Added: 4 years ago
From: Tenor65
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  • super !!!

  • Ridiculously good lol He's amazing

  • Titties?!?!

  • impresionante!!!

  • You know what? We're mostly speaking in the realm of opinion. So here's mine: BECZALA IS BRILLIANT.

  • Um tenor Lirico de caracteristicas extremamente spinto de voz.

    A tendencia natural é que ele assuma o repertorio lirico-spinto dentro de pouco tempo!

  • Watch the tapes of Gigili, Bjoerling, Bergonzi- then watch the master's class of LP trying to teach young tenor how NOT to open the mouth in this same aria. PB is not a bad tenor, the technique is just flawed. He is "singing to the gallery". Oh well, that is how one must sing to today's opera audience. I like some of his stuff on YT.

  • Beczala has a voice of great beauty and power.He is also a good actor.I think he is a thoughrouly excellent opera tenor,perhaps the best at this moment !!!

  • eh, he is definately singing too open and is not really covering well at all.i predict he will continue to decline unfotunately unless he gets some good teaching quick.

  • I am related to him! he is the son of my great-grandfather's cousin :D funny though it sounds..

  • time of Villazon and Alagna is OVER!!!

    bet cha!!!!

  • @reydogoloyugo23 now is jonas kaufmann the best!!!

  • jedyny ktory tu nie beczy to Beczala

  • Brilliant, just brilliant

  • Wunderlich again!

  • yes , indeed .

  • I was a fan of everything but his cadenza, to much muscle behind it to be comfortable.

  • agreed, though his steady mid range makes me think he muscled because of nervous energy rather than technique issues. All in all a solid performance.

  • good point. young tenors sound watch the mouth action of this young man then watch Pavarotti/Bjoerling approach high notes. The jaw does NOT drop further as they move up. LP speaks of it on YT in a Masters class w/same aria. When you have lots of voice you can get away w/it, but as you can hear the sound is not beautiful/bright/ringing & the career will not be long, unless corrected.

  • @Lovelytenor1 Corelli opens a huge mouth in the acuti. Pavarotti's not completely right. What works for him doesn't neccesarily work for others.

  • @Lovelytenor1 100percent correct and big voices get away with this all the time.

  • Thanks for posting this! When and where was this performance? Who's Rigoletto and who's Gilda/

  • his main teacher is Dale Fundling in Salzburg

  • but isn't Mr. Fundling a coach and not a teacher? Just asking. Danke.

  • This guy is a very good duca. Glad to find a solid, up-and-coming tenor.

  • Fake?! your kidding right? Im assuming you have some idea of what a tenor sounds like.

  • For sure.

  • Fake? Ignorance is bliss!

  • Questa o qella!!

    i'm singer (tenor)

    i sang this song too

    please click my ID and listen to my song

    give me some advice

  • Great!

  • I was just answering previous comments that compared and yes he is very good. I like his voice and the way he sings very much.

  • Amazing breath control.

    Bill

  • De la ola de jovenes Tenores se me hace la voz mas interesante yo lo escuche en vivo en lucia di lamermoor y se escucha genial :)

  • I don't see the point in comparing him with anyone. But I am impressed. He should be getting much more attention then the likes of Villazon, Alvarez, etc etc...he's very good, not excellent by very good. Solid technique...he's making the best out of what the almighty has given him.

  • Sounds not as light as pav in the 70's and sounds larger then early pav when his voice was smaller then later in house. His voice is darker in color then early pav. but sounds something on top like Gedda and at times like Wunderlich on recording but not here.

  • when was this?

    just saw him at the MET and he is amazing. everyones talking about him in new york. maybe the best tenor today

  • ¿En el 0:44 se le en las tetas a una o estoy flipando?

    Esta para follarsela.

  • Alguien sabe si esto es sano?

    ¿Quiero decir si no esta exagerando, spintando el sonido?

  • Para mí es saludable

  • Not pushed by any marketingmachine so not so well known as others. but what a voice and what a skill.

  • Superb. He sings like Jussi Bjorling and Fritz Wunderlich, except with more weight in the sound, like Pavarotti in the early 70's. Also, the focus is superb. The voice, however, does lack agility, but he'll improve with age.

  • Very nice voice, I don't love him- but nice.

  • La costoro avvenenza è qual dono

    di che il fato ne infiora la vita

    s' oggi questa mi torna gradita

    forse un' altra doman lo sarà.

    La costanza tiranna delcore

    detestiamo qual morbo crudele,

    sol chi vuole si serbi fedele;

  • Non v'è amor se non v'è libertà.

    De' i mariti il geloso furore,

    degli amanti le smanie derido,

    anco d' Argo i cent'occhi disfido

    se mi punge una qualche beltà.

  • In my opinion, Piotr Beczala did a very good Duke. Unfortunately I couldn't see him on the Metropolitan of NY, but I recorded the entire opera by the Syrius Radio, and we can feel the emotion of the audience after the most know arias. I adore Beczala, that is it!

  • Doesn't sound anything Carreras in "mid to late career", by then Carreras had a distinct wobble and sang with a very open almost shouted top. I saw Beczala in this role at the Royal Opera in Covent Garden, and he was astounding.

  • where and when was this performance?

  • Zurich 2006

  • É uma bela ária!

    Questa o quella per me pari sono

    A quant'altre d'intorno,

    D'intorno mi vedo;

    Del mio core, l'impero non cedo

    Meglio ad una che ad altra beltà.

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