auditioned with him, in Italy she was called the italian Flagstad
jicontios 4 years ago
One of the best renditions I've heard. The slowness of the tempo seems to highlight the best qualities in her voice. Awesome.
patjan92 4 years ago 4
For the whole opera, probably Callas was the best Tosca, or perhaps Muzio. But this "Vissi d'arte" of Tebaldi's is spectacular; what year was it sung and from which performance? Thanks for posting.
meltzerboy 4 years ago 4
My God. What a voice. This is perfection.
mrrk 4 years ago 4
The slow tempo works wonders, lets the voice do the job; and the applause... worthy of the legend.
AnnElliot 4 years ago 4