$50 to that nigger who bowed and directed me to that seat. Why wasn't I there with blue petals to cast upon those darling performers who so kindly spent their time so well?
@lyricalmage It was Berlioz who did that (This is not the original Paris version but the remake from 19th century with transponation on the Orphee part from haute-contre to mezzosoprano and an extra coloratura aria for Orphee)
Barenreiter actually publishes both the first Vienna version (in Italian) of 1762 AND the French revival version of 1774 with an haute contre Orphee. The version here is actually the Berlioz-Viardot version, that is based on the 1774 version.
Mme. Petibon's voice is lovely. I've never heard it before. Love the aria, though it's extended in the Italian version and therefore we get more time to enjoy it. :)
Both singers are wonderful artists, but really, if you've seen thirty seconds of Robert Wilson you've seen his entire oeuvre. I've seen two productions live and clips of others on video. They are all the same. Maybe he should partner with Philip Glass--another one-trick pony.
But he did. He revolutioned theater in 1970 with "le regard du sourd" and "Einstein on the beach". You speak of his opera productions but there was something much more interesting, his theater.
Agreed. I'd add that those who call Wilson a "one trick pony" have simply been left behind. The man managed to completely re-invent the relationships between story, movement, time, and the body; it's a language which Wislon is, indeed, dedicated to with purity. Bertolt Brecht was dedicated to his own re-invention of performance style--another "one trick pony?" Are naturalists "one trick ponies?" Realists? Impressionists? Wilson will be remembered not just for his vision, but for his purity.
That dancing and singing thing was much better acomplished in the Giuliu Cesare in Egitto done by the Orchestra of The Age of Elightenment... that production was superb... this, for me, is not working...
Weren't Sir John and Bob fighting like cats and dogs about the staging? I read an interview with Magdalena about how the rehearsals were very tense and the cast was unhappy because of the conflict. She was also brought in very late.. I wonder who she replaced?
oh did they? i didn't know. but i do like the result, i must say. i guess good chemistry creates itself whether the parties involved intend to or not sometimes. like bjork and lars von trier. =)
hehe, after listening to Orfeo (Monteverdi) it's hard to appreciate the muddy modern tunning of the instruments (inexact fifths and threes for sake of exact octaves...)
The problem with Robert Wilson productions is if you've seen one, you've seen 'em all...
MariaCaIIas 6 months ago
a great video - thanks a lot for posting it. Wonderful. Such two beautiful voices!!!
Nibelungenfrau 7 months ago
Me gusta, Me gusta MIL VECES!
MelWolff 7 months ago
$50 to that nigger who bowed and directed me to that seat. Why wasn't I there with blue petals to cast upon those darling performers who so kindly spent their time so well?
zobrioth 1 year ago
gli stessi alberelli della scala!!!!!!!!! non posso crederci!!!!!!
udilio 2 years ago
i adore Petibon
MonkiiGirl 2 years ago
Patricia Petibon possède une grâce primesautière parfaite pour l'Amour.
saturne46 2 years ago
elle arive par son interprétation à rendre ridicule cet opéra !
KOKAYT1 3 years ago
Mais non, mais non. C'est très joli.
MrBasilego 2 years ago
why did Gluck put vocal virtuosism in the french version?
lyricalmage 3 years ago
@lyricalmage It was Berlioz who did that (This is not the original Paris version but the remake from 19th century with transponation on the Orphee part from haute-contre to mezzosoprano and an extra coloratura aria for Orphee)
evaeke 2 years ago
@evaeke
You are wrong !
Anyway Berloz is the only valuable composer in 19e century...
bouzignac 1 year ago
ugh, I HATE when this is done in french. the 1772 (the barenreiter one) is the best version
lucyliesinashes 3 years ago
if the title says, "Orphée" then you shouldn't be surprised it's the French version, you dimwit!
BernardProfitendieu 3 years ago 6
Barenreiter actually publishes both the first Vienna version (in Italian) of 1762 AND the French revival version of 1774 with an haute contre Orphee. The version here is actually the Berlioz-Viardot version, that is based on the 1774 version.
vitellia 2 years ago
BRAVO - Magdalena Kozena is the best CZECH opera singer now and she was able to sing even she is now 8 month pregnant with her secon child !
rymicka 3 years ago
@rymicka
We don't give a shit !
It's life, not opera
bouzignac 1 year ago
Mme. Petibon's voice is lovely. I've never heard it before. Love the aria, though it's extended in the Italian version and therefore we get more time to enjoy it. :)
moskva40 3 years ago
Both singers are wonderful artists, but really, if you've seen thirty seconds of Robert Wilson you've seen his entire oeuvre. I've seen two productions live and clips of others on video. They are all the same. Maybe he should partner with Philip Glass--another one-trick pony.
lizsfca 3 years ago
But he did. He revolutioned theater in 1970 with "le regard du sourd" and "Einstein on the beach". You speak of his opera productions but there was something much more interesting, his theater.
foropera 3 years ago
Agreed. I'd add that those who call Wilson a "one trick pony" have simply been left behind. The man managed to completely re-invent the relationships between story, movement, time, and the body; it's a language which Wislon is, indeed, dedicated to with purity. Bertolt Brecht was dedicated to his own re-invention of performance style--another "one trick pony?" Are naturalists "one trick ponies?" Realists? Impressionists? Wilson will be remembered not just for his vision, but for his purity.
mlocher 3 years ago
That dancing and singing thing was much better acomplished in the Giuliu Cesare in Egitto done by the Orchestra of The Age of Elightenment... that production was superb... this, for me, is not working...
alejandra379 4 years ago
where can i get a copy dvd of this production. Amazing
malloy611 4 years ago
my faverite opera. Not realy bel canto but brilliant in its purity and melodic sounds.
malloy611 4 years ago
I love so much Robert Wilson!!!He has been my friend for many years!Bob i still love you ...i love your art!
vonspre 4 years ago
Lovely
NYvideoUS 4 years ago
mygod. john eliot gardner AND robert wilson.
i tried to get my hands on the dvd set here (US), but its way too expensive whereas it was like 18 dollars in england. its really sad.
miiihiii 4 years ago
Weren't Sir John and Bob fighting like cats and dogs about the staging? I read an interview with Magdalena about how the rehearsals were very tense and the cast was unhappy because of the conflict. She was also brought in very late.. I wonder who she replaced?
poursuivant1 4 years ago
oh did they? i didn't know. but i do like the result, i must say. i guess good chemistry creates itself whether the parties involved intend to or not sometimes. like bjork and lars von trier. =)
its a beautiful opera.
miiihiii 4 years ago
hehe, after listening to Orfeo (Monteverdi) it's hard to appreciate the muddy modern tunning of the instruments (inexact fifths and threes for sake of exact octaves...)
8R8 4 years ago
In the French version Orfeo...rather Orphee...is a tenor.
kingjordana 4 years ago
really you honestly think that?
chemeche 4 years ago
they are both fantastic!!! The two youngest an best opera singers of our time!!! I only love them!!!
moew99 4 years ago