@paulbrownAD sorry, I m not sure I follow how F7 to B7 is a V-I. I think you meant to write that it was a tritone sub. Also, the 'old school' approach to V7(alt.) was/is a min melodic half step up, there are actually quite a few approaches other than that, even, in the old school. Im sure you meant that, instead. =)
F7 to B7 can be seen as a V-I resolution even though you going to the IV, and Larry is hinting at an altered V chord. The old school way of playing over any altered V chord would be to play a major scale up a half tone, so play G major scale over F7alt. then just lower the third and you get a melodic minor scale that sounds much hipper than playing the major.
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Check out the "Tony Martin Group" on Youtube if you love great feeling and tone, he is awesome ;-)
dumbletone 3 months ago
...nice teachin'...
gyanissimo 4 months ago
@paulbrownAD sorry, I m not sure I follow how F7 to B7 is a V-I. I think you meant to write that it was a tritone sub. Also, the 'old school' approach to V7(alt.) was/is a min melodic half step up, there are actually quite a few approaches other than that, even, in the old school. Im sure you meant that, instead. =)
CatrinaDaimonLee 7 months ago
How cool can you get!
Criddington 8 months ago
this guy is a humble monster
kantuflas 8 months ago
have you got the original link for the backing track? Great stuff, so simple and so effective.
maxmoves64 9 months ago
You can keep your shredders and technique freaks, Larry has SO much soul.
acippico 10 months ago 8
positively creepy
farbrorblo 1 year ago
Hey kentano 2000, thanks for the post, you're totally right I did mean Fsharp7-sorry folks
paulbrownAD 1 year ago
gracias maestro ! !!!!!! from argentinamuchos saludos !!! abrazos nicolovi !!!
nicolovi 1 year ago
A true master, thank you for posting this!
Twanger73 1 year ago
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again, thanks for the lesson....
jasmoism 1 year ago
again, thanks for the lesson....
jasmoism 1 year ago
sounds very jazzy at some areas. good improv
rayjdragonballz 2 years ago
I'm thinkin of buying this lesson if there is a tablature for this particular improvisation.
Can someone enlighten me?
slowhand100 2 years ago
why does melodic minor work over the 4th chord? too bad he doesnt explain anything
poepneukerobotjes 2 years ago
Have a look at the intervals of the scale relative to the 'B' or '4' chord. It's basically a dominant scale with a tri tone.
coolioto 2 years ago
@poepneukerobotjes I'll try to explain
paulbrownAD 1 year ago
F7 to B7 can be seen as a V-I resolution even though you going to the IV, and Larry is hinting at an altered V chord. The old school way of playing over any altered V chord would be to play a major scale up a half tone, so play G major scale over F7alt. then just lower the third and you get a melodic minor scale that sounds much hipper than playing the major.
paulbrownAD 1 year ago 2
@paulbrownAD allright thanks man!
poepneukerobotjes 1 year ago
@paulbrownAD You mean F#7, right? :-)
kentano2000 1 year ago
This is the best demonstration of less is more.
It takes more artistry to play this style.
My playing is going to the next level because of this vid.
Thank you Larry.
Bill
billville111 2 years ago
This is the best alternative to Berkley or GIT, and it's so much cheaper.
I'm so glad I discovered True Fire, it has already paid off in many ways. Just the jam tracks are worth the $20 per month.
I can't recomend it more, and for commitment avoidence types like me, don't worry, you can cancel at any time, no contract.
willievega 2 years ago