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From: theoshow2
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  • It says 'un poco meno mosso' which literally means "a little 'less fast'"

  • I love how sarcastic and very often quite soft he plays this... you can tell hes got nothing to prove to anyone.. i often sit there and play as loud as the piano will go, while sometimes i get the urge to play the piece lightly and romantically... there is no right and wrong, just a message expressed in different ways

  • this ends at 3:33...Hm

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  • @YifeiShi You are a retard. GTFO

  • the original... oh, yeah...

    

  • Rachmaninoff played this better than anyone else!!!...

  • @luckykevinful IT IS VERY TRUE!

  • personaly i've got the complete recordings,an unfoundable serie of 10 disc in RCA from the 70'

  • nobody could play it like him

  • so cool! the piano master plays his own song

  • I'm happy that Rachmaninoff is not a "Rachmaninoff specialist" because he plays himself "a tempo"!

  • Title is redundant. Other than that, no complaint.

  • @zomerzault360

    The title is not redundant.

  • @abidoful ahh ok lol you're the first. you speak german?

  • @abidoful i mean....im just saying. ive been to a few concerts and id say its a much better experience than youtube

  • @abidoful you have to admit that listening to a recording on youtube is nothing compared to actually being there when a person is playing it

  • This piece is very sensual because it's very beautifull and powerfull (for me)

  • PERFECTION®

  • Comment removed

  • He did not regret composing anything.Stop making up stories about him.The problem with Op. 3 No. 2 (Prelude in C# minor) was that people would always ask for it at concerts and he grew tired of playing and listening to it, but he loved it nonetheless. He mentioned that when the inspiration for the song came to him he felt he HAD to write it down. The emotions he felt when composing this piece were overwhelming.

    As for Op.23 No. 5, it is a very played piece due to its complexity and amazing feel.

  • Was it not the prelude in C# minor that he regretted composing? I was always told that it was that one.

  • Rachmaninoff relaly hated this piece and hated playing it, greatly regretted that it was the composition of his that became most popular. Someone who knew him told me he wuld refer to this piece as "IT" with a sneer.

  • Rachmaninoff used the piano the way an F1 driver uses a car - At the Limits!!!

  • Utter, total, absolute, complete.... perfection.

    Take a listen to his 2nd piano concerto - played also by him.

    Same quality.

    The man was probably the greatest pianist that has ever lived.

  • @krisspaddy Absolutely, totally agree, you make a great comment :-)

    "The man was the greatest pianist who ever lived"

    On prelude 23/5, only Moiseiwitsch, Gilels and Horowitz came close to Rach's onslaught on emotions, the overpowering and immense darkness, yet still absolutely lyrical and cantabile :-)

  • I love this piece!!!

  • Is it just me or is that last note he plays not in the scores we read present day?!

  • @alterI4 good spot. I believe after the final run there is only on ocatved G. but it does sound like he play it 3 times down the octave.

  • @alterI4 Rachmaninoff had a habit of changing things every now and then. Considering how many times he placed this piece at request, I have no doubt he improvised a few measures or notes

  • if only they had a machine to truly capture the sound....only in live performance can we actually "listen" to the music. i wish we could still experience rachmaninoff himself playing this!

  • This is a great piece! I am learning this piece and have uploaded my video. Please feel free to comment and subscribe!

  • although I love the way he plays the lyrical middle section I find the rest of it curiously flat and lacking in shape - except perhaps in the final page.

  • I think in some cases we can't necessarily trust the composer's performance. The op 23 preludes were written in proud imperialist russia, but by the time he was recording his country was transformed and his home gone. Not to wallow in sentimental despair he probably opted for a more detached and perhaps apathetic approach to this imperial march. Not the grand testament to russia it was surely meant to be.

  • @brosephjames Sorry but have to totally disagree with you :-)

    This is Rachmaninoff, now just any composer, and all of his performances of his works and other's are absolutely surreal and extraordinary.

    I think we should listen to Rach's performances and learn!

  • @brosephjames

    very true

    I think this performance far from what he wanted to say at that time.

    My favorite is Rachmaninoff prelude Op.23 n°5 - Van Cliburn

  • @ifjanna thanks very good rendition

  • @TheTruthArmy

    I should hope so. It's the man himself. ;p

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  • @brosephjames

    I think this just proves that anyone can play it whichever way they damn well please haha. seriously. a lot of classical music fans are tyrannical/notorious in shoving their personal preferences down other's throats in a way that makes the whole genre seem daunting and uninviting, completely unfriendly (on youtube, at least, which of course means in real life as well). but you still have people who don't take a liking to even Sergei's performance. playing it the way YOU want is key

  • @whateveritsnoyes

    It is worse than how you describe some "classical fans", these people write fiction and create soap operas of Rachmninoff's life! Too many youtube "experts" !

    I would humbly suggest any such "yarns " (bs that is) about Rach be voted as spam :-)

  • @whateveritsnoyes Well said, I couldn't have put it better.

  • If Liszt said that, then I'm sure he was one of the best organists ever, as Liszt himself is thought of to be the greatest pianist ever. Sometimes Wikipedia is right, sometimes wrong, but in this particular case, I'm willing to bet it's wrong. Learning all of Beethovens 32 Sonatas by heart (probably 800+ pages of music) by age 11 seems an impossible feat for the human brain, genius, prodigy, savant or other.

  • @tdennison22 I dare to bet he didn't know them by memory, but that he could play every Beethoven Sonata.

    Liszt was incredibly good in sight-reading. I thought when he was 5, he was working already through most of the works of previous composers. I doubt if he could anything by memory, but he could play them with the sheet music.

  • @nmvdw Yes, I can believe that. I, too, have read that Liszt had an uncanny ability to sight read music. I once read that Chopin would get frustrated when Listz would sight his Etudes when presented to him. So knowing them by memory @ that age, not believable, but 100% believable that he could play them at such a young age.

  • @tdennison22 Yep, still impressive though, Camille was the man anyways that's my point.

  • @tdennison22 I bet I could memorize all of Beethoven's sonatas in one year. As a kid, in half a year. 5 pages a day is not that much, and not much at all if you are passionate about it. But to play like these guys, the whole life is not enough for one...

  • i saw a lot of people commenting that rachmaninoff does not play the ``hard version´´ but the thruth is he does: the recording doesnt really shows it at first but if you listen carefully you can hear how he often changes dynamics from fast but soft to equally fast but hard. its a pretty cool combinaton of valentina lissita´s sort of dancing interpretation and gilels´almost literall attack to the piano

  • How interesting that Rachmaninoff does not play this like his own score! So we get both composer and pianist in equal doses here... thank you so much for posting. It's so rare to be able to hear the composer's thoughts articulated at a piano

  • Oh God, I love this man and all his music!! And I'm totally glad to have an opportunity to play such incredibly beautiful prelude

  • I love the way he plays it. (Composer himself!!) And yet we do have silly interpretations out there..

    I wish we could have recordings of Liszt or Chopin playing , but still and composer like Rachmaninov , is enough! He was great and like one user said , its such a delicate piece but we hear so many heavy interpretations that make this sound very dramatic and other things.

    Thank you for posting this , its great to have recordings of such a master like Rach!!

  • @ClassicMusicOnly My favourite interpretation ... i often imagine too how great it would be to have recordings of Liszt or Chopin, their technique was probably incredible... but what really makes me want to cry is that we have no recordings of beethoven, who was famous for his improvisations... sigh

  • @KramerMcB

    I agree. Having recordings of Chopin and Liszt would be so amazing , we could hear how the composers and really the two largest outstanding figures of Romantic piano music play their compositions.

    I personally do not engage myself in much of Beethovens music has I play the piano only (I know Beethoven played the piano) but his music does not seem to fit my taste. Chopin (Obviously I'm Polish:)) , Liszt and Rachmaninov fit my taste the most.

  • @ClassicMusicOnly I don't know much of Chopin (yet) because i don't know much about classical yet. I also love Liszt, btw Rachmaninoff makes my favourite hungarian rhapsody n°2. The reason i think i like beethoven so much is because his music is so... epic. I couldn't describe it more because i'm not english but i think "epic" is the idea.

  • @KramerMcB If we're going to ask for recordings of composer/pianists from before the recording era, I would like to add Mozart to that list, as he was also known for his improvisations and pianistic skills. And J.S. Bach, who was accounted one of the great organists of his time, was involved in evaluating some of the very first pianos and making suggestions for their improvement.

  • @philipvanlidth Camille Sain Seans was super awesome too, Liszt called him the greatest organist alive, and apparently when he was like 11 he gave a concert and as a encore he offered to play any of the 32 beethoven sonatas.

  • That's impossible, even if he was a prodigy. Some of those sonats are 30+ pages and you're telling me he knew them all by heart at age 11? Sorry, I don't believe it for a second.

  • @tdennison22 Thats just what Wikipedia told me so take it or leave it, I think wiki wrote that he was ten actually, anyways Liszt still thought him to be the greatest organ player of his time, that was in the Walker biography.

  • when you listen here the way he is dancing this piece you forget the heavy interpretations you can hear so often.....

    Its such a delicate play.....

  • @uhartchristian

    Yes, the semi-quavered chords sound more like (snare) drums in a march than the modern interpretations where they're more individually emphasised.

    Oh so snazzy~

  • @TheWanderingNight

    this prelude is very rhythmic, and those "semi-quavered" are often mistaken for melody as you say. they are more like a drum echo.

  • @uhartchristian very true but this piece is very hard to play even when played heavily playing this piece so softly is something only the great Rachmaninov could do

  • @uhartchristian Yes, when Rach plays it, IT SINGS to you!! cantabile appassionato :-)

  • grandiosoooooooo

  • does anyone know of any sheet music with pedal release symbols for this song? thanks

  • he never charted it. its romantic era so its reliant on your own ability. any sheet music you get with pedal markings has been added in by someone else, which is pretty much meaningless.

  • An excellent upload. Many thanks for this Luke, what a treat !!

  • the piece played by composer himself only shows its the real emotion and purpose, other interpretations have more personal perspective but still are wonderful if played with quality

  • Velocity is not that important, it seems. That, probably comes with practice. The musicality is obvious, when although the speed none of the notes is neglected neither in phrasing nor tone (sound). He is a master.

  • you shouldnt judge about people who play other than him. He leaves it up to us: you should play piece the way you feel it

  • I Love how he makes the second melody sing in the meno mosso section, horowitz does the same.

  • I wish i'd see that in real when the Maestro himself is playing

  • The best thing here is his revelation to us of the relativity he wants in the B sections melodic elements.  Many pianists seem to get this wrong.

  • I don't think you can do it as rach wanted and play it as fast as most pianists want to play it today in order to show off

  • for myself, the fact that we have R himself playing it in a time-capsule of a recording changes the landscape a little; he was the equal of anybody in technique, anybody, but more important he has a structural perspective (middle section tempo, for instance) that no one else seems to have thought of. This sounds more like dance than a forced march across the steppes, and has a lot humor and variety; I'm modeling my performance on his.

  • totally agree

  • not like i can judge the composer, but i think gilels plays it a little better

  • what about Valentina?

  • Valentina is an amateur compared to Gilels and Rachmaninoff.

  • Not even. lol...

  • She is a beginner lol

  • No one can play better, that the composer. Because only composer can play it right, how it should be..

  • A composer spends his life perfecting the CREATION of music, while a musician spends his life perfecting the INTERPRETATION and PLAYING of that music.

    Just because a composer can play his piece the originally intended way does not necessarily mean he can play it the BEST way, which some other musician might come up with.

  • @imdafoo your comment is interesting but not relevant in the case of Rachmaninoff.... he did both struggle for good compositions and for good interpretation....

  • Rachmaninov always said Horowitz used to play the Rach3 and the Sonata better than him.

  • This is much better than the Ampico piano roll that he made... the improvisatory rubato is great. Mark the tempo relationship of the middle, the prominent countermelody, and the way he gets back to tempo I. and the cool 'alternate' ending.

  • He plays it diferently then the others , more raw.

    Its strange , but I think I like how Gilels plays it more than how the actual composer played it.

  • he looks like a giant playing a mini piano in that pic

  • lol quite right.

  • Richter owns it now!

  • Cool! I can hear the real rachmaninoff play his own song. Thanks! :D

  • To hear him play his own, as Kreisler plays his own. Rach does himself justice, and his inner voices so deftly brought out to hear (as was Horowitz talent too) in the middle sec... brilliant interp.

  • Even he changed the ending! It's always such an anticlimax after such a big piece.

  • hey people!!

    who thinks that liszt could play Rach3??

    i do..

  • dead people can't play concerti. otherwise it would be good.

    More seriously this old recording has a lovely middle. So many pianists just think "stress the right hand play the left hand quiet" without listening to themselves or the actual voices in the music. Rach's is much sexier especially near the end.

  • :O)))))))))))))))))))))

  • it's an honor to listen to this

  • Amazing! Some utter NOBODY is actually criticizing the piano playing of SERGEI RACHMANINOFF! May you be forgotten as long as Sergeivitch is remembered!

  • Rachmaninov criticized himself... lol...

    No one's perfect. Rachmaninov liked Horowitz's interpretation of a lot of his pieces better.

  • Rachmaninov had the right to criticize himself. It's the self-proclaimed "experts" on this page who don't. (Until I hear their own superior interpretationshahahaha, that'll happen!)

  • Just because you don't have a superior interpretation doesn't mean that one cannot criticize. Though, most of these people can't play anything. Mind you, there are a few who can.

    Anyhow, this interpretation is incredible, but I do favor Horowitz's. But, there are some cases where I think Rachmaninov was being far too humble. My favorite interpretation of his is Op. 32 No. 5. ABSOLUTELY gorgeous, and only he nails it. His interpretation of that is as perfect as I could imagine.

  • Well, I found out that Moisewitsch also nailed Op. 32 No. 5.

  • hmmm

    I like it, but some parts aren't played according to what he wrote on the published sheet music. I know it's his work and he can do whatever he wants with it, but I really like the sheet music "piano"s and "forte"s :P

  • strange though. i own the prelude book and in the preface it is stated that rachmaninov wished his songs to be played exactly the way it is described in the sheets. in fact he very much disliked his pieces being played in an overtemperated or cheesy way. i wonder why he himself would do exactly that...

  • can someone post rachmaninoff playing the g flat major recording? opus 23 no 10. it's also one of the few prelude recordings he made in addition to this one.

    This is rachmaninoff btw, no question about it.

  • I do not think this is him. A lot of false information is spread throughout the internet regarding his performances. In fact, there are only very few true recordings of Rachmaninoff. Most of them which are titled with "played by Rachmaninoff" are performed by Horowitz. Such as the piano concertos. These recordings are from around 1930. Rachmaninoff was very impressed by Horowitz when the met in the US

  • i'm sure that this is rachmaninoff...i heard it live,and him played it in this way...

  • Rachmaninoff died over 70 years ago.

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  • no he died in 1944

  • ... it depends on what calender you are using, seeing as he is russian they use a different calender, and 66 years ago is only 4 off 70 years ago.

  • Listen to the 1931 Horowitz of this prelude: he skips beats (0:53, m 29-30) adds a measure (2:51, m 73-74) and makes up his own coda (3;10, and double-time) and makes many note mistakes.

    this is not, at least, Horowitz. It is very much like the way Rachmaninoff plays his concerti with Philly.

  • I see this at other old recordings too. I'm not saying that all his playing MUST be good because he is Rachmaninov. And of course you can say quite a a bit about the music, despite the quality. But be real, if you could hear Rachmaninov playing in good quality it would do wonders.

  • Amazing to hear him playing his own piece. It's unique and quite a bit different than today's performers play it. To those who are somewhat disappointed by him playing his own piece....have you considered it might also have something to do with the extremely poor audio quality?? :O If you could hear this in good quality it would be (even more) stunning!

  • Beautifully said SAP13NS

    I seldom read comments any longer on classical music.

  • я играла это произведение) Рахманинов гений) нечего не скажешь!

  • if ONLY we could here Chopin studies by himself.................. We're really priviledged to be able to listen to that!

  • I really dislike how so many pianists nowadays take such a romantic approach to Rachmaninov's music. It's interesting to see that he plays it so much differently than what is considered a "good" performance now.

  • I was very surprised to see how simple was his interpretation .

    I wish i could hear beethoven ..... sigh

  • that would be the best recording ever made!

  • I'm not sure Beethoven could handle this.

  • He just had to learn a totally new way of playing and a new interpretation. But I think that L.v. Beethoven could done that

    BUT, of course, he could not play it like the master of this piece, Rachmaninov him self

  • If he could do it, it would be something like Evgeny Kissins interpretation.

  • I think rach. version is very good. yes I would play it different but no one knows the work better than it's own master and I belief that if Rach. played like this, it should sound like this. I like it just as it is.

  • how weird. i'm standing right in front of the spring of this prelude and strangely it's not my favourite interpretation :o

    it didn't expect him to play like that . it remains very amazing to know the "absolute version".

  • I know I wouldnt be able to say this... But I wouldnt have to if they did...

    They should just disable comments for videos like this. I hate people and their stupid criticism. I thought to myself: "Surely noone is going to make a fool of his/herself by criticizing Rach's interpretation of his OWN composition." But here we are... I'm ready to die now...I've seen everything...

  • Before I have only ever heard the piano roll recording, which I never liked very much. This recording is much better, and I like how understated it is. However I think out of all the versions I have heard it is between Richter's and Horrowitz's for which is the best

  • have to agree

  • when was this recorded?

  • He signed the contract with RCA Victor in 1920, so we can guess it was around or after that time.

  • Rachmaninoff it is genial in all your works, this recording is very notable, it is an excellent document; I believe that is no good relations in contrast between one and another artist because each one has its kinds talent

  • This is a great recording

    IT IS NOT TOO FAST, this is about the speed written in the manuscipt of crotchet=108

  • funny that

  • Have you heard Valentina Lisitsa playing this? A little like Richter, but perhaps even more passionate...

  • You should realize that this recording's run time was limited due to the restrictions of working with 78 rpm discs. In recital he would likely not have used these tempi. In spite of the speed of interpretation, the feeling the composer elicits in playing his own piece is incredible.

  • this is crazy good! man no one would really be able to play like this... not even kissin!

  • every pianist has a different way of interpreting the music, they all have a different feel for it. So no one can play exactly like kissin or rachmaninoff himself.

  • wow Rachmaninoff sucked at playing his own shit.

    but hey..

  • lolwut?

    this is the best recording of this piece I have heard. no one plays it so clean and fast.

    Rachmaninoff's recording of his piano concerto's are better than 95% of the ones out there, as are his recordings of his own pieces.

    Did you even listen before posting?

  • maybe it was the quality or something or maybe because i watched that crazy fucker Kissin play this before watching Rahmaninov.Kissin impressed me,there is a clip on youtube, watch.

  • Its fast and clean, yes, but that doesn't make it a good interpretation. I think Gilel's version has more musicality. Actually this version is too fast.

    I also think that sometimes he doesn't get the full potential out of the piece.

  • 'Tis rather of an arrogant sort to suggest some performer might better the very author, might somehow know best how to make another's composition what it ought to be - especially when this composer was clearly one of the world's best pianists.

  • Look up "death of the author"

  • Oh my God...

  • This only proves the change of style of piano performance from the early 1900's. Today is all about technicalities and mechanics, people just want to see fireworks. Not be driven to tears by musicality. Unfortunately.

  • theres a better version of rachmaninoff playing this. its a piano roll so the clarity and accents are really audible. you can find it on youtube, and i think its worth a look

  • That one is god-awful compared to this. It doesn't sound anything like the way he plays it.

    I don't understand how you can think that one is better if it is the one I have heard.

  • What about Richter's interpretation of this prelude?

    I don't like Rachmaninoff's interpretations of his own pieces. He plays them like he's bored. I mean, he had amazing technique, but I don't enjoy listening to him play his own stuff.

  • I personally like Richter's better because he puts more emotions into it, i guess. ehh, but then we are all entitled to our own opinions

  • i think it is remarkable that we have the composer himself playin his pieces, it would be great to hear chopin play his, or beethoven play his! and i strongly disagree that he plays like he's bored, problem we have is that everyone plays rach romantically and he wasn't such, he was passionate but not romantic! In his own words!

  • Rachmaninoff was probably bored of the G-Minor and C-sharp minor preludes because they wanted him to play it as an encore like every concert so likely he was. He may have not been as bored with his other stuff.

  • Whoa this seems to be a half tone flatter than the rest of the recorded versions on youtube LOL It was jarring.

  • This one hasn't been remastered, that's wy. I like it this way, it has a certain feel of authenticity over it.

  • why the last chord?? thats not in the revised notes

  • why not??

  • ever heard of improvisation? Bach improvised literally everything he "composed", the written sheet music is only a matter of compromise because he simply HAD to decide on ONE version to go to the printing presses. Same did Mozart, Chopin, Liszt, every great jazzer, etc. Man oh man, you rigid purists are killing me. To get a hang-up and fuss about ONE chord???

  • This is how it goes! Nobody else comes close. Brilliant pianism, colorful, musical, imaginative; Horowitz considered Rachmaninoff to be one of the supreme pianists, and the best technician.

  • I have never heard a better performance of this.I have heard many performances of this great piece,but this is really the best.

  • you never heard a better performance because Rachmaninoff plays Rachmaninoff of course you never heard any better.

  • You have all the reason!Have you heard his performance of the concert nº3,third movement?Too amazing and beautiful.

  • Why.... would anyone want to play this any different than how the actual composer intended it to be??? I'm taking bets that Rach knew what he wanted. Gilels or Kissin....

    No one gets near the original composer.

    It is superb!!!!!!!!!!!!!!

  • Why wear different color clothes when we can wear the same color? The composer gives us a blank shirt, people give it color.

  • красивый!

  • for the people that don't understand Russian.

    "Beautiful!"

  • Youtube didn't categorize my statement. uuhhh

    Kracivui is beautiful in Russian. uhhhh

  • only Rachmaninoff plays it like this...i've never heard anyone else play it quite like he does...hardly any pedal compared to others!

  • the chord changes sound like machine guns. So fast and so good. oldie but goodie.

    Lugansky's and others could not play that way because they are not Rachmaninov. Only, he knows how the piece goes. It sounds like machine gun chord changes. rock on

  • Rachmaninov plays a different rythm than he wrote on paper, those three machine gun chords are played by him as 32nd notes but he wrote 16th notes. Other famous pianists from his era played it like him but pianists now always play as written, since aesthetics have shifted.

  • thankyou for clearing that up. Need brush up on Rach history.

  • well actually, this is not an easy piece but its playeble. not that so hard. i vas 17 when i played this in music school. ok i had lot of work in it, but really, its not extremely hard. it sounded quite well under my hands, but of course nearly not as well as under rachmaninoffs

  • that's true, when you hear it seems almost easy to play, but its quite hard

  • Rachmaninoff's playing is definition. He plays crystal clear, as for some other pianists can pedal too much. (it's all a preference on how you like music)

    It's great to hear a legend play. Some of you might like other interpretations, but it's amazing to hear one of the greats do their own music. Not every day do we get to hear Chopin play Chopin, or Liszt play Liszt.

  • SOOOOOOOOOOOOOOOOOOOO GOOD!

  • jeezes that piano is out of tune!!!!!!

  • Its the recording T.T

  • is a ghost hehihi