I learned to play music by figuring out the bungle songs. Trey's ideas are so exceptional to me. Hearing him talk, and getting an idea of how brilliant he really is, was a treat. Very nice post.
I never got to hear his ideas about pitch before; what he says is congruent with musical (and all-art) systems outside the academic west: that a word is a thing, not just an idea. A musical motif has an objective existence which is not merely arbitrary. Harry Partch was trying to get this back into practice with his "Genesis of a Music" monograph and all the work that came out of it.
When a music is experienced as an objective thing like any other 'creature', it points us back to actual being.
totally agree, once you start playing "in tune" and break away from the equal tempered, let's change keys whenever we feel like it thing, it forces a radical shift in perception - changes how you see, hear, think, makes these "unusual" scales totally natural
@harveypotato I don't believe that is true. He is making complete sense. I find it incredibly interesting that he, perhaps intentionally, modeled his 7 bands after the 7 diatonic modes. He obviously knows more than you on the subject.
Thanks for posting this, that was a very interesting interview and a very interesting man.
shjescaresme 2 days ago
I think his accent sounds a little strange, but he is american isn't he?
Wierdoinc 4 months ago
one of my absolute favorite composers and instrumentalists, hands down. secret chiefs are just limitless. kudos for keeping it up.
mrgoesta 5 months ago
great interview
phreestylesk8r 5 months ago
This man is a legend. So rare to find good stuff on him, thanks!
creativenameisnotava 7 months ago
wow this knows his stuff...and shit
LOL god
fatalfuss 1 year ago
I learned to play music by figuring out the bungle songs. Trey's ideas are so exceptional to me. Hearing him talk, and getting an idea of how brilliant he really is, was a treat. Very nice post.
clovengoatlord 1 year ago
where's that new Secret Chiefs 3 album?
when is coming out?
I'm dying for it.
Quaniverse 1 year ago 2
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Quaniverse 1 year ago
Trey's enunciation is impeccable. Quite posh, I do say. Also, scarcely a more versatile, brilliant, all-around mind-blowing guitarist can be found.
shuckslbj 1 year ago 2
this was a really nice interview. thanks!!
baiNEKO 1 year ago
@baiNEKO thank you!i'm trying to make part2 interesting
sweetabbyg 1 year ago
Yes! Cleric!
punxtr18 1 year ago
I never got to hear his ideas about pitch before; what he says is congruent with musical (and all-art) systems outside the academic west: that a word is a thing, not just an idea. A musical motif has an objective existence which is not merely arbitrary. Harry Partch was trying to get this back into practice with his "Genesis of a Music" monograph and all the work that came out of it.
When a music is experienced as an objective thing like any other 'creature', it points us back to actual being.
bealtown 1 year ago
totally agree, once you start playing "in tune" and break away from the equal tempered, let's change keys whenever we feel like it thing, it forces a radical shift in perception - changes how you see, hear, think, makes these "unusual" scales totally natural
pootuberus 1 year ago
i always seem to get lost in translation by what Mr. Spruance says...
thanks for the upload, i look forward to part 2=]
daiseemeadow 1 year ago
@daiseemeadow - That's because he's the most eloquently spoken bullshitter on the face of the planet.
harveypotato 1 year ago
@harveypotato I don't believe that is true. He is making complete sense. I find it incredibly interesting that he, perhaps intentionally, modeled his 7 bands after the 7 diatonic modes. He obviously knows more than you on the subject.
risingpower 1 year ago
@risingpower haha!
harveypotato 1 year ago
@harveypotato Most of the time that's exactly what I think.
thekidwiththefa 1 year ago
@harveypotato -- wat? there was neither exceptional eloquence nor excessive bullshit there! you smokin ;p
baiNEKO 1 year ago